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Predicate Types in Exercise 7 Analysis

The document analyzes 35 sentences from various authors and identifies whether the predicate in each sentence is simple or compound, and if compound, whether it is nominal or verbal. It finds that predicates range from simple to compound nominal and verbal, with most being simple or nominal compounds. Compound verbal predicates may involve aspect, modality or double orientation.
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0% found this document useful (0 votes)
587 views3 pages

Predicate Types in Exercise 7 Analysis

The document analyzes 35 sentences from various authors and identifies whether the predicate in each sentence is simple or compound, and if compound, whether it is nominal or verbal. It finds that predicates range from simple to compound nominal and verbal, with most being simple or nominal compounds. Compound verbal predicates may involve aspect, modality or double orientation.
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© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

Exercise 7.

Say where the predicate is simple and where it is compound (nominal


or verbal).

1. Two young girls in red came by. (simple verbal expressed phrasal verb)
(Mansfield) 2. Demetrius came alive (compound nominal proper) and pressed a
flock of inquiries. (Douglas) 3. And in many ways along lines you'd more or less
approve, I am coming to feel (compound verbal predicate) the mill apart of
myself. (simple) (Lindsay) 4. He tried to be both firm and friendly. Он старался
быть твердым и дружелюбным. (compound nominal double) I've felt
dependent (compound nominal predicate) on him. Я чувствовал себя зависимым
от него. (Lindsay) 5. He now felt (simple) only a confused ache of memory and a
growing desire to be home. (Lindsay) 6. No one was (simple) there to meet Dick.
He felt (simple) a twinge of disappointment. (Lindsay) 7. There was (compound
nominal) a silence but not an uncomfortable one. (Braine) 8. He was vaguely
aware (nominal) of his father standing by kitchen-range with his coat off.
(Lindsay) 9. The day of our wedding came. (simple) He was to call (verbal modal)
for me to choose the furniture. (Mansfield) 10. A good reliable husband he'd make.
(compound nominal predicate) And our Alice is a great one (compound nominal
predicate) for wanting a place of her own. (Lindsay) 11. That made all the
difference. (simple) The room came alive (nominal) at once. (Mansfield) 12. "She
sounds serious,"(nominal) Albertine insisted. (simple) "She keeps talking
(compound verbal aspect predicate) about it." (Kahler) 13. Not even her own
children had seen Ma break down. (compound verbal predicate/ simple verbal
predicate expressed by verb phrase) She'd keep a proud face (compound
modal nominative predicate) always. Даже ее собственные дети не видели,
чтобы Ма сломалась. Она всегда сохраняла гордое лицо. 14. My lady keeps
(simple) a list of the names in a little red book (Mansfield) 15. Charlie kept quiet.
(nominal) (Priestley) 16. Cedric Thompson stood (simple) a good three inches
above me. (Braine) 17. For a moment I stood aghast (nominal), peering after her
shadowy figure, and wondering what had taken (simple) her. (Weyman) 18. And
then they sat silent (nominal) for a few moments together. (Trollope) 19. I sat
(simple) writing letters on a piece of paper with a pencil. (Haggard) 20. And for
some time he lay gasping (nominal) on a little flock mattress, rather unequally
posed between this world and the next. (Dickens) 21. After many adventures I and
a little girl lay senseless (nominal) in the Bad Lands. (Haggard) 22. He seemed
glad (compound verbal predicate of double orientation expressed by verb
perception) to see me. Он казался рад меня видеть. (Du Maurier) 23. At that
moment everything in her life seemed to be (the Subjunctive Infinitive
construction) a source of desperate anxiety. (Murdoch) 24. You can smile away
(compound verbal modal) till you split (simple) your cheek, but you still got to do
(compound verbal modal) a day's work to earn a day's wages. Apples don't grow
(simple) on monkey-trees. (Lindsay) 25. She grew to know (compound verbal
aspect predicate) the two elderly men better than any other member of Eden's
family. (London) 26. Yates grew impatient. (nominal) (Heym) 27. She turned
(simple) once more to Mr. Godfrey. (Collins) 28. Gwendolen turned pink and pale
(nominal) during this speech. (Eliot) 29. Mr. Bruff remained (simple) to dinner,
and stayed (simple) through the evening. (Collins) 30. Michelangelo remained
silent. (nominal) (Stone) 31. I gave up (simple) the attempt and went (simple)
upstairs to unpack. (Braine) 32. Michelangelo's knees went weak. (nominal) He sat
down (simple) on his bed. (Stone) 33. I looked (simple) at the photograph above
the mantelpiece and saw (simple) my own lace for the first time. (Braine) 34.
Giovanni looked crestfallen. (nominal) (Stone) 35. He was beginning to sound
really angry. (the compound aspect nominal predicate) (Murdoch).

