The Highest Expression of Digital SLR

Photography Today, more professional photographers depend on Canon EOS than any other digital SLR
system, and the reasons are no mystery. The EOS System gives pros what’s needed to
deliver results in every imaginable shooting situation—a camera system so advanced
that the technology becomes an unconscious extension of the mind’s eye. Groundbreaking camera engineering and optical
design have kept the Canon EOS System at the cutting edge ever since 1987, when the first EOS SLR camera shook the photo-
graphic world. In today’s digital world, the EOS System continues to lead the way with dramatic innovations that are
reshaping the industry. With an unmatched range of choice in camera bodies, more than 50 world-renowned EF lenses,
sophisticated Speedlite flashes, advanced wireless networking, data handling capabilities, and numerous other
powerful system options and accessories, the Canon EOS System reigns supreme.

1-800-OK-CANON
[Link]

Canon U.S.A., Inc.

One Canon Plaza
Lake Success, NY 11042 U.S.A.

Canon Canada, Inc.

6390 Dixie Road
The images used throughout this brochure unless not noted, are pho- Mississauga, Ontario L5T 1P7 Canada
tographed by “Canon Explorers of Light,” a select group of photographers
who shoot with Canon EOS System cameras and “Canon PrintMasters,”
a select group of photographers who shoot with Canon EOS System cameras Canon Latin America, Inc.
and print exclusively with Canon Professional Printers. They are among the 703 Waterford Way, Suite 400
top photographers in the world and work in diverse photographic disciplines
including journalism, nature, fashion, fine-art, portrait and commercial. Miami, FL 33126 U.S.A.
EOS product photography by Michel Tcherevkoff, Explorer of Light and
PrintMaster and shoots with the EOS-1Ds Mark III. Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
To learn more about Explorers of Light and Col. Lomas de Chapultepec
PrintMasters and to see more images taken by
them, visit the Canon Digital Leaning Center at: C.P. 11000 México, D.F. México
[Link]/dlc

All LCD and printer output images are simulated. All data are based on Canon’s Standard
Test Method. Specifications and availability subject to change without notice. Canon, EOS,
DIGIC, PIXMA are registered trademarks and imagePROGRAF is a trademark of Canon Inc. 0113W984 2/08
in the United States, and may also be registered trademarks or trademarks in other
countries. All other products and brand names are registered trademarks, trademarks
or service marks of their respective owners. ©2008 CANON U.S.A., INC.
PRINTED IN U.S.A.
Camera: EOS-1Ds Mark III
Lens: EF 70–200mm f/2.8L USM
©2008 Gil Smith All Rights Reserved
 Get the Big Picture and the Smallest Detail

BIG PRODUCT
Ultra-High-Resolution Image Capture
The 21.1 effective megapixels full-frame sen-
sor captures images with stunning detail and
precision. The resulting high-resolution image
files ensure exceptional reproduction quality,
with generous data density for enhanced
large-output capabilities and post-processing
cropping flexibility. 38

The Canon CMOS Advantage

Canon CMOS sensors—designed and manufac-
tured by Canon for exclusive use in Canon digital
cameras—provide a number of important
The EOS-1Ds Mark III 21.1-megapixel full-frame CMOS sensor delivers a high-resolution image of exacting precision, advantages over sensors typically found in other digital
yielding a whopping 60MB file in Adobe® Photoshop®, with unprecedented data density for enhanced large-output
capabilities and post-processing cropping flexibility. cameras: Their significantly reduced power consumption
helps extend battery life and eliminates performance
problems related to increased heat and noise. They deliver
COMMERCIAL BIG PRODUCT Incomparable Canon Full-Frame CMOS Technology
faster operation, taking full advantage of multi-channel

“ As photographers, we
dream and produce
images. Canon has also
dreamed to give us the most
architecture to provide unprecedented combinations of
high resolution and high-speed image capturing perform-
ance. Canon CMOS sensors also incorporate a novel noise
reduction system that records the noise of each pixel
powerful imaging tool in the prior to exposure then automatically subtracts that noise.
world today with the Canon This proprietary on-chip circuitry ensures exceptionally
EOS-1Ds Mark III, its DIGIC III clean, noise-free images. 38
Full-Frame CMOS
Image Processors, and an Sensor (Actual Size)
astounding 21.1-megapixel Extended RAW Recording Capabilities
The EOS-1Ds Mark III incorporates the newest Canon
full-frame CMOS sensor that The EOS-1Ds Mark III can not only capture RAW but also
CMOS sensor, which delivers approximately 21.1 effec-
makes your sRAW (Small RAW) images. This added versatility is ideal
tive megapixels (5616 x 3744 pixels). The recording area
image pop off for photographers who prefer the control afforded by RAW
of the sensor is 36 x 24mm, which is equivalent to the
the page like capture in shooting situations that do not require the cam-
full-frame size of the 35mm film format. Compared to
this one.” era’s full resolution capability. Options are also provided
typical smaller digital camera sensors, the Canon full-
for simultaneous RAW+JPEG and sRAW+JPEG recording
frame sensor can accommodate a tremendous pixel count
with an extensive choice of JPEG sizing options. 43
while maintaining larger individual pixel site size. Larger
— Gil Smith
sites improve light gathering capability, enabling the
Canon Explorer of Light Superior Color Tonality
sensor to produce a cleaner, more noise-free image.
Digital Capture Redefined. Whereas most other digital cameras use 12-bit A/D
Once in a while a new tool comes along that recalibrates EOS Digital SLR cameras with full-frame sensors let you (analog-to-digital) converters, the EOS-1Ds Mark III
our capabilities… a technological tour de force that forever use interchangeable lenses exactly as you would with employs superior 14-bit converters to process the output
changes our perception of what is and is not possible… 35mm film SLR cameras. They let photographers use of the imaging sensor. Each color channel provides 16,384
a professional instrument that expands the boundaries of the entire range of superb Canon EF lenses without a separate steps of brightness, from darkest to lightest.
creative communication. The Canon EOS-1Ds Mark III is just conversion factor, making it possible to take full advan- This ensures smoother tonal transitions and more natural
such a tool. True to the EOS-1 legacy, this remarkable camera tage of the specific optical characteristics for which the gradations. 16,384 distinct tones can be recorded in each
redefines the state of the DSLR (digital single-lens-reflex) lenses were designed. This is an important benefit for color channel, with every click of the shutter—even JPEG
art in no uncertain terms. photographers who have sizable EF lens collections. 38 images start using 14 bits of tonal data!

8 38 This icon indicates the page where you will find more detailed information. 9
 Maximize the Beauty
in Tonal Accuracy

BEAUTY
BEAUTY Superb Color Accuracy Numerous Recording Options
The combination of advanced technologies The EOS-1Ds Mark III provides a versatile range of recording

“ The EOS System has always

been my choice for loca-
tion shooting, however when
photographing in-studio, I
embodied in the Canon CMOS sensor and
dual “DIGIC III” Image Processor enables
digital capture of unprecedented quality. Color richness and
quality options, enabling photographers to select optimal
file sizes and resolutions for any given job. Multiple
compression rates are available via the menu. All quality
accuracy are outstanding thanks to a multilayer low-pass level combinations, including JPEG, RAW, sRAW, RAW+JPEG,
turned to medium format. Now
filter in front of the sensor that isolates false colors. With and sRAW+JPEG can also be accessed directly using the
with the EOS-1Ds Mark III and
Quality button and the Quick Control Dial. 43
it’s phenomenal 21.1-megapixel
sensor, I have
Picture Style
the perfect
The myriad features and settings
camera for
available to the digital SLR user can
both studio
be daunting. Even the most proficient professional might
and location.”
occasionally have doubts as to whether all of the camera
Dual “DIGIC III” Processor
settings are optimal for the shot. The ingenious Canon
— John Huba the low-noise performance of the Canon CMOS sensor, cap- Picture Style feature comes to the rescue, providing a
Canon PrintMaster
tured images rival the rich, silky-smooth quality exceeding number of user-friendly presets that eliminate the need to
the performance of the finest-grain color films. 39 make numerous individual changes to camera settings.
They enable the photographer to
Advanced 14-bit A/D Conversion make optimal choices based simply
The EOS-1Ds Mark III employs 14-bit converters to process on the type of shooting. The Picture
the output of the imaging sensor. Compared to the 12-bit Style feature is flexible, allowing
converters used in most digital cameras, the Canon you to fine-tune individual camera
design ensures smoother tonal transitions, more natural settings—such as sharpening, con-
gradations, and superior color fidelity. RAW images are trast, color tone, and saturation—
recorded at 14 bits so that processed 16-bit TIFF images as desired.
contain the full range of tonal values captured by the sensor. Portrait

Camera: EOS-1Ds Mark III

Lens: EF 50mm f/1.2L USM
©2008 John Huba All Rights Reserved
1111
 The Performance it Takes to Capture Life

LIFESTYLE
COMMERCIAL: LIFESTYLE Incomparable EOS AF Technology Rapid-Fire Shooting with Near-Instant
The EOS-1Ds Mark III incorporates a new area-type AF Response

“ This camera is a GIANT

step up from the EOS-1Ds
Mark II. The minute I viewed the
EOS-1Ds Mark III capture, I
sensor that provides increased pixel sensitivity, delivering
markedly improved focusing performance in low-light
situations. The area AF system has 19 selectable high-
Advanced Canon CMOS technology, high-
speed Dual “DIGIC III” Image Processors,
and a new AF system make the EOS-1Ds
precision cross-type points plus 26 Assist points for a Mark III a remarkably fast camera,
immediately knew there was no
total of 45 AF points. The cross-type points are now not providing a maximum continuous
need to use medium format dig-
only positioned in the shooting speed of 5 fps at full
ital cameras. The image quality
central area but also at resolution. This is an extraordinary
is superior...why would I want to
the outer edges of the AF achievement when you consider
compromise
sensing area. The 26 the sheer amount of data that is
my lens
additional Assist points generated by a 21.1-megapixel
choices by
can be used to expand sensor. The EOS-1Ds Mark III is
using medium 5 fps
the coverage area of any also an impressively responsive Continuous
format!” Shooting
manually selected pri- and nimble camera. It has a fast Speed

mary AF point. Moreover, startup time of 0.2 second, and an extremely low lag
— Paul Aresu Assist points can be used time of 55 msec. (reducible to as low as 40 msec. via a
Canon Explorer of Light
in not only the AI Servo Custom Function setting). 40
AF mode but also the
One-Shot AF mode. The : Cross-type AF points Extraordinary Tonal Precision
: Assist points (Not user-selectable)
EOS-1Ds Mark III uses : f/2.8 sensors (Center AF point is f/4)
Canon CMOS sensors are capable of capturing images
an entirely separate pro- : f/5.6 sensors with exceptionally wide tonal range. In order to ensure
cessing unit dedicated solely to AF operations, including the superior tonal precision is maintained throughout
driving the lens. This dedicated CPU design performs AF the remainder of the recording process, the EOS-1Ds
computations three times faster than in previous systems. Mark III employs 14-bit A/D converters to process the
Faster AF detection and computation make it possible for output of the sensor. Compared to the 12-bit converters
the EOS-1Ds Mark III to achieve its remarkably fast con- used in most digital cameras, the Canon design ensures
tinuous shooting speed with full AI Servo tracking. 40 smoother tonal transitions and more natural gradations.
Camera: EOS-1Ds Mark III Camera: EOS-1Ds Mark III
Lens: EF 24–70mm f/2.8L USM Lens: TS-E 90mm f/2.8
©2008 Paul Aresu All Rights Reserved ©2008 Vincent Isola All Rights Reserved
13
 The Performance it Takes to Capture Life

LIFESTYLE
COMMERCIAL: LIFESTYLE Incomparable EOS AF Technology Rapid-Fire Shooting with Near-Instant
The EOS-1Ds Mark III incorporates a new area-type AF Response

“ This camera is a GIANT

step up from the EOS-1Ds
Mark II. The minute I viewed the
EOS-1Ds Mark III capture, I
sensor that provides increased pixel sensitivity, delivering
markedly improved focusing performance in low-light
situations. The area AF system has 19 selectable high-
Advanced Canon CMOS technology, high-
speed Dual “DIGIC III” Image Processors,
and a new AF system make the EOS-1Ds
precision cross-type points plus 26 Assist points for a Mark III a remarkably fast camera,
immediately knew there was no
total of 45 AF points. The cross-type points are now not providing a maximum continuous
need to use medium format dig-
only positioned in the shooting speed of 5 fps at full
ital cameras. The image quality
central area but also at resolution. This is an extraordinary
is superior...why would I want to
the outer edges of the AF achievement when you consider
compromise
sensing area. The 26 the sheer amount of data that is
my lens
additional Assist points generated by a 21.1-megapixel
choices by
can be used to expand sensor. The EOS-1Ds Mark III is
using medium 5 fps
the coverage area of any also an impressively responsive Continuous
format!” Shooting
manually selected pri- and nimble camera. It has a fast Speed

mary AF point. Moreover, startup time of 0.2 second, and an extremely low lag
— Paul Aresu Assist points can be used time of 55 msec. (reducible to as low as 40 msec. via a
Canon Explorer of Light
in not only the AI Servo Custom Function setting). 40
AF mode but also the
One-Shot AF mode. The : Cross-type AF points Extraordinary Tonal Precision
: Assist points (Not user-selectable)
EOS-1Ds Mark III uses : f/2.8 sensors (Center AF point is f/4)
Canon CMOS sensors are capable of capturing images
an entirely separate pro- : f/5.6 sensors with exceptionally wide tonal range. In order to ensure
cessing unit dedicated solely to AF operations, including the superior tonal precision is maintained throughout
driving the lens. This dedicated CPU design performs AF the remainder of the recording process, the EOS-1Ds
computations three times faster than in previous systems. Mark III employs 14-bit A/D converters to process the
Faster AF detection and computation make it possible for output of the sensor. Compared to the 12-bit converters
the EOS-1Ds Mark III to achieve its remarkably fast con- used in most digital cameras, the Canon design ensures
tinuous shooting speed with full AI Servo tracking. 40 smoother tonal transitions and more natural gradations.
Camera: EOS-1Ds Mark III Camera: EOS-1Ds Mark III
Lens: EF 24–70mm f/2.8L USM Lens: TS-E 90mm f/2.8
©2008 Paul Aresu All Rights Reserved ©2008 Vincent Isola All Rights Reserved
13
 Technology at One
with Nature

LANDSCAPE
FINE ART: LANDSCAPE Rugged Weather-Resistant Design 63-zone Metering System
The ideal professional camera A new 63-zone metering sensor combined with sophis-

“ The EOS-1Ds Mark III is a

wonderful tool that has
made photography fun again
for me. It is light and rugged
is rugged yet not so massive
as to compromise usability.
The entire body of EOS-1Ds
ticated new metering algorithms delivers more precise
and stable exposure calculation over a wider range of

Mark III, including its internal

with a very long battery life, all
chassis and mirror box, is
very important features in my
made of an advanced mag-
backpack. It provides me with a
nesium alloy. In lesser cam-
similar experience to shooting
Magnesium Alloy Body eras, these parts are typically
with my 4 x 5 camera, without
made of composite materials. Exceptionally strong and
the bulk, weight and dark cloth.
rigid, this alloy results in a camera that can truly withstand 63-zone Metering
The menus and controls have
the punishment routinely meted out by many professional shooting situations. Both available-light and flash metering
been re-arranged in a very user
photographers. At the same time, it makes the camera performance have been improved. The metering sensor
friendly and intuitive manner.
lighter for improved handling Location of Major Water- zones optimally match the 19 primary AF points. Photo-
Most importantly, the image Resistant Measures
and maneuverability. graphers can choose from among automated evaluative,
quality is superb with fine detail
partial area (8.5% at the center), spot (2.4% at the center),
and smooth continuous tones Extensive weatherproofing
multi-spot, and center-weighted average metering modes. 41
apparent ensures superior reliability,
throughout even when shooting in harsh
A New Full-Frame Performance Standard
the file. environments. Rubber gaskets
The new CMOS sensor developed by Canon for the EOS-1Ds
Kudos!” are used at nearly every joint
Mark III delivers approximately 21.1 effective megapixels
and seam—including around
(5632 x 3750 pixels). It makes possible ultra-high-reso-
— Vincent Isola the battery compartment cover,
lution digital photography. No other DSLR can capture
Canon PrintMaster memory card door, and flash
images with as much detail or with such tonal precision.*
shoe—to keep out moisture
The large amount of image data recorded result in enhanced
and dust. 41
large-output capabilities and unprecedented post-pro-
cessing flexibility. 38
Camera: EOS-1Ds Mark III *As of January 2008.
Lens: EF 14mm f/2.8L II USM
©2008 Vincent Isola All Rights Reserved
17
 Dependable, Repeatable High Image Quality

SMALL PRODUCT
The Wireless File Transmitter
WFT-E2A integrates elegantly
with the EOS-1Ds Mark III, is
powered by the camera body,
and is durable and weather-
resistant as the camera itself.

COMMERCIAL: SMALL PRODUCT Large 3.0" LCD Monitor with Live View Function Highlight Tone Priority
The 3.0-inch LCD monitor on the EOS-1Ds Mark III provides Activated via a Custom Function, the Highlight Tone

“ The EOS-1Ds Mark III is

great! The ability to capture
fine image detail is of paramount
importance in my work, and this
the photographer with a large, bright, detailed view of
images and graphical data. The bigger image area makes
it easier than ever to confirm capture, check memory card
Priority mode employs sophisticated processing algorithms
to preserve greater detail in image highlight areas—a
perennial problem for digital photographers, especially
contents, confirm shooting parameters, and access all
camera truly delivers. What also
menu options.
impressed me is the precise
rendering of tonal nuance over Moreover, the EOS-1Ds Mark III features a sophisticated
a wide range of light values, Live View Function, which makes the 3.0-inch LCD monitor
which is equally important in my a real-time finder. When the Live View Function is enabled,
Highlight Tone Priority: ON Highlight Tone Priority: OFF
images. The new camera fea- the reflex mirror is
those who work in bright sunlight or contrasty studio
tures—like the bigger 3.0-inch locked up and the
lighting. Highlight Tone Priority actually expands the
LCD, Live View Function, and shutter opened. The
available range of capture in the highlights, yet it exacts
improved wireless capabilities— image output from the
no penalties in either shadow detail or camera perform-
are exactly what I’ve wanted for CMOS sensor will be
ance. It benefits photographers who shoot RAW images
tabletop work. displayed in real time
as well as those who rely on in-camera processing. 44
A superior on the LCD monitor
tool… a joy to at 100% coverage. A with 10x Magnification
Stunning Image Quality
use.” selectable portion of the image can be magnified by 5x
The EOS-1Ds Mark III features a new Canon full-frame
or 10x to aid in precise manual focusing. Manual focus,
21.1-megapixel CMOS sensor. Compared to typical smaller
exposure check, composing, and shooting can all be
digital camera sensors, the Canon full-frame sensor can
— Michel Tcherevkoff accomplished in this mode.
accommodate a tremendous pixel count while maintaining
Canon Explorer of Light
Live View Function is convenient for tripod-mounted shoot- larger individual pixel site size. Larger sites improve light
& PrintMaster
ing, macro work, and other situations in which it would gathering capability, enabling the sensor to produce a
be a physical strain to keep the eye at the viewfinder. cleaner, more noise-free image. The Canon full-frame
The Live View Function image can also be displayed on sensor thus delivers ultra-high-resolution images of
a TV monitor, which is ideal for showing images, as they exacting precision with unrivaled color richness and
Camera: EOS-1Ds Mark III
Lens: TS-E 90mm f/2.8
are being composed, to clients and portrait subjects. 45 tonal accuracy. 38
©2008 Michel Tcherevkoff All Rights Reserved
19
 Record with Precision

ARCHITECTURE
and Artistry

ARCHITECTURE Wide Dynamic Range Highlight Tone Priority

The outstanding image capture performance of the full- The Highlight Tone Priority mode can be activated via

“ I much enjoyed using the

EOS-1Ds Mark III. It is a
superb piece of equipment
capable of holding its own when
frame Canon CMOS sensor, the extended bit depth of
the A/D converters,
and the advanced
Custom Function to help preserve greater detail in image
highlight areas. It actually expands the available range
of capture in the highlights, yet it exacts no penalties in
design of the Dual either shadow detail or camera performance. It benefits
compared to a 4 x 5 view camera.
“DIGIC III” Image nearly all professionals—for example, a nature photog-
With its extraordinarily high
Processor ensure rapher shooting winter snow scenes, a wedding photog-
resolution in combination with
not only abundant rapher seeking to preserve detail in the bride’s dress, or
ease of operation, I predict this
detail but also an architectural photographer facing a high-contrast scene
will become the tool of choice
superb dynamic in bright sunlight. 44
for many
range. The EOS-1Ds Mark III thereby addresses a critical
architectural
shortcoming among many of today’s digital cameras. It is 63-zone Metering System
photogra-
better able to capture a wide range of light values without A new 63-zone metering sensor combined with sophis-
phers.”
blowing out highlights or losing shadow detail. Subtle ticated new metering algorithms delivers more precise
tonal gradations are also more accurately recorded. and stable exposure calculation over a wider range of
— Norman McGrath shooting situations. Photographers can choose from among
The Full-Frame Optical Advantage automated evaluative, partial area (8.5% at the center),
DSLR cameras with smaller sensors, by spot (2.4% at the center), multi-spot, and center-weighted
comparison, require a focal length conver- average metering modes. 41
sion factor that effectively narrows the
field of view as though you’ve added a telephoto converter. Canon EOS Tilt-Shift Lenses
EOS Digital SLR cameras with full-frame sensors let photog- Canon TS-E lenses are capable of tilt and shift movements
raphers use the entire range of superb Canon EF lenses that normally require the use of technical view cameras.
without a conversion factor, making it possible to take Tilt movements alter the angle of the plane of focus between
full advantage of the specific optical characteristics for the lens and the focal plane, making broad depth-of-field
which the lenses were designed. 38 possible even at wider apertures. These capabilities greatly
expand the versatility of the EOS System and are ideal for
Camera: EOS-1Ds Mark III
Lens: EF 14mm f/2.8L II USM
specialized applications, such as architectural photography.
©2008
©2008 Norman
Norman McGrath
McGrath All
All Rights
Rights Reserved
Reserved
21
 INDUSTRIAL/SCIENTIFIC
Advanced Capabilities for Specialized
Applications

