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Mitch Dobrowner: Master of Landscape Photography

The document discusses photographer Mitch Dobrowner and his landscape photography style. It describes one of his photos called Trees - Cloud, texline that uses dramatic lighting and composition to focus attention on the sky and atmosphere. Dobrowner aims to capture the American southwest with a minimalist approach emphasizing atmospheric conditions over the land itself.

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0% found this document useful (0 votes)
6 views4 pages

Mitch Dobrowner: Master of Landscape Photography

The document discusses photographer Mitch Dobrowner and his landscape photography style. It describes one of his photos called Trees - Cloud, texline that uses dramatic lighting and composition to focus attention on the sky and atmosphere. Dobrowner aims to capture the American southwest with a minimalist approach emphasizing atmospheric conditions over the land itself.

Uploaded by

oldjamesy
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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James Willette

Visual Analysis

Professional Artist
In a visually dominated world over saturated with visual stimuli emerges the photographic work

of Mitch Dobrowner of Long Island, New York. Primarily a landscape photographer his work ,although

seemingly simplistic, has a much deeper mastery of craft and skillfully demonstrates his knowledge of

the formal elements of art. His 2009 image of a texas storm titled Trees – Cloud, texline, exemplifies

the way in which he communicates with his camera and the landscape to generate an interest visually

with the ancient land.

Dobrowner digitally captures the American southwest with a delicate yet stark viewpoint. His

unique style draws some influence from photography masters such as Ansel Adams and Minor White.

Particularly his use of dramatic lighting and his use of wide contrast from white to black within the

landscape. Perhaps the most interesting element of his work however is his style of composition.

Dobrowner uses a minimalistic approach to how he includes the land in this scene. His choice to

include minimal land in the photo coupled with timing of weather conditions shift the focus and

emphasis off the land and into the sky. Chiefly meaning the atmospheric conditions begin to play a

large role in how the landscape is viewed. In this case the small sliver of land draws the viewer in and

gives the scene an anchor point in reference to scale. Viewing the land in this manner takes the interest

of the viewer off the land momentarily and places it in to the sky/ atmosphere. Which is to say the

atmosphere is just as important to the composition of landscape art as the land itself.

The Landscape of the American south west is one filled with a tremendous sense of adventure

and wonder. Dobrowner views the land with a sense of reverence and respect, focusing on it's beauty

often depicting surreal views of landscapes with dramatic atmospheric perspective. Photographically

Mitch Dobrowner invests in the belief that his art is derived from being at the right place at the right

time, which can be simplified to a matter of time vs. weather conditions vs. the landscape itself.
Works Cited

Adams, Ansel, and Andrea Gray. Stillman. The American Wilderness. Boston: Little,

Brown, 1990. Print.

"Interview with Mitch Dobrowner." Interview by LensWork. LensWork Nov. 2008.

Print. This LensWork audio interview with Mitch Dobrowner appeared in

LensWork Extended #79 along with his portfolio, Unworldly Landscapes.

Mitch Dobrowner Photography. Web. 9 Feb. 2011.

<[Link]

Stawiarz, Marcin. "Interview with Mitch Dobrowner." Neutral Density Magazine

2010. Web. 9 Feb. 2011. <[Link]

[Link]/mitchdobrowner/[Link]>.

Wiggett, Darwin. "Photographer of the Month – Mitch Dobrowner « Interview."

Darwin Wiggett. 13 Dec. 2010. Web. 14 Feb. 2011.

<[Link]

month-mitch-dobrowner/>.

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