Some Music Books I Recommend

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15/3/2017 Reading

Some Music Books I Recommend

Guitar Atlas: Guitar Styles from Around the World, Vol. 1 & 2
Arranging & Composing for the Small Ensemble by David Baker
Jazz Guitar by Mickey Baker
Yes to the Mess ­ Surprising Leadership Lessons from Jazz by Fank J. Barrett
Real Blues Guitar by Kenn Chipkin
Essential Jazz Lines in the Style of John Coltrane by Corey Christiansen and Kim
Bock
Essential Jazz Lines in the Style of Wes Montgomery by Corey Christiansen
The Teaching of Jazz by Jerry Coker
How to Improvise by Hal Crook
The Guitarist's Guide to Composing and Improvising by Jon Damian
The Sound Reinforcement Handbook by Gary Davis & Ralph Jones
Complete Guide to Film Scoring ­ The Art and Business of Writing Music for
Movies and TV by Richard Davis
The Guitar Handbook by Ralph Denyer
Fusion by Joe Diorio
Giant Steps by Joe Diorio
Intervallic Designs for Jazz Guitar by Joe Diorio
Jazz Blues Styles by Joe Diorio
Jazz Structures for the New Millennium by Joe Diorio
Standing in the Shadows of Motown ­ The Life and Music of Legendary Bassist
James Jamerson by Dr. Licks
The Brazilian Guitar Book by Nelson Faria
Inside the Brazilian Rhythm Section by Nelson Faria and Cliff Korman
Music and Mathematics ­ From Pythagoras to Fractals by John Fauvel, Raymond
Flood and Robin Wilson
Reharmonization Techniques by Randy Felts
The Serious Jazz Practice Book by Barry Finnerty
Gradus ad Parnassum ­ The Study of Counterpoint by Johann Joseph Fux
The Professional Arranger/ Composer by Russell Garcia
The Professional Arranger/ Composer Book II by Russell Garcia
The Music of Miles Davis by Lex Giel
Joe's Guitar Method by Joey Goldstein
The Advancing Guitarist by Mick Goodrick
Creative Chordal Harmony for Guitar: Using Generic Modality Compression by
Mick Goodrick and Tim Miller
Factorial Rhythm for All Instruments by Mick Goodrick and Mitch Haupers
Mr. Goodchord’s Almanac of Guitar Voice­Leading for the Year 2001 and Beyond,
Volume I: Name That Chord by Mick Goodrick
Mr. Goodchord’s Almanac of Guitar Voice­Leading for the Year 2001 and Beyond,
Volume II: Do Not Name That Chord by Mick Goodrick
Mr. Goodchord’s Almanac of Guitar Voice­Leading for the Year 2001 and Beyond,
Volume III: Beyond the Mother Lode by Mick Goodrick
African Guitar Styles by Folo Graff
Jazz Guitar Comping by Andrew Green
Jazz Guitar Structures by Andrew Green
Jazz Guitar Technique by Andrew Green
Metaphors for the Musician by Randy Halberstadt
Exploring Jazz Guitar by Jim Hall
Analog Man's Guide To Vintage Effects by Tom Hughes
Jazz­ & popharmonik by Sten Ingelf
Praktisk harmonilära och ackordspel ­ visharmonik by Sten Ingelf
Stora musikguiden ­ Musikteori för alla by Roine Jansson
Traditionell arrangering by Roine Jansson
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15/3/2017 Reading

How to Play Blues Guitar by Richard Johnston
What to Listen for in Jazz by Barry Kernfeld
The Wes Montgomery Guitar Folio by Steve Khan
A Modern Method for Guitar Vol. 1­3 by William G. Leavitt
The Jazz Piano Book by Mark Levine
The Jazz Theory Book by Mark Levine
A Chromatic Approach to Jazz Harmony and Melody by David Liebman
Arranging for Large Jazz Ensemble by Dick Lowell and Ken Pullig
Best of Wes Montgomery by Wolf Marshall
The Listening Book ­ Discovering Your Own Music by W.A. Mathieu
The Salsa Guidebook by Rebeca Mauleon
Jaco: The Extraordinary and Tragic Life of Jaco Pastorius, "The World's Greatest
Bass Player" by Bill Milkowski
The Chord Scale Theory & Jazz Harmony by Barrie Nettles and Richard Graf
Brazil, Your Passport to a New World of Music by Billy Newman
Solo Guitar Playing by Frederick M. Noad
Solo Guitar Playing, Book 2 by Frederick M. Noad
Musik som levebröd by Johan Ohlin & Kent Wennman
Jazz Composition: Theory and Practice by Ted Pease
Modern Jazz Voicings by Ted Pease and Ken Pullig
Zen and the Art of Guitar by Jeff Peretz
A Composer's Guide to Game Music by Winifred Phillips
Creative Jazz Improvisation by Scott D. Reeves
The Reel World ­ Scoring for Pictures by Jeff Rona
Nashville Guitar by Arlen Roth
The Lydian Chromatic Concept of Tonal Organization by George Russell
Music Composition for Film and Television by Lalo Schifrin
Thesaurus of Scales and Melodic Patterns by Nicolas Slonimsky
Live Sound Reinforcement by Scott Hunter Stark
Scat! by Bob Stoloff
Zen Guitar by Philip Toshio Sudo
The Book of Six Strings: The Six­Fold Path of Zen Guitar by Philip Toshio Sudo &
Tobias Hurwitz
Jazzmusiikin harmonia by Max Tabell
The Art of Improvisation by Bob Taylor
Miles, the Autobiography by Quincy Troupe & Miles Davis
Vintage Synthesizers by Mark Vail
Tunesmith: Inside the Art of Songwriting by Jimmy Webb
Effortless Mastery by Kenny Werner
Complete Book of Harmony, Theory and Voicing by Bret Willmott
Ljudinspelningens ABC by Lennart Zetterberg
Gypsy Fire by Andreas Öberg and Michael Horowitz

