Vocal Riyaz Techniques and Alankars

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1. The document describes a series of vocal exercises and mantras to be performed, beginning with the Onkar mantra spoken at a normal pace for 45 minutes. 2. It then lists the bharkhadi ex…

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Ananya Krishnan
  • Chanting and Practice Session

1.

Onkar Mantra (A U O On M) - (0:00- 45:00)


with differing speed (breath appropriately)

2. Bharkhadi - a aa e ee u oo eh i o ou ang ahh (45:00 - 1:00:00)


ka
kha
ga
gha
aaaaaaaaaaaaaaaa
cha
chha
ja
jha
aaaaaaaaaaaaaaaa
ta
tta
da
dda
aaaaaaaaaaaaaaaa
tha
ttha
dha
ddha
na
pa
fa
ma
bha
ma
ya
ra
la
va
sha
sha
sa
ha
ksha
thra
gya
aaaaaaaaaa (speeding) (1:03:00)
ommmmmm
3. alankar - sa re ga ma pa da ni sa and its aakar and speeding ( 1:09:00)
saaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
4. beej mantra - Lam Vam Ram Yam Ham Sham Om Lam
5. swar vistar - bhairav - holding the swar asc - des at the same time

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Beej Mantras like Lam, Vam, Ram, Yam, Ham, Sham, and Om serve as seed mantras focused on the chakras or energy centers. Each Beej mantra is believed to resonate with a specific chakra, promoting balance and energy flow within the body. By chanting these, practitioners aim to align spiritual energies enhancing mental clarity, emotional balance, and physical health through vibrational frequencies .

Alankar practices involve systematic variations in the musical notes sa re ga ma pa da ni sa, including holding, ascending, and descending patterns with variations. This exercise expands the understanding of scales, promoting finger dexterity and voice fluidity crucial for musical improvisation and vocal stability. The practice also includes speeding and varied intonation which enhances rhythmic and melodic understanding .

Onkar Mantra practice involves chanting the basic vowel sounds (A U O On M) with varying speeds and breath control, which aligns with traditional practices but emphasizes more on breath awareness and control. This technique can enhance concentration and promote a meditative state, focusing deeply on each sound component, compared to some traditional practices that may not involve variable speed or explicit breathing techniques .

Swar Vistar involves expanding and elaborating on notes within a raga, focusing on Bhairav in this context. This helps musicians explore the ragas' depths by experimenting with notes and patterns. It encourages creativity and fosters a deeper understanding of melodic structures, rhythm, and phrasing, serving as a critical exercise for developing advanced improvisational skills, crucial for classical music performers .

Bharkhadi involves chanting consonant blends with different vowels in a structured sequence: a aa e ee u oo eh i o ou ang ahh, followed by consonants like ka kha ga gha and so on. This sequence aids in phonics mastery and vocal agility, essential for precise pronunciation and agility when singing or chanting. The practice involves speeding up over time to improve versatility .

1. Onkar Mantra (A U O On M) - (0:00- 45:00)
with differing speed (breath appropriately)
2. Bharkhadi - a aa e ee u oo eh i o

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