INDUSTRIAL/SCIENTIFIC

“ The EOS-1Ds Mark III is a

pleasure to shoot with. As
a location and studio photogra-
pher both, I find its many levels
of menu options allow you to
customize the camera for multiple
needs, such as multiple custom
white balances. The large LCD
monitor is crisp and clear in every Lenses and Accessories for High-Magnification Sophisticated Flash Capabilities
situation I have faced. Finger tip Photography Canon E-TTL II technology incorporates distance infor-
controls are well thought out Four Canon EF macro lenses, a Life-Size converter, two mation from compatible EF lenses to ensure the most
and very straight forward. In the extension tubes, and three screw-on close-up lenses precise flash exposure and deliver versatile lighting
end, it all adds up to confidence! make the EOS System lineup a formidable tool for preci- control. Canon EX series Speedlites provide advanced
I’m comfortable in any situation. sion high-magnification photography, revealing detail wireless and automatic multiple-flash capabilities to
I know I have a file that’s of the undetectable by the unaided human eye. Macro Twin deliver superior lighting solutions for a wide variety of
highest quality Lite and Ring Lite options provide superior close-up specialized shooting applications. 48
and a size that lighting solutions. EOS Reborn.
fits any of my GPS Support for Field Work Professional photographers know what they want in a
clients needs.” Integrated Cleaning System The optional Wireless File Transmitter WFT-E2A (for camera. Above all, the camera must be dependable, even in
Because professional photogra- EOS-1Ds Mark III and EOS-1D Mark III cameras) and harsh environmental and handling conditions. The camera
phers must change lenses in all kinds of adverse the WFT-E3A (for the EOS 40D) can communicate with must be responsive, reacting instantly to the photographer’s
— Paul Castle
environments, Canon invented the Integrated Cleaning compatible third-party GPS devices connected via input. It must provide a sophisticated feature set that does
System, which uses ultrasonic vibration to remove USB. Latitude, longitude, altitude, and Universal Time not compromise operability. And, of course, it must deliver
dust that can settle on the sensor surface. The EOS-1Ds are all recorded in each image’s EXIF shooting data. image quality beyond reproach. Today, professionals have
Mark III is the world’s only full-frame digital SLR with a This enables, location coordinates to be recorded for a choice that meets these criteria as no other: the Canon
built-in sensor cleaning system.* 44 each picture, as it’s taken. 48 EOS-1D Mark III. Redesigned and re-engineered from the
*As of January 2008. ground up, Canon’s feature-packed EOS is destined to
Camera: EOS-1Ds Mark III
Lens: EF 70–200mm f/2.8L IS USM become the “must have” Digital SLR for professionals.
©2008 Paul Castle All Rights Reserved
23
 INDUSTRIAL/SCIENTIFIC
Advanced Capabilities for Specialized
Applications

INDUSTRIAL/SCIENTIFIC

“ The EOS-1Ds Mark III is a

pleasure to shoot with. As
a location and studio photogra-
pher both, I find its many levels
of menu options allow you to
customize the camera for multiple
needs, such as multiple custom
white balances. The large LCD
monitor is crisp and clear in every Lenses and Accessories for High-Magnification Sophisticated Flash Capabilities
situation I have faced. Finger tip Photography Canon E-TTL II technology incorporates distance infor-
controls are well thought out Four Canon EF macro lenses, a Life-Size converter, two mation from compatible EF lenses to ensure the most
and very straight forward. In the extension tubes, and three screw-on close-up lenses precise flash exposure and deliver versatile lighting
end, it all adds up to confidence! make the EOS System lineup a formidable tool for preci- control. Canon EX series Speedlites provide advanced
I’m comfortable in any situation. sion high-magnification photography, revealing detail wireless and automatic multiple-flash capabilities to
I know I have a file that’s of the undetectable by the unaided human eye. Macro Twin deliver superior lighting solutions for a wide variety of
highest quality Lite and Ring Lite options provide superior close-up specialized shooting applications. 48
and a size that lighting solutions. EOS Reborn.
fits any of my GPS Support for Field Work Professional photographers know what they want in a
clients needs.” Integrated Cleaning System The optional Wireless File Transmitter WFT-E2A (for camera. Above all, the camera must be dependable, even in
Because professional photogra- EOS-1Ds Mark III and EOS-1D Mark III cameras) and harsh environmental and handling conditions. The camera
phers must change lenses in all kinds of adverse the WFT-E3A (for the EOS 40D) can communicate with must be responsive, reacting instantly to the photographer’s
— Paul Castle
environments, Canon invented the Integrated Cleaning compatible third-party GPS devices connected via input. It must provide a sophisticated feature set that does
System, which uses ultrasonic vibration to remove USB. Latitude, longitude, altitude, and Universal Time not compromise operability. And, of course, it must deliver
dust that can settle on the sensor surface. The EOS-1Ds are all recorded in each image’s EXIF shooting data. image quality beyond reproach. Today, professionals have
Mark III is the world’s only full-frame digital SLR with a This enables, location coordinates to be recorded for a choice that meets these criteria as no other: the Canon
built-in sensor cleaning system.* 44 each picture, as it’s taken. 48 EOS-1D Mark III. Redesigned and re-engineered from the
*As of January 2008. ground up, Canon’s feature-packed EOS is destined to
Camera: EOS-1Ds Mark III
Lens: EF 70–200mm f/2.8L IS USM become the “must have” Digital SLR for professionals.
©2008 Paul Castle All Rights Reserved
23
 Spectacular Image Quality

CHILD PORTRAIT
Dual “DIGIC III” Image Processors

CHILD PORTRAIT 10.1 Megapixel CMOS Sensor Dual “≥ III” Image Processors
The EOS-1D Mark III features a newly developed 10.1- The EOS-1D Mark III employs Canon’s latest

“ The first time I picked up

the Canon EOS-1D Mark III,
I was thrilled about the way it
felt in my hands. This capture
megapixel Canon CMOS sensor. It fulfills the primary
functions of an imaging sensor—sensitive, accurate,
noise-free capture of image data—with unprecedented
DIGIC III Image Processor, which maintains
the extremely high image quality standard
of its predecessor but, amazingly, attains even higher
performance. Its processing speed. Moreover, the EOS-1D Mark III uses
device is a true extension of my
APS-H size imag- not one, but two DIGIC III Image Processors operating in
body. It has become a fluid part
ing area results parallel to provide even greater data handling capability.
of my session work flow. It lets
in what many The resulting imaging engine handles the huge amount
me work quickly and efficiently
professionals of data from the 10.1-megapixel sensor with tremendous
without worry-
consider a very speed. There’s never a need to lower image quality
ing about how
convenient 1.3x settings to achieve full 10 fps performance. 39
my equipment
lens conversion Image-processing Sequence Diagram
performs.” DDR SDRAM
APS-H Size CMOS Sensor (Actual Size) (image area crop)
factor in relation to full-frame 35mm film. Moreover, it
— Sandy Puc 10.1M 14-bit A/D Front-end
incorporates Canon’s latest CMOS engineering advances processing Dual
Canon PrintMaster CMOS Conversion “DIGIC III”
that significantly reduce digital noise—especially in circuit

shadow areas—and expand the useful ISO range. 38

CF card SD card
Exceptionally Wide ISO Range
Combining the superb image capture capabilities of the 14-Bit A/D Converters
new sensor with advanced Dual “DIGIC III” data processing, Whereas earlier EOS digital cameras used 12-bit A/D
the EOS-1D Mark III offers an incredibly wide range of (Analog-to-Digital) converters, the EOS-1D Mark III employs
ISO settings. The standard range of 100–3200 can be new 14-bit converters to process the output of the imaging
extended to a remarkable 50–6400.* More importantly, sensor. This ensures smoother tonal transitions and more
the low-noise performance at high ISO settings makes natural gradations. RAW images are recorded at 14 bits
the entire range usable in real-world shooting situations. so that the full range of tones captured by the sensor are
39 available in 16-bit TIFF images.
Camera: EOS-1D Mark III
* Standard output sensitivity. Recommended exposure index.
Lens: EF 70–200mm f/2.8L IS USM
©2008 Sandy Puc All Rights Reserved
29
29
 Unprecedented Autofocus and
Metering Performance

WEDDING
Viewfinder image simulated to
show activated assist points in
Custom Function C. Fn III-8-2.

WEDDING PHOTOJOURNALISM Incomparable EOS AF Technology, Highlight Tone Priority

Now Even Better. Activated via a Custom Function on the EOS-1D Mark III,

“ The EOS-1D Mark III is

perfect for all serious
wedding photographers. The
camera is responsive so I never
The EOS-1D Mark III incorporates new Canon autofocus
(AF) technologies that bring about improvement in key
performance areas. An area-type AF sensor features
the Highlight Tone Priority feature employs sophisticated
processing algorithms to preserve greater detail in image
highlight areas—a perennial problem for digital pho-
increased pixel sensitivity, which delivers markedly tographers, especially in bright sunlight or contrasty
miss a shot. The battery lasted
improved focusing performance in low-light situations. studio lighting. It actually expands the available range of
for almost 2000 images. Since
Compared to its predecessor, the EOS-1D Mark III delivers capture in the highlights, yet it exacts no penalties in
I always use my LCD as a sales
AF sensitivity one full stop better in dark scene areas. either shooting speed or burst rate. It benefits photog-
tool, the large 3-inch screen is
The area AF system has 19 selectable high-precision raphers who shoot RAW images as well as those who
very useful. This camera attacks
cross-type points plus 26 assist points for a total of 45 AF rely on in-camera processing. Highlight Tone Priority is
many of the issues wedding
points. The 26 additional assist points can be used to a win-win proposition for professional photographers of
photographers face today and
expand the coverage area of any manually selected primary nearly all disciplines. A sports photographer shooting
makes our
AF point. The cross-type points are now not only positioned white baseball uniforms in bright sunlight stands to benefit
job that much
in the central area but also at the outer edges of the AF as much as a nature photographer shooting winter snow
easier!”
sensing area. The superior scenes or a wedding photographer seeking to preserve
speed, precision, and low- detail in the bride’s dress. 44
light sensitivity of this new
system are especially notice- Auto Crop to Various Aspect Ratios
— Michele Celentano
able when shooting with Custom Function IV-14 provides a choice of six different
Canon Explorer of Light : f/2.8 sensors
longer Canon EF lenses. 40 (Center AF point is f/4) aspect ratios corresponding to familiar medium- and large-
: f/5.6 sensors format film sizes, such as 6 x 4.5, 6 x 6, 6 x 7, and 4 x 5.
63-zone Metering System Vertical framing lines corresponding to the selected
A new 63-zone metering sensor combined with sophis- ratio will appear on the LCD during Live View Function.
ticated new metering algorithms deliver more precise and Moreover, the setting is saved with the image, enabling
stable exposure calculation over a wider range of shooting Digital Photo Professional 3.0 (and up) to automatically
situations. Both available-light and flash metering per- crop and display it in the selected aspect ratio.
formance have been improved. 41
Camera: EOS-1D Mark III
Lens: EF 85mm f/1.2L II USM
©2008 Michele Celentano All Rights Reserved
27
 SPORTS PHOTOGRAPHY
A New Benchmark for Digital
SLR Performance

SPORTS PHOTOGRAPHY

“ I have been shooting with

Canon EOS SLRs for over
ten years, and I am very impressed
with the way the EOS-1D Mark III
handles and performs. As a pro-
fessional sports photographer, I
think it is the best performing
Blazing
camera on the market. The fast
Shooting Speed
10 frames per second, the
With its astounding
instant shutter response, and
10 fps maximum
the new auto focusing system
continuous shoot-
are immensely 30 Frame RAW Image Burst
ing speed, the EOS-1D Mark III is the fastest AF digital SLR
helpful with
in the world (as of January 2008). This achievement is even single continuous burst (at shooting speeds up to the
difficult-to-cap-
more remarkable when you consider the sheer amount of full 10 fps). 39
ture images.”
data processing associated with a 10.1-megapixel sensor
and 14-bit per channel recording. 39 Separate AF Processing Unit
— Terrell Lloyd The EOS-1D Mark III uses an entirely separate AF processing
Canon Explorer of Light Near-Instant Response unit, dedicated solely to AF operations, which includes
The EOS-1D Mark III is also incredibly responsive. It has driving the lens. This dedicated CPU design performs AF
the least lag time of any EOS Digital SLR (55ms, reducible computations three times faster than any previous Canon
to as low as 40ms via a Custom Function setting). At shut- EOS camera. The faster AF detection and computation
ter speeds of 1/60 second and higher, the viewfinder make it possible for the EOS-1D Mark III to achieve its
blackout time is an ultra-short 80ms. remarkable continuous shooting speed with full AI Servo
tracking. Overall, the new AF system is better able to detect
Outstanding Burst Rate and react to a grossly out-of-focus image: the lens is more
The EOS-1D Mark III can capture up to 110 consecutive quickly driven to proper focus. It can also better adapt to
Camera: EOS-1D Mark III
full-resolution JPEG images or up to 30 RAW images in a sudden changes when tracking moving subjects. 40
Lens: EF 70–200mm f/2.8L IS USM
©2008 Terrell Lloyd All Rights Reserved
3131
 A Bigger, Brighter, Better View

PHOTOJOURNALISM
of the World

PHOTOJOURNALISM Redesigned Viewfinder with 100% Coverage Live View Function

The EOS-1D Mark III viewfinder incorporates an entirely Live View Function is convenient for tripod-mounted shoot-

“ One of my greatest chal-

lenges is to capture fresh,
new images of events that have
been photographed hundreds of
new optical system developed by Canon. It employs a
larger pentaprism for higher viewfinder magnification
and a brighter, sharper viewfinder image. The new design
ing, macro work, and other situations in which it is a
physical strain to keep the eye at the viewfinder. The
Live View Function image can also be displayed on a TV
continues to provide full 100% coverage, which means monitor which is ideal for showing images, as they are
times before, so I’m always on
what you see is what you get—no more, no less. The composed, to clients and portrait subjects as well as view-
the lookout for new technology
finder also features a high eyepoint design for easier ing on a computer monitor. With Canon EOS Utility software
that might give me an edge. The
viewing of the entire image and information area. Dioptric installed on the computer, you can check and adjust focus
EOS-1D Mark III’s Live View Func-
adjustment from -3 to +1 is included, as is an eyepiece and composition in real time. You can even manually focus
tion has the potential to revolu-
shutter with high-visibility gray blades. 42 and fire the camera remotely from the computer. Wireless
tionize remote photography,
remote capture is available by using the WFT-E2A. 45
allowing me to mount cameras
Large 3.0-inch LCD Monitor
in locations
with Live View Function Unparalleled Exposure Control
I could
The EOS-1D Mark III’s LCD moni- Canon EOS SLR cameras offer the
only have 3.0"
tor is a full 3.0 inches diagonally, photographer AE (auto exposure)
dreamed of
unsurpassed by any competitive with the widest range of metering
in the past.”
digital SLR.* The bigger image area makes it easier than ever options. Full-frame evaluative metering
to confirm capture, check memory card contents, confirm combines the EOS 63-zone sensor with
— Vincent Laforet shooting parameters, and access all menu options. focusing point data. Center-weighted
Canon Explorer of Light
Moreover, the EOS-1D Mark III features a sophisticated Live metering is available for those who
& PrintMaster
View Function, which makes the 3.0-inch LCD monitor a real- prefer a more traditional pattern. Partial metering limits
time finder. When the Live View Function is enabled, the readings to sensor zones in the center of the image area,
reflex mirror is locked up and the shutter opened. The image concentrating readings in the central 13.5% of the picture
output from the CMOS sensor will be displayed in real time area. Spot metering provides pinpoint readings and is
on the LCD monitor at 100% coverage. A selectable portion suitable for advanced exposure control in tricky lighting
of the image can be magnified by 5x or 10x to aid in precise conditions. And there’s Multi-Spot Metering, making it
manual focusing. Focus, exposure check, composing, and possible to take up to eight separate Spot readings, and
Camera: EOS-1D Mark III
Lens: EF 70–200mm f/2.8L IS USM
shooting can all be accomplished in this mode. have the camera automatically average them. 41
©2008 Vincent Laforet All Rights Reserved *As of January 2008. 33
33
 WILDLIFE PHOTOGRAPHY
Rock Solid
Reliability

WILDLIFE PHOTOGRAPHY Lighter, Stronger, All-Metal Camera Body EOS Integrated Cleaning System
The entire body of the EOS-1D Mark III, including its Photographers who must change lenses

“ Wow! Where to start… The

EOS-1D Mark III’s great new
autofocus system… its 14-bit
capture that gives me smoother
internal chassis and mirror box, is made of an advanced
magnesium alloy. Exceptionally strong and rigid, this
newly engineered body results in a camera that, even
in dusty environments will find the advanced Canon EOS
Integrated Cleaning System a tremendous time saver. It
uses both mechanical and software methods to effectively
though lighter, can truly withstand punishment. 41 deal with dust accumulation on the imaging sensor. First,
color gradations… its blazingly
dust that settles on the sensor surface is removed using
fast speed… high-ISO images Weather-Resistant Design
ultrasonic vibration. This
that are almost totally devoid of Extensive weatherproofing ensures superior reliability, even
self-cleaning routine is
noise… the EOS Integrated when shooting in harsh environments. Rubber gaskets are
automatically activated
Cleaning System (not a single used at nearly every joint and seam—including around
whenever the camera is
speck of sensor dust in a week of the battery compartment cover, memory card door, and
powered on or off. (It can
shooting out in the wild)… This flash shoe—to keep out moisture and dust. 42
also be manually activated.)
camera lets me
Unprecedented Shutter Durability A special adhesive collar
create images I
The EOS-1D Mark III features an improved heavy-duty positioned around the sensor Self-cleaning Sensor Unit
had never
shutter that has been durability tested to 300,000 cycles— collects any loosened dust. Second, by photographing a
before thought
unsurpassed among SLR cameras (as of January 2008). plain white subject, the photographer can acquire data that
possible.”
The EOS-1D Mark III provides the strength, durability can later be used by Canon’s Digital Photo Professional
and reliability to give confidence even in the hardest (DPP) 3.0 software to automatically erase dust spots. 44
— Arthur Morris shooting conditions. 42
Canon Explorer of Light
New Lithium-Ion Battery System
An entirely new lightweight, powerful lithium-ion recharge-
able battery system was developed for the EOS-1Ds Mark III
and EOS-1D Mark III. The LCD panel now provides an
accurate reading of power percentage remaining in 1%
increments, shots taken since last charge, and whether
the battery should be reconditioned. 47
Camera: EOS-1D Mark III
Dust Delete Function. Images Simulated.
Lens: EF 70–200mm f/2.8L IS USM
©2008 Arthur Morris All Rights Reserved
35
 WEDDING PHOTOGRAPHY
System Accessories that
Support Superior ImageQuality

E-TTL II Wireless Flash Control — Two units were designated as “slaves” while the third unit was assigned the
role of “master.” By using the master Speedlite’s Custom Functions, I was able to defeat the master’s unwanted
output and illuminate the scene solely by the light emitted from the two stand-mounted slave units.
— Bruce Dorn

WEDDING PHOTOGRAPHY E-TTL II Flash Exposure Control Speedlite 580EX II

Extraordinary Canon E-TTL II autoflash exposure control The high-durability, highly weather-

