0% found this document useful (0 votes)
6 views3 pages

Visual Analysis of 1940 NY World's Fair

The document summarizes a 1940 New York World's Fair program that aimed to transport visitors into an idealized dream world escaping the tensions of World War II. The program's illustrations depicted a happy family observing the fair's futuristic structures from above, representing how the fair offered an imaginative escape. It invited worldwide visitors to experience different cultures and the American experience in one place through the fair and New York City, promoting unity over war.

Uploaded by

Hannah Retamero
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
6 views3 pages

Visual Analysis of 1940 NY World's Fair

The document summarizes a 1940 New York World's Fair program that aimed to transport visitors into an idealized dream world escaping the tensions of World War II. The program's illustrations depicted a happy family observing the fair's futuristic structures from above, representing how the fair offered an imaginative escape. It invited worldwide visitors to experience different cultures and the American experience in one place through the fair and New York City, promoting unity over war.

Uploaded by

Hannah Retamero
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Hannah Retamero

Writing Assignment #1 – Visual Analysis.

The World of Your Dreams

The source: Program #2 of 1940 New York World's fair caught my eye. If we

situate ourselves in spring 1940, we can understand some of the attractions and

audience for the world's fair. When there was a lot of tension and conflict due to World

War II, it was possible to find some amusement that made the people forget about their

reality or transport them into a different time-space, into a dreamland.

On the first page of the program, we can appreciate a colorful illustration about a

city and some people that appear as a family watching the town from a cloud in the sky.

We can see the red ad for "World's Fair 1940" and the location, in New York, and the

admission cost (general and children). The family shows some similarities to an

American family's desired prototype; everybody is happy, well dressed, and impressed

with the city beneath them, with no worry or sadness in their faces, only happiness.

Small dots can be related to how people gather towards the central attraction. A

question popped in my head about why the family appears at the top of a cloud?. To

answer this question, it Is essential to describe the city they observe in which the main

architectonic structures are the center of attention. We can differentiate a very tall and

white pyramidal structure, resembling an obelisk next to a massive and white spherical

structure lacking windows or any apparent doors. The arrangements were enigmatic
and mysterious; sometimes, they seemed taken from another planet or a futuristic time

for their modern and unique design.

Usually, dreaming can be associated with "having your head in the clouds," And

that can be what the artistic team of the fair's program had in mind with the illustration. A

dream is a safe place, somewhere you can use your imagination and sometimes see

what you have never seen before; what a better way to complement that with the world

of the future? The world of your dreams is The world's fair.

The other piece that complements the first page in the fair's program gave me

some information about the purpose and target audience on the 6 th page. As colorful as

the first one, the illustration shows many people walking through an arrow path in the

sky towards the New York World's Fair and its iconic structures. People seem to walk

eagerly in mass to this city never seen before, the city of their dreams, just like in the

first illustration, and it portrays it as the desired vacation destination.

The page speaks about "Double Dividends" and invites people from all over the

world to do both, to visit the World's Fair and also the famous city of New York, like

killing two birds with a single stone. The City of New York had many exciting locations,

activities on its own, and historical places that you cannot miss if you're taking a trip to

this world known and important city. The main incentive appears to be "Fun"; the word

is repeated continuously throughout the text and invites the audience to the numerous

exhibits, parades, shows, concerts, and fun activities in which you'll always be

surrounded. People attending the world fair together with the city of New York will never

have a "dull moment," the advertising team knew how to sell the perfect vacations.
The text on the program's page Also tries to invite the audience into a rich all-

American experience and panorama. In my opinion, for the fair to be successful, they

will have to include many of the things that make the American people proud, and that

way, we will find the very best of the country in one place. The opportunity to explore a

little bit of different foreign cultures is also in the program. What better way to travel the

world? No wars, no killing, no starvation, all in one day or less, one minute being in new

York city and the other in Venezuela or Paris (only what it was worth showing).

The phrase that impressed me the most is at the bottom of the 6 th page, and it

says: "This summer you can go 'abroad at home’-safely, comfortably-along peaceways

that emphasize brotherhood, not bombs." This statement was directed to the American

people, to those who were feeling overwhelmed and fearful about the war, to those who

wanted an escape from the difficulties of life. The perfect world, the world of tomorrow,

was at the reach of anyone, and you only had to buy a ticket.

Resources

New York World's Fair; Program. 1939-40. TS Larry Zim World's Fair Collection.

National Museum of American History Archives Center. Smithsonian Collections Online,

[Link] Accessed 21 June 2019. Gale Document

Number: GALE|CFXOOE086823158.

You might also like