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12th Grade Theatre Directing Lesson Plan

This lesson plan guides 12th grade advanced theatre students in directing and producing their own short play to be showcased at the end of the semester. Students will learn directing skills like casting, time management, and blocking through activities such as analyzing scripts, holding auditions and rehearsals. Their understanding will be assessed through a director's binder compiling their production materials and scheduling, as well as the successful casting and leading of rehearsals for their short play.

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0% found this document useful (0 votes)
31 views4 pages

12th Grade Theatre Directing Lesson Plan

This lesson plan guides 12th grade advanced theatre students in directing and producing their own short play to be showcased at the end of the semester. Students will learn directing skills like casting, time management, and blocking through activities such as analyzing scripts, holding auditions and rehearsals. Their understanding will be assessed through a director's binder compiling their production materials and scheduling, as well as the successful casting and leading of rehearsals for their short play.

Uploaded by

api-557230672
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Lesson Plan Guide

Grade: 12 Subject: Advance Theatre

TEKS: Theatre Level 4. Creative Expression (3.C-E) Theatre Production-Directing.

Objective: The student will be able to effectively direct and produce a short play that will be
showcased at the end of the semester

Tasks Analysis:

What Language will be taught: Casting, Directing, Producing.


Strategy to teach language: Graffiti Wall, Word of the Week, Visual Examples, Presentation on
Words, Think-Pair-Share.
What Skills must be taught: Leadership, Being a director, Time management, Responseability,
Design and research strategies for a show.

Assessment:
1. Successful casting of a show and well thought out planner of production schedule. Formative
and Summative assessments will both take place with the project.
2. Turn in the Director's Binder at the end of the performance/production. The performance and
Binder will be graded.

Strategies for Success:


● Concept Maps
● Know, Want to know, Learn Chart
● Plot Diagram
● 1 minute paper on play/presented/proposal
● Graffiti
● Analysis and Summary of play

Element of Technology:
● Google Docs and calendar
● Youtube
● Sketch Book
● Power Point
Learning Styles addressed:
Visual- Past production pictures, concept maps, plot diagram of play, Designs of lighting and
costuming.
Auditory- Step by step instruction on play productions, Podcast from directors on
shows/elements of directing. Also, sound design.
Kinesthetic- Doing rehearsals (moving on stage as directing/acting), Blocking the show and
practicing it on stage.

Resources and Materials Needed:


● Example Binders from past productions
● Mock forms for directors
● Scripts and short plays to choose from
● Any props or set pieces the students may need for production
● Stage time for students to rehearse there

Higher Order Questioning to Ask:


● How would you prioritize your time for before and during rehearsal?
● Can you justify why you picked the audition pieces you chose, does it effectively give
you enough information about the character that the actor can play with?
● What did you recognize or learn about the role of the director through the rehearsal
process?
Hook:
Quick Search- Famous Director, their styles and Aesthetic.

Closure:
Whip Around- Share how the rehearsals went during the lesson and at the end. What are some
things you liked and things you would’ve worked on.

1. Teacher Input/Direct Instruction/ Modeling:


Give and show examples of what the process looks like when planning, rehearsing, and
producing a show. What expectations are set when producing a show. Talk about
important things to think about ie. Rehearsal schedule, audition pieces, responsibilities of
the director, goals for production.

2. Student Activities/ Guided Practice:


Help them hold auditions. Help them understand blocking with intention and a balanced
stage. Offer feedback when needed during a rehearsal and planning process. Formative
assessment like daily check-ins.

3. Independent Practice:
-Choosing the Play to be produced
-Create visual designs of set,costume,props, etc.
-Select audition pieces from script and cast show
-Work on analysis of the show and summary of the play
-Block the script
-Hold rehersals
-Distribute crew jobs
-Produce show/Opening night

Modifications/Accomidations:
Give a written out detailed packet on what we are doing. Take the time when introducing
material (do not speed through) offer time for questions and one-one mettings

Comprehensible Input Tech:


Let them look up past productions of plays (copyright Procedures)

Notes:
Delivery Plan

Objective: The purpose of this activity is so you as the student director, may understand the
process of producing a theatrical production

Opening: Quick search of famous directors, the style, and aesthetic.

