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John Keats: Early Life and Legacy

John Keats was an English Romantic poet born in London in 1795. He showed early academic promise and was apprenticed to a surgeon, but decided to pursue a career in poetry. His first published work was in 1816 and he published his first book of poems that same year. Despite a lukewarm critical reception, he gained the support of publishers who encouraged further works.

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0% found this document useful (0 votes)
48 views4 pages

John Keats: Early Life and Legacy

John Keats was an English Romantic poet born in London in 1795. He showed early academic promise and was apprenticed to a surgeon, but decided to pursue a career in poetry. His first published work was in 1816 and he published his first book of poems that same year. Despite a lukewarm critical reception, he gained the support of publishers who encouraged further works.

Uploaded by

Aashish Kohli
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as RTF, PDF, TXT or read online on Scribd

John Keats was born in Moorgate, London, on 31 October 1795 to Thomas Keats and his wife, Frances

Jennings. There is little evidence of his exact birthplace. Although Keats and his family seem to have
marked his birthday on 29 October, baptism records give the date as the 31st.[4][5] He was the eldest of
four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and
Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[6]
Another son was lost in infancy. His father first worked as a hostler[7] at the stables attached to the Swan
and Hoop Inn, an establishment he later managed, and where the growing family lived for some years.
Keats believed that he was born at the inn, a birthplace of humble origins, but there is no evidence to
support his belief.[5] The Globe pub now occupies the site (2012), a few yards from the modern-day
Moorgate station.[8] He was baptised at St Botolph-without-Bishopsgate, and sent to a local dame
school as a child.[4][9]

Life mask of Keats by Benjamin Haydon, 1816

His parents wished to send their sons to Eton or Harrow, but the family decided they could not afford the
fees.[10][11][12] In the summer of 1803, John was sent to board at John Clarke's school in Enfield, close
to his grandparents' house. The small school had a liberal outlook and a progressive curriculum more
modern than the larger, more prestigious schools.[13] In the family atmosphere at Clarke's, Keats
developed an interest in classics and history, which would stay with him throughout his short life. The
headmaster's son, Charles Cowden Clarke, also became an important mentor and friend, introducing
Keats to Renaissance literature, including Tasso, Spenser, and Chapman's translations. The young Keats
was described by his friend Edward Holmes as a volatile character, "always in extremes", given to
indolence and fighting. However, at 13 he began focusing his energy on reading and study, winning his
first academic prize in midsummer 1809.[13]

In April 1804, when Keats was aged eight, his father died from a skull fracture after falling from his horse,
while returning from a visit to Keats and his brother George at school.[14] Thomas Keats died intestate.
Frances remarried two months later, but left her new husband soon afterwards, and the four children
went to live with their grandmother, Alice Jennings, in the village of Edmonton.[15]

In March 1810, when Keats was 14, his mother died of tuberculosis, leaving the children in the custody
of their grandmother. She appointed two guardians, Richard Abbey and John Sandell, to take care of
them. That autumn, Keats left Clarke's school to apprentice with Thomas Hammond, a surgeon and
apothecary who was a neighbour and the doctor of the Jennings family. Keats lodged in the attic above
the surgery at 7 Church Street until 1813.[5] Cowden Clarke, who remained a close friend of Keats,
described this period as "the most placid time in Keats' life."[16]
Early career

From 1814 Keats had two bequests, held in trust for him until his 21st birthday. £800 was willed by his
grandfather John Jennings. Also Keats' mother left a legacy of £8000 to be equally divided between her
living children.[nb 1] [17] [5]It seems he was not told of the £800, and probably knew nothing of it since
he never applied for it. Historically, blame has often been laid on Abbey as legal guardian, but he may
also have been unaware.[18] William Walton, solicitor for Keats' mother and grandmother, definitely did
know and had a duty of care to relay the information to Keats. It seems he did not. The money would
have made a critical difference to the poet's expectations. Money was always a great concern and
difficulty for him, as he struggled to stay out of debt and make his way in the world independently.[5]

On First Looking into Chapman's Homer

Much have I travell'd in the realms of gold,

And many goodly states and kingdoms seen;

Round many western islands have I been

Which bards in fealty to Apollo hold.

Oft of one wide expanse had I been told

That deep-browed Homer ruled as his demesne;

Yet did I never breathe its pure serene

Till I heard Chapman speak out loud and bold:

Then felt I like some watcher of the skies

When a new planet swims into his ken;

Or like stout Cortez when with eagle eyes

He star'd at the Pacific – and all his men

Look'd at each other with a wild surmise –

Silent, upon a peak in Darien.