1. Прошли две молодые девушки в красном. (простой) (Мэнсфилд) 2.


Деметриус ожил (номинально) и потребовал множество запросов. (Дуглас) 3.
И во многих отношениях, которые вы более или менее одобряете, я начинаю
чувствовать мельницу отдельно от себя. (просто) (Линдси) 4. Он старался
быть твердым и дружелюбным. (номинальный) Я чувствовал себя зависимым
(составное именное предикат) от него. (Линдси) 5. Теперь он чувствовал
(просто) только смутную боль в памяти и растущее желание быть дома.
(Линдси) 6. Никого не было (просто) встретить Дика. Он почувствовал
(просто) приступ разочарования. (Линдси) 7. Воцарилось (сложное
номинальное) молчание, но не дискомфортное. (Брейн) 8. Он смутно
осознавал (номинально) своего отца, стоящего у кухонной плиты без пальто.
(Линдси) 9. Настал день нашей свадьбы. (просто) Он должен был позвонить
мне (устно модально), чтобы я выбрала мебель. (Мэнсфилд) 10. Он станет
хорошим надежным мужем. (составной именной предикат) И наша Алиса
отлично подходит (составной именной предикат) для того, чтобы иметь
собственное место. (Линдси) 11. В этом вся разница. (простой) Комната
ожила (номинальная) сразу. (Мэнсфилд) 12. «Она звучит серьезно», -
настаивала (номинально) Альбертина. (простой) «Она продолжает говорить
(сказуемое составное словесное выражение) об этом». (Калер) 13. Даже ее
собственные дети не видели, чтобы Ма сломалась. (Объективный предикат)
Она всегда сохраняла гордое лицо (составной модальный именительный
падеж). (Мэнсфилд) 14. Моя леди ведет (просто) список имен в маленькой
красной книжке (Мэнсфилд) 15. Чарли молчал. (номинально) (Пристли) 16.
Седрик Томпсон стоял (просто) на добрых три дюйма выше меня. (Брейн) 17.
Какое-то время я стоял ошеломленный (номинально), всматриваясь в ее
призрачную фигуру и задаваясь вопросом, что (просто) ее взяло. (Вейман) 18.
И затем они несколько секунд сидели молча (номинально) вместе. (Троллоп)
19. Я сел (просто) писал буквы на листе бумаги карандашом. (Хаггард) 20. И
какое-то время он лежал, задыхаясь (номинально), на маленьком матрасе из
стаи, находясь в довольно неравном положении между этим миром и другим.
(Диккенс) 21. После многих приключений я и маленькая девочка
бессмысленно лежали (номинально) в Плохих Землях. (Хаггард) 22. Он
казался рад (номинально) меня видеть. (Дю Морье) 23. В тот момент все в ее
жизни казалось (конструкция сослагательного наклонения и инфинитива)
источником отчаянной тревоги. (Мердок) 24. Вы можете улыбаться (сложная
вербальная модальная форма), пока не рассечете (простую) щеку, но вам все
равно придется выполнять (сложную вербальную модальную форму)
дневную работу, чтобы заработать дневную заработную плату. Яблоки не
растут (простые) на обезьяньих деревьях. (Линдси) 25. Она узнала (сказуемое
со сложным словесным аспектом) двух пожилых мужчин лучше, чем любой
другой член семьи Иден. (Лондон) 26. Йейтс стал нетерпеливым.
(номинально) (Хейм) 27. Она снова повернулась (просто) к мистеру Годфри.
(Коллинз) 28. Гвендолен стала розовой и бледной (номинально) во время
этой речи. (Элиот) 29. Мистер Брюфф оставался (простой) до обеда и
оставался (просто) до вечера. (Коллинз) 30. Микеланджело промолчал.
(номинал) (Stone) 31. Я отказался от (простой) попытки и пошел (просто)
наверх, чтобы распаковать вещи. (Брейн) 32. У Микеланджело ослабли
колени. (номинально) Он сел (просто) на свою кровать. (Камень) 33. Я
посмотрел (простой) на фотографию над камином и впервые увидел
(простое) собственное кружево. (Брейн) 34. Джованни выглядел удрученным.
(номинальный) (Камень) 35. Он начал звучать очень сердито. (именной
предикат составного аспекта) (Мердок).

