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Microwave Filter Design Techniques

The document discusses microwave filters and the insertion loss method for designing filters. It provides details on: 1) Microwave filters are used to control frequency response by providing transmission in the passband and attenuation in the stopband. Common responses include low-pass, high-pass, bandpass, and band-reject. 2) The insertion loss method uses network synthesis to design filters with a specified frequency response. Low-pass filter prototypes are used that are normalized for impedance and frequency. Transformations convert the prototypes to the desired frequency range and impedance. 3) Filter responses can be maximally flat (binomial) or have equal ripple (Chebyshev). Prototypes provide transfer functions

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0% found this document useful (0 votes)
172 views20 pages

Microwave Filter Design Techniques

The document discusses microwave filters and the insertion loss method for designing filters. It provides details on: 1) Microwave filters are used to control frequency response by providing transmission in the passband and attenuation in the stopband. Common responses include low-pass, high-pass, bandpass, and band-reject. 2) The insertion loss method uses network synthesis to design filters with a specified frequency response. Low-pass filter prototypes are used that are normalized for impedance and frequency. Transformations convert the prototypes to the desired frequency range and impedance. 3) Filter responses can be maximally flat (binomial) or have equal ripple (Chebyshev). Prototypes provide transfer functions

Uploaded by

Diptiman Biswas
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

Microwave Filters

INTRODUCTION
A microwave filter is a two-port network used to control the frequency response at a certain point in a
microwave system by providing transmission at frequencies within the passband of the filter and attenuation in
the stopband of the filter. Typical frequency responses include low-pass, high-pass, bandpass, and band-reject
characteristics. Applications can be found in virtually any type of microwave communication, radar, or test and
measurement system.

We limit this tutorial to a procedure called the insertion loss method, which uses network synthesis
techniques to design filters with a completely specified frequency response. The design is simplified by
beginning with low-pass filter prototypes that are normalized in terms of impedance and frequency.
Transformations are then applied to convert the prototype designs to the desired frequency range and impedance
level.

The insertion loss method of filter design provides lumped element circuits. For microwave
applications such designs usually must be modified to use distributed elements consisting of transmission line
sections. The Richard’s transformation and the Kuroda identities provide this step. We will also discuss
transmission line filters using stepped impedances and coupled lines; filters using coupled resonators will also
be briefly described.

FILTER DESIGN BY THE INSERTION LOSS METHOD

The insertion loss method allows a high degree of control over the passband and stopband amplitude
and phase characteristics, with a systematic way to synthesize a desired response. The necessary design trade-
offs can be evaluated to best meet the application requirements. If, for example, a minimum insertion loss is
most important, a binomial response could be used; a Chebyshev response would satisfy a requirement for the
sharpest cutoff. If it is possible to sacrifice the attenuation rate, a better phase response can be obtained by using
a linear phase filter design. And in all cases, the insertion loss method allows filter performance to be improved
in a straightforward manner, at the expense of a higher order filter. For the filter prototypes to be discussed
below, the order of the filter is equal to the number of reactive elements.

Characterization by Power Loss Ratio the


In the insertion loss method a filter response is defined by its insertion loss, or power loss ratio, PLR:

Power available from source P 1


(1) PLR = = inc = 2
Power delivered to load Pload 1 − Γ(ω )

1
Observe that this quantity is the reciprocal of |S12|2 if both load and source are matched. The insertion loss (IL)

in dB is ( 2) IL = 10 log PLR

We know that |Γ (ω )|2 is an even function of ω ; therefore it can be expressed as a polynomial in ω 2. Thus we
can write

2 M (ω 2 )
( 3) Γ(ω ) =
M (ω 2 ) + N (ω 2 )

where M and N are real polynomials in ω 2. Substituting this form in (1) gives the following:

M (ω 2 )
( 4) PLR = 1 +
N (ω 2 )

Thus, for a filter to be physically realizable its power loss ratio must be of the form in (4). Notice that
specifying the power loss ratio simultaneously constrains the reflection coefficient, Γ (ω ). We now present
two practical filter responses.