Teacher Input: You need to know about casting, the roles of a director and the roles of a
producer. *may have a guest director come visit

Model: Show post productions pictures, videos, and directors binder. Also, scripts to shows and
how to analyze them.

Guided Practice: While they are picking out shows, will have a conference with the students
individually to talk through the choices and next steps. Helping in audition pieces and holding
auditions. Open to any questions from the students and provide a rubric they can follow.

Independent Practice: Students put together their binder, create designs, cast shows, provide
play analysis, Block script, and hold rehearsals

Check for Understanding: Time management question. Justify why they chose their pieces.
One-on ones and also questions about what they are learning so far or what they still are
questioning/need help with.

Assessment: Compilation of director’s binder. Successfully cast the show and was able to lead
rehearsals. Completed production schedule.

Resources and Materials: Example binders. Scripts to choose from, stage time, and rehearsal
time. Any props, costumes, and set pieces they may need.

Closure: Whip around activity- both during and at the end once performances are over.

Common questions

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A student director can effectively manage their time during the production process by developing a detailed production schedule, prioritizing tasks such as rehearsals and casting sessions, and utilizing formative assessments like daily check-ins with formative tasks. Moreover, a detailed Director's Binder should be maintained with organized documentation of the entire process from audition to performance .

The key components of a successful Director's Binder include a well-documented production schedule, detailed scripts, audition notes, casting choices, design plans for sets, costumes, and props, blocking notes, and rehearsal logs. These components ensure organized record-keeping, provide a comprehensive reference for all stages of production, contribute to efficient communication, and enable the director to track progress and make informed decisions throughout the production process .

Formative assessments can be integrated into the theatre production process through daily check-ins to track progress, feedback sessions on rehearsals, peer reviews of audition pieces, and reflective activities like the '1-minute paper' on proposals. These assessments allow for continuous evaluation of student understanding, provide opportunities for immediate feedback, and help in identifying areas for improvement .

Challenges in planning and blocking a short play include ensuring balanced stage movement, maintaining coherence in scene transitions, and managing actor interactions. These can be overcome by using rehearsal time effectively for experimentation, providing clear instructions and feedback, utilizing blocking notations to document movements, and fostering an environment of open communication for cast adjustments .

The role of a director is significant in theatre production as it involves guiding the vision of the play and collaborating with the cast and crew to bring the production to life. Students can learn essential skills like leadership, responsibility, decision-making, and creative problem-solving through the rehearsal process, gaining insights into directing strategies and production challenges .

The use of concept maps and plot diagrams enhances student understanding in theatre productions by providing a visual representation of relationships between scenes, characters, and themes. These tools help students organize and prioritize information, track plot and character development, and visualize the structure of the play, thus aiding in more effective direction and production planning .

Modifications and accommodations for students who require additional support in a theatre production class include providing a detailed packet outlining all activities, giving additional time for material introduction, offering one-on-one meetings for clarity, and allowing students to look up past productions (considering copyright procedures) to understand different theatrical styles and elements .

Visual learning styles rely on the use of images and diagrams to understand concepts, which can be accommodated in theatre production by using concept maps, plot diagrams, and designs for lighting and costuming. Auditory learners benefit from verbal instructions, sound design, and listening to directors' podcasts, aided by step-by-step instruction in play production. Accommodations include providing various types of instructional materials and opportunities for learning through both visual representations and auditory stimuli .

Technology can enhance the learning experience in an advanced theatre class by offering tools such as Google Docs and Calendar for planning, YouTube for researching past productions, and PowerPoint for presentations. Visual aids like Sketch Books help in design aspects, and podcasts from directors can provide insights into directing. These technological tools cater to various learning styles—visual, auditory, and kinesthetic—by providing resources for step-by-step instructions, sound design, and visual concepts .

Effective strategies for teaching the language and skills necessary for directing and producing a short play include the use of activities like Graffiti Wall, Word of the Week, Visual Examples, and Presentation on Words, as well as techniques such as Think-Pair-Share. These methods help in teaching language specific to casting, directing, and producing. Additionally, skills such as leadership, time management, responsibility, design, and research strategies for a show are taught through concept maps, 'Know, Want to know, Learn' charts, plot diagrams, and one-minute papers on play proposals .

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