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Chapter 5 - The Communication Process

THE COMMUNICATIONS PROCESS THERE ARE MANY FORMS OF ENCODING Encoding Verbal Spoken Word Written Word Graphic Pictures Drawings Charts Musical Arrangement Instrumentation Voices Animation Action / Motion Pace / Speed Shape / Form THE SEMIOTIC PERSPECTIVE Three Components to every marketing message Object Brand such as Marlboro Sign or symbol representing intended meaning (cowboy) FORMS OF PERSONAL commuication Vocabul

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0% found this document useful (0 votes)
131 views23 pages

Chapter 5 - The Communication Process

THE COMMUNICATIONS PROCESS THERE ARE MANY FORMS OF ENCODING Encoding Verbal Spoken Word Written Word Graphic Pictures Drawings Charts Musical Arrangement Instrumentation Voices Animation Action / Motion Pace / Speed Shape / Form THE SEMIOTIC PERSPECTIVE Three Components to every marketing message Object Brand such as Marlboro Sign or symbol representing intended meaning (cowboy) FORMS OF PERSONAL commuication Vocabul

Uploaded by

Mayuri Naik
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Communication Process
  • Forms of Encoding
  • The Semiotic Perspective
  • Communications Channels
  • Experiential Overlap
  • Models of the Response Process
  • Cognitive Response
  • Elaboration Likelihood Model
  • How Advertising Works

THE COMMUNICATIONS PROCESS

© 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


THE COMMUNICATIONS PROCESS

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


THERE ARE MANY FORMS OF ENCODING

Encoding

Verbal Graphic Musical Animation

•Spoken •Pictures •Arrange- •Action/


Word ment Motion
•Drawings
•Written •Instrum- •Pace/
Word •Charts entation Speed

•Song •Voices •Shape/


Lyrics Form

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


THE SEMIOTIC PERSPECTIVE
Three Components to every marketing message

Object
Brand such as
Marlboro

Interpretant/ Sign or symbol


intended meaning representing
(masculine,rugged intended
individualistic) meaning (Cowboy)

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


WHAT IS THE SYMBOLIC MEANING OF THE
SNUGGLE BEAR?

+
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
IMAGES ENCODED IN PICTURES CONVEY
EMOTIONS VERY POWERFULLY

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


+
FORMS OF PERSONAL COMMUNICATION

Vocabulary

Verbal Grammar

Inflection

Gesture

Facial
Nonverbal Expression

Body
Language

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


COMMUNICATIONS CHANNELS

Personal
Selling
Personal
Channels
Word of
Mouth

Print
Media

Nonpersonal
Channels
Broadcast
Media

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


EXPERIENTIAL OVERLAP
Different Worlds

Sender Receiver
Experience Experience

Moderate Commonality

Receiver
Sender Experience
Experience

High Commonality
Receiver
Receiver Experience
Sender
Experience
Experience

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


LEVELS OF AUDIENCE AGGREGATION

Mass Markets

Market Segments

Niche Markets

Small Groups

Individuals

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


MODELS OF THE RESPONSE PROCESS

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


MODELS OF OBTAINING FEEDBACK
Effectiveness Test Persuasion Process

Circulation Reach Exposure, Presentation

Listener, Reader,
Viewer Recognition Attention

Recall, Checklists Comprehension

Brand Attitudes, Message Acceptance/


Purchase Intent Yielding

Recall Over Time Retention

Inventory, POP
Consumer Panel Purchase Behavior

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


ALTERNATIVE RESPONSE HIERARCHIES
Topical Involvement
High Low
Learning Model Low Involvement
Model

Cognitive
High
Perceived product

Cognitive
Affective
differentiation

Conative

Dissonance/ Conative
Attribution Model
Low

Conative
Affective Affective
Cognitive

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


FOOTE, CONE & BELDING GRID
Thinking Feeling

Involvement 1 2
Informative Affective
The Thinker The Feeler
High

3 4
Involvement

Habit Self-
Formation Satisfaction
The Doer The Reactor
Low

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


FOOTE, CONE & BELDING GRID
Thinking

1
Informative
The Thinker
Car-house-furnishings-new products
Model: Learn-feel-do (economic?)

Possible implications
Test: Recall diagnostics
Media: Long copy format
Involvement