Maximally flat
This characteristic is also called the binomial or Butterworth response, and is optimum in the sense that
it provides the flattest possible passband response for a given filter complexity, or order. For a low-pass filter, it
is specified by

2N
ω 
(5) PLR = 1 + k 2  
ωc 

where N is the order of the filter, and ω c, is the cutoff frequency. The passband extends from ω = 0 to ω =
ω c; at the band edge the power loss ratio is 1 + k 2. If we choose this as the -3 dB point, as is common, we have
k = 1, which we will assume from now on. For ω > ω c, the attenuation increases monotonically with
frequency, as shown in Figure 1. For ω >> ω c, PLR  k2(ω /ω c)2N, which shows that the insertion loss
increases at the rate of 20 N dB/decade. Like the binomial response for multisection quarter-wave matching
transformers, the first (2N - 1) derivatives of (5) are zero at ω = 0.

Equal ripple
If a Chebyshev polynomial is used to specify the insertion loss of an N-order low-pass filter as

ω 
( 6) PLR = 1 + k 2 T N2   ,
 ωc 

then a sharper cutoff will result, although the passband response will have ripples of amplitude 1+k2, as shown
in Figure 1, since TN(x) oscillates between +1 for |x| < 1. Thus, k2 determines the passband ripple level. For large
x, TN(x)  ½(2x)N, so for ω >> ω c, the insertion loss becomes

2
2N
k2  2ω 
PLR =   ,
4 ωc 

which also increases at the rate of 20 N dB/decade. But the insertion loss for the Chebyshev case is (22N)/4
greater than the binomial response, at any given frequency where ω > > ω c.

Figure 1. Maximally flat and equal -ripple low-pass filter responses (N=3).

Low-Pass Filter Prototypes


Figure 2 shows normalized ladder circuits for low-pass filter prototypes. We know that the transfer functions
for these circuits have N poles so that polynomials of degree N are in the denominator of the transfer functions.
Proper selection of the components will make the magnitude of the transfer function such that Equation (5) is
satisfied. Table 1 [1] gives the element values for the maximally flat low-pass filter prototypes for N = 1 to 10.

Figure 2. Ladder circuits for low-pass filter prototypes and their element definitions. (a Prototype
beginning with a shunt element. (b) Prototype beginning with a series element.

3
Table 1. Element values for maximally flat low-pass filter prototypes (g0 = 1, ω c = 1, N = 1 to 10.)

We can also select components to make the magnitude of the transfer function such that Equation (6) is
satisfied. Table 2 [2] gives the element values for the 0.5 dB and 3.0 dB equal ripple filter prototypes for N = 1
to 10.

FILTER TRANSFORMATIONS
The low-pass filter prototypes of the previous section were normalized designs having a source
impedance of Rs = 1 Ω and a cutoff frequency of ω c = 1. The designs must be scaled in terms of impedance
and frequency, and converted to give high-pass, bandpass, or bandstop characteristics. Several examples will be
presented to illustrate the design procedure.

Impedance and Frequency Scaling


Impedance scaling. The network needs to be scaled from a source resistance of 1 to R0 and a cutoff frequency
of 1 to ω c. If we let primes denote impedance and frequency scaled quantities, we have the following
transformation equations for the kth element in the low-pass network.

Table 2. Element values for equal ripple low-pass filter prototypes (g0 = 1, ω c = 1, N = 1 to 10, 0.5 dB and 3.0
dB ripple.)

4
R0 Lk
( 7a ) Lk ' = ,
ωc
Ck
(7b) Ck ' = .
R 0ω c

Low-pass to high-pass transformation. The frequency substitution where,

ωc
(8) ω ← −
ω

can be used to convert a low-pass response to a high-pass response. This substitution maps ω = 0 to ω = Γ ∋ ,
and vice versa; cutoff occurs when ω = Γ ω c. The negative sign is needed to convert inductors (and capacitors)
to realizable capacitors (and inductors). Applying (8) and impedance scaling to the series reactances, jω Lk, and
the shunt susceptances, jω Ck, of the prototype filter gives

1
( 9a ) Ck ' = ,
R 0 ω c Lk
R0
( 9b ) Lk ' = .
ω cCk

5
EXAMPLE 1: Low-Pass Filter Design Comparison

Design a maximally flat low-pass filter with a cutoff frequency of 2 GHz, impedance of 50 Ω and at
least 15 dB insertion loss at 3 GHz. Compute and plot the amplitude response and group delay for f = 0 to 4
GHz, and compare with an equal-ripple (3.0 dB ripple) filter having the same order.

