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Understanding Prose Fiction Types

Prose fiction refers to imaginative stories told in prose form, such as novels and short stories. A short story develops a single incident or effect with few characters, while a novel may have complex episodes and subplots. A novelette is a short novel between 18,000-40,000 words, shorter than a novel which can be over 100,000 words. Key characteristics of novels include being perceptual, structural, sociological, mythic, philosophical, subjective, and reflecting the culture of the society in which they were written.

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Adriansyah Katili
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42 views3 pages

Understanding Prose Fiction Types

Prose fiction refers to imaginative stories told in prose form, such as novels and short stories. A short story develops a single incident or effect with few characters, while a novel may have complex episodes and subplots. A novelette is a short novel between 18,000-40,000 words, shorter than a novel which can be over 100,000 words. Key characteristics of novels include being perceptual, structural, sociological, mythic, philosophical, subjective, and reflecting the culture of the society in which they were written.

Uploaded by

Adriansyah Katili
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

1.

The Nature of Prose Fiction

Have you ever read a novel or a short story? What are your reading when you are
reading a short story or a novel? A story, of course, that is the answer that you might give.
That is a correct answer. A novel and a short story is actually a story about human being.
A novel or short belongs to prose fiction. Then, the next question is “What is prose
fiction?” Notice the word fiction. What is fiction? Fiction means something imaginative,
something which is not real; a thing that we imagine. While, prose means a composition in
which an author presents or expresses an idea or an emotive condition such as happiness,
sadness, anger, etc.
However, we cannot conclude that prose fiction presents an imaginative idea or
emotive condition, because there is no imaginative idea. The fiction here refers to the story
that we are enjoying when reading a novel or short story. Therefore, the person, the acting,
the place, the event, and the time found in the story are in the author’s imagination.
Imagination does not mean that prose fiction is not a reality. What happened to the
person of a story is imaginative; however, it is factual in the sense that it can be found in
real life. When you are reading a novel, let us say, The Old Man and the Sea of
Hemingway, you will find an old fisherman namely Santiago. He is a poor fisherman who
cannot catch any fish successfully. This is an imaginative person, but in real life we can
find such old man.

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2. The Division of Prose Fiction

A. The Short Story


Short story is, as can be inferred from its name, is a story which is not long.
However, it is not a story which is composed in short form, nor it is a long story which is
condensed. A short story has some characteristics. First, it consists of approximately 2,000
words (Koesnoesoebroto, 1998: 11). Second, it has few incidents, few characters, settings,
scenes. It means reading a short story does not take a long time; it develops only one or
two characters with a limited event.
Reading the previous paragraph should not lead you to think that short story is a
condensed novel. Unlike novel, a short story produces only a single effect; a novel, on the
other hands, may produce a complex effect. This is because the scope and structure of a
novel is often complicated by episodes and sub-plot; while a short story exploits a single
incident, and a simple structure.
This is not to say that a short story is an episode of a novel. It is not a part of a
novel, since has its own story, structure, setting, theme, character, and incidents.

B. The Novelette and the Novel

Novel and novelette are similar but not alike. They are similar in the sense that the
principles applied in novel will be applied to novelette (Koesnoesoebroto, 1998: 18). A
novelette is a short novel which contains of 18,000 to 40,000 words. Hence, it is shorter
than a novel, a novel contain more than that number words found in novelette. A novel
may contain over 100,000 words.
Novel and novelette are both story composed in form of prose. However, we should
aware of the prose fiction which is not a novel and prose fiction which is a novel.
First, a novel is perceptual in the sense that what is narrated is based on the
novelist’s perception of the reality. In the pre-writing activity, a novelist sees and hears the