Reflective vehicles
Creative: Specific information
Demonstration
High

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


FOOTE, CONE & BELDING GRID
Feeling

2
Affective
The Feeler
Jewelry-cosmetics-fashion goods
Model: Feel-learn-do (psychological?)

Possible implications
Test: Attitude change
Emotional arousal
Involvement

Media: Large space


Image specials
Creative: Executional
High

Impact

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


FOOTE, CONE & BELDING GRID
Thinking

3
Habit formation
The Doer
Food-household items
Model: Do-learn-feel (responsive?)

Possible implications
Test: Sales
Media: Small space ads
Involvement

10-second ID’s
Radio; Point of Sale
Creative: Reminder
Low

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


FOOTE, CONE & BELDING GRID
Feeling

4
Self-satisfaction
The Reactor
Cigarettes, liquor, candy
Model: Do-feel-learn (social?)

Possible implications
Test: Sales
Media: Billboards
Involvement

Newspapers
Point of Sale
Creative: Attention
Low

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


COGNITIVE RESPONSE

A method for examining consumers’ cognitive


processing of advertising messages by looking at
their cognitive responses to hearing, viewing, or
reading communications.

Examines types of thoughts that are evoked by an


advertising message.

Consumers write down or verbally report their


reactions to a message.

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


A MODEL OF COGNITIVE RESPONSE

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


COGNITIVE RESPONSE CATEGORIES
Product/Message Thoughts

Counter Arguments Support Arguments

Source - Oriented Thoughts

Source Derogation Source Bolstering

Ad – Execution Thoughts

Thoughts About Affect Attitude


the Ad Itself Toward the Ad
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
ELABORATION LIKELIHOOD MODEL

Focuses on the way consumers respond to persuasive


messages based on the amount and nature of elaboration
or processing of information

Routes to attitude change

Central route to Peripheral route to


persuasion – ability persuasion – ability
and motivation to and motivation to
process a message is process a message is
high and close low and receiver
attention is paid to focuses more on
message content peripheral cues rather
than message content

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin


HOW ADVERTISING WORKS

Advertising Input
Message content, media
scheduling, repetition

Filters
Motivation, ability,
(involvement)

Consumer
Cognition, Affect, Experience

Consumer Behavior
Choice, consumption,
loyalty, habit, etc.

© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin

Common questions

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The document presents several alternative response hierarchies: the Learning Model (Cognitive->Affective->Conative), the Low Involvement Model (Cognitive->Conative->Affective), and the Dissonance/Attribution Model (Conative->Affective->Cognitive). These models inform advertising strategies by delineating the sequence of consumer responses. For example, high-involvement products may benefit from a Learning Model approach, focusing on informative and educational content to engage consumers cognitively before emotional or behavioral commitment . The Low Involvement Model suggests strategies that emphasize broad exposure and minimal effort from consumers to trigger behavior, which is then followed by learning and attitude formation . Understanding these hierarchies allows marketers to tailor ads to fit the anticipated response pattern, thus optimizing the persuasive impact.

According to cognitive response theory, effective strategies for testing consumer reactions involve analyzing consumers' cognitive responses to advertising messages. This can be done by collecting verbal or written reports from consumers about their thoughts and reactions . Categories such as counterarguments, support arguments, and attitudes towards the ad can be assessed. Conducting focus groups or surveys that prompt consumers to reflect and articulate their thoughts about the ad itself allows marketers to discern positive and negative reactions, guiding adjustments to advertising strategies for improved consumer engagement .

Personal channels, such as personal selling and word of mouth, are typically more effective in reaching niche markets due to their ability to provide tailored messages and interaction, leading to higher engagement and immediate feedback . Nonpersonal channels, including print and broadcast media, reach broader audiences but may lack the customization and personal touch needed to effectively engage smaller, niche markets . Personal channels allow for experiential overlap between sender and receiver, enhancing understanding and persuasion, essential in niche segmentation .

Experiential overlap refers to the shared experiences and understanding between the sender and receiver, affecting communication effectiveness. High commonality, where there is a significant overlap in experiences, ensures that the message is interpreted as intended, facilitating effective communication . Moderate commonality suggests some shared understanding, which may require additional clarification to achieve the intended interpretation . In 'Different Worlds' scenarios where there is little to no commonality, communication is least effective, needing adaptive strategies to bridge the experiential gap . Recognizing these levels helps marketers tailor messages to match the audience's level of understanding and experience.