The sonnet "On First Looking into Chapman's Homer"

October 1816

Having finished his apprenticeship with Hammond, Keats registered as a medical student at Guy's
Hospital (now part of King's College London) and began studying there in October 1815. Within a month
of starting, he was accepted as a dresser at the hospital, assisting surgeons during operations, the
equivalent of a junior house surgeon today. It was a significant promotion, that marked a distinct
aptitude for medicine; it brought greater responsibility and a heavier workload.[5] Keats' long and
expensive medical training with Hammond and at Guy's Hospital led his family to assume he would
pursue a lifelong career in medicine, assuring financial security, and it seems that at this point Keats had
a genuine desire to become a doctor.[5][13] He lodged near the hospital, at 28 St Thomas's Street in
Southwark, with other medical students, including Henry Stephens who became a famous inventor and
ink magnate.[19]

However, Keats' training took up increasing amounts of his writing time, and he was increasingly
ambivalent about his medical career. He felt that he faced a stark choice.[13][20] He had written his first
extant poem, "An Imitation of Spenser," in 1814, when he was 19. Now, strongly drawn by ambition,
inspired by fellow poets such as Leigh Hunt and Lord Byron, and beleaguered by family financial crises,
he suffered periods of depression. His brother George wrote that John "feared that he should never be a
poet, & if he was not he would destroy himself."[21] In 1816, Keats received his apothecary's licence,
which made him eligible to practise as an apothecary, physician, and surgeon, but before the end of the
year he announced to his guardian that he was resolved to be a poet, not a surgeon.[5]

Although he continued his work and training at Guy's, Keats devoted more and more time to the study of
literature, experimenting with verse forms, particularly the sonnet.[5] In May 1816, Leigh Hunt agreed to
publish the sonnet "O Solitude" in his magazine, The Examiner, a leading liberal magazine of the day.[22]
It was the first appearance in print of Keats' poetry, and Charles Cowden Clarke described it as his
friend's red letter day,[23] the first proof that Keats' ambitions were valid. Among his poems of 1816 was
To My Brothers.[24] In the summer of that year, Keats went with Clarke to the seaside town of Margate
to write. There he began "Calidore" and initiated the era of his great letter writing. On his return to
London, he took lodgings at 8 Dean Street, Southwark, and braced himself for further study in order to
become a member of the Royal College of Surgeons.[25]

In October 1816, Clarke introduced Keats to the influential Leigh Hunt, a close friend of Byron and
Shelley. Five months later came the publication of Poems, the first volume of Keats' verse, which
included "I stood tiptoe" and "Sleep and Poetry," both strongly influenced by Hunt.[22] The book was a
critical failure, arousing little interest, although Reynolds reviewed it favourably in The Champion.[13]
Clarke commented that the book "might have emerged in Timbuctoo."[5] Keats' publishers, Charles and
James Ollier, felt ashamed of the book. Keats immediately changed publishers to Taylor and Hessey on
Fleet Street.[26] Unlike the Olliers, Keats' new publishers were enthusiastic about his work. Within a
month of the publication of Poems they were planning a new Keats volume and had paid him an
advance. Hessey became a steady friend to Keats and made the company's rooms available for young
writers to meet. Their publishing lists eventually included Coleridge, Hazlitt, Clare, Hogg, Carlyle and
Lamb.[27]

Through Taylor and Hessey, Keats met their Eton-educated lawyer, Richard Woodhouse, who advised
them on literary as well as legal matters and was deeply impressed by Poems. Although he noted that
Keats could be "wayward, trembling, easily daunted," Woodhouse was convi

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The decision to leave his medical career and pursue poetry was pivotal for Keats and his legacy. Despite the promising prospects and financial stability a medical career could provide, Keats was increasingly drawn to poetry. This transition was critical as it allowed him to create the body of work that established him as one of the greatest English poets. Although this choice exposed him to economic difficulties and limited his lifetime recognition, it ensured his lasting legacy as a literary icon whose work continues to be celebrated for its emotional depth and classical influences. This decision also aligned with his personal aspirations and satisfaction, demonstrating a profound commitment to his true passion and perhaps reflecting his awareness of life's brevity, likely influenced by the early loss of his parents .

Keats' educational background at John Clarke's school, which had a liberal outlook and a focus on a progressive curriculum, played a key role in shaping his literary style and interests. The emphasis on classics and history, along with exposure to Renaissance literature through Charles Cowden Clarke, embedded a deep appreciation for classical forms and themes in his work. This education contributed to Keats' often lyric and romantic style, richly infused with classical allusions and a deep-seated reverence for beauty and nature. His early exposure to educators who valued creative thinking and intellectual exploration allowed Keats to develop a distinctive poetic voice that blended classical influences with personal emotion, evident in works like "On First Looking into Chapman's Homer" and "Endymion" .