Common questions

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In Dickens and Trollope's works, nominal predicates serve to convey character states by focusing on their conditions or emotions rather than actions. This focus allows for deeper psychological exploration and understanding of characters' internal landscapes. By highlighting states such as consciousness or emotional responses, nominal predicates enable authors to provide intimate insights into the personalities and develop intrinsic narratives and themes of the characters in their social and personal contexts .

The subjunctive mood in complex verbal predicates, especially those containing modal elements, signals hypothetical or contingent actions. This form allows propositions to express wishes, demands, or necessities that remain uncertain but are hypothetically possible, thus enriching the expression of modality and potentiality in verbal predicates. It aids in constructing nuanced meaning and aligning narrative tone with the hypothetical nature of the content .

A compound verbal aspect predicate involves verbs and auxiliary verbs that highlight the aspect of an action, emphasizing how the action occurs over time, while a compound nominal predicate focuses on describing the subject’s state or identity. Compound verbal aspects can convey the progressiveness or completeness of actions, adding dynamism to descriptions, while compound nominal predicates offer a static, defining characteristic of the subject, making them suitable for detailed portrayal of conditions or identities .

Combining different types of predicates within a single sentence can influence both the ambiguity and clarity, depending on their alignment and context. This combination can provide a multi-faceted view of actions and states, enhancing depth but possibly introducing complexity that requires careful orchestration to preserve clarity. In narrative contexts, it can reflect multifaceted realities or evoke richer atmospheres by aligning actions and states in a cohesive yet complex structural form .

Complex aspect predicates enhance the descriptive quality by capturing the nuances of a character's experiences and emotions over time, whether continuous or completed. They allow for detailed expression of the temporal dynamics of actions and states, providing insights into a character’s unfolding actions or progressive feelings, thereby enriching the narrative texture by depicting how events develop and affect the characters deeply over time .

A compound modal nominative predicate combines modal verbs with a nominative predicate, where the modality expresses likelihood, ability, permission, or obligation, while the nominative predicate ascribes a condition or identity to the subject. This structure adds layers of particularity and complexity, modifying what the subject is or represents with an embedded degree of uncertainty or necessity, thus influencing sentence coherence by intertwining state and modality to deliver multifaceted meaning .

Authors might opt for compound verbal predicates to offer richer insights into characters and settings by illustrating simultaneous or sequential actions, enhancing narrative dynamism. These predicates can reveal complex motivations or dual states of characters, provide detailed progression of action, and thus create more engaged readings by offering a fuller picture of character interactions and emotional states, which simple predicates might not cover entirely .

Nominal predicates, which describe a state of being or condition rather than an action, enhance the descriptive quality of a text by providing deeper insight into a character's state or emotions. Using nominal predicates allows authors to convey subtle aspects of character and atmosphere, creating a more immersive and reflective reading experience. This technique emphasizes internal states and surroundings, contributing to a richer narrative layer .

In English grammar, a simple predicate consists of a single verb or verb phrase that describes the action of the subject, while a compound predicate contains two or more verbs or verb phrases that share the same subject, often providing more detailed or nuanced information. Simple predicates typically contribute to straightforward sentence structures, whereas compound predicates can increase sentence complexity by adding layers of meaning or additional actions performed by the subject .

Phrasal verbs, which consist of a verb and a preposition or adverb, form part of a simple verbal predicate by conveying a single, unified action or idea. Despite their multi-word nature, they operate as a cohesion unit to create an action that is direct and uncomplicated, preserving the simplicity of the sentence’s predicate structure despite added layers of meaning imparted by the phrasal verb .

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