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Know How - Pentatonic Scale Finger Patterns

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0% found this document useful (0 votes)
41 views1 page

Know How - Pentatonic Scale Finger Patterns

Uploaded by

maudoria
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

KNOW HOW - PENTATONIC SCALE FINGER PATTERNS

POSITION 2 - A Major, F# Minor POSITION 4


Key finger positions
Use these patterns to play major or minor
Pentatonic scales. The root notes (Green =
Major Pentatonic, Magenta = Minor
Pentatonic) in each pattern relate to the
chosen scale. Note how the patterns from 1
to 5 interlock with each other. Pattern 5 links
POSITION 1 - A Major, F# Minor Pentatonic POSITION 3 - A Major, F# minor POSITION 5 with pattern 1 to continue the chain.

FIRST POSITION PATTERN - Pentatonic scale root on A - Minor Pentatonic scale root on F# SECOND POSITION PATTERN - Pentatonic scale root on G - Minor Pentatonic scale root on E
1 4 2 4
1 4 2 4
1 3 1 3
1 3 1 4
1 3 1 4
1 4 2 4
0 1 2 3 4 5 6 0 1 2 3 4 5 6

THIRD POSITION PATTERN - Pentatonic scale root on E - Minor Pentatonic scale root on C# FOURTH POSITION PATTERN - Pentatonic scale root on D - Minor Pentatonic scale root on B
1 3 1 4
1 4 2 4
1 4 1 3
2 4 1 3
2 4 1 4
2 4 1 4
0 1 2 3 4 5 6 0 1 2 3 4 5 6

FIFTH POSITION PATTERN - Pentatonic scale root on C - Minor Pentatonic scale root on A
Practice makes perfect
2 4 Major Pentatonic Scales are played across the neck Try to maintain your hand position
Root note
2 4 moving from string to string. Practice and note the finger positions. Also
1 4 the scales by playing up and down practice linking into adjacent patterns
Minor Pentatonic the scale in one even motion. The or skipping a pattern into a new
1 4 Root note scale in each pattern is played from position.
2 4 1 the lowest note on the sixth string to Once you have become familiar with
2 4 Scale note with
the highest note on the first string the patterns you will find it much
finger position and then back again. easier to improvise melody and solos.
0 1 2 3 4 5 6

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