The Elaboration Likelihood Model explains two distinct routes to attitude change: the central route and the peripheral route. The central route is taken when the receiver has both the motivation and ability to process the message content carefully. This route involves deeper cognitive processing and relies on the strength of the arguments presented . Conversely, the peripheral route is used when motivation or ability is low, and the receiver relies on peripheral cues such as the attractiveness of the source or the context rather than on detailed message content . Factors influencing the choice of routes include the consumer's involvement level, motivation, and ability to process the information .

Forms of personal communication include verbal (spoken and written word) and nonverbal communication (facial expressions, gestures, body language). Verbal communication is direct and explicit, allowing for immediate feedback and clarification, useful in contexts requiring detailed information exchange . Nonverbal communication, which conveys emotions and attitudes, can enhance verbal messages and influence the receiver's perception, playing a crucial role in building relationships and trust . These forms are crucial in personal channels where the richness of interaction contributes significantly to the effectiveness of message communication.

From a semiotic perspective, a marketing message involves three components: the object, the sign or symbol, and the interpretant . The object represents the brand or product itself, such as Marlboro cigarettes. The sign or symbol is the element used to represent the intended meaning, like the cowboy symbolizing masculinity and rugged individualism . The interpretant is the audience's interpretation of the symbol, which should align with the intended brand message. Each component is crucial as the sign must accurately convey the brand's identity, and the audience must decode it to form the correct association, enhancing brand perception and recall .

Media scheduling is a critical component of the advertising input model, influencing consumer behavioral outcomes by dictating the timing and frequency of message delivery . Well-planned scheduling maximizes exposure and ensures the message reaches the target audience at optimal times, enhancing recall and effectiveness. Repeated exposure increases brand recognition and message retention, encouraging consistent consumer behavior such as choice, consumption, and loyalty. Effective scheduling also aligns with consumer’s media consumption habits, ensuring the message is seen when the target audience is most receptive .

Encoding is a critical step in the communications process where the sender translates thoughts, ideas, or feelings into symbolic forms, such as pictures, spoken words, or music, that can be transmitted to the receiver . Within the semiotic perspective, encoding involves using signs and symbols to represent intended meanings or interpretations, such as associating the cowboy symbol with Marlboro to convey masculinity and rugged individualism . This encoding process is central in marketing as it helps establish and communicate brand identities effectively to the target audience.

The Foote, Cone & Belding Grid categorizes consumer decision processes into four quadrants based on involvement (high or low) and motivators (thinking or feeling). For high involvement and thinking products (Informative/The Thinker), like cars, the model suggests advertising strategies should focus on providing detailed information and using reflective vehicles such as long copy formats . For high involvement and feeling products (Affective/The Feeler), like jewelry, advertising should evoke emotional responses using large image specials, aiming for attitude change . Low involvement and thinking products (Habit formation/The Doer), such as household items, benefit from reminder-focused ads with small space placements . Finally, low involvement and feeling products (Self-satisfaction/The Reactor), like cigarettes and candy, should utilize attention-grabbing messages with point-of-sale media .

THE COMMUNICATIONS PROCESS
© 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin5
THE COMMUNICATIONS PROCESS
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
Graphic
•Pictures
•Drawings
•Charts
Verbal
•Spoken 
Word
•Written 
Word
•Song 
Lyrics
Musical
•Arrange-
ment
•Instrum-
entati
Object
Brand such as 
Marlboro
Sign or symbol
representing 
intended
meaning (Cowboy)
Interpretant/
intended meaning 
(mascul
WHAT IS THE SYMBOLIC MEANING OF THE
SNUGGLE BEAR?
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
+
IMAGES ENCODED IN PICTURES CONVEY
EMOTIONS VERY POWERFULLY
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
+
Grammar
Vocabulary
Inflection
Facial 
Expression
Gesture
Body 
Language
Vocabulary
Grammar
Inflection
Gesture
Facial 
Express
Personal 
Channels
Personal 
Channels
COMMUNICATIONS CHANNELS
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
Nonperson
EXPERIENTIAL OVERLAP
© 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin
Receiver
Experience
Sender
Experience
Different Wo
Mass Markets
Market Segments
Niche Markets
Small Groups
Individuals
Niche Markets
Market Segments
Mass Markets
LEVELS OF AUDI

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