“ The EOS-1D Mark III is

both evolutionary and
revolutionary. This camera feels
familiar to the hand, but offers
technology takes advantage of the camera’s 63-zone meter-
ing sensor. With EX series Speedlites, a preflash occurs at
shutter release. The camera performs instantaneous calcu-
resistant design of the new 580EX II
matches the EOS-1D Mark III, ensuring
dependable performance even under
lations based on readings from the preflash, ambient light- the most adverse shooting conditions.
so much more… like the Highlight
ing conditions, and active focusing point information to As the new flagship of the Speedlite
Tone Priority custom function
determine the optimum flash output and exposure settings. lineup, the 580EX II incorporates
which significantly improves
The E-TTL II system also incorporates distance information numerous features requested by pro-
highlight detail. The 580EX II
from compatible EF lenses to ensure the perfect balance fessional users, such as a metal shoe assembly, external
Speedlite is also an absolute
between ambient light and flash illumination, even with sensor with thyristor control, and a PC socket on the
flash of brilliance. Give me a
complicated lighting situations and compositions. 41 flash for PC cord connection to a camera. Operability
couple of EOS-1D Mark III bodies,
has been improved, as well: You can use the EOS-1D
a few EF lenses and Speedlites,
New Original Data Security Kit Mark III’s menus to set the Speedlite’s various options
and I’ll happily tackle anything
OSK-E3 and Custom Functions. 48
my demanding
This data verification kit can verify the
clients can
originality and integrity of image data. An Unmatched Selection of
throw at me.”
It can also identify data elements (image pixels, EXIF text, Focusing Screens
GPS info, etc.) that have been altered. OSK-E3 can also The EOS-1D Mark III is equipped with Focusing Screen Ec-C IV

encrypt image files to prevent unauthorized viewing. 49 the new Laser Matte Ec-C IV focusing screen, which provides
superior optical performance. Background blur appears
— Bruce Dorn
Canon Explorer of Light
New Wireless File Transmitter WFT-E2A more natural, and graininess and flare are reduced. At
& PrintMaster The compact, versatile WFT-E2A integrates ele- the same time, the finder is brighter, especially at the
gantly with the EOS-1D Mark III and provides the edges and corners. Moreover, as with all EOS-1 series SLR
same degree of durability and weather-resistance. cameras, the EOS-1D Mark III gives you a wide choice of
Wireless LAN environment setup is simple with interchangeable focusing screens. Currently, there are 11
either Windows Vista or Mac OS X operating systems, optional screens—more than that offered by any other AF
and a new, more efficient built-in antenna for transmis- digital SLR in the world (as of January 2008).
Camera: EOS-1D Mark III
Lens: EF 24–70mm f/2.8L USM
sion to a computer up to 492 feet (150m)* away. 48 * With no obstructions between the transmitting and receiving antennas, and
no radio inerference. With a large, high-performance antenna attached to the
©2008 Bruce Dorn All Rights Reserved wireless LAN access point. 37
37
 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY
Overview: Entirely New Image Quality Performance: Dazzling
Professional Cameras Speed, Superb Precision
The EOS-1Ds Mark III and EOS-1D Mark III are By optimizing the gap between the on-chip a faster output amp and optimized read circuit, Dual “DIGIC III” Image
the products of a “reset to zero” design process microlenses and improving the fill factor (photo- a continous shooting speed of approximately Processors
in which every aspect of Digital SLR (single-lens- diode area divided by total pixel size) of each 5 fps/10 fps is attained. DIGIC II, a high-performance
reflex) design and performance was reconsidered. pixel, light-gathering efficiency has been imaging engine that has
improved. To minimize the higher power consumption been used since the EOS-1D
EOS-1Ds Mark III: A New Full-Frame required by the faster signal reading, the output Mark II in 2004, has been a major feature of
Performance Standard Outstanding ISO Range amp’s power consumption has been reduced. Canon digital cameras because of its very fine
The EOS-1Ds Mark III Combining the superb image capture capabilities Also during long exposures, power to the output image detail, natural color reproduction and
incorporates Canon’s of the new sensor with advanced Dual “DIGIC III” amp is turned off and the standard current high-speed signal processing. DIGIC III retains
newest CMOS sensor, Image Processors, the EOS-1D Mark III offers the driving the circuit is also cut off to save power. the DIGIC II’s basic concept and improves upon
which delivers approximately 21.1 effective widest ISO range to date in a Canon EOS Digital In addition, during shooting with Live View it with higher performance and faster speed. To
megapixels (5616 x 3744 pixels). The recording SLR. The standard range of 100–3200 can be Function, the power distribution for the signal- cope with the voluminous signal processing
area of the sensor is 36.0 x 24.0mm, which is extended to a remarkable 50–6400.* reading operation is optimized for more pinpoint required by the EOS-1D Mark III’s 10.1 megapix-
equivalent to the full-frame size of the 35mm power-saving control. els and top continuous shooting speed of 10
EOS-1Ds Mark III
film format. Compared to typical smaller digital fps, two DIGIC III imaging engines are incorpo-
50 100 - 1600 3200
camera sensors, the Canon full-frame sensor Previously, in front of the sensor, there was an rated for parallel signal processing. The CMOS
can accomodate a tremendous pixel count while EOS-1D Mark III infrared-absorption glass integrated with a sensor reads out to the Dual “DIGIC III” Image
maintaining larger individual pixel site size. The 50 100 - 3200 6400 three-layer low-pass filter. However, for the Self Processors simultaneously in eight channels.
EOS-1Ds Mark III can capture up to 56 consecutive Cleaning Sensor Unit, the infrared-absorption For the EOS-1Ds Mark III’s 21.1 megapixels,
full-resolution JPEG images or up to 12 RAW ©2008 Vincent Isola
More importantly, the low-noise performance at Dual “DIGIC III” works for ultra-fine detail,
Low-pass Filter Construction
images in a single continuous burst (at 5 fps with high ISO settings makes the entire range natural color reproduction, and high-speed
21.1-megapixel files). Larger sites improve light Entirely New CMOS Sensor Effective Light-gathering usable in real-world shooting situations. Dichroic mirror
image processing.
gathering capability, enabling the sensor to pro- The EOS-1Ds Mark III sensor has 21.1 effective *CIPA standard output sensitivity. Recommended exposure index. (Reflects infrared rays)

duce a cleaner, more noise-free image. The Canon megapixels, and the EOS-1D Mark III sensor has Infrared-absorbing glass The extra power of Dual “DIGIC III” Image
Pixels Size and ISO Speed
full-frame sensor thus delivers high-resolution 10.1 effective megapixels. Individual pixel size Camera Pixels Size (µm) ISO Speed
Processors has also allowed analog-to-digital
images of exacting precision, with unprecedented on the 1Ds Mark III’s sensor is 6.4µm, and the CMOS sensor conversion to improve from 12 to 14 bits per
EOS-1Ds Mark III 6.4 x 6.4 100-1600, L(50), H(3200)
data density for enhanced large-output capabilities EOS-1D Mark III’s sensor is 7.2µm, the same as channel, meaning that tonal gradation for RAW
EOS-1D Mark III 7.2 x 7.2 100-3200, L(50), H(6400)
24.0 mm

and post-processing cropping flexibility. images is now divided into 16,384 separate lev-
EOS-1D Mark II N 8.2 x 8.2 100-1600, L(50), H(3200)
Microlens Comparison & Opening Ratio
els per channel rather than 4,096. When saved
EOS-1Ds Mark II 7.2 x 7.2 100-1600, L(50), H(3200)
Full-frame sensors let photographers use the Gap between microlenses as a 16-bit TIFF image, the image retains the full
entire range of superb Canon EF lenses without range of tones obtained with 14 bits. Also, JPEG
Low-pass filter
a conversion factor, making it possible to take full Circuit area
Low Noise, High Speed (Separates image in vertical direction) images, at 8 bits per color, are generated from
advantage of the specific optical characteristics A second-generation, on-chip, noise-reduction Phaser layer the 14-bit data. Tonal skipping is thereby
(Converts linear polarized light
for which the lenses were designed. This is an 36.0 mm
Pixel Size Photo Pixel pitch
diode area
Photo diode circuit is provided. To achieve even less noise, into circular polarized light) reduced substantially, improving gradation and
important benefit for photographers who have a EOS-1Ds Mark III EOS-1Ds Mark II the EOS-1Ds Mark III and EOS-1D Mark III have a Low-pass filter overall image quality.
(6.4 x 6.4µm) (7.2 x 7.2µm) (Separates image in horizontal direction)
sizable EF lens collection. new feed-through output amp that attains both
EOS-1Ds Mark III Full-frame EOS-1D Mark III
CMOS Sensor (Actual Size) (7.2 x 7.2µm) high speed and low noise. Low noise is also Blazingly Fast Shooting Speed and
Photo diode area
EOS-1D Mark III: Fastest DSLR Ever achieved with an improved manufacturing glass is now separate from the three-layer, Outstanding Burst Rate
At a blazing 10 fps, the The EOS-1Ds Mark III and EOS-1D process, an optimized pixel amp and an optimized optical crystal plate. This makes the dust-shak- At a blazing 10 fps, the 10.1-megapixel Canon
10.1-megapixel Canon Mark III’s new, Canon-designed reading circuit. ing plate lighter, saving power and making it EOS-1D Mark III provides not only incredible
EOS-1Ds Mark III is the and manufactured, CMOS single- easier to control. speed when you need it, but also has an amaz-
world’s fastest AF digital single lens reflex camera plate sensor advances the state The EOS-1Ds Mark III and EOS-1D Mark III ing burst rate of 110 JPEG/30 RAW continuous
Pixel Size
(as of January 2008). It provides this speed even of the art in professional DSLR sensor design. employ a single-line, 8-channel reading. With The infrared filter has a hybrid construction; it frames. The EOS-1Ds Mark III provides a contin-
at the full 10.1-megapixel resolution. A new The EOS-1Ds Mark III’s full-frame sensor is the has an infrared-absorption glass with multiple uous shooting speed of 5 fps at its full 21.1-
Diagram of 8-chan-
shutter assembly, an all-new autofocus system largest sensor that can be imaged in one pass the EOS-1Ds Mark II. Although the pixel size of nel Signal Reading coatings to reflect infrared and ultraviolet rays. megapixel resolution. It can also capture up to
and new Dual “DIGIC III” Image Processors using cutting edge semiconductor manufacturing the EOS-1D Mark III is 1 micron smaller than the It effectively reduces red fringing and color casts 56 consecutive full-resolution JPEG images or up
contribute to the landmark speed. Large size technology. The imaging area of the new CMOS pixel size of the EOS-1D Mark II and Mark II N, caused by reflections of the sensor surface. A to 12 RAW images in a single continuous burst.
JPEGs at compression level 8 (of 10) can be fired sensor of EOS-1Ds Mark III measures 36.0 x 24.0mm the photodiode size of both sensors is the Time sophisticated low-pass filter is also utilized, A new shutter assembly, an all-new autofocus
in barrages of 110 frames (at 10 fps with (full-frame), and EOS-1D Mark III sensor size is same, thanks to the optimized photodiode con- behind the IR-cut filter, to minimize color artifacts system and new Dual “DIGIC III” Image
10.1-megapixel files). RAW images can be shot 28.1 x 18.7mm (APS-H), appreciably larger than struction and more sophisticated processing of such as moiré. Processors contribute to the landmark speed of
in bursts of 30. 22.2 x 14.8mm (APS-C). the EOS-1Ds Mark III and EOS-1D Mark III. the EOS-1Ds and EOS-1D Mark III.

38 39
 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY
Built to Perform: Durable,
Rugged, Precise
Entirely New High-precision AF System AF Focusing Principle improved. Not only is the AF sensor new, but the New 63-zone Metering System
The new autofocus system of the EOS-1Ds Mark III entire AF optical system is also newly designed, The EOS-1Ds Mark III and EOS-1D Mark III
Focusing plane
and EOS-1D Mark III represent a complete Prime lens (Image plane) including the vital secondary image-forming lens. incorporate a newly-developed, 63-zone metering
reconsideration of professional autofocus. sensor linked to the 19 AF points. The metering
In addition to a new sensor chip, sophisticated Lenses (or lens + extender combinations) with sensor is located at the rear of the pentaprism.
new manufacturing technologies have made it maximum apertures as slow as f/5.6 can be used The 19 AF points in the Area AF are a highly
possible to reconfigure the concave submirror with AF at all focusing points. At the center AF favorable match for the metering sensor’s zones.
and the very clever secondary image formation point only, the camera can focus with a lens + The metering range is EV 0 to EV 20 (at 73°F/23°C,
CMOS area sensor
lens. The result is greater sensitivity, easier extender with a maximum effective aperture as 50mm f/1.4 lens, ISO 100). The following metering
Design Sketches for the EOS-1D Mark III.
and more logical navigation, higher precision slow as f/8 (using the vertical line sensor only). modes are provided: evaluative, partial, spot, and
Subject
and significantly better real-world performance. center-weighted average. Also, AF point-linked New 1-Series Body
Secondary
image-forming lens The remaining 26 AF points are “Assist Points.” spot metering is possible with [Link] I -7-1. Both EOS-1Ds Mark III and EOS-1D Mark III retain
In the previous 45-point AF system used by such Each has a single-line vertical sensor, and these Partial metering reads approximately 8.5% and refine the beautiful curved surfaces and
cameras as the EOS-1v, EOS-1D, EOS-1Ds, EOS-1D points will focus with lenses having maximum (EOS-1Ds Mark III)/13.5% (EOS-1D Mark III) of the superb basic layout of the EOS-1 series. Ease of
Mark II, EOS-1Ds Mark II and EOS-1D Mark II N, apertures f/5.6 or faster. viewfinder and spot metering reads approximately operation and holding comfort have been improved
there were seven cross-type, high-precision 2.4% (EOS-1Ds Mark III)/3.8% (EOS-1D Mark III). appreciably, as have ease of operation with
sensors grouped around the center of the frame. computing is faster and an AF adjustment option circuit could be made smaller and the f/2.8 Actual AF Point Field of View accessories. The cameras are designed to be easier
Evaluative/Center-weighted Partial metering Spot metering
average metering
Any of the 45 points could be selected by navi- function is provided. The AF sensor, AF computation AF sensor area could be expanded. 2.25
3.00
to understand and more reassuring. The massive
gating around the frame. method, and AF-related electronic circuitry have • The secondary image-forming lens (see dia- strength of its magnesium alloy body and chassis,

4.00
been newly designed for the EOS-1Ds Mark III gram) is molded glass. By incorporating a combined with complete environmental sealing,

2.00
This was the configuration of the previous 45- and EOS-1D Mark III. This robust new AF system newly-developed aspherical surface on the * [Link] I -7-1 enables AF point-linked spot metering. means that the cameras stand with its forebears
6.6 4.5
point AF array: provides even greater consistency in high-speed lens, the focusing area of the f/2.8 light flux 7.50 as an instrument worthy of the photographers
sequences when tracking moving subjects. Even could be expanded. who risk their lives daily to take pictures.
at its top speed of 10 fps, the EOS-1D Mark III is
AF Sensor Configuration
less likely than before to have the occasional Each of the 19 cross-type AF points uses a high- This new Evaluative metering system is based on All Magnesium-alloy, Including Mirror
: f/2.8 sensors
soft frame in an AI Servo AF sequence. precision horizontal component, with about 3x (Center AF point is f/4) the concept for the previous 21-zone and 35-zone Box and Chassis
the focusing precision of the vertical component. : f/5.6 sensors metering systems. With the optimized 63-zone
Sensor vertical-line Sensor horizontal-line The benefit is that AF accuracy at the sensor is metering sensor and improved calculations and
sensitive at f/2.8 sensitive at f/5.6
enhanced when the photographer needs it most processing, more consistent and correct ambient
Here is the new AF point layout: —shooting with fast lenses, at wide apertures. and flash exposures are obtained with less
influence from the subject. The basic concepts
: f/2.8 sensors This means that on the actual AF sensor, the With the EOS-1Ds Mark III and EOS-1D Mark III, the for the 63-zone evaluative metering are:
(Center AF point is f/4)
: f/5.6 sensors horizontal line pairs are significantly farther size of a user-selected AF point can be expanded 1. Metering is weighted on the linked AF point.
apart —and thus require a lens with a maximum (via Custom Function III-8) regardless of whether 2. If there is a very bright object in the picture,
Sensor horizontal-line Sensor vertical-line
sensitive at f/5.6 sensitive at f/2.8 aperture of f/2.8 or faster in order to operate. the camera is in One-Shot AF mode or AI Servo AF the exposure will be increased.
At the center AF point, the high-precision horizon- mode. As noted previously, the AF Assist Points are 3. In backlit scenes, the exposure will be increased.
tal line sensor works with lenses f/4 or faster. In also used when the camera With dark backgrounds, the exposure will be
Note that the 19 high-precision, cross-type points Separate CPU for AF other words, with fast lenses, two benefits are picks the AF point(s) in reduced.
are no longer clustered solely in the center of the One important difference between the EOS-1D realized: added precision, and simultaneous Automatic AF point selec- The E-TTL II autoflash algorithm uses the same
frame. The 26 additional Assist AF points are series and other EOS bodies is that a totally vertical and horizontal coverage—ideal for tion mode. AF Sensor newly-developed 63-zone metering sensor.
horizontal-line sensitive at f/5.6, are not user separate CPU is used strictly for AF processing. focusing on subjects with little detail. When While based on the previous system which
EOS-1D Mark III Magnesium-alloy Body
selectable, but can be added to a manually-chosen (In other EOS bodies, one main processor handles lenses with slower maximum apertures are For low-light focusing, the both cameras are much weighted the metering based on the preflash
point to expand its size, and are also used in primary camera tasks as well as AF processing.) used, only the vertical AF line sensor is active more sensitive than previous models. The reading, the EOS-1Ds Mark III and EOS-1D Mark III Because of its lightweight and strength, magne-
Automatic AF point selection mode. To attain 10 fps with AI Servo AF (EOS-1D Mark III), at each AF point. CMOS AF sensor’s pixel sensitivity has been have been further improved to obtain consistent sium alloy is used for the top, front, and rear
the AF CPU and camera CPU are both the latest improved, thanks to improved pixel characteris- flash exposures. The major improvements are: covers as well as for the memory card slot covers.
Speed and Predictive-AF Performance microcomputers (AF CPU: 48 MHz, 32-bit RISC; Improvements to the EOS-1Ds Mark III and tics, an improved pixel fill factor due to finer 1. Correct flash exposures are obtained even The chassis and mirror box are also made of
The EOS-1Ds Mark III and EOS-1D Mark III feature Camera CPU: 40 MHz, 32-bit RISC). EOS-1D Mark III’s AF sensor give even greater semiconductor manufacturing processes, and with off-center subjects. magnesium alloy to make the body very strong,
higher precision AF with the 19 user-selectable, light-gathering efficiency (for both the horizontal optimized pixel size. As a result, the EOS-1Ds 2. The incorporation of lens distance information rigid, and light. The magnesium alloy also works
high-precision cross-type AF points and improved The 19 cross-type AF points take advantage of and vertical line sensors), and greater low-light Mark III and EOS-1D Mark III’s AF sensitivity has been optimized to obtain more accurate as an electromagnetic shield. It is highly
low-light AF performance. Also, to attain AI Servo AF the following technologies: AF sensitivity. In addition, the camera’s ability have been improved to EV -1 through EV 18 (at flash exposures even with highly reflective durable, allowing minimal wear even under
with the EOS-1D Mark III for 10 fps, the focus • With finer processing steps, the peripheral to latch onto subjects with little detail is 73°F/23°C, ISO 100). backgrounds. harsh conditions.

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 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY
Professional Features

New Shutter, Tested to 300,000 Cycles Weather-resistant System Major Viewfinder Specifications Ec-series focus screens can be used in the both Revised and Simplified Operation New Recording Options
The EOS-1Ds Mark III Item EOS-1Ds Mark III EOS-1D Mark III cameras. Since the eyepiece frame now has a In order to provide the ease of operation that befits The EOS-1Ds Mark III and EOS-1D Mark III offer
Location of Major Water-resistant Measures
Coverage [Approx.] 100%
and EOS-1D Mark III’s different shape to accommodate the bigger eye- a new-generation EOS-1D series camera, Canon some highly flexible image recording options.
Magnification 0.75x 0.76x
shutter unit have piece lens, new Eg-series viewfinder accessories has thoroughly investigated ways to make camera With the Wireless File Transmitter WFT-E2A, users
Viewing Angle 35° 30°
been improved to dedicated to both the cameras have been operation easier. The camera now uses the EOS can download directly to a compatible portable
Eye point [Approx.] 20mm
increase durability developed at the same time: Camera Control Modifications
USB hard drive. Compatible devices range from
Dioptric adjustment -3 to +1 dpt
and to reduce the Eyecup Eg, Dioptric popular and convenient USB thumb drives to
AF/Drive mode ISO speed button
generation of dust. Shutter Unit The viewfinder’s optics have been developed to Adjustment Lenses Eg selection button many portable USB hard drives. With the CF
It is now rated for 300,000 shutter cycles, a achieve best-in-class performance. A highly (7 types: -4, -3, -2, 0, card, SD card, and external media, the following
figure unsurpassed by any other digital SLR (as The legendarily excellent water- and dust-resistant refractive material is used for the pentaprism +1, +2, +3), and Anti- recording functions can be used:
of January 2008). To attain this level of rugged- construction measures are incorporated at 76 of the EOS-1Ds Mark III and EOS-1D Mark III. fog Eyepiece Eg. Note that Eyecup Eg • Standard: Images are recorded onto one card
ness, surface finish and heating processes in places around the camera controls and along the old EOS-1 viewfinder accessories Eyecup (or connected hard drive).
Viewfinder Optics
manufacturing have been changed for specific cover seams. Also, O-rings are used on the SI lens 1
SI-LCD Ec-II, Rubber Frame Ec, and Anti-fog Eyepiece Ec • Automatic switching of recording media: When
SI mirror
Pentaprism Info button AF start button
highly durable parts. To increase stability and memory card slot covers and the battery com- Backlight lens are not interchangeable with the Eg-series the current recording medium becomes full,
SI lens 2
SI-LED
shutter precision, a PR (Photo Reflector) is partment, and silicon rubber is employed around Metering sensor accessories. The newly-developed, standard the camera switches to another automatically
Metering lens
Multi-controller
newly employed to detect the slit-passing time. the top and rear covers and buttons where the V-LCD prism Eyecup Eg has an improved mount for attaching and continues recording without interruption.
For the X-sync contact, the mechanical contact user can see it and feel reassured. The cameras’ Condenser lens
it to the eyepiece. It is now less likely to detach Setting button • Separate recording: A captured image can be
V-LCD
has been eliminated to prevent contact scorch- hot shoe is shaped to Focusing screen
inadvertently compared to the old eyecup. recorded in different image sizes on different
AF start button
ing and wear. resist water with a rib SI prism 1 media. Each recording medium can be set to
SI prism 2
around its perimeter. H-LED Wide-view 3.0-inch LCD Monitor Function button Quick Control Dial switch
record a specific image size (L, M1, M2, S,
Shutter Design Specifications H-LCD prism (WB/Recording media/
When the Speedlite Image size selection button) Picture Style selection button RAW, sRAW) for each shot.
Item Specification
Eyepiece lens LCD Viewing Angle
580EX II is attached, • Recording of identical images: A back-up mode,
1. Type Vertical travel, focal-plane shutter
2. Shutter curtain type Parallelogram link type
water resistance is maintained. When a water- To improve viewfinder magnification, a larger Digital line’s basic operation method with the this records the exact same file type and size
3. Shutter curtain blades 1st curtain: 4 blades, 2nd curtain: 4 blades, total 8 resistant EF lens is attached to the camera, the pentaprism is employed. The basic configuration Main Dial, Quick Control Dial, Multi-controller, onto two cards and/or a connected hard drive.
1st curtain: Two carbon blades, entire camera-and-lens outfit will be moisture- of the eyepiece optics is with four lens elements. Vertical SET button, and other buttons to select and set
4. Shutter curtain two duralumin blades Viewing
materials 2nd curtain: Two carbon blades,
and dust-resistant. However, by increasing lens power, high magnifi- Angle various functions. Also, the ISO speed button, SDHC (SD High-Capacity) is a new memory card
two duralumin blades cation is attained. Finally, the finder’s parts are AF Start (AF-ON) button, Picture Style button, and standard (SDA Ver.2.00) established by the SD
Horizontal Viewing Angle
5. Drive system
1st curtain: Dedicated torsion spring New Viewfinder fabricated with greater precision for more con- Memory selection/Image size/White balance Card Association in 2006 to handle high-capacity
2nd curtain: Dedicated torsion spring
The viewfinder optics are entirely new, and it’s sistent performance at higher magnifications. function button have been newly added to make data from 2GB to 32GB. Because it is compatible
Mechanical shutter with tension released
6. Speed control method by a rotary magnet, all shutter speeds
now easier to see, clearer and sharper. The camera operation easier. with SDHC, the camera can be used with SD cards
electronically-controlled viewfinder has approximately 100% coverage, The Ec-C IV focusing screen is a Laser Matte unit The large, 3.0-inch TFT monitor (1.4 times larger having a capacity up to 32GB.
7. Curtain speed Approx. 2.3ms/21.0mm whose molding method has been improved over in area than 2.5-inches) features approximately With the older EOS-1D series cameras, the basic
8. Shutter speed range 1/8000 sec. – 30 sec. bulb Recording Quality Specifications: EOS-1D Mark III
the previous Ec-C III focusing screen’s. It makes 230,000 pixels, a wide viewing angle (140° shooting operation logic consisted of holding
9. Max. flash sync. 1/300 sec. Maximum Burst
Pixels File Size Possible
10. Signals 1. X-sync, 2. 2nd curtain travel-completed signal it easier to focus and provides natural-looking both vertically and horizontally), high-level down a button and turning the Main Dial or Quick Image Size [Approx. [Approx. Shots
[Approx.] Printing
Size
background blur (bokeh). It is also brighter and brightness, and low power consumption. The Control Dial to select a setting. However, with MB] MB] [Approx.] Hi- Low-
Speed Speed