Solution (The solution method for the maximally flat response will be shown here. An exercise for the student is
to do the 3 dB equal-ripple filter.)

First find the required order of the maximally flat filter to satisfy the insertion loss specification at 3 GHz. We
have that IL = 10 log PLR = 10 log (1+(ω /ω c)2N) = 15. This gives N = ln (10 15/10 - 1)/2/ln ω /ω c = 4.22. We
will use N=5. Table 1 gives the prototype element values as

g1 = 0.618
g2 = 1.618
g3 = 2.000
g4 = 1.618
g5 = 0.618

Then (7) can be used to obtain the scaled element values:

C1’ = 0.984 pF,


L2’ = 6.438 nH,
C3’ = 3.183 pF,
L4’ = 6.438 nH,
C5’ = 0.984 pF.

The final filter circuit, using Serenade Design Suite, is shown in Figure 3; the ladder circuit of Figure 2a was
used, but that of Figure 2b could have been used just as well. The response for the simulation is shown in
Figure 4.

Figure 3 Low-pass filter schematic using Serenade Design Suite.

6
The |S21| response is shown in Figure 4. The group delay activation takes place in the linear frequency
block. Figure 5 shows that lines 2 and 4 have to be filled in as shown. GD on the reports menu is selected for
display in a separate window. The group delay is then shown in Figure 6. Clearly, the maximally flat response
filter does not produce a linear phase response. This can be accomplished by selecting a different set of
components based upon generating a transfer function with linear phase response.

Figure 4. Amplitude response for the low-pass filter of Figure 3.

Figure 5. Linear frequency block to do the group delay response.

Figure 6. Group delay for the low-pass filter of Figure 3

Bandpass and Bandstop Transformation


Low-pass prototype filter designs can also be transformed to have the bandpass or bandstop responses.
If ω 1 and ω 2 denote the edges of the passband, then a bandpass response can be obtained using the following
frequency substitution:

7
ω0  ω ω0  1  ω ω0 
(10a ) ω←  − =  − 
ω 2 − ω 1  ω 0 ω  ∆  ω 0 ω 
where
ω 2 − ω1
(10b) ∆=
ω0

is the fractional bandwidth of the passband. The center frequency, ω 0, could be chosen as the arithmetic mean
of w1 and w2, but the equations are simpler if it is chosen as the geometric mean, ω 0 = (ω 1ω 2)1/2. Then the
transformation of (10) maps the bandpass characteristics to the low-pass response giving the following new
filter elements:

(1) A series inductor is transformed to a series LC circuit with impedance and frequency scaled values
Lk R 0
(11a ) L' k =
ω0∆

(11b) C' k =
ω 0 Lk R 0

(2) A shunt capacitor is transformed to a shunt LC circuit with impedance and frequency scaled values
∆ R0
(11c ) L' k =
ω 0Ck
Ck
(11d ) C'k =
ω 0 ∆ R0

The inverse transformation can be used to obtain a bandstop response. Thus,

−1
ω ω 
(12) ω ← ∆  − 0  .
ω0 ω 

Then series inductors of the low-pass prototype are converted to parallel LC circuits having impedance and
frequency scaled values

∆Lk R0
(13a ) L' k =
ω0
1
(13b) C'k =
ω 0 ∆Lk R0

The shunt capacitors of the low-pass prototype are converted to series LC circuits having impedance and
frequency scaled values

R0
(13c ) L' k =
ω 0 ∆C k
∆C k
(13d ) C'k =
ω 0 R0

8
The element transformations from a low-pass prototype to a high-pass, bandpass, or bandstop filter are
summarized in Table 3. These results do not include impedance scaling, which can be made by multiplying the
values of L, Rs and RL by R0 and dividing the values of C by R0.

Table 3. Summary of prototype filter transformations

EXAMPLE 2: Bandpass Filter Design

Design a bandpass filter having a 0.5 dB equal-ripple response, with N = 3. The center frequency is I
GHz, the bandwidth is 10%, and the impedance is 50 Ω .