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reality surrounding him. Through a reflection, he constructs his perception into imaginative
events, person, time and place.
Secondly, a novel is structural. The novelist composes a novel structurally. The
events, the characters, theme, are composed with the beginning, middle and ends. Through
a structure, we can study the development of the story, the development of the main
characters, and presentation of theme.
Thirdly, a novel is sociological in the sense that it is middle-class genre. Since a
novel is in the written form, it can be only enjoyed by illiteracy or educated people. The
theme developed in a novel can only be response by educated people.
Fourthly, a novel is mythic. It is mythic in the sense that it presents a main
character as a hero. In Hemingway’s The Old Man and the Sea we can study how an old
fisherman becomes a hero; he struggle alone in ocean against the wild sea and a big fish.
Fifthly, a novel is philosophical. A novel is philosophical means that the novelist
develops a certain philosophical thinking or a philosophical climate. When reading the Old
Man and the Sea, we can grasp a philosophical climate surrounding the main character. His
struggle is actually a philosophical event, i.e. how an old man with limited physical power
is fighting a strong big fish. He wins the fight, but he is defeated by the fate since he
cannot enjoy the fish at the end. However, this has changed his neighbors’ perception that
he is an unlucky person; they finally percept him as a hero.
Sixthly, a novel is subjective. Every novel has a subject matter which is developed
through the story. Dorothy van Ghent (in Koesnosoebroto, 1998: 22) says that the subject
matter of novels is “human relation in which are shown the directions of men’s soul.”
The last is that a novel is cultural in the sense that it expresses or reflects the
cultural of its society. And English novel reflects the cultural of English people. We can
study the way life of its people, their ways of thinking, the family relationship, and every
aspect of culture. A novel can be more completely understood by exploring its people’s
culture.

Common questions

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A novel reflects the culture of its society by expressing the way of life, modes of thought, family relationships, and other aspects of its cultural background. For example, an English novel can portray the cultural nuances of English society, providing insights into its people and their worldview. This cultural reflection is essential for a deeper understanding of the novel's narrative and themes .

A novelette is distinguished by its length, which ranges from 18,000 to 40,000 words, making it shorter than a novel yet longer than a short story. Structurally, it shares principles with novels but provides a more focused narrative than a full-length novel, delivering a story that is more extensive than a short story yet less complex than a novel .

A novel is sociological in that it often targets a middle-class audience and is designed to be understood and appreciated by literate, educated individuals. This differentiates it from other forms of prose fiction, which may not address such a specific demographic. The themes in novels often require a degree of education to fully grasp, reflecting the novel's role in commenting on societal issues and relationships .

A novel is considered a 'middle-class genre' because it is typically written for educated and literate individuals who can interpret and appreciate the nuanced themes within the text. This classification highlights the novel's focus on sociocultural issues and its accessibility to a broader audience able to engage with its complexities .

Imaginative elements in prose fiction present fictional characters, events, and settings that, while not real, evoke realistic scenarios and emotions. Although these elements are products of the author's creativity, they often mirror real-life experiences and universal truths, allowing readers to connect with and reflect on actual life situations .

A short story utilizes a concise approach, focusing on one or two incidents and a limited number of characters, creating a single concentrated effect. In contrast, a novel develops a complex narrative with multiple characters, intricate plots, and subplots, allowing for a detailed exploration of themes and character progression .

Subjectivity in novels allows the author to explore personal perspectives and human relationships, contributing to the depth of themes and character development. This individual viewpoint enables the exploration of the 'directions of men's souls' and the nuanced portrayal of interpersonal dynamics, often serving as the novel's central driving force .

Reading a novel can influence one's perception of philosophical thought by exposing readers to different philosophical climates and ideas embedded in the story. Through the narrative, characters' struggles, and thematic exploration—such as the existential musings in 'The Old Man and the Sea'—readers engage with complex philosophical questions and reflections, potentially altering or deepening their own understanding of life's larger questions .

In 'The Old Man and the Sea,' the philosophical dimensions include the struggle between man and nature, symbolized by Santiago's battle with the marlin and the sea. Santiago's journey reflects a philosophical climate of perseverance and heroism in the face of overwhelming odds, ultimately exploring themes of fate and the intrinsic value of struggle, even when success is not achieved .

A novel's complexity compared to a short story stems from its structure, which includes a beginning, middle, and end, allowing for the development of multiple characters and themes. While a short story produces a single effect with a simple structure focusing on one or two incidents, a novel often includes episodes and subplots that create a more intricate narrative .

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