By employing PR signals for the electronic X-sync LCD monitor is backlit with four LED modules. the new Mark III series, when you press a but- 10.1 11 x 14
Magnified Screen L (Large) 3.5 260 110 260
(3,888x2,592) or Larger
contact (a semiconductor switch), reliability is Fresnel The maximum brightness makes it easier to see ton, it remains active for a while so you can let M1 (Medium1)
8.0
2.8 320 130 320
up to
lens area (3,456x2,304) 11 x 14
improved. By optimizing the sync timing, an X-sync the image on the it go and then turn a dial to set something. 5.3 Letter-
M2 (Medium2) (2,816x1,880) 2.1 420 140 420 size
speed of 1/300 second is now attained with LCD monitor even Several buttons are multi-purpose—press once
2.5 Approx.
S (Small) (1,936x1,288) 1.2 710 160 710 5x7
EX-series Speedlites. Ec-C IV Ec-C III Cross section of in bright outdoor and turn either the top Main Dial or rear
fresnel lens 10.1 11 x 14
conditions. The Quick Control Dial for the respective functions. RAW (3,888x2,592) 13.0 66 30 35 or Larger
Electronic X-sync Contact Diagram
L (Large) 13.0+3.5 52 22 27
less grainy, making it a very well-balanced seven brightness M1 (Medium1) 13.0+2.8 54 22 27
RAW+ —
Sync •Metering Mode •ISO focusing screen. With the improved molding adjustment levels The Multi-controller on the rear is new. It’s used M2 (Medium2) 13.0+2.1 56 22 27
contacts S (Small) 13.0+1.2 60 22 27
Semiconductor •JPEG/RAW Recording
External switch method, image transfer is better. The dispersion make the camera LCD Brightness to select Menu headings, and provides several 2.5 Approx.
Speedlite (Electronic •Battery Charge Level sRAW (1,936x1,288) 7.6 110 46 70 5x7
X-sync contact) characteristic is improved, and the screen is more adaptable to environmental conditions. A AF functions as well. If the AF point select button L (Large) 7.6+3.5 76 28 35
0.75x (EOS-1Ds Mark III)/0.76x (EOS-1D Mark III) brighter with minimal flare. Brightness at the large, clear grey scale is provided for guidance. is pressed once, a push on the Multi-controller RAW+
M1 (Medium1) 7.6+2.8 81 28 35
—
MPU Shutter PR M2 (Medium2) 7.6+2.1 87 28 35
magnification, a 35° (EOS-1Ds Mark III)/30° outer edges, in particular, is improved over Also, the color reproduction range has been toggles between selecting the center AF point S (Small) 7.6+1.2 95 28 35

Semiconductor
(EOS-1D Mark III) angle of view, a 20mm eyepoint, previous 1-series cameras. The Ec-C IV focus increased to more closely simulate a personal and Automatic AF point select mode. You can The number of possible shots (battery life) and continuous shooting
Non-Canon switch speed are based on Canon’s testing standards and a 1GB CF card.
flash (Electronic -3 to +1 dpt. dioptric adjustment, and an eyepiece screen gives superb contrast and visual “snap,” computer monitor. The LCD monitor is not only also memorize any of the 19 user-selectable AF The size of one image, number of possible shots (battery life), and
X-sync contact)
PC shutter which is now gray to make it easier to see making it easy for photographers to tell when larger, but easier to use and displays more points, and instantly jump back to it by pressing continuous shooting speed are based on JPEG quality 8, ISO 100,
terminal
and the Standard Picture Style. (These figures vary depending on
when it is closed. an image pops into sharp focus. All previous informative than ever. the Multi-controller. the subject, memory card brands, ISO speed, Picture Style, etc.)

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 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY

Security file numbers. It also offers two user-defined options complete anti-dust system. It suppresses dust A “Dust Delete Data” test image needs to be 2. Shoot while checking the composition on the
With both cameras, if the slot cover is opened to tailor file naming to the shooter’s needs: the generation and dust adhering to the sensor, taken to enable this, and after it’s taken, the LCD monitor.
during the writing operation, an alarm sounds and user can set their own first four characters for removes dust and makes any remaining dust location of any remaining dust is added to each 3. You can view a live histogram before the shot
a warning message appears on the screen to file names ([Link]) or set the first three less noticeable. subsequent image. Activated via a Menu setting, is taken ([Link] IV-16-1, then press the INFO
indicate that writing is in progress. The card characters, and have the camera add the 4th • The shutter has been improved to generate the user simply sets their camera lens to infinity, button to apply histogram).
to indicate size of the file (L for full-resolution, less dust. and fills the frame with a plain white subject
M for M1, N for M2, or S for Small JPEG/Small • The IR-cut filter’s anti-static charge surface located about 1 or 2 feet away. A test shot is Live View Function is extremely effective in a
RAW—ABCL1234.CR2). prevents attracting dust due to static charge. taken, with the camera switching momentarily variety of conditions. It’s applied by first
• The sensor unit is self-cleaning. to Av mode at f/22. The LCD monitor confirms enabling it with a menu setting, and then
Highlight Tone Priority • Dust Delete Data can be obtained and whether Dust Delete Data was successfully pressing the SET button. The reflex mirror will
On-screen message On-screen message This new feature extends the dynamic range of appended to images. acquired. Dust Delete Data can be updated then lock up, the shutter will open, and the
if the slot cover is opened if the power switch is set to <OFF> Dust in the image is deleted by Digital Photo Professional
highlights by about one stop and improves • Manual cleaning of the imaging sensor using software using “Dust Delete Data.” whenever the photographer feels it’s necessary. image output from the CMOS sensor will be
writing now continues even if the slot cover is gradation within highlight areas. By expanding air is still an option. displayed in real time and 100% image coverage
opened. Also, if you set the power switch to <OFF> the range from the correct exposure level cleaning is being executed. If the menu is set to Live View Function on the camera’s LCD monitor. Press the SET
during the card writing, a message appears on the The compact Self Cleaning Sensor Unit is opti- [Auto cleaning: Disable], the auto cleaning is Live View Function is a significant addition to button again and the reflex mirror will go back
screen to indicate that writing is in progress. mized for the large imaging sensors on the EOS-1D not executed. the professional DSLR shooter’s arsenal. It is a down and the shooting with Live View Function
After the writing is completed, the power turns Mark III and full-frame EOS-1Ds Mark III. terrific problem-solver for all those situations will end.
off. This works the same way as with the EOS On the front infrared-absorption glass, two thin, When the menu is set to [Clean now], you can in which it would be awkward, difficult or
Digital Rebel XTi. Self-cleaning Sensor Unit Construction Diagram
clean the sensor whenever you wish. It takes impossible to look through the viewfinder to Focusing
about 4 seconds. During the cleaning, ultrasonic compose, meter and shoot. In response to the Focusing is manual-only with Live View Function.
You can protect individual images, all images in Sealing material vibration is applied to the infrared-absorption particular requests of studio and remote sports Use the multi-controller to move the AF point
a folder, or all images on the card. Alternately, glass and the shutter is cocked three times so photographers, EVF (Electronic ViewFinder) aimed over the area on which you want to focus,
Infrared-
you can cancel image protection. You can erase Highlight Tone Priority: ON absorption that the dust falls off the infrared-absorption shooting with a computer, wired or wireless, is then press the Magnify button to enlarge the
glass
individual images, all images in a folder, all images glass and any dust resettling on the shutter now possible with the both EOS-1Ds Mark III image by 5x or 10x
in the card, or just check-marked images (a new curtains is also shaken off. During sensor cleaning, and EOS-1D Mark III. By connecting the camera at the AF point’s
CMOS sensor
feature). Unprotected images will be erased. Low-pass filter
whether started automatically or manually, via USB to a computer with the EOS Utility 2.0 position. Press the
Piezoelectric element pressing the shutter button halfway or pressing software provided, the computer will display in button again to
Copying Image Files the Menu button will immediately terminate the real time the image output by the camera’s return to normal
Support material
Selected images, a folder of images, or the entire cleaning and the camera will be ready to shoot. imaging sensor. You can then check and adjust view. At 5x or 10x
contents of any memory card can be copied by Because the unit has very low power consumption, the focus, subject framing and so forth in real magnification, you Live View Function Enabled
the photographer onto another memory card— single-layer piezo-electric elements are attached. cleanings do not significantly affect the number time and shoot remotely. With the optional can focus manually
or attached USB hard drive—at any time. This By applying ultrasonic vibration to the infrared of possible shots, even if the default Auto setting Wireless File Transmitter WFTE-2A attached, while looking at the
Highlight Tone Priority: OFF
gives the ability to absorption glass, the adhering dust is shaken is selected. you can use a wireless LAN and see the Remote LCD monitor. To
make back-up (18% gray) to the maximum allowable highlight off. The removed dust particles stick onto adhe- Live View Function on a computer without using make it easier to
copies of important level, the gradation from the grays to the highlights sive material around the infrared absorption To prevent the piezo-electric elements from over- a cable. Key features of Live View Function focus during the
images, whenever becomes smoother and loss in highlight detail is glass. Also, to prevent dust from entering the heating and to ensure proper cleaning, the unit include a 100% field of view, precise manual magnified view,
it’s appropriate. If minimized. If [[Link] II-3; 1: Enable] is set, the ISO sensor unit, the assembly is secured with seal- cannot operate again within 3 seconds of finishing focusing with 5x and 10x magnification, the image sharpness is with 10x Magnification
the Canon Wireless range is ISO 200-3200 (EOS-1Ds Mark III: ing material around the perimeter. Unlike some operation. Also, if the unit operates five times ability to pre-visualize exposure, framing and applied at a higher
Creating and Selecting a Folder
File Transmitter 20–1600).* When active, zeros in the ISO dis- competitors who vibrate an extra glass plate, successively at intervals shorter than 10 seconds, focusing on a computer monitor, easy checking setting on the LCD monitor than it really is.
WFT-E2A is used, a compatible USB-enabled play are lower case (2oo, 4oo, etc). Depending the EOS-1Ds Mark III and EOS-1D Mark III vibrate it will not operate again for 10 seconds. During for moiré and false color, displaying film-related Pressing the depth-of-field preview button, stops
Hard Drive can be attached directly to the on shooting conditions, noise in the shadow the infrared absorption glass directly, so the the stoppage, the [Clean now] menu option can aspect ratios, and having a video-out terminal down to the aperture which will be used to take
transmitter’s USB port. Instead of having to areas may increase slightly. optical performance is not degraded by an extra not be selected. for TV display. the picture. It will simulate the shooting expo-
bring a laptop computer on location, a photog- *Standard output sensitivity. Recommended exposure index. layer of glass and the unit can be kept compact sure and you can check both the exposure level
rapher can quickly copy their files to a high- The Self Cleaning Sensor Unit can therefore be The position and size of any remaining dust Camera Live View Function and depth of field. If you use depth-of-field
capacity hard drive during a break in shooting. Integrated Cleaning incorporated in a conventional size body. particles can be mapped onto each image, and Instead of looking through the viewfinder, you preview during regular viewfinder shooting, the
It’s an ideal option to provide security and peace System the dust “cloned-out” with Canon’s supplied can shoot while viewing the scene on the viewfinder will look dark and it may be difficult
of mind to the working professional. Both the EOS-1Ds Mark III Operation timing is either auto or manual. The Digital Photo Professional software (v.3.0 or camera’s LCD monitor. Compared to looking to see the depth of field. However, with Live
and EOS-1D Mark III default setting has the unit operating for about higher). This removal of dust takes place with a through the viewfinder, it provides the following View Function shooting, a clever simulation is
File Naming Options incorporate the EOS 3.5 seconds whenever you turn the power switch simple mouse click, and can be automatically advantages: displayed so checking the depth of field is easier
Each EOS-1Ds Mark III or EOS-1D Mark III body Integrated Cleaning ON or OFF. While the unit is operating, the LCD performed on one or hundreds of images at 1. The real-time picture can be magnified by 5x as long as the exposure setting is near the
comes with a unique 4-character prefix for its System, which is a Self Cleaning Sensor Unit monitor displays a logo indicating that sensor a time. or 10x to help make focusing more precise. metering’s correct exposure.

44 45
 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY

Remote Live View sure setting so you can see how the exposure condition before taking the picture. Exposure You can then compose the subject within this Thermal Issues With the Speedlite
Function will look before you take the picture. When you simulation will not work with flash or long frame. Since the aspect ratio information will be Live View Function can normally be used without 580EX II attached,
Remote Live View Function is press the shutter button completely, the opened time exposures in Bulb mode. If you press the appended to the image, when you open the image a practical time limit, allowing photographers to you can set or can-
controlled through EOS Utility shutter will close; the shutter will be cocked and depth-of-field preview button, exposure simu- with Digital Photo Professional 3.0 or higher, the shoot extensively without interruption. However, cel the Speedlite’s
2.0 (a major upgrade from released, and the picture will be taken. lation will be active at all times regardless of image will be displayed in the aspect ratio that was if Live View Function is used and the camera is Custom Functions
version 1.1) or higher, included the [Link] IV-16 setting. set. Note that the image areas outside the vertical in a hot area (such as in direct sunlight), it’s ([Link]-0 to [Link]-13) External Speedlite Control
on the EOS Digital Solution Disk, If flash is used, the mirror must come down lines are not actually deleted and that when the possible for image quality to degrade slightly. with the EOS-1Ds
Ver.14 or higher. The camera briefly. Pressing the shutter button completely Info Display During Live View Function image is played back with the camera, the vertical Another factor that can increase camera temper- Mark III and EOS-1D Mark III. You can also use
can be connected either wired will cancel the mirror lockup and the metering Below the image, the shutter speed, aperture, lines matching the aspect ratio will also appear. ature during Live View is use of a MicroDrive- the camera to set the 580EX II’s flash mode,
with the provided USB 2.0 Hi- sensor will execute E-TTL II flash metering con- exposure level (exposure compensation amount, type memory card. flash exposure compensation amount, FEB,
Speed cable, or wirelessly with trol (preflash fired and the correct flash output AEB level), flash exposure level, shots remaining, Shooting Sequence flash sync, and other Speedlite functions. The
the Wireless File Transmitter WFT-E2A. To get is retained). Then the reflex mirror is locked up and ISO speed are displayed. In the magnified During shooting with Live View Function, the To avoid this, an internal temperature sensor in EOS-1Ds Mark III also allows Wireless E-TTL set-
started, the camera must be set to enable Live again and the picture is taken. For continuous view, the magnified location, magnification, and picture is displayed and then the reflex mirror the EOS-1Ds Mark III and EOS-1D Mark III will tings to be made on the camera’s menu.
View Function. Then, click the [Starting Live View] shooting, the maximum shooting speed as with AE lock status are displayed on the right of the locks up automatically to maintain display alert the photographer by displaying an icon on
selection on the Remote Live View Function screen. normal shooting can be achieved. During con- image. In addition, when you press the INFO button, with Live View Function (and returns later). the LCD monitor shaped like a thermometer. In New Lightweight
tinuous shooting, the LCD monitor is off. After Comparison of Shooting Sequence extreme conditions, Live View Function will “Smart” Battery
Function Settings the shooting ends, the captured image is displayed Viewfinder shooting Live View Function
terminate automatically. It’s possible to return and Charger
The metering mode on the LCD monitor. When the user is ready to Normal shooting Flash Normal shooting Flash to Live View Function after the camera’s internal A revolutionary new bat-
SET: Mirror lockup SET: Mirror lockup
is set to AF point- shoot again, the camera returns to the Live View Shutter opens Shutter opens
temperature drops to a normal level. tery powers the new
linked evaluative Function display automatically. SW-1 ON SW-1 ON Metering/WB Metering/WB
Mark III series cameras.
Metering (AE sensor) Metering (AE sensor) (CMOS) SW-1 ON (CMOS) SW-1 ON Battery Pack LP-E4
metering. Other AF (AF sensor) AF (AF sensor) Custom Functions It’s the powerful LP-E4
Grid Display [Link] IV-14-1 (Aspect Ratio 6:6) SW-2 ON SW-2 ON SW-2 ON SW-2 ON
shooting settings As with viewfinder shooting, pressing the AE Flash metering (AE sensor) Shutter closes Shutter closes
The old Personal Functions of the previous rechargeable battery pack—a 2300 mAh,
(shooting mode, lock button during shooting with Live View Function Mirror lockup Mirror lockup Mirror returns EOS-1D series have been consolidated with Lithium-Ion battery. Compared to the NP-E3, it is
Live View Function Settings Shutter opens Shutter opens Flash metering (AE sensor)
drive mode, image will lock the current exposure and an asterisk Mirror lockup Custom Functions ([Link]), 57 in all, with a new much smaller (40% less volume) and lighter
Exposure (CMOS) Exposure (CMOS) Shutter opens Shutter opens
size, ISO speed, exposure compensation, etc.) will appear on the LCD monitor. During magni- numbering system. (46% lighter). It can also display the following
WB (CMOS) WB (CMOS) Exposure (CMOS) Exposure (CMOS)
can be set in the same way as during viewfinder fied view, AE lock will be applied automatically Shutter closes Shutter closes Shutter closes Shutter closes They are organized on the camera’s LCD menu: Power source type,
shooting. The metering timer is 16 seconds to the exposure level of the full view display. The Mirror returns Mirror returns in groups I to IV. remaining capacity 6-level icon, display in 1%
Aspect Ratio Display (6:6) Information Display 4 Captured image displayed Captured image displayed Captured image displayed Captured image displayed
(including AE lock). Focus presets with super Tv and Av settings will be displayed in orange. ( Live-view display/ Continuous shooting)
Custom Functions increments, shots taken since battery charged,
telephoto lenses cannot be used. Even during During the magnified view, the AE lock button the Picture Style, battery check, AE lock status, are now pleasantly whether battery calibration is needed, and even
shooting with Live View Function, the power will will not work. With [Link] IV -16-1, the picture and flash-ready are also displayed on the lower The Live View Function display’s frame rate is faster to select when the battery has reached the end of its use-
Custom Functions
turn off after the [Auto power off] time elapses. brightness is also locked. left of the image. If [Link] IV -16-1 is set and you approx. 30 fps. The picture remains smooth and set. ful life.
During Live View Function, pressing the MENU or press the INFO button again, a brightness or RGB even if you change the camera’s direction or
playback button will terminate the Live View Normally, the image histogram appears on the right of the image. if the subject moves. If the camera direction is Speedlite 580EX II Flash [Link] Settings
Function shooting and the menu screen or with Live View (For flash shots and bulb, the histogram display changed to a scene with a very different light No Item No Description No Item No Description

image playback will appear. Function displayed will be grayed out.) level, the picture brightness seen with Live 0 Meters (m) 0 Disabled
0 Distance indicator display 6 Quickflash w/continuous shot
by the LCD monitor View Function will be thrown off for a moment. 1 Feet (ft) 1 Enabled

Metering and Exposure with is always displayed Press the INFO button again and only the image If this happens, wait until the picture brightness 0 Enabled 0 1/32
1 Auto power off 7 Test firing with autoflash
Live View Function at the correct bright- No Compensation seen with Live View Function (without information) stabilizes again before shooting. 1 Disabled 1 Full output
Evaluative metering directly off imaging sensor ness, regardless of will be displayed. If [Grid display: On] has been 0 Enabled (DOF preview butt.) 0 Enabled
8 AF-assist beam firing
is used. The metering mode cannot be changed. the exposure setting, set, a four-line grid will be displayed on the image. If the light source changes, the image seen 1 Enabled (Test firing butt.) 1 Disabled
2 Modeling flash
The metering range is EV 0 to EV 20 (at 73°F/23°C, for easy viewing This can be used to check the vertical or horizontal with Live View Function may flicker. If this 2 Enabled (with both buttons) 0 Enabled
with EF 50mm f/1.4 lens). Any shooting mode similar to compact orientation of the image. The grid appears only in happens, stop shooting with the Live View 9 Auto zoom for sensor size
3 Disabled 1 Disabled
and drive mode can be used. Also, AE lock, digital cameras. the full view mode (not in the magnified view). Function and press the SET button to start
0 Enabled 0 60 minutes
exposure compensation, AEB, and depth-of- However, if [Link] IV- Also, with [Link] IV-14 [Add aspect ratio information] shooting with the Live View Function again. 3 FEB auto cancel 10 Slave auto power off timer
1 Disabled 1 10 minutes
field preview are possible. During magnified 16 [Live View 1 1/3 stop Compensation set anywhere from 1 to 6, you can shoot in the During continuous shooting, the exposure for
0 0 – + 0 Within 8 hours
view, AE lock is automatically applied to the Function exposure simulation] is set to 1, the same aspect ratio as 6 x 4.5, 6 x 6, 6 x 7, and 4 x 5, the first shot will also be applied to subse- 4 FEB sequence 11 Slave auto power off cancel
1 – 0 + 1 Within 1 hour
meter reading for the entire image. If [Link] IV-16 picture will be displayed on the LCD monitor at corresponding to medium- and large-format quent shots. If the sun or other bright light
0 E-TTL II / E-TTL 0 Flash and external power
[Live View exposure simulation] is set to [1: virtually the same brightness as the final expo- film sizes. source enters the picture, the bright area 12 Flash recycle w/ exter. power
1 TTL 1 External power source
Enable (simulates exposure)] and the shooting sure will be – based on the current aperture, might look dark. However, it will be correctly 5 Flash metering mode
2 External metering: Auto 0 Speedlite button and dial
mode is P, Tv, Av, or M, then the LCD monitor’s shutter speed, ISO, and exposure compensation When this feature is set, vertical lines matching the recorded as a bright area. Note that FE lock 13 Flash exposure metering set.
3 External metering: Manual 1 Speedlite dial only
brightness will change in response to the expo- settings. This enables you to see the exposure respective aspect ratio will appear on the screen. and modeling flash cannot be used.