Solution
From Table 3 the element values for the low-pass prototype circuit are given as
gl = 1.5963 = L1,
g2 = 1.0967 = C2,
g3 = 1.5963 = L3,
g4=1.000 =RL

Then (11) give the impedance-scaled and frequency-transformed element values for the circuit as
L’1 = 127.0 nH,
C’l = 0.199 pF,
L’2 = 0.726 nH,
C’2 = 34.91 pF,
L’3 = 127.0 nH,
C’3 = 0.199 pF.

9
The Serenade Design Suite schematic and |S21| results are shown in Figures 7 and 8.

Figure 7. Schematic of bandpass filter using Serenade Design Suite

Figure 8. |S21| (dB) results from Serenade Design Suite for the bandpass filter.

FILTER IMPLEMENTATION
The lumped-element filter design discussed in the previous sections generally works well at low
frequencies, but two problems arise at microwave frequencies. First, lumped elements such as inductors and
capacitors are generally available only for a limited range of values and are difficult to implement at microwave
frequencies, but must be approximated with distributed components. In addition, at microwave frequencies the
distances between filter components are not negligible. Richard’s transformation is used to convert lumped
elements to transmission line sections, while Kuroda’s identities can be used to separate filter elements by using
transmission line sections. Because such additional transmission line sections do not affect the filter response,
this type of design is called redundant filter synthesis. It is possible to design microwave filters that take
advantage of these sections to improve the filter response [2]; such nonredundant synthesis does not have a
lumped-element counterpart.

10
Richard’s Transformation
The transformation,

 ωl 
(14) Ω = tan β l = tan 
v 
 p

maps the w plane to the Ω plane, which repeats with a period of ω l/vp = 2π . This transformation was
introduced by P. Richard [3] to synthesize an LC network using open- and short-circuited transmission lines.
Thus, if we replace the frequency variable ω with Ω , the reactance of an inductor can be written as

(15a ) jX L = jΩL = jL tan β l ,

and the susceptance of a capacitor can be written as

(15b) jX C = jΩC = jC tan β l ,

These results indicate that an inductor can be replaced with a short-circuited stub of length β l and
characteristic impedance L, while a capacitor can be replaced with an open circuited stub of length β l and
characteristic impedance 1/C. A unity filter impedance is assumed.

Cutoff occurs at unity frequency for a low-pass filter prototype; to obtain the same cutoff frequency for
the Richard’s-transformed filter, (14) shows that

Ω = 1 = tan β l

which gives a stub length of l = λ /8, where λ is the wavelength of the line at the cutoff frequency, ω c. At the
frequency ω 0 = 2ω c, the lines will be λ /4 long, and an attenuation pole will occur. At frequencies away from
wc, the impedances of the stubs will no longer match the original lumped-element impedances, and the filter
response will differ from the desired prototype response. Also, the response will be periodic in frequency,
repeating every 4ω c.

In principle, then, the inductors and capacitors of a lumped-element filter design can be replaced with
short-circuited and open-circuited stubs. Since the lengths of all the stubs are the same (λ /8 at ω c), these lines
are called commensurate lines.

Kuroda’s Identities
The four Kuroda identities use redundant transmission line sections to achieve a more practical microwave
filter implementation by performing any of the following operations:

• Physically separate transmission line stubs


• Transform series stubs into shunt stubs, or vice versa
• Change impractical characteristic impedances into more realizable ones.

11
The additional transmission line sections are called unit elements and are λ /8 long at ω c; the unit elements
are thus commensurate with the stubs used to implement the inductors and capacitors of the prototype design.

The four identities are illustrated in Table 4, where each box represents a unit element, or transmission line,
of the indicated characteristic impedance and length (λ /8 at ω c). The inductors and capacitors represent short-
circuit and open-circuit stubs, respectively.

EXAMPLE 3: Low-Pass Filter Design Using Stubs


Design a low-pass filter for fabrication using microstrip lines. The specifications are: cutoff frequency
of 4 GHz, third order, impedance of 50 Ω , and a 3 dB equal-ripple characteristic.

Solution
We now go to Mathcad to implement the solution. The Mathcad document is shown in Figure 8. Figure 9
shows the evolution of the design from the prototype circuit to the microstrip fabrication.

Table 4. The Four Kuroda Identities

12
13
Figure 8. Mathcad document for the solution of the microstrip filter.