Keats' medical training was both a boon and a hindrance to his literary development. Initially, it provided a stable path, and his aptitude in medical studies suggested a promising career, as evidenced by his promotion to a dresser at Guy’s Hospital. This background offered Keats a detailed understanding of human anatomy and physical suffering, which enriched his appreciation of the human condition, a frequent theme in his poetry. However, the demands of medical training conflicted with his growing passion for poetry, consuming time and energy that could have been dedicated to writing. The conflict led to a gradual realization that his true calling lay in literature, not medicine. This tension, though challenging, clarified Keats' priorities, enabling him to commit wholeheartedly to poetry, ultimately enhancing his literary output and legacy .

Keats' upbringing and early life events significantly shaped his views on mortality, which is a prominent theme in his poetry. The early loss of his parents, with his father's death when Keats was eight and his mother's death from tuberculosis when he was fourteen, imbued him with a personal understanding of life's fragility. These experiences are reflected in his poetry's frequent meditations on life, death, and the eternal. For example, in "Ode to a Nightingale," Keats contrasts the transient nature of human life with the timeless song of the nightingale, highlighting his preoccupation with mortality and the desire for transcendence through art. His personal losses and the financial insecurities that followed contributed to a deep-seated acknowledgment of life's uncertainties and the desire to capture beauty he perceived as lasting through his work .

Mentorship played a crucial role in Keats' development as a poet, with key figures such as Charles Cowden Clarke and Leigh Hunt providing significant guidance and support. Charles Cowden Clarke, his schoolmaster's son, introduced Keats to important works of Renaissance literature, fostering his love for poetry and classical themes. Later, Leigh Hunt, a well-respected poet and critic, became an essential mentor. Hunt published Keats' first poem, "O Solitude," in his influential magazine The Examiner, validating Keats' ambitions. Hunt also introduced Keats to the literary circles of the time, linking him with other prominent poets like Lord Byron and Percy Bysshe Shelley. These mentors provided the intellectual support and encouragement Keats needed to pursue his poetic path despite financial and personal challenges .

Keats' financial situation and family background had a profound influence on his career choices and personal challenges. The death of his father left the family with financial difficulties, and his mother remarried but soon abandoned her new husband, leaving Keats and his siblings under the care of their grandmother. The financial pressures were exacerbated by the lack of awareness of substantial bequests from his maternal side, which were not disclosed to him by his guardian or the solicitor responsible. These financial struggles contributed to stress and depression and forced him to navigate between a medically secure career and his passion for poetry. Although he received an apothecary's licence enabling him to practice as an apothecary, physician, and surgeon, he eventually chose to pursue poetry, driven by his ambitions and inspired by fellow poets like Leigh Hunt and Lord Byron, despite the risk of financial instability .

Personal adversity deeply influenced Keats' poetic themes and output, pushing him towards introspective and often melancholic themes. The various hardships he endured, including the loss of his parents at a young age, ongoing financial difficulties, and the burden of his own health problems, contributed to a preoccupation with themes of mortality, the transience of life, and a longing for permanence through beauty and artistic expression. This thematic focus is evident in his "Odes," where he often juxtaposes the fleeting joy of life against the backdrop of inevitable death. The personal struggles also fueled a prolific period of creativity, during which Keats produced some of his most revered work despite economic and personal challenges .

Keats’ relationship with his publishers had a significant impact on his writing career. Initially, his publishers, Charles and James Ollier, were ashamed of his first volume "Poems" due to its lack of commercial success, which led Keats to change his publishing house. His decision to switch to Taylor and Hessey was transformative. The new publishers were enthusiastic and supportive, providing an advance for his future work and offering their rooms as a meeting place for young writers. This supportive environment allowed Keats to focus on his poetry without the burden of immediate financial pressure and facilitated his creative productivity. Through Taylor and Hessey, he met Richard Woodhouse, who provided legal and literary advice, further enhancing Keats' confidence and growth as a writer .

John Clarke's school had a significant impact on Keats' early development and interests. The school had a liberal outlook and a progressive curriculum, which was more modern compared to larger, more prestigious schools. This environment allowed Keats to develop an interest in classics and history. Additionally, the headmaster's son, Charles Cowden Clarke, who became a mentor and friend to Keats, introduced him to Renaissance literature, including works by Tasso, Spenser, and Chapman. This early exposure to literature and a supportive learning environment helped shape Keats' future pursuits in poetry .

Leigh Hunt’s contributions to Keats' entry into literary circles and the development of his poetic reputation were substantial. As an established poet and critic, Hunt provided Keats with both a critical platform and social connections that were crucial for his early career. Hunt's publication of Keats' poetry in The Examiner validated Keats’ ambitions and exposed his work to a broader audience. Furthermore, Hunt's introduction of Keats to other prominent poets, including Lord Byron and Percy Bysshe Shelley, allowed Keats to enter influential literary networks, gain recognition, and stimulate his development through intellectual exchanges within these circles. Hunt's early support and encouragement were pivotal in the initial legitimization of Keats' poetic efforts, setting the stage for his enduring influence on English literature .

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