46 47
 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY
A Complete System,
Constantly Improving
This information New Wireless File Transmitter WFT-E2A and flash-related Custom Functions. The 580EX II Original Data Security Kit EF 14mm f/2.8L II USM
can be viewed The WFT-E2A is a new, weather-resistant wireless now has an external metering sensor that provides The Original New featuring 2 aspherical
with the [Battery file transmitter dedicated to the EOS-1Ds Mark III new non-TTL autoflash possibilities. A new PC Data Security elements to correct dis-
info.] menu. The and EOS-1D Mark III. Its magnesium-alloy body terminal enables easier off-camera shooting, Kit OSK-E3 is an tortion, this ultra-wide-
new system also is far smaller and lighter than the previous even with third-party remote trigger systems. optional acces- angle lens has the short-
consists of Battery Battery Info. WFT-E1A unit (under 3 oz./80g), and draws power The new unit has a recycling time which is sory with the est focal length in the
Charger LC-E4 and AC Adapter Kit ACK-E4. from the camera, so there’s no extra battery to approximately 20% faster than that of the 580EX. same original L-series. The lens is the
worry about. It transmits either wirelessly via In a welcome development, the characteristic data verifica- perfect match for the full-
Battery Check Original Data Security Kit OSK-E3
An IC chip in the battery 802.11b/g, or by wire directly to computers up buzzing noise emitted by flash units during tionfeatures as frame sensor camera such
Icon Level (%)
tracks battery information. to 1,000 feet away via standard Ethernet cables recycling has been silenced. The battery cover the DVK-E2 plus new functions that expand its as the EOS-1Ds Mark III.
100 – 70
Battery level is displayed (100BASE-TX). For wireless transmission, the has been strengthened and a locking mechanism usefulness. With the EOS-1Ds Mark III and Other aberrations, such as astigmatism are
69 – 50
upon communication with antenna is embedded within the WFT-E2A, and has has been added. EOS-1D Mark III, shooting data (including any also corrected, resulting in superb image quality.
49 – 20
the chip. The remaining a maximum working range of nearly 492 feet/ EOS-1D Mark III with Wireless Transmitter WFT-E2A
GPS data) can be verified as original and unal- The lens has a fixed, petal-type hood and a
19 – 10
battery level is indicated 150m,* depending on environmental conditions Other new accessories include the 2-foot long tered, as well as pixel data in the image itself. gelatin filter holder at the rear.
9–1
by a battery icon indicating and computer set-up. A USB-enabled portable hard drive can also be Off-Camera Shoe Cord OC-E3, and the Compact
0
one of six levels on the top attached to the transmitter’s USB port, and the Battery Pack CP-E4—both weather-resistant Image data encryption/decryption (secured trans-
LCD panel, in the viewfinder (during metering), Wireless transmission is up to 1.5x faster than photographer can either shoot directly to the as well. mission) is also possible with the EOS-1Ds Mark III
and on the menu screen [Battery info.]. If before, due to faster in-camera operations, and hard drive (alone, or in addition to in-camera and EOS-1D Mark III. Designed for press appli-
communication with the battery chip fails, a Ethernet communication up to 3x faster (again, memory cards), or copy files to the hard drive Speedlite 580EX II Dust- and Water-resistant Parts cations, this feature will prevent the wrongful use
communication error message will appear. By depending upon conditions and computer in use). with a menu command. The peace of mind of of images intercepted at public events. With the
selecting [OK], you can continue shooting. (The backing-up large quantities of files has never OSK-E3, the images themselves are encrypted, not
battery icon will be displayed as empty.) A key improvement is set-up, which is now guided been easier. (Many 1.8-inch and 2.5-inch USB- just the memory card. Encryption of images requires
with a wizard-type interface and is far simpler enabled portable Hard Drives are compatible; the use of a registered camera with the Original
After the battery undergoes 20 discharging and with Mac OS X and Windows Vista, XP, and 2000 2.5-inch drives cannot be USB-bus powered.) Data Security card installed. Decrypting image files •f/4 •1/320 sec •ISO:100

charging cycles, a message recommending battery computers. Three different methods of commu- * With no obstructions between the transmitting and receiving and viewing or saving them requires a computer
antennas, and no radio inerference. With a large, high-perform-
calibration will appear on the bottom of the nication are possible: with OSK-E3 software and the card installed in Direct Printing
ance antenna attached to the wireless LAN access point.
screen the next time the battery is installed. • FTP mode—computer acts as an FTP server; files the included card reader, and user authentication. To improve the camera’s operation with Canon
Calibration is performed with Battery Charger LC-E4 are transferred to a folder on computer’s hard drive. printers, Canon has made four improvements to
to find out the battery’s capacity so that the • PTP mode—enables two-way communication Speedlite 580EX II The kit consists of the Original Data Security card, PictBridge: faster data transfer, printing layout,
remaining battery level can be indicated accurately. between camera and computer, with wireless The Canon Speedlite the USB reader/writer, and the dedicated application printing effects, and cable disconnection after
Each time the battery is recharged and used or (or Ethernet) Live View Function on computer’s 580EX II retains many fea- programs (in the EOS Digital Solution Disk). The data transfer completion. The EOS-1Ds Mark III
discharged naturally, a slight discrepancy between screen, and remote control of camera possible. tures from the Speedlite OSK-E3 can be used for data verification with and EOS-1D Mark III support all of the above as Advanced Design, Full-Frame Sensor.
the battery’s remaining capacity information and • HTTP mode—allows up to three separate 580EX (Max. GN 190, feet) images taken by the EOS-1Ds Mark III and well as RAW and sRAW image printing via PictBridge The world’s smallest and lightest full-frame sensor digital
the actual remaining capacity develops. With computers to view camera’s memory card while offering several EOS-1D Mark III, EOS-1Ds Mark II, EOS-1Ds, (must be RAW files taken with either the EOS-1Ds SLR,* the 12.8-megapixel EOS 5D is ideal for experienced
repeated recharge/discharge cycles, this dis- using a standard web browser (Microsoft major improvements. A EOS-1D Mark II N, EOS-1D Mark II, 5D, 40D, 30D, Mark III or EOS-1D Mark III). Any Canon or third-party SLR users seeking to transition to digital—especially EOS
crepancy can become a large one. By performing Internet Explorer™, Apple Safari™, etc.). new shoe assembly and 20D, and 20Da. The encryption feature can be used PictBridge printer can be used to print images. owners who have an investment in EF lenses. The EOS 5D
calibration to discharge the entire battery and Images can be selected from browser window added seals bring the new only with the EOS-1Ds Mark III and EOS-1D Mark III. With RAW/sRAW + JPEG images, the JPEG image is also the perfect backup body for professionals shooting
by then recharging the battery fully, accurate and dragged onto computer’s desktop or to a flash up to the dust- and is printed. with EOS-1 Digital SLR cameras. *As of January 2008.
battery capacity infor- folder, which copies full file to computer. water-resistance standards Remote Control Options
mation can be Remote firing of the camera is also possible. of the EOS-1D series. The EOS-1Ds Mark III and EOS-1D Mark III are The [Red-eye 1] printing effect has been added
Speedlite 580EX II
obtained. Two battery attached to EOS-1D Mark III
the complete solution to professional remote to: [Off], [On], [Vivid], [NR], [Vivid+NR], and [Face
packs can be attached With its new USB host capability, users can now The use of a metal foot, replacing engineering control photography. It can be connected via a brightener]. When [Red-eye 1] is used for a flash
to the LC-E4 charger. It plug compatible GPS devices directly into an plastic, provides an improved contact structure USB 2.0 Hi-Speed cable and operated directly shot containing red eye, the red eye can be
takes about 120 min. attached WFT-E2A, and have GPS coordinates, and reduces the likelihood of flash failure during from a personal computer. With the WFT-E2A, corrected before printing.
to recharge one bat- altitude, and UTC time code added to each rough handling. Also new is a quick-lock system a remote trigger can be used to fire the camera.
tery pack. The charger Battery Charger LC-E4 image’s shooting data with the EOS-1Ds Mark III to replace the screw-type fastener at the bottom With the WFT-E2A and a laptop computer, a Direct printing to Canon’s compact, 4 x 6-
Dedicated to All Artistic Photographers.
is compatible with
(Only for Battery Pack LP-E4)
and EOS-1D Mark III. Compatible GPS units include of the flash. photographer can use the Live View Function to inch CP-type printers is also possible, taking The new Canon’s 10.1-megapixel EOS 40D combines Canon’s
the optional DC power adapters (12V/24V) so several in Garmin’s GPSMAP series, and shoot in real time from truly amazing locations. full advantage of the options provided by tremendous know-how in both the digital and photographic
you can connect it to a car battery with the Magellan eXplorist series, using NMEA 0183 The 580EX II can be controlled from the EOS-1Ds New Quick-lock System Anything and everything is now possible. PictBridge. This is an excellent option for pro- worlds, into a camera that does everything one would expect
optional Car Battery Cable CB-570 to recharge the v.2.0.1 output data standard or "Garmin protocol" Mark III and EOS-1D Mark III’s LCD monitor, viding quick “proof” prints to clients or subjects of a traditional digital SLR, while incorporating staggering
battery pack. (as of January 2008). enabling on-camera setting of flash functions when shooting on-location. leaps forward in technological innovation. With high-end
Digital SLR performance in a compact, light body, it’s the
perfect backup/grab-and-shoot camera for the professional.
48 49
 EOS-1Ds Mark III & EOS-1D Mark III TECHNOLOGY
A Complete System,
Constantly Improving
This information New Wireless File Transmitter WFT-E2A and flash-related Custom Functions. The 580EX II Original Data Security Kit EF 14mm f/2.8L II USM
can be viewed The WFT-E2A is a new, weather-resistant wireless now has an external metering sensor that provides The Original New featuring 2 aspherical
with the [Battery file transmitter dedicated to the EOS-1Ds Mark III new non-TTL autoflash possibilities. A new PC Data Security elements to correct dis-
info.] menu. The and EOS-1D Mark III. Its magnesium-alloy body terminal enables easier off-camera shooting, Kit OSK-E3 is an tortion, this ultra-wide-
new system also is far smaller and lighter than the previous even with third-party remote trigger systems. optional acces- angle lens has the short-
consists of Battery Battery Info. WFT-E1A unit (under 3 oz./80g), and draws power The new unit has a recycling time which is sory with the est focal length in the
Charger LC-E4 and AC Adapter Kit ACK-E4. from the camera, so there’s no extra battery to approximately 20% faster than that of the 580EX. same original L-series. The lens is the
worry about. It transmits either wirelessly via In a welcome development, the characteristic data verifica- perfect match for the full-
Battery Check Original Data Security Kit OSK-E3
An IC chip in the battery 802.11b/g, or by wire directly to computers up buzzing noise emitted by flash units during tionfeatures as frame sensor camera such
Icon Level (%)
tracks battery information. to 1,000 feet away via standard Ethernet cables recycling has been silenced. The battery cover the DVK-E2 plus new functions that expand its as the EOS-1Ds Mark III.
100 – 70
Battery level is displayed (100BASE-TX). For wireless transmission, the has been strengthened and a locking mechanism usefulness. With the EOS-1Ds Mark III and Other aberrations, such as astigmatism are
69 – 50
upon communication with antenna is embedded within the WFT-E2A, and has has been added. EOS-1D Mark III, shooting data (including any also corrected, resulting in superb image quality.
49 – 20
the chip. The remaining a maximum working range of nearly 492 feet/ EOS-1D Mark III with Wireless Transmitter WFT-E2A
GPS data) can be verified as original and unal- The lens has a fixed, petal-type hood and a
19 – 10
battery level is indicated 150m,* depending on environmental conditions Other new accessories include the 2-foot long tered, as well as pixel data in the image itself. gelatin filter holder at the rear.
9–1
by a battery icon indicating and computer set-up. A USB-enabled portable hard drive can also be Off-Camera Shoe Cord OC-E3, and the Compact
0
one of six levels on the top attached to the transmitter’s USB port, and the Battery Pack CP-E4—both weather-resistant Image data encryption/decryption (secured trans-
LCD panel, in the viewfinder (during metering), Wireless transmission is up to 1.5x faster than photographer can either shoot directly to the as well. mission) is also possible with the EOS-1Ds Mark III
and on the menu screen [Battery info.]. If before, due to faster in-camera operations, and hard drive (alone, or in addition to in-camera and EOS-1D Mark III. Designed for press appli-
communication with the battery chip fails, a Ethernet communication up to 3x faster (again, memory cards), or copy files to the hard drive Speedlite 580EX II Dust- and Water-resistant Parts cations, this feature will prevent the wrongful use
communication error message will appear. By depending upon conditions and computer in use). with a menu command. The peace of mind of of images intercepted at public events. With the
selecting [OK], you can continue shooting. (The backing-up large quantities of files has never OSK-E3, the images themselves are encrypted, not
battery icon will be displayed as empty.) A key improvement is set-up, which is now guided been easier. (Many 1.8-inch and 2.5-inch USB- just the memory card. Encryption of images requires
with a wizard-type interface and is far simpler enabled portable Hard Drives are compatible; the use of a registered camera with the Original
After the battery undergoes 20 discharging and with Mac OS X and Windows Vista, XP, and 2000 2.5-inch drives cannot be USB-bus powered.) Data Security card installed. Decrypting image files •f/4 •1/320 sec •ISO:100

charging cycles, a message recommending battery computers. Three different methods of commu- * With no obstructions between the transmitting and receiving and viewing or saving them requires a computer
antennas, and no radio inerference. With a large, high-perform-
calibration will appear on the bottom of the nication are possible: with OSK-E3 software and the card installed in Direct Printing
ance antenna attached to the wireless LAN access point.
screen the next time the battery is installed. • FTP mode—computer acts as an FTP server; files the included card reader, and user authentication. To improve the camera’s operation with Canon
Calibration is performed with Battery Charger LC-E4 are transferred to a folder on computer’s hard drive. printers, Canon has made four improvements to
to find out the battery’s capacity so that the • PTP mode—enables two-way communication Speedlite 580EX II The kit consists of the Original Data Security card, PictBridge: faster data transfer, printing layout,
remaining battery level can be indicated accurately. between camera and computer, with wireless The Canon Speedlite the USB reader/writer, and the dedicated application printing effects, and cable disconnection after
Each time the battery is recharged and used or (or Ethernet) Live View Function on computer’s 580EX II retains many fea- programs (in the EOS Digital Solution Disk). The data transfer completion. The EOS-1Ds Mark III
discharged naturally, a slight discrepancy between screen, and remote control of camera possible. tures from the Speedlite OSK-E3 can be used for data verification with and EOS-1D Mark III support all of the above as Advanced Design, Full-Frame Sensor.
the battery’s remaining capacity information and • HTTP mode—allows up to three separate 580EX (Max. GN 190, feet) images taken by the EOS-1Ds Mark III and well as RAW and sRAW image printing via PictBridge The world’s smallest and lightest full-frame sensor digital
the actual remaining capacity develops. With computers to view camera’s memory card while offering several EOS-1D Mark III, EOS-1Ds Mark II, EOS-1Ds, (must be RAW files taken with either the EOS-1Ds SLR,* the 12.8-megapixel EOS 5D is ideal for experienced
repeated recharge/discharge cycles, this dis- using a standard web browser (Microsoft major improvements. A EOS-1D Mark II N, EOS-1D Mark II, 5D, 40D, 30D, Mark III or EOS-1D Mark III). Any Canon or third-party SLR users seeking to transition to digital—especially EOS
crepancy can become a large one. By performing Internet Explorer™, Apple Safari™, etc.). new shoe assembly and 20D, and 20Da. The encryption feature can be used PictBridge printer can be used to print images. owners who have an investment in EF lenses. The EOS 5D
calibration to discharge the entire battery and Images can be selected from browser window added seals bring the new only with the EOS-1Ds Mark III and EOS-1D Mark III. With RAW/sRAW + JPEG images, the JPEG image is also the perfect backup body for professionals shooting
by then recharging the battery fully, accurate and dragged onto computer’s desktop or to a flash up to the dust- and is printed. with EOS-1 Digital SLR cameras. *As of January 2008.
battery capacity infor- folder, which copies full file to computer. water-resistance standards Remote Control Options
mation can be Remote firing of the camera is also possible. of the EOS-1D series. The EOS-1Ds Mark III and EOS-1D Mark III are The [Red-eye 1] printing effect has been added
Speedlite 580EX II
obtained. Two battery attached to EOS-1D Mark III
the complete solution to professional remote to: [Off], [On], [Vivid], [NR], [Vivid+NR], and [Face
packs can be attached With its new USB host capability, users can now The use of a metal foot, replacing engineering control photography. It can be connected via a brightener]. When [Red-eye 1] is used for a flash
to the LC-E4 charger. It plug compatible GPS devices directly into an plastic, provides an improved contact structure USB 2.0 Hi-Speed cable and operated directly shot containing red eye, the red eye can be
takes about 120 min. attached WFT-E2A, and have GPS coordinates, and reduces the likelihood of flash failure during from a personal computer. With the WFT-E2A, corrected before printing.
to recharge one bat- altitude, and UTC time code added to each rough handling. Also new is a quick-lock system a remote trigger can be used to fire the camera.
tery pack. The charger Battery Charger LC-E4 image’s shooting data with the EOS-1Ds Mark III to replace the screw-type fastener at the bottom With the WFT-E2A and a laptop computer, a Direct printing to Canon’s compact, 4 x 6-
Dedicated to All Artistic Photographers.
is compatible with
(Only for Battery Pack LP-E4)
and EOS-1D Mark III. Compatible GPS units include of the flash. photographer can use the Live View Function to inch CP-type printers is also possible, taking The new Canon’s 10.1-megapixel EOS 40D combines Canon’s
the optional DC power adapters (12V/24V) so several in Garmin’s GPSMAP series, and shoot in real time from truly amazing locations. full advantage of the options provided by tremendous know-how in both the digital and photographic
you can connect it to a car battery with the Magellan eXplorist series, using NMEA 0183 The 580EX II can be controlled from the EOS-1Ds New Quick-lock System Anything and everything is now possible. PictBridge. This is an excellent option for pro- worlds, into a camera that does everything one would expect
optional Car Battery Cable CB-570 to recharge the v.2.0.1 output data standard or "Garmin protocol" Mark III and EOS-1D Mark III’s LCD monitor, viding quick “proof” prints to clients or subjects of a traditional digital SLR, while incorporating staggering
battery pack. (as of January 2008). enabling on-camera setting of flash functions when shooting on-location. leaps forward in technological innovation. With high-end
Digital SLR performance in a compact, light body, it’s the
perfect backup/grab-and-shoot camera for the professional.
48 49
 Capture Your Vision with Precision

LANDSCAPE
Full-frame CMOS Sensor (Actual Size)

LANDSCAPE The Canon CMOS Sensor Advantage Picture Style

Proprietary Canon CMOS (Complementary Metal-Oxide Picture Style is to the digital photo-

“ Scrambling up numerous
windswept 50-foot dunes—
sometimes in driving rain—to
photograph the “Legendary Golf
Semiconductor) sensors—whether the full-frame 12.8-
megapixel CMOS sensor in the EOS 40D or the APS-C
size sensor in the EOS 30D—capture image data with
grapher what changing film types was
to the film shooter. Six different Picture Style settings
give a variety of different “looks,” and each can be further
exceptional clarity and efficiency. They incorporate fine-tuned by the user. Color Saturation, Color Tone,
Links of Ireland,” I quickly came
sophisticated Canon on-chip noise reduction technology Contrast, and in-camera sharpening are all adjustable,
to appreciate the lighter weight
and ensure outstanding color rendition and image detail. over a broad range. Black & White images can also be
and smaller size of the EOS 5D.
recorded, using the Monochrome Picture Style.
Yet, despite its compact size,
Canon’s DIGIC Image Standard – For crisp,
the 5D is truly a no-compromise
processors clean images with good
camera. I enjoy the full-frame sharpness and vivid
Canon’s unique DIGIC Image color reproduction—
sensor and have resolution to ideal for general shoot-
Processors combine with Canon’s
spare. Paired ing, requiring little to
CMOS sensor technology to no post-processing.
with EF IS lens-
achieve superb performance. Portrait – Color setings
es, the 5D has are warmed for pleasing
DIGIC Image Processors’ outstanding power works with
been the ideal skin tone reproduction.
the multichannel sensor signal and high-speed buffer Standard Slightly weaker sharp-
tool for me.” ening than the
memory to deliver significantly improved camera response.
Standard mode yields more natural skin and hair detail.
Image quality is now even better, and power consumption
— Anthony Edgeworth Landscape – Color settings are optimized for deep blues and greens for
has been further reduced. more saturated skies and greenery. Slightly stronger sharpening than
Canon Explorer of Light
the Standard mode yields more crisply defined image elements, such as
mountains, trees, and buildings.
Big, Bright
Neutral – Provides natural color reproduction with no in-camera sharpening
LCD Monitors applied—a good choice for images that will be post-processed.
Both the EOS 5D and
Faithful – Delivers the most accurate color rendition when shooting under
new EOS 40D have 5200K lighting. No in-camera sharpening is applied.
large LCD monitors for 3.0" Monochrome – Sharpness and contrast can be adjusted and users can
easy image review and mimic the effect of colored filters with traditional B&W film and/or add a
colored tint to images as well.
Camera: EOS 5D menu operation.
Lens: EF 70–200mm f/4L IS USM EOS 40D
Picture Style: Landscape
©2008 Anthony Edgeworth All Rights Reserved
53
53
 Unmatched Autofocus and Auto
Exposure Accuracy

WEDDING
WEDDING PHOTOJOURNALISM Fast, Precise AF Performance
Outstanding autofocus performance is a hallmark of

“ My first real experience with

the EOS 5D was during a
high-profile wedding. The quality
of the images, even at high ISO
EOS SLR cameras, and the EOS 5D is a superb example.
Nine AF points make it easier to lock onto subjects, even
if they are not centered in the composition. There are
also six supplemental assist points around the center
like the one shown here, had me
AF point, which can significantly improve focus tracking
awestruck. Having switched from
accuracy with moving subjects when using the AI Servo
a completely different system, I
AF mode. Fast, accurate, predictive focusing makes the
was pleased by how intuitive the
EOS 5D an excellent choice for moving subjects or any
camera was to use. The EOS 5D
unpredictable situations.
is a tool that I trust; it enables
me to create
Superb Exposure Control
my art as an
The EOS 5D offers the professional photographer a wide
extension of
range of advanced metering options. The Evaluative
my hand, eye
Metering system uses data from the camera’s 35-zone
and heart.” 35-zone Evaluative Metering
sensor as well as focusing point information. The Analyzes light, based on an emphasis of the AF
onboard microcomputer uses a sophisticated series of point in use, metering off the subject, wherever it
might be in the composition.
— Joe Buissink calculations to ensure accurate exposure calculation in
Canon Explorer of Light Partial Metering
even the most challenging lighting situations. The EOS Meters 9% of the viewfinder at the center area.
5D also provides several additional metering options, Spot Metering
including center-weighted, partial area, and spot meter- Reads approximately 3.5% at the center of the
viewfinder area.
ing. And regardless of the metering pattern in use, the
Center-Weighted Metering
camera’s Quick Control Dial permits instant access to
Reads the entire composition, yet places emphasis
exposure compensation—without ever removing an eye on the center of the image.
from the viewfinder.