The Beatles Complete Fake Book
The Charlie Parker Omnibook
Bill Frisell, an Anthology
The Latin Real Book
Pat Metheny Song Book
Miles Davis Real Book
Monica Z sångbok
The New Real Book Vol. 1­3
The Real Easy Book Vol. 1­2
Real Jazz Book
The Real Swede
The Standards Real Book
The Various "Illegal" Real Books
The World's Greatest Fake Book

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15/3/2017 Reading

Some Non­Music Books

The Alchemist by Paulo Coelho
Peace Is Every Step by Thich Nhat Hanh
Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
Zen and the Art of Happiness by Chris Prentiss

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Common questions

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The recommended books on improvisation emphasize creativity by exploring non-conventional methodologies and theoretical frameworks. Hal Crook's "How to Improvise" encourages exploring diverse musical ideas and building a unique voice. "Creative Jazz Improvisation" by Scott D. Reeves highlights the importance of personal expression and innovation in composition, urging musicians to transcend classical boundaries and integrate personal experiences into their creative process .

The reading list includes guitar methods that emphasize improvisational skills through different approaches. "Jazz Guitar" by Mickey Baker and "The Guitarist's Guide to Composing and Improvising" by Jon Damian focus on building a strong foundation in music theory and technique to support improvisation. "The Serious Jazz Practice Book" by Barry Finnerty and "Creative Chordal Harmony for Guitar: Using Generic Modality Compression" by Mick Goodrick use exercises designed to enhance understanding of complex harmonies and chord progressions critical for improvisation .

In "Gradus ad Parnassum," Johann Joseph Fux teaches counterpoint as a foundational element of music composition. The theoretical framework emphasizes voice independence and harmonious interaction between simultaneous melodic lines. Fux's step-by-step methodology outlines the principles of counterpoint, guiding composers in creating balanced polyphonic textures that are both melodic and harmonically sound, continuing to influence modern composition techniques .

"Effortless Mastery" by Kenny Werner discusses challenges related to performance anxiety, self-doubt, and the pressures of perfectionism. Werner highlights psychological barriers that inhibit musical expression and offers mindfulness techniques to foster a state of flow. He emphasizes overcoming mental obstacles by cultivating a mindset of ease and presence, arguing that mastery is achieved by integrating psychological resilience with technical skill .

"A Composer's Guide to Game Music" by Winifred Phillips integrates traditional composition techniques with technology by addressing how classic music theory and orchestration principles can be applied to dynamic game environments. The book discusses adaptive music systems, which allow composers to use technological tools to create interactive scores that respond to gameplay, merging musical creativity with technological innovations .

Innovative strategies in the reading list include the use of visual metaphors and modular exercises. "Zen Guitar" by Philip Toshio Sudo employs Zen principles as metaphors for understanding musical discipline and creativity. Mick Goodrick uses "Generic Modality Compression" to simplify complex chordal structures, making them more accessible to learners. These strategies highlight the adaptation of complex ideas into student-friendly formats .

The books suggested in the document bridge music theory and practice by presenting theoretical concepts alongside practical applications. "Jazz Composition: Theory and Practice" by Ted Pease integrates theoretical knowledge with composition exercises. "The Jazz Theory Book" by Mark Levine is another example, where theoretical frameworks are paired with real-world applications through practical examples and worksheets, enabling a comprehensive learning experience .

Cultural influences are pivotal in shaping guitar styles as evidenced by books such as "Guitar Atlas: Guitar Styles from Around the World" which explore global guitar techniques and "The Brazilian Guitar Book" by Nelson Faria which delves into Brazilian rhythms and their application to guitar. These works highlight the integration of cultural musical elements into guitar playing, demonstrating how geographical and cultural contexts lead to unique stylistic developments .

"The Teaching of Jazz" by Jerry Coker contributes to advanced jazz pedagogy by offering comprehensive insights into jazz theory, improvisation, and performance techniques. It provides educators with methodologies for teaching complex jazz concepts and emphasizes the importance of listening and creativity in jazz education. Coker's work is instrumental in developing comprehensive curricula that balance theoretical knowledge with practical application .

Both Mick Goodrick's and Joe Diorio's books emphasize deep theoretical understanding and practical application. Goodrick's "The Advancing Guitarist" and the "Mr. Goodchord’s Almanac" series focus on theoretical foundations and push students to explore chordal possibilities through structured exercises. Similarly, Diorio's books like "Giant Steps" and "Intervallic Designs" challenge players with advanced exercises and concepts, aiming to open up creative possibilities in improvisation .

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How to Play Blues Guitar by Richard Johnst
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Some Non­Music Books
The Alchemist by Paul

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