14
Figure 9. Filter design. (a) Lumped-element low-pass filter prototype. (b) Richard’s transformations - convert
inductors and capacitors to series and shunt stubs. (c) Add unit elements at ends of the filter. (d) Apply the
second Kuroda identity. (e) Impedance and frequency scaling. (f) Microstrip fabrication of the final filter.

We use Serenade Design Suite to simulate the microstrip filter. The schematic and results are shown in
Figures 10 and 11.

Figure 10 Schematic of the microstrip low-pass filter.

Figure 11. |S21| (dB) for the microstrip low-pass filter.

Note that the passband characteristic is only low-pass up to about 6 GHz. Beyond that, the response is more like
a band reject. This is a result of the periodic nature of Richard’s Transformation.

15
STEPPED-IMPEDANCE LOW-PASS FILTERS
A relatively easy way to implement low-pass filters in microstrip or stripline is to use alternating
sections of wide (low impedance, capacitive in nature) and narrow (high impedance, inductive in nature)
sections of line. A procedure for calculating physical dimensions of transmission lines is given in [1], Section
8.6. We will use the Filter Synthesis tool in Serenade Design Suite to accomplish the design Example.

The filter synthesis program can be started by selecting Filter Synthesis from the Tools pull-down
menu in Serenade. This will launch FilterSyn, which is a separate executable. The following window will
appear:

For this example, we are designing a low-pass filter so we choose Low Pass and click OK. The following
window appears:

Since we want to realize this filter using microstrip and it is to be maximally flat, we choose Distributed
Lowpass for the filter type, Butterworth Prototype for the Design Method, and Microstrip for the Technology.
Next produces the following Specifications window:

16
The filter impedance is 50 Ω , we choose the first element to be parallel (a capacitance), the cutoff frequency
(Edge Level is 3 dB) is 2.5 GHz, and it is necessary to have more than 20 dB insertion loss at 4.0 GHz.
Choosing the Estimate Order button brings up the following window:

Input of the parameters for the insertion loss with Order = 5 gives 20.247 dB. To be on the save side, we choose
Order = 6 so that the insertion loss will be 24.2632 dB at 4 GHz. Choosing OK in this window and Next on the
Specifications window will produce the Enter resonator impedances window:

17
The problem statement indicates that the highest and lowest practical impedances are 150 Ω and 10 Ω
respectively. These are our inputs for this window. Selecting next will bring up the Mircrostrip dimensions
window:

We input the dimensions of the microtrip. Since we will use open microtrip, we choose large values for
distances to the wall and the cover height. Finally, we select Next and Finish to arrive at the following design
with electrical lengths (note that the lengths are slightly different from that of the example in [1]):

This can then be exported to a new project file in Serenade Design Suite by selecting File - Export physical
schematic. Prompts for naming the new project follow. Once in Serenade Design Suite we get the following
physical schematic with properly dimensioned microstrip transmission line sections:

18
Running the analysis produces the following report graph for |S21| in dB.

COUPLED LINE FILTERS


Once again we will use the Filter Synthesis tool this section. Design a coupled line bandpass filter with
N = 3 and a 0.5 dB equal-ripple response. The center frequency is 2.0 GHz, the bandwidth is 10%, and Z0 = 50
Ω . What is the attenuation at 1.8 GHz?

Go to Serenade Design Suite and create a new project. Select Tools-Filter Synthesis from the menu;
Bandpass from the Filter Application Startup window; and Edge Coupled Half Wave, Tchebyshev Prototype,
and Microstrip from the Band Pass Filter window. This brings us to the Specifications Window where we put in
the problem specifications. Next brings up the microstrip dimensions window. We use a substrate thickness of
62 mils, a cover height of 5000 mils (essentially no cover), a dielectric constant of 2.2, and a strip thickness of 1
mil.

19
1
[] G. L. Mattheai, L. Young and E. M. T. Jones, Microwave Filters, Impedance-Matching Networks and Coupling
Structures, Artech House, Dedham, MA, 1980.
2
[] W. A. Davis, Microwave Semiconductor Circuit Design, Van Nostrand Reinhold, NY, 1984
3
[] P. I. Richard, "Resistor-Transmission Line Circuits," Proc. Of the IRE, vol. 36, pp. 217 - 220, February 1948.

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