Camera: EOS 5D
Lens: EF 16–35mm f/2.8L USM
©2008
©2007 Joe Buissink All Rights Reserved
55
55
 DSLR Performance
Distilled

Superb Image Quality Outstanding

The EOS 40D comprises a formidable combination of Performance
Canon technologies that deliver both operating speed and With a maximum
superb image quality. continuous shooting
The newly developed speed of 6.5 fps,
APS-C size 10.1- the EOS 40D is a
megapixel Canon fast, responsive
CMOS sensor uses DSLR. It can capture up to 75 consecutive full-resolution
the latest design JPEG images or up to 17 RAW images in a single con-
and manufacturing tinuous burst.
processes to ensure APS-C Size CMOS Sensor (Actual Size)
Live View Function with Wireless Capability
noise-free, high-resolution image capture with an expanded
When the Live View Function is enabled, the huge 3.0-inch
usable ISO range. 14-bit A/D converters provide extended
LCD monitor becomes the viewfinder. Any portion of the
precision for superior tonal accuracy. The latest-generation
image can be magnified by 5x or 10x to aid in precise
DIGIC III Image Processor is faster and more powerful than
manual focusing. A new feature on the EOS 40D is the
ever, achieving even higher levels of performance. Also
ability to instantly access autofocus during Live View
included is the Highlight Tone Priority mode, which expands
Function, with one press of the AF-on button; Live View
the available range of capture in the highlights without
Function clears to enable AF, then returns as soon as
compromising shadow detail or camera performance.
the button is released. You can view with a grid overlay,
High-Precision AF perfect for keeping your subjects straight in your com-
The EOS 40D incorporates a newly developed 9-point area positions. There are also two silent shooting options.
AF system that uses cross-type points with lenses f/5.6 or Live View Function images can also be displayed on
faster, providing more reliable focusing under difficult light- a TV or computer monitor. With Canon EOS Utility
ing conditions. Each of the 9 AF points uses this cross-type software installed on your computer, you can check
coverage, a first among Canon AF SLR cameras. In addition, focus and composition in real time… even manually
the EOS 40D incorporates a diagonally mounted cross-type focus and fire the camera remotely from the computer.
sensor at the center AF point that is sensitive to both vertical Connection between the camera and computer can be
Camera: EOS 40D and horizontal lines, further improving focusing sensitivity via USB cable or wireless LAN (with the optional
Lens: EF 16–35mm f/2.8L USM and precision with wide-aperture lenses (f/2.8 or faster). Wireless File Transmitter WFT-E3A).
©2008 Canon, Inc. All Rights Reserved 6.5 fps Continuous Shooting Speed 57
 Great Images Start with Great Lenses

For many professional photographers, Canon EF series lenses L-Series Lenses

alone are reason enough to choose the EOS System. A unique Most highly regarded among pro-
blend of the world’s most advanced optics, microelectronics, fessional photographers, Canon L-Series
and precision manufacturing technologies, EF lenses are lenses are distinguished by a bold red ring
perfected in Canon’s laboratories and proven in the field. around the outer barrel. What makes them truly distinctive, Specialty Lenses
Whatever, whenever, and wherever you shoot, you can count on Image Stabilizer OFF Image Stabilizer ON
however, is their remarkable optical performance—the result Canon’s EF lens system includes numerous special purpose
Canon EF lenses to deliver the finest imaging performance. Optical Image Stabilizer of sophisticated Canon technologies such as Ultra-low lenses. Some examples:
Canon’s Optical Image Stabilizer Dispersion UD glass, Fluorite and aspherical elements,
Fisheye—Perfect for super wide-angle and special-effect
technology makes handheld and Super Spectra Coating.
photography, Canon’s full-frame fisheye can focus as
photography possible in more
close as 8 inches (0.2m), and delivers excep-
low-light situations than ever before. When camera shake Diffractive Optics
tionally sharp images throughout its focus range.
occurs using normal lenses without Optical Image Stabilizer Innovative Canon diffractive optics (DO) technology results
Up to three gel filters can be inserted into its
technology, the image projected on the image sensor in high-performance lenses that are more compact than
built-in rear filter holder.
also shakes, often resulting in blurred images at slower traditional refractive designs. Conventional glass lens ele-
shutter speeds. With Canon Image Stabilized lenses, a ments disperse incoming light, causing chromatic aberra- Macro—The EOS lens lineup has a number of options for
special group of lens elements automatically shifts posi- tion. The unique Canon multilayer diffractive elements are true close-up and macro photography. With five macro
tion, compensating for the movement and stabilizing the constructed by bonding diffraction gratings to the surfaces lenses for precision, and three screw-on close-up lenses
image. This compensatory effect adds the equivalent of up of two or more lens elements. These elements are then for convenience—in addition to Life-Size
to four stops of light (depending upon the lens), expand- combined to form a single multilayer DO element. The DO Converter EF and two Extension
ing a photographer’s handheld options dramatically. element’s dispersion characteristics are designed to cancel Tubes—Canon EF macro lenses and
chromatic aberrations at various wavelengths when com- close-up accessories can uncover
With optical IS in the lens, Canon can equip each IS lens
bined with conventional glass optics. This results in out- detail that is impossible for the unaid-
with the stabilizer it needs for effective shake correction.
standing reductions in “color fringing”—chromatic aberra- ed human eye to detect.
Other systems are limited by how far they can move an
tion—rivaling that of L-series telephoto lenses. Canon DO
image sensor, and as a result their stabilization is less TS-E—Canon’s Tilt/Shift lenses bring many of the advan-
technology is ideal for telephoto lens optics and makes
effective as telephoto lengths get longer. Also, optical IS tages of technical view cameras to the EOS System. Tilt
possible significant size reduction while maintaining
can be seen right in the viewfinder—impossible with some movements alter the angle of the plane of focus between
superb optical performance.
other stabilizer systems. the lens and film plane, making broad depth-
of-field possible even at larger apertures.
Ultrasonic Motor
Shift movements slide the lens’s optical
Canon developed the world’s first
axis along the film/sensor plane,
lens-based Ultrasonic Motor (USM)
enabling photographers to correct or alter
to power the lens autofocus mecha- Ring-type USM
perspective at almost any angle.
nism. Instead of large noisy drive trains powered by con-
ventional motors, Canon USM lenses drive the lens using the EF-S Lenses—Designed for Canon EOS Digital cameras with
fine electronic vibrations created by piezoelectric ceramic APS-C sized sensors (with a 1.6x conversion factor), Canon
elements. The focusing action of the lens is fast and quiet, EF-S lenses take advantage of the sensor’s smaller size to
with virtually instantaneous stops and starts. USM lenses deliver optimized performance in compact, lightweight
also draw minimal power from the camera, ensuring longer designs. The remarkably compact EF-S 17–85mm f/4–5.6
battery life. Canon makes two types of Ultrasonic Motor IS USM is a perfect example of this new technology.
lenses. Ring-type USM lenses, found in large aperture and With a 35mm equivalent range of
super-telephoto designs, permit manual focusing without 27–136mm (when used on the EOS 40D)
first switching out of the auto mode. Micro USM designs and its built-in Optical Image Stabilizer,
bring the performance benefits of Canon USM technology it is an outstanding walk-around lens.
Camera: EOS-1D Mark III to a wide assortment of affordable EF lenses.
Lens: EF 70–200mm f/2.8L IS USM
©2008 Arthur Morris All Rights Reserved

58 59
 Smarter Flash Photography

Integral to the EOS System, Canon Speedlites are the ideal flash Wireless AutoFlash Speedlite 580EX II
light source for EOS SLR cameras. They are technologically Control • Durable, weather-resistant construc-
advanced to provide perfect exposure and illumination with just Multiple Speedlites can tion with extensive rubber gaskets
about any subject. They are also highly adaptable, providing obtain lighting effects and seals.
an endless variety of configurations and versatile shooting not possible with a single • Metal flash “foot” with moving rubber
options. For professional flash photography, rely on Canon flash. While previous multiple-flash setups required cum- cover for weather-resistance.
Speedlites to solve the most demanding lighting challenges. bersome wires to connect the camera and flashes, com- • New external flash sensor for non-TTL
patible EOS Speedlites can be used as wireless slaves. auto flash.
With a Speedlite 580EX II or Speedlite Transmitter ST-E2 • PC socket for expanded off-camera
attached to an EOS Digital SLR, an unlimited number of versatility.
E-TTL II
compatible EX-series Speedlites can operate as dedicated • Recycling about 20% faster than 580EX, and quieter.
Canon E-TTL (Evaluative
slave units. With nothing more than an EOS camera and a • Same powerful Guide Number (max. 190-feet) and 24mm
Through-The-Lens) flash
number of Speedlite flashes, the opportunities for cre- wide coverage (with 14mm wide panel) as previous
exposure control uses a
ative lighting are endless. 580EX.
preflash fired after the
• New accessory Off-Camera Shoe Cord OC-E3 and
shutter button has been
Macro Photography and Wireless Options Compact Battery Pack CP-E4 form a weather-resistant
fully depressed—but
The Canon Speedlite flash system family includes versatile system when combined with EOS-1Ds or 1D Mark III. Macro Twin Lite MT-24EX
before the camera’s reflex
solutions for macro photography requirements: The Macro • Full compatibility with all EOS SLR cameras, and certain • Attaches to all Canon EF
mirror goes up. The cam-
Ring Lite MR-14EX features twin circular flash tubes that PowerShot models. macro lenses (EF 180mm
era’s evaluative metering
can be fired at equal or uneven power with a ratio that can f/3.5L requires Macro Lite
sensor—the same sensor
be varied over a six-stop range. One or more compatible Speedlite 430EX Adapter 72C).
that reads ambient light—
EX-series Speedlites can be used as wireless slaves along • Significantly greater user control • Ideal for close-up lighting
is used to compare the
with the MR-14EX. Incandescent focusing lamps and two via new LCD panel on rear of flash. with a directional “look.”
ambient light values with
types of modeling flash are provided to enable preview of • Wide-angle pull-down panel covers • Heads can be swiveled or bounced and can be removed
the light reflected from the
lighting effects. The controller unit features an illuminated 14mm lens (on a full-frame camera). from mounting ring for added control.
subject by the preflash.
full-information LCD panel and accepts optional hi-capacity • Powerful max. Guide number • Powerful Guide Number of 78 (feet, at ISO 100), full
The camera then calculates
battery packs. at 105mm setting (GN141–feet, at E-TTL control and E-TTL features including FEL, Hi-speed
and stores the flash output
ISO 100). sync, and Flash Exposure Blacketing.
required for optimum The Macro Twin Lite MT-24EX gives serious close-up, nature,
• Auto conversion of flash zoom cover- • Incandescent focusing lamps, and two different types of
exposure of the main sub- and macro enthusiasts a different, directional option in
age with compatible digital SLR cameras. 1-second modeling flash allow easy focusing and previewing
ject and the background. macro lighting. The two separate flash heads can be
• White balance info communicated instantly to compati- of lighting effects.
swiveled around the lens and aimed independently. They can
E-TTL II additionally incor- ble digital SLR cameras.
even be removed from their holder and mounted off-camera.
porates distance informa- • Bounce upward to 90°; swivel right (to 90°) and left Macro Ring Lite MR-14EX
Flash head output can also be independently adjusted with
Camera: EOS-1D Mark III tion from compatible EF lenses for the most precise flash (180°). • Twin-tube ring lite designed for
Lens: EF 24–70mm f/2.8L USM easy ratio control over a six-stop range. Like the MR-14EX,
©2008 Bruce Dorn All Rights Reserved exposure control. For example, it ignores sensor areas close-up photography with EF
the Macro Twin Lite MT-24EX is fully E-TTL compatible with
that report abnormally high levels, eliminating underexpo- Speedlite Transmitter ST-E2 Macro lenses; Flash tubes can
all EOS SLR bodies. Wireless E-TTL flash control is possible
sure that can otherwise be caused by straight reflections. • Dedicated transmitter to control fire together or independently.
with one or more 580EX II, 580EX, 550EX, 430EX, or 420EX
Correct flash exposure is ensured even when shooting a unlimited number of slave flashes. • Compatible with all EOS bodies.
Speedlites configured as slave units.
subject with a highly reflective object in the background, or • Speedlites 580EX II, 580EX, 550EX, • Supports E-TTL Wireless Autoflash in conjunction with
if the subject itself is highly reflective. In addition, The Speedlite Transmitter ST-E2 is a dedicated controller 430EX, and 420EX can be controlled. one or more Compatible off-camera Slave Units.
because distance information is used in calculating the that can be used with an unlimited number of compatible • Controls slave units up to 33 ft. outdoors and 49.5 ft. • Incandescent focusing lamps and two forms of modeling
flash output level, E-TTL II prevents over-exposure when Speedlite slave flashes. The transmitter is effective over indoors. flash permit preview of lighting effects.
photographers lock focus and recompose. distances up to 33 ft. outdoors and 49.5 ft. indoors. • Ideal compact alternative for wireless E-TTL. • Illuminated LCD panel for easy flash settings in any
lighting condition.

60 61
 Canon Solutions for Big, Bold,
Spectacular Prints
Unsurpassed Output Media
Selection
Canon imagePROGRAF printers
include support for a wide Large format Printer for Professional and Commercial Materials.
Photographers seeking to produce their own gallery-grade
range of papers and specialty The iPF9100 is a 60-inch wide graphic art model incorporating LUCIA 12-color pigment ink.
inkjet prints have had limited choices… until now. Understanding
output media, such as RC It is committed to the productivity and efficiency required in business applications such as
the demands of professional photographers—especially those
photo papers, transparent professional labs while maintaining high quality large prints. The large operation LCD panel
that shoot with the EOS System—Canon has responded with
film, and fine art papers. makes workflow significantly easier to see and to operate from entering print data to producing
the imagePROGRAF series printers, featuring impressive new
Superior carriage design output. The other outstanding features: a built-in 80GB hard disk drive to buffer and store print
technologies that bring unprecedented quality and performance
enables the printer to handle a wide jobs, and ink supply is via a tubing system with a sub-ink tank to help seamless ink tank replace-
to wide-format photo printing.
range of media thicknesses and finishes. Moreover, the ment. A sub-ink tank is provided as an ink storage buffer tank, ensuring stable ink supply.
LUCIA 12-Color Ink Set Media Configuration Tool supplied with the printer enables
The 12-color Canon LUCIA ink set users to update the software, using a periodically published
delivers a substantially wider color database, to accommodate new Canon and other popular
gamut than competitive printers. The far greater range of media as they become available. Two Black and Two Gray Inks Create Richer Blacks.
available colors produces richer, more vibrant prints with Capable of prints up to 44-inch wide, the iPF8100 uses Canon’s 12-color LUCIA pigment
significantly reduced metamerism 16-Bit Printing ink system, extending the color gamut far beyond what can be seen on a screen. Blak or
(the perceived shift of color balance Support Matte Blak, plus two gray inks create black and white photographs that are nothing short of
when viewing prints under different LUCIA Ink
While conventional inspiring. Canon’s FINE (Full-photolithography Inkjet Nozzle Engineering) print heads ensure that
lighting conditions). The ink set inkjet printers are ink is delivered to the paper with speed, generous coverage, and unprecedented accuracy. With
includes three levels of gray—Black 8-bit-per-channel a built-in 80GB hard disk drive, the iPF8100 exceeds lab-quality printing, right in the studio.
or Matte Black, Gray, and Photo devices, requiring
Gray—to deliver black-and-white Digital Photo Professional
a conversion from
photo prints of exceptional tonal 16 bits somewhere along the workflow, the imagePROGRAF
detail. The inks are pigment-based, Canon LUCIA Ink set vs. printers provide advanced direct output support for 16-bit
Adobe RGB A Better Large-Format Printing Solution.
ensuring long-lasting prints with Canon RC Photogloss L-50 files. A supplied plug-in enables printing of 16-bit RAW
The imagePROGRAF iPF6100 accommodates 24-inch wide media and features the new LUCIA
excellent archival characteristics. imagePROGRAF printers images directly from Digital Photo Professional software.
ink system, further enhancing the wide color gamut, smooth gradations, and great speed
ship with a starter set of all 12 inks. Also included is an export module for direct printing of 16-bit
for which imagePROGRAF printers are renowned. The LUCIA pigment-based inks provide
files from Adobe® Photoshop®. These features provide the
improved scratch resistance for even better print longevity. Reformulated Gray and Photo
Photo-Lithographic photographer with the first true wide-dynamic-range work-
Gray inks plus new processing optimization ensure superior tonal gradation with less visible
User-Replaceable flow option from capture to output. Images are reproduced
grain and reduced bronzing. A built-in Automatic Color Stability Control System ensures excep-
Dual Print Heads with smoother tonal gradations for greater photorealism.
tional output consistency over the life of the printer and among multiple printers.
An advanced head Dynamic-range-related problems, such as posterization
design uses two print heads—each with 15,360 nozzles— and banding, are virtually eliminated.
yielding over 30,000 nozzles. This not only makes possible
extremely high output resolution but also ensures faster, Automated Black Ink Cartridge Switching
more reliable printing. Photographers no longer need to The ink set includes Black and Matte Black, only one of The Next-Generation Professional Photo Printer.
choose between print speed and image quality because which will be used depending on output media selection. Understanding the demands of professional photographers—especially those that shoot with
superior Canon print head technologies deliver both. The While other printers require the user to perform an incon- the EOS System—Canon has responded with the imagePROGRAF iPF5100, featuring impressive
large number of nozzles also substantially increases print venient and wasteful manual operation to flush unused ink new technologies that bring unprecedented quality and performance to 17-inch wide photo
head life so that the printer requires less frequent mainte- and switch cartridges, the imagePROGRAF printers automate printing. The LUCIA 12-color ink set delivers a substantially wider color gamut than competitive
nance. And because the print heads are user-replaceable, the process. With both Black ink cartridges loaded at all printers. Three levels of Gray—Black or Matte Black, Gray, and Photo Gray—deliver black-and-
maintenance can be performed with minimal downtime times, the switchover is fast and wasteless, performed with white photo prints of exceptional richness and tonal detail. The improved pigment-based ink
and no costly service calls. a simple push of a button. formulations provide superior print longevity with reduced graininess and bronzing.

62 63
 Fast, Spectacular, Affordable
Desktop Photo Printing
Combining unparalleled Canon ChromaLife100 Ink System The Canon EOS System takes PictBridge direct printing to Versatile, Convenient Paper Handling
expertise in photography, photo- The PIXMA Pro9000 features the the next level, providing an unprecedented amount of control The PIXMA Pro printers feature dual paper paths: standard
copying, and printing technologies, highly refined dye-based over image optimization and output options. When you con- top-loading and manual front-loading. This advanced design
PIXMA Pro photo printers are Canon ChromaLife100 ink system, which uses Red and nect the latest-generation Canon EOS Digital SLR cameras to accommodates a wide range of media types. The manual
redefining output quality, per- Green inks in addition to Cyan, Magenta, Yellow, Photo compatible Canon photo printers, such as PIXMA Pro printers, front feeder provides a straight paper path, enabling the
formance, and convenience. Cyan, Photo Magenta, and Photo Black. This advanced you can, for example, choose automatic image adjustment use of large, non-standard paper sizes as well as thicker
Employing extraordinary ink set 8-color system reproduces a much wider color gamut than using EXIF information or make adjustments manually to fine art and specialty media.a
and printhead technologies, conventional inkjet printers, delivering a color range that create more vivid prints. You’ll have more paper size and
sophisticated drivers with rivals color slide film. The dye-based ink set further ensures formatting options, such as index sheets with shooting
advanced color controls, profes- vividly brilliant colors and a high-luster surface finish that information. You can even correct automatically for back-
sional software support, and compatibility with a broad selection enhances the beauty of printed images. lighting and remove red-eye from your flash shots.

of papers and specialty media, Canon PIXMA Pro photo printers

are meeting, and even surpassing, the expectations of the most Long-Lasting Photos
demanding professional photographers. Canon ChromaLife100 ink technology also delivers prints
that withstand the test of time. PIXMA Pro prints will resist
fading for up to 100 years when kept in albums. When
combined with genuine Canon photo media, prints typically LUCIA 10-Color Pigment Ink Set Creates Rich Color
FINE Print Head Technology exhibit 30-year light fastness and 10-year gas fastness.* Photos.
Canon’s high-precision FINE (Full- * Based on accelerated dark storage testing by Canon under controlled temperature, For the highest quality color and black-and-white photographs,
humidity and gas conditions, simulating storage in an album with plastic sleeves.
photolithography Inkjet Nozzle up to 13" x 19", one need look no further than the PIXMA
Canon cannot guarantee the longevity of the print; results may vary depending on
Engineering) print heads each have printed image, drying time, display/storage conditions and environmental factors. Pro9500. With the LUCIA 10-color pigment ink system, there’s no
See [Link]/chromalife100 for additional details.
thousands of nozzles designed to release microscopic ink other printer out there that can print both stunning color
droplets as small as 1-picoliter in a single pass, resulting in and smooth black-and-white photographs like the Pro9500.
Advanced Camera Direct Printing
fast, high-resolution printing. Capable of plotting thousands The inclusion of Gray, Matte and Photo Black pigment
Photographers who shoot with Canon EOS Digital SLR
of ink droplets each second, the high-density nozzle pitch tanks, combined with 3 pl droplets ensure the smoothest
cameras can take advantage of extraordinary capabilities
produces sharper detail and less grain. Canon’s print heads gradations possible and the results are prints that will astound.
when sending images directly to PIXMA Pro printers (via
are engineered using a photo-lithographic process that
USB 2.0 Hi-Speed interface). For example, direct support
produces incredibly high-precision output and equally
for Canon Picture Style technology enables advanced print
incredible prints.
output control, either faithfully preserving original intent
or dialing in specific image enhancements. Special output
10-Color Pigment Ink System
options, including useful layouts, can be selected on the
Featuring the same LUCIA pigment Professional Quality Photos for Big Ideas.
camera—no need for a computer.
ink found in the imagePROGRAF Capable of quickly printing lab-quality prints up to 13" x 19",
printers, the PIXMA Pro9500’s Canon’s PIXMA Pro9000 raises the bar thanks to its combina-
Enhanced PictBridge Functions
10-color pigment ink set produces professional-quality, tion of speed and versatility. Its FINE print head generates a
PictBridge compatible digital cameras
archival prints. The Gray, Black and Matte Black ink produce maximum resolution of 4800 x 2400 dpi and ChromaLife100
and printers make it easy to print pictures
monochrome photographs of unrivaled quality on fine art or dye-based inks create long lasting, beautiful photos. Canon’s
on the spot without a personal computer.
glossy paper. Gray ink reduces grain, banding and metamerism Easy-PhotoPrint Pro software, including Photoshop and Digital
and virtually eliminates color shifts. Unlike Photo Black ink Photo Professional (V.2.1 and higher) plug-ins, combine with a new
that increases contrast, Matte Black ink increases black den- printer driver for advanced color control, ensuring accurate prints
sity on fine art papter while maintaining detail in shadows. from the start.
With 10 individual ink tanks, users can replace a single color,
reducing waste and saving money. Since the Pro9500’s ink
is less sensitive to light and environmental factors, prints
have incredibly smooth gradations and are archival. EXIF Data Single Image Print
35-image Contact Sheet

64 65
 The Power of Wireless Connectivity Wedding Photography

Sell

Wireless File Transmitter WFT-E2A Wedding photographers can have one less thing shots while offsite downloading images to the
Canon’s all Wireless File Transmitter WFT-E2A is a vast to worry about with a Canon Wireless Transmitter computer. They can shoot either vertically or hori-
improvement over our previous Wireless Transmitter WFT-E1A. attached to their camera. Free to roam about the zontally, transferring their images without worry
ceremony and reception, photographers can of getting tangled up in wires. Results can be
It sports many new features that the professional photog-
feel confident knowing their images are being shared and orders can be taken on the spot, from
rapher will find indispensable. While it retains the best
transferred to their computer as they shoot. They clients and guests; showing photographs in print
features of the WFT-E1A such as an Ethernet (hard wired)
won’t run out of memory cards or lose important or on screen.
connection and 802.11 b and g, it now is much easier to set
up and use. Utilizing the onboard connection wizard, the
WFT-E2A can connect in three ways: In HTTP mode, up to
three users can securely log in to the camera to browse and Commercial Studio Photography
download selected
EOS-1D Mark III with Wireless File Transmitter WFT-E2A
images with a standard
web browser. PTP con-
Wireless File Transmitter WFT-E3A
nectivity allows the user
Designed for exclusive use with the EOS 40D camera, the Layout
to easily connect a single
WFT-E3A provides advanced functions and capabilities,
camera to a computer with
including both wireless (802.11b or g) and wired (100Mbps
advanced remote-control
Ethernet) LAN connectivity with easy wizard-based network
capabilities. Of course
configuration. A new, powerful transmitter design with high- Studio photographers can transfer images wireless or wired LAN. Wirelessly, Canon’s
we still offer FTP transfer,
performance internal antenna delivers extended wireless automatically, either immediately or after the transmitters allow a generous distance range
with a simplified connec-
range—up to 492 feet (150m)† from the computer or a shooting session. In immediate mode, the art from camera to computer. In wired mode, a
tion interface, for secure
network access point. You can connect a compatible third- director, client, and assistants can be working, port on the side of the unit connects, with an
transmission to a comput-
party GPS device via USB, allowing location information to even off-site, giving feedback during the ses- appropriate Ethernet cable, to a computer or
er on your network or over
be added to each image’s EXIF data. Or, you can connect a sion for greater spontaneity and efficiency. In other Ethernet device.
the internet. USB 2.0 Hi- operation, images transfer to the computer via
compatible USB v.2.0 hard drive to the transmitter and shoot
Speed host capability
directly to the drive. (Note: The WFT-E1A and WFT-E2A Wireless
allows GPS data from
Transmitter units are not compatible with the EOS 40D.)
many popular receivers
to be embedded in EXIF The WFT-E3A transmitter’s ideal shape—similar to a battery Sports Photojournalism
data as well as allowing grip—integrates perfectly with the EOS 40D and provides a
the photographer to shoot second set of the most often used camera controls for vertical
directly or back up image shooting. (The controls remain functional even when there
data to many commercial- is no battery in the transmitter.) FTP, PTP,
Publish
ly available external USB and HTTP communications
hard drives. The WFT-E2A protocols are supported
is much smaller and light- so that files can be
Camera: EOS-1D Mark III
er than its predecessor, allowing full access to the camera’s transferred using a
Lens: EF 70–200mm f/2.8L IS USM
Wireless file transfer has already found a home can even get feedback on images while shooting.
©2008 Terrell Lloyd All Rights Reserved external sockets while maintaining the weather resistance number of methods—
with sports photographers and photojournalists, And, there’s always a back-up image, since the
and durability of the camera body and offering faster commu- for example, using a
who benefit from the speed and ease of trans- same file is recorded on a memory card in the
nication between the camera and the transmitter. It has a Web browser.
ferring images while they shoot. By transmitting camera. Whether capturing the winning dive, or
small built-in antenna capable of wireless communication images to a local computer, an assistant manages the medal ceremony, the photographer will
at distances up to 492 feet (150m).* It is powered by the and forwards image files immediately. This way, never miss a minute of the action.
EOS 40D with Wireless
camera’s battery, reducing the extra equipment the photog- File Transmitter WFT-E3A the photographer can meet any deadline and
rapher needs to carry.

* With no obstructions between the transmitting and receiving antennas, and no radio inerference. With a large, high-performance antenna attached to the wireless LAN access point. Canon USA does not provide support for configuring TCP/IP, encryption or FTP on your computer and/or network. You should consult with your IT specialist or computer systems integrator to configure your computer
† Maximum distance requires access point with separate antenna; wireless transmission range dependent upon environmental factors and type of receiver in use. and/or network for these services.

66 67
 Digital Solutions for Professionals

Professional Software Tools—Digital cameras capture images Live View Function New Original Data Security Kit OSK-E3
as digital data. Digital photography, therefore, benefits from The EOS-1Ds Mark III, EOS-1D Canon’s advanced data
computer software designed to enhance capture, processing, Mark III, and EOS 40D all offer verification hardware/
and output. The Canon EOS System embraces a wide range of Live View Function, which enables software kit consists of
powerful software tools that provide advanced functions to aid the image at the sensor to be dis- a USB card reader/
the professional photographer. played on a computer monitor in writer, a dedicated
real time. With Canon EOS Utility Original Data Security
software installed on the computer, Card, and software to
the user can check and adjust focus be installed on a
and composition on the computer. Windows computer. The system can verify the originality
Comparison View The camera can even be fired and integrity of image data. It can also identify specific
remotely from the computer. data elements (image pixels, EXIF text, GPS info, etc.) that
Connection between the camera have been altered.
and computer can be via USB
A new feature in this version is encryption capability.**
cable or, with the optional Wireless
Photographers can now encrypt their image files to prevent
File Transmitter WFT-E2A or WFT-E3A, via wireless LAN. The
unauthorized viewing or wireless theft. Encrypted images
wireless option enables all Live View capabilities over a
can be viewed only on personal computers on which the
distance up to 492 feet (150m).*
necessary OSK-E3 decoding engine has been installed.
Live View Function is a powerful problem-solver that
addresses all those situations in which it would be awkward, Dust Delete Function
difficult, or impossible to shoot conventionally by looking By photographing a plain nearby
through the viewfinder. Requested by numerous studio and white subject at infinity focus, the
Picture Style remote sports photographers, the Canon Remote Live View photographer can acquire data
Large Thumbnails View
Function enables EVF (electronic viewfinder) shooting via a identifying the position of any dust
wired or wirelessly connected computer. While viewing the particles on the sensor surface. The data are appended to
real-time output from the camera’s imaging sensor on a the image file and can be used by Digital Photo Professional
computer monitor, the photographer can perform numerous software to automatically erase dust spots. This unique
Tone Curve Adjustment Toolbar
functions—such as check and adjust the focus using 5x and system can be a tremendous time saver, especially for
10x magnification; check for moiré and false color; and verify professional photographers who must shoot (and change
composition, lighting, and exposure—before remotely lenses) in dusty environments. It greatly reduces time spent
releasing the shutter via the computer. at the computer touching up images.
Stamp Tool

Digital Photo Professional

Dust Delete Function†
Canon Digital Photo Professional is a RAW image processing
Dust particle shadow
application featuring a newly designed, dedicated data on the image

processing engine. It streamlines the workload of profes-

Imaging sensor
sional digital photographers by enabling high-speed RAW
image processing and preview, with support for sRGB,
Dust Delete Data
Adobe RGB, and Wide Gamut RGB color spaces. It provides
excellent support for color-managed workflows, and pro-
Low-pass filter
vides numerous controls for exposure and color settings. Spot-like dust

It also includes a cropping tool, a navigation tool, CMYK Obtaining Dust Delete Data The location and size of DPP uses the Dust
the dust is detected as Delete Data to erase
printer simulation, batch conversion, multiple image the Dust Delete Data. the dust spot.
download, and image transfer to other photo applications. Batch Processing Window

* With no obstructions between the transmitting and receiving antennas, and no radio inerference. With a large, high-performance antenna attached to the wireless LAN access point.
** Encryption possible with EOS-1Ds Mark III and EOS-1D Mark III cameras only. † Not available on EOS 5D

68 69
 Nomenclature for EOS-1Ds Mark III
Viewfinder Information
Shutter Button WFT-E2A Mounting Hole Center Spot Metering Circle Area AF Ellipse
AF Point Exposure Level Scale
: 1 stop : 1/3 stop
Focusing Screen
Overexposure
PC Terminal High-Speed Sync Indicator (FP Flash) Flash Overexposure
FE Lock Exposure Level
FEB in-progress
Flash Exposure Level
Self-Timer Lamp Flash-ready
Flash Underexposure
Improper FE Lock Warning
Lens Release Button Underexposure
* AE Lock
Remote Control Terminal AEB in-progress Maximum Burst
Grip
Multi-Spot Metering JPEG Icon
Video OUT Terminal
M Manual Exposure RAW Icon
Depth-of-Field Preview Button DIGITAL (USB) Terminal Metering Mode Battery Check

Shutter Speed Standard Exposure Index

Bulb ( ), FE Lock ( ), Busy ( ) Focus Confirmation Light
Vertical-Grip Main Dial Aperture
Battery Release Handle ISO Speed
AF Point Selection Mode Highlight Tone Priority Display
Battery ( AF, SEL[ ], SEL AF) ISO Speed Icon
Vertical-Grip Shutter Button Recording Media Indicator (Card*)
AF Point Registration Shots Remaining
( HP, SEL[ ], SEL HP) Recording Media Full ( )
Hand Strap Mount Tripod Socket
Exposure Compensation White Balance Correction
Flash Exposure Compensation

Multi-Controller SET Button Top LCD Panel Information

ISO Speed Shutter Speed Shots Remaining
Viewfinder Eyepiece Quick Control Dial Highlight Tone Priority Display Bulb ( ) Self-Timer Countdown
(Dust Delete Data Acquisition (––––) Bulb Exposure Time (Min.:Sec.) Bulb Exposure Time (Hours)
Eyecup Eg AF Start Button FE Lock Recording Media Full ( )
Shooting Mode
: Program AE Busy ( ,PC ) Error Code
AE Lock/Reduce Button Error ( ) Remaining Images to Record
INFO/Trimming Orientation Button : Aperture-priority AE
: Manual Exposure Sensor Cleaning ( )
Aperture AF Mode
MENU Button AF Point Selection/Magnify Button : Shutter-priority AE
AEB Amount One-Shot AF
ISO Icon (Dust Delete Data Acquisition (––) AI SERVO AF
Memory Card Slot Cover
AF Point Selection Mode
LCD Monitor Memory Card Slot Cover Release Handle Metering Mode ( AF, SEL[ ], SEL AF)
Evaluative Metering Drive Modes
Recording Media Indicator (Card*)
Partial Metering Single Shooting
Access Lamp AF Point Registration
Extension System Terminal Spot Metering High-speed Continuous
( HP, SEL[ ], SEL HP)
Center-weighted Shooting
Vertical-Grip AF Start Button Average Metering Low-speed Continuous
Playback Button Shooting
Vertical-Grip ON/OFF Switch
Battery Check Self-Timer (10 sec.)
Vertical-Grip AE Lock/ Self-Timer (2 sec.)
Rear LCD Panel Silent Single Shooting
Reduce Button
Flash Exposure Compensation
Erase Button Vertical-Grip FE Lock/ Exposure Level Scale
Multi-Spot Metering Button
Function Button
Vertical-Grip AF Point Selection/
Protect and Sound Recording Button/ Magnify Button AEB Exposure Level Indicator
Picture Style Setting Button Exposure Compensation Amount
AEB Range
Recording Microphone Power/Quick Control Dial Switch Mirror Lockup Flash Exposure Compensation Amount

Rear LCD Panel Information

LCD Panel Illumination Button Exposure Compensation/ White Balance Correction Monochrome Shooting
Aperture Button
External Media Connection Icon Data Transfer Icon
AEB Set Buttons Shutter Button
SD Card Indicator White Balance
FE Lock/Multi-Spot Metering Button Auto
Shooting Mode Selection Button CF card Indicator Daylight
Main Dial Shade
AF Mode Selection/ Recording Media Selection Arrow
Cloudy
Drive Mode Selection Button ISO Speed Set Button Tungsten Light
Image Size White Fluorescent Light
Large Flash
Strap Mount Strap Mount Medium1
Custom White Balance Custom
Metering Mode Selection/ Medium2 Color Temperature
Acquistion Display ([ * ])
Flash Exposure Compensation Button Small
File No.
RAW
Color Temprature
Small RAW
Dioptric Adjustment Knob Top LCD Panel Custom White Balance Number
Personal White Balance (PC1~PC5)
Flash-Sync Contacts Wired LAN Connection
Folder Number
Hot Shoe Eyepiece Shutter Lever Wireless LAN Connection Recording Media Indicator ( )
70 71
 Nomenclature for EOS-1D Mark III
Viewfinder Information
Shutter Button WFT-E2A Mounting Hole Center Spot Metering Circle Area AF Ellipse
AF Point Exposure Level Scale
Focusing Screen : 1 stop : 1/3 stop
Overexposure
High-Speed Sync Indicator (FP Flash) Flash Overexposure
PC Terminal
FE Lock
FEB in-progress Exposure Level
Flash-ready Flash Exposure Level
Self-Timer Lamp Improper FE lock Warning
Flash Underexposure
* AE Lock
Lens Release Button AEB in-progress Underexposure
Multi-Spot Metering Maximum Burst
Remote Control Terminal
Grip M Manual Exposure
JPEG Icon
Video OUT Terminal Metering Mode RAW Icon

DIGITAL (USB) Terminal Shutter Speed Battery Check

Depth-of-Field Preview Button
Bulb ( ), FE Lock ( ), Busy ( ) Standard Exposure Index
Aperture Focus Confirmation Light

Vertical-Grip Main Dial AF Point Selection Mode ISO Speed

Battery Release Handle ( AF, SEL[ ], SEL AF) Highlight Tone Priority Display
Recording Media Indicator (Card*)
Battery AF Point Registration ISO Speed Icon
Vertical-Grip Shutter Button ( HP, SEL[ ], SEL HP) Shots Remaining
Exposure Compensation Recording Media Full ( )
Hand Strap Mount Tripod Socket Flash Exposure Compensation White Balance Correction

Multi-Controller SET Button Top LCD Panel Information

ISO Speed Shutter Speed Shots Remaining
Viewfinder Eyepiece Quick Control Dial Highlight Tone Priority Display Bulb ( ) Self-Timer Countdown
(Dust Delete Data Acquisition (––––) Bulb Exposure Time (Min.:Sec.) Bulb Exposure Time (Hours)
Eyecup Eg AF Start Button FE Lock Recording Media Full ( )
Shooting Mode
: Program AE Busy ( ,PC ) Error Code
AE Lock/Reduce Button Error ( ) Remaining Images to Record
INFO/Trimming Orientation Button : Aperture-priority AE
: Manual Exposure Sensor Cleaning ( )
MENU Button AF Point Selection/Magnify Button Aperture AF Mode
: Shutter-priority AE One-Shot AF
AEB Amount
ISO Icon (Dust Delete Data Acquisition (––) AI SERVO AF
Memory Card Slot Cover
AF Point Selection Mode
LCD Monitor Memory Card Slot Cover Release Handle Metering Mode ( AF, SEL[ ], SEL AF)
Evaluative Metering Drive Modes
Recording Media Indicator (Card*)
Partial Metering Single Shooting
Access Lamp AF Point Registration
Extension System Terminal Spot Metering High-speed Continuous
( HP, SEL[ ], SEL HP)
Center-weighted Shooting
Vertical-Grip AF Start Button Average Metering Low-speed Continuous
Playback Button Shooting
Vertical-Grip ON/OFF Switch
Battery Check Self-Timer (10 sec.)
Vertical-Grip AE Lock/ Self-Timer (2 sec.)
Rear LCD Panel Silent Single Shooting
Reduce Button
Flash Exposure Compensation
Erase Button Vertical-Grip FE Lock/ Exposure Level Scale
Multi-Spot Metering Button

Function Button
Vertical-Grip AF Point Selection/
Protect and Sound Recording Button/ Magnify Button AEB Exposure Level Indicator
Exposure Compensation Amount
Picture Style Setting Button
AEB Range
Recording Microphone Power/Quick Control Dial Switch Mirror Lockup Flash Exposure Compensation Amount

Rear LCD Panel Information

LCD Panel Illumination Button Exposure Compensation/ White Balance Correction Monochrome Shooting
Aperture Button
External Media Connection Icon Data Transfer Icon
AEB Set Buttons Shutter Button
SD Card Indicator White Balance
FE Lock/Multi-Spot Metering Button Auto
Shooting Mode Selection Button CF card Indicator Daylight
Main Dial Shade
AF Mode Selection/ Recording Media Selection Arrow
Cloudy
Drive Mode Selection Button ISO Speed Set Button Tungsten Light
Image Size White Fluorescent Light
Large Flash
Strap Mount Strap Mount Medium1
Custom White Balance Custom
Metering Mode Selection/ Medium2 Color Temperature
Acquistion Display ([ * ])
Flash Exposure Compensation Button Small
File No.
RAW
Color Temprature
Small RAW
Dioptric Adjustment Knob Top LCD Panel Custom White Balance Number
Personal White Balance (PC1~PC5)
Flash-Sync Contacts Wired LAN Connection
Folder Number
Hot Shoe Eyepiece Shutter Lever Wireless LAN Connection Recording Media Indicator ( )
72 73
 Nomenclature for EOS 5D
Viewfinder Information
Red-Eye Reduction/ Strap Mount AF Point Focusing Screen
Self-Timer Lamp

Lens Release Button

PC Terminal

Grip
Spot Metering Circle

Remote Control Terminal (N3 Type)

CF Card Slot Cover DIGITAL Terminal
VIDEO OUT Terminal * AE Lock
AEB in-progress Focus Confirmation Light
•During Autofocus
Flash-ready : Lights when focus is achieved
Improper FE lock warning : Blinks at 2Hz if focus fails
Depth-of-field Preview Button
High-Speed Sync Indicator •During Manual Focus
(FP Flash) : Lights when focus is achieved
Battery Compartment Cover Release Lever Tripod Socket (* — FE Lock)
Maximum Burst ( )
Battery Compartment Cover DC Coupler Cord Hole Flash Exposure Compensation
White Balance Correction
CF Card Full Warning ( )
CF Card Error Warning ( ) Exposure Level
No CF Card Warning ( ) •Exposure Compensation Amount
Eyecup Multi-Controller
•AEB Level
Shutter Speed ( ) •Flash Exposure Compensation Amount
ISO Speed ( , , ) Red-Eye Reduction Lamp On
FE Lock ( )
Busy ( ) Aperture Value ( )
AE/FE Lock Button/
Index/Reduce Button

Viewfinder Eyepiece Top LCD Panel Information

AF Point Selector/Enlarge Button Shutter Speed ( ) AF Point Selection ( )

Print/Share Button
Busy ( ) CF Card Full Warning ( )
MENU Button ISO Speed ( ) CF Card Error Warning ( )
CF Card Slot Cover No CF Card Warning ( )
INFO Button/Trimming Orientation Button ISO Speed Error Code ( )
Quick Control Dial Cleaning Image Sensor ( )
JUMP Button WB Correction Aperture
SET Button
Playback Button White Balance Shots Remaining
Auto Shots Remaining
Daylight During WB-BKT
Shade Self-Timer Countdown
Erase Button Cloudy Bulb Exposure Time
Tungsten Light
Drive Mode
White Fluorescent Light
Single
Flash
LCD Monitor Power Switch Continuous
Custom Self-Timer
Color Temperature
AF Mode
AF Mode Selection/White Balance Drive Mode Selection/ Battery Check
Selection Button ISO Speed Button
LCD Panel Illumination Button
Shutter Button Beeper AEB
Custom Function Monochrome Shooting
Main Dial Metering Mode
Image Recording Quality Evaluative
Metering Mode Selection/ Large/Fine RAW+Large/Fine Partial
Flash Exposure Compensation Button Large/Normal RAW+Large/Normal
Spot
Medium/Fine RAW+Medium/Fine
Mode Dial Strap Mount Center-weighted Average
Medium/Normal RAW+Medium/Normal
Small/Fine RAW+Small/Fine Exposure Level Indicator
Small/Normal RAW+Small/Normal • Exposure Compensation Amount
RAW • AEB Level
LCD Panel
• Flash Compensation Amount
Flash-Sync Contacts
Hot Shoe Dioptric Adjustment Knob Flash Exposure Compensation CF Card Writing Status
74 75
 Nomenclature for EOS 40D
Viewfinder Information
Hot Shoe Flash Button AF Point Spot Metering Circle

Built-in Flash

Focusing Screen
Main Dial

Shutter Button
Focus Confirmation Light
DIGITAL Terminal • During One-Shot Autofocus :
VIDEO OUT Terminal Lights when focus is achieved,
Red-Eye Reduction/ blinks at 2Hz if focus fails
Self-Timer Lamp Lens Release Button
• During Manual Focus:
Remote Control * AE Lock Lights when focus is achieved
Terminal (N3 Type)/ AEB in-progress
Grip Flash Sync (PC) Terminal
Flash-ready/ Maximum Burst ( )
Improper FE Lock Warning
White Balance Correction
Depth-of-Field Preview Button
High-Speed Sync
Indicator (FP Flash) ISO Speed ( , )
(* — FE Lock)
Battery Compartment, Monochrome Shooting
Cover and Release Lever Tripod Socket Flash Exposure Compensation

CF Card Full Warning ( )

CF Card Error Warning ( ) Exposure Level
No CF Card Warning ( ) • Exposure Compensation Amount
Dioptric Adjustment Knob AF Start Button
• AEB Level
Shutter Speed ( ) • Red-Eye Reduction Lamp On
FE Lock ( )
Busy ( )
Built-in Flash Recycling ( ) Aperture Value ( )
Viewfinder Eyepiece AE Lock/FE Lock Button/
Index/Reduce Button

Print/Share Button Top LCD Panel Information

AF Point Selection/Enlarge Button Shutter Speed ( ) AF Point Selection ( )

MENU Button
Busy ( ) CF Card Full Warning ( )
Multi-Controller Built-in Flash Recycling ( ) CF Card Error Warning ( )
LCD Monitor
No CF Card Warning ( )
SET Button
Error Code ( )
INFO Button/Trimming Orientation Button Flash Exposure Compensation
Cleaning Image Sensor ( )
CF Card Slot Cover
White Balance
Quick Control Dial Aperture Setting ( )
Erase Button Auto
Access Lamp Daylight
Shade Shots Remaining ( )
Playback Button Cloudy Shots Remaining During
WB-BKT ( )
Tungsten Light
Self-Timer Countdown ( )
White Fluorescent Light
JUMP Button Bulb Exposure Time ( )
Flash
Custom WB Correction/
Color Temperature WB-BKT White Balance
Picture Style Selection Button Power Switch
AF Mode

Drive Mode
LCD Panel Illumination Button Metering Mode Selection/ Exposure Level Indicator
White Balance Selector Button • Exposure Compensation Amount Single
• AEB Level Low-speed Continuous
Hot Shoe • Flash Compensation Amount High-speed Continuous
Image Recording Quality Self-Timer, Self-Timer 2-sec.
Flash-Sync Contacts AF Mode Selection/
Drive Mode Selection Button Large/Fine RAW+Large/Fine sRAW+Large/Fine AEB
Large/Normal RAW+Large/Normal sRAW+Large/Normal
ISO Speed/ Medium/Fine RAW+Medium/Fine sRAW+Medium/Fine Metering Mode
Mode Dial Flash Exposure Comensation Button Medium/Normal RAW+Medium/Normal sRAW+Medium/Normal Evaluative
Small/Fine RAW+Small/Fine sRAW+Small/Fine Partial
Small/Normal RAW+Small/Normal sRAW+Small/Normal Spot
RAW sRAW Center-weighted Average

Battery Check ISO Speed

( )
Monochrome Shooting

Strap Mount LCD Panel Beeper Custom Function

76 77
 EOS-1Ds Mark III and EOS-1D Mark III Custom Function Chart EOS 5D Custom Function Chart EOS 40D Custom Function Chart
Custom Custom Custom Function Function Description No. Setting Custom Function Function Description No. Setting
Function Description No. Setting Function Description No. Setting
Function Function
0 Default (No Function) [Link] I: Exposure
[Link] I: Exposure 3 AF point:M Auto/Auto ctr 1 Change quality 0 1/3-stop
SET function C. Fn-01 Exposure level increments
0 1/3-stop increments 4 ONE SHOT AI Servo C. Fn-01 2 Change Picture Style 1 1/2-stop
C. Fn-06 (Cont.) when shooting
Exposure level 3 Menu display 0 1/3-stop
C. Fn-01 1 Speeds/apertures 1-stop increments, Exposure compensation in 1/3-stops 5 IS start C. Fn-02 ISO speed setting increments
increments 4 Image replay 1 1-stop
2 1/2-stop increments 6 Switch to registered AF point 0 Off 0 Off
0 ISO set in 1/3-stop increments C. Fn-02
Long exposure
1 Auto C. Fn-03 ISO expansion
ISO speed setting 0 Disable (no adjustment for front or back-focus) noise reduction 1 On
C. Fn-02 2 On 0 On
increments 1 ISO set in 1-stop increments C. Fn-07 AF Microadjustment 1 Adjust all by same amount Forward: -20 …….. 0 ……. +20 C. Fn-04 Bracketing auto cancel
Flash sync. speed 0 Auto 1 Off
Disable (camera ISO range 100~3200) 2 Adjust by lens Backward C. Fn-03
in Av mode 1 1/200 sec. (Fixed) 0 0, –, +
Enable (apply user-registered available ISO range) 0 Disable (one AF point only when manually selected) 0 AF/ AE lock C. Fn-05 Bracketing sequence
1 –, 0, +
AF expansion with Shutter/ 1 AE lock/ AF 0 Disable
C. Fn-03 Set ISO speed range – Set highest ISO (1-stop increments) up to “H” C. Fn-08 1 Enable (expand by adding left/right Assist pts) C. Fn-04 C. Fn-06 Safety Shift
selected pt AE lock button 2 AF/ AF lock, no AE lock 1 Enable (Tv/Av)
Register Set lowest ISO (1-stop increments), “L” thru 1600(1Ds)/3200(1D) 2 Enable (expand by adding ring of six surrounding Assist pts) 3 AE/ AF, no AE lock 0 Auto
Return 0 19 points 0 Emits C. Fn-07 Flash sync. Speed in Av mode
C. Fn-05 AF-assist beam 1 1/250 sec. (fixed)
0 On (AEB cancels if camera turned off, etc.) C. Fn-09 Selectable AF point 1 Inner 9 points 1 Does not emit [Link] II: Image
C. Fn-04 Bracketing Auto Cancel Exposure level 0 1/3-stop 0 Off
1 Off (AEB remains in effect unless flash turned on) 2 Outer 9 points C. Fn-06 C. Fn-01 Long exp. noise reduction
increments 1 1/2-stop 1 Auto
0 0 – + 0 Disable Fires
C. Fn-10 Switch to registered AF point C. Fn-07 Flash firing
0 2 On
C. Fn-05 Bracketing sequence 1 – 0 + 1 Enable 1 Does not fire 0 Off
Off C. Fn-02 High ISO speed/noise reduction
2 + 0 – 0 direct: disable / : enable C. Fn-08 ISO expansion
0 1 On
1 On 0 Disable
0 3 shots C. Fn-11 AF point auto selection 1 direct: disable / :disable (auto AF select mode impossible to access) 0 0,—,+/ Enable C. Fn-03 Highlight tone priority
1 Enable
1 2 shots 2 direct: enable / : enable Bracket sequence/ 1 0,—,+/ Disable [Link] III: Autofocus/Drive
C. Fn-06 Number of bracketing shots C. Fn-09
2 5 shots 0 On (red illumination on) Auto cancel 2 —,0,+/ Enable 0 Focus search on
AF point display 3 —,0,+/ Disable C. Fn-01 Lens drive when AF impossible
3 7 shots C. Fn-12 1 Off 1 Focus search off
during focus Superimposed 0 On 0 AF stop
0 Disable (spot metering always at center) 2 On (lights momentarily when focus achieved) C. Fn-10
Spot metering link display 1 O= 1 AF start
C. Fn-07
to AF point 1 Enable (spot metering at manually selected AF pt.) 0 Normal 0 Previous (top if power off) 2 AE lock
C. Fn-13 AF point brightness Menu button C. Fn-02 Lens AF stop button
1 Brighter C. Fn-11 1 Previous 3 AF point M Auto/Auto ctr
0 Disable display position
2 Top 4 ONE SHOT AI SERVO
C. Fn-08 Safety Shift 1 Enable (Tv/Av modes) 0 Enable (Speedlite’s AF assist beam fires normally) 0 Disable
C. Fn-14 AF-assist beam firing C. Fn-12 Mirror lockup 5 IS start
2 Enable (ISO speed shifts, in P, Tv, Av modes) 1 Disable 1 Enable 0 Normal
Disable (all exposure modes available) 0 Disable 0 Normal C. Fn-03 AF point selection method 1 Multi-controller direct
AF point
C. Fn-13 1 Multi-controller direct 2 Quick Control Dial direct
Enable (only modes registered are selectable) C. Fn-15 Mirror lockup 1 Enable (mirror lowers after each shot) selection method
2 Quick Control Dial direct 0 On
Select usable C. Fn-04 Superimposed display
C. Fn-09 – M P 2 Enable: Down with SET (mirror remains up until SET pressed) 0 Evaluative 1 Off
shooting modes C. Fn-14 E-TTL II
Register Tv BULB Disable (shoots at default fps rates) 1 Average 0 Enable
0 1st-curtain sync. C. Fn-05 AF-assist beam firing 1 Disable
Av Apply Enable (applies user-registered fps rates) C. Fn-15 Shutter curtain sync.
Continuous shooting 1 2nd-curtain sync. 2 Only external flash emits
Disable (all metering patterns available) C. Fn-16 – High speed: 5,4,3,2 fps(1Ds)/10–2 fps(1D) Per shot Safety shift in 0 Disable
speed C. Fn-16 0 Disable
Enable (only metering modes registered are selectable) Register Low speed: 1,2,3,4 fps(1Ds)/1,3–9 fps(1D) Per shot Av or Tv 1 Enable C. Fn-06 AF during Live View Function shooting
1 Enable
Select usable AF point Standard
C. Fn-10 – Apply C. Fn-17
0 0 Disable
metering modes activation area 1 Expanded C. Fn-07 Mirror lockup
Register Disable 1 Enable
Apply LCD display With Shutter Button only
C. Fn-18
0 [Link] IV: Operation/Others
Enable Return to shoot 1 Also with * etc. 0 Metering + AF start
C. Fn-17 Limit continuous shot count – 0 AF stop
0 Specified metering mode on camera’s LCD panel Limited shots: 99–2 1 Metering 3+ AF start/AF stop
Register 1 AF start C. Fn-01 Shutter button/AF-ON button 2 Metering start/Metering + AF start
1 Evaluative metering only in M mode Apply 2 AE lock while metering
Metering pattern in Manual Lens AF stop 3 AE lock/Metering + AF start
C. Fn-19
C. Fn-11 2 Partial metering only in M mode [Link] IV: Operation/Others button function 3 AF point: Manual Auto/AutoCenter 4 Metering + AF start/Disable
mode
3 Spot metering only in M mode 0 Metering + AF start (at both buttons) 4 ONE SHOT AI SERVO 0 Disable
5 IS start C. Fn-02 AF-ON/AE lock button switch
4 Center-weighted average only in M mode 1 Metering + AF start/AF stop 1 Enable
Shutter button/ Add original 0 Off 0 Normal (disabled)
Disable C. Fn-01 2 Metering start/Meter + AF start (no AF at shutter button) C. Fn-20
decision data 1 On
AF-ON button 1 Change quality
Enable (apply user-registered range) 3 AE lock/Metering + AF start 0 Ee-A C. Fn-03 SET button when shooting 2 Change Picture Style
C. Fn-00 Focusing Screen 1 Ee-D 3 Menu display
C. Fn-12 Set shutter speed range – Highest speed: 250–8000 4 Metering + AF start/disable (AF-on button)
2 Ee-S 4 Image replay
Register Lowest speed: 30"–60 AF-ON/AE lock 0 Disable
C. Fn-02 0 Normal
Apply button switch 1 Enable (reverse role of AEL and AF-on buttons) C. Fn-04 Dial direction during Tv/Av
1 Reverse direction
Disable (use lens’s full aperture range) 0 Exposure comp/Aperture 0 Ef-A
Quick Control Dial in C. Fn-05 Focusing screen 1 Ef-D
Enable (apply user-registered aperture range) C. Fn-03 1 AF point selection (instant AF point access with rear dial)
meter 2 Ef-S
C. Fn-13 Set aperture value range – Min. aperture (Max. f/): 1.4–91 2 ISO speed (instant ISO access with rear dial)
0 Off
Register Max. aperture ((Min. f/): 1.0–64 0 Normal (disabled) C. Fn-06 Add original decision data
1 On
Apply 1 White balance 0 Disable (LCD auto adjust)
C. Fn-07 Live View Function exposure simulation
2 Image size 1 Enable (simulate exposure)
Disable (no switching to registered settings)

C. Fn-14
Apply shooting/
Metering mode
–
Enable (Press “ * ” button to switch settings)
With AE lock button (AF on)
C. Fn-04
SET button when
shooting
3
4
ISO Speed
Picture Style
System Chart
Register
With AE lock button (AF off) 5 Record func. + media/folder
Flash sync. speed in 0 Auto (shutter speed set based on ambient light) 6 Menu display EOS-1Ds Mark III & EOS-1D Mark III Only
C. Fn-15
Av mode 1 1/250 sec.(1Ds)/1/300 sec.(1D) fixed 7 Image playback
[Link] II: Image/Flash exp/Display Tv/Av setting for 0 Tv= / Av= Interface Cable
C. Fn-05 IFC-200U (6.2 feet) Eyecup Eg USB Cable Protector Wireless File Transmitter
0 Off Manual exp. 1 Tv= / Av= (reverse functions in M mode for top/rear dials) Battery Pack Battery Charger
Long exp. noise LP-E4 LC-E4 WFT-E2A
C. Fn-01 1 Auto (camera decides whether to apply reduction) Dial direction during 0 Normal
reduction C. Fn-06 580EX II
2 On (noise reduction applied; 1 sec. and longer only) Tv/Av 1 Reserve direction Video Cable
EOS-1Ds Mark III PictBridge-compatible printer
0 Off 0 Disable VC-100 Anti-Fog Eyepiece Eg
High ISO speed
C. Fn-02 C. Fn-07 Av setting without lens
noise reduction 1 On 1 Enable (possible to set aperture on body w/o lens)
0 Disable WB + media/image size 0 Rear LCD panel AC Adaptor Kit Car Battery Cable Interface Cable Original Data Security Kit
C. Fn-03 Highlight tone priority C. Fn-08 ACK-E4 CB-570 IFC-500U (15.4 feet) Dioptric Adjustment Lenses Eg Ec-Series Focusing Screens OSK-E3
1 Enable setting 1 LCD monitor (displayed when FUNC button pressed)
0 Evaluative flash metering 0 Protect (hold button in: sound rec.)
C. Fn-04 E-TTL II flash metering C. Fn-09 Button function
1 Sound rec. (press & release; protect possible via menu only) 430EX EOS 5D Only
1 Average flash metering over all 63 metering zones
0 1st-curtain synchronization Button function when 0 Normal (enable) EOS-1D Mark III
C. Fn-05 Shutter curtain sync. C. Fn-10
1 2nd-curtain synchronization (EOS Speedlites only) <off> 1 Disable , , Multi-controller
0 Enable 0 Ec-C IV Battery Pack Battery Charger Eyecup Rubber Frame Dioptric Adjustment Ee-Series Focusing PIXMA printer
C. Fn-06 Flash firing Battery Grip BG-E4 BP-511A/514 CB-5L Eb Eb Lens E Screens
1 Disable – AF assist beam continues to operate 1 Ec-A, B, C, C II, C III, D, H, I, L
C. Fn-11 Focusing screen
Viewfinder info. 0 Disable 2 Ec-S 220EX
C. Fn-07 * Required Cable Adapter RA-N3
during exp. 1 Enable (viewfinder info visible during bursts) 3 Ec-N, R † Compatible with EOS 5D and 40D

LCD panel illumination during 0 Off Disable (use camera’s built-in settings) EOS 5D
Wireless Extended
C. Fn-08
Bulb 1 On during Bulb Enable (apply user-registered changes) AC Adapter Kit Car Battery Cable Compact Power Adapter USB Interface Cable Video Cable Data Verification Kit File Transmitter Range Antenna
ACK-E2 CB-570 CA-570 IFC-400PCU VC-100 DVK-E2 WFT-E1A ERA-E1
INFO button when 0 LCD monitor Displays camera settings 6 sec. timer: 0–6–59 sec., 1–60 min.
C. Fn-09 C. Fn-12 Timer length for timer –
shooting 1 LCD monitor Displays shooting functions 16 sec. timer: 0–16–59 sec., 1–60 min.
Register EOS 40D Only
[Link] III: Autofocus/Drive Time after release: 0–2–59 sec., 1–60 min.
Interface Cable Interface Cable
0 MF possible after One-shot AF completed Apply Macro Twin Lite IFC-200U (6.2 feet) IFC-500U (15.4 feet)
C. Fn-01 USM lens electronic MF 1 Disable after One-shot AF Shortened release 0 Disable (standard 55ms “time lag”) MT-24EX
C. Fn-13
2 Disable completely in AF mode time lag 1 Enable (as low as 40ms, depending upon lens aperture)
0 Off Battery Pack Battery Charger Compact Power Adapter Eyecup Rubber Frame Dioptric Adjustment Ef-Series Focusing
C. Fn-02 AI Servo tracking sensitivity – Slow: -2, -1, 0, +1, +2: Fast
Battery Grip BG-E2N BP-511A CG-580 or CB-5L CA-PS400 Eb Eb Lens E Screens
0 AF priority/2nd shot onward – Tracking priority 1 Aspect ratio 6:6
AI Servo 1st/2nd image EOS 40D
C. Fn-03 1 AF priority/2nd shot onward – Drive speed priority 2 Aspect ratio 3:4
priority Add aspect ratio
2 Release/2nd shot onward – Drive speed priority C. Fn-14 3 Aspect ratio 4:5
information
0 Main focus point priority 4 Aspect ratio 6:7 Macro Ring Lite
Wireless File Transmitter Battery Magazine AC Adapter Kit DC Coupler Car Battery Cable Compact Power Adapter Video Cable Original Data Security Kit
C. Fn-04 AI Servo AF tracking method MR-14EX
1 Continuous AF track priority (ignores closer objects) 5 Aspect ratio 10:12 WFT-E3A BGM-E2 ACK-E2 DR-400 CB-570 CA-570 VC-100 OSK-E3

Lens drive when 0 Focus search on 6 Aspect ratio 5:7

C. Fn-05
AF impossible 1 Focus search off Add original decision 0 Off
C. Fn-15
0 AF stop data 1 On (used by optional Original Data Security Kit)
Lens AF stop button function Speedlite Transmitter
C. Fn-06 (select Canon Super-telephoto 1 AF start 0 Disable (LCD auto adjust) Wireless Controller Remote Switch Timer Remote Remote Switch Cable Release Remote Switch Extension Cord Remote Switch Extension Cord Eyepiece Extender Angle Finder C
Live View Function exposure ST-E2
IS lenses only) C. Fn-16 LC-5 RS-80N3 Controller TC-80N3 Adapter RA-N3 Adapter T3* Adapter T3* 1000T3 60T3* ET-1000N3 EP-EX15†
2 AE lock simulation 1 Enable (LCD simulates actual exposure level)

78 79
 Specifications Specifications
EOS-1Ds Mark III EOS-1D Mark III EOS 5D EOS 40D
TTL-AREA-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Autofocus System Autofocus System Prediction; Manual focusing confirmation possible with Prediction; Manual focusing confirmation possible with
EF lenses; Automatic or manual focus point selection
EF lenses; Automatic or manual focus point selection EF and EF-S lenses; Automatic or manual focus point selection
• 21.1 Megapixel CMOS • Dioptric adjustment • 10.1 Megapixel CMOS • 10 fps high-speed mode
• 12.8 Megapixel CMOS • Dioptric adjustment • 10.1 Megapixel CMOS • Dioptric adjustment
Digital SLR camera • Depth-of-field preview Digital SLR camera • Dual “DIGIC III” Image
Digital SLR camera • Depth-of-field preview Digital SLR camera • Depth-of-field preview
• Built-in 3.0" wide viewing • FE lock • Built-in 3.0" wide viewing Processors
• Built-in 2.5" wide viewing • FE lock • Built-in 3.0" wide viewing • FE lock
angle color monitor • Mirror lock angle color monitor • 14-bit A/D conversion
angle color monitor • Mirror lock angle color monitor • Mirror lock
Special Features • 57 Custom functions • N3 remote control socket • 57 Custom functions in • EOS Integrated Cleaning System
Special Features • 21 Custom functions • N3 remote control socket • 24 Custom functions • Retractable built-in E-TTL II flash
in 4 sets • USB 2.0 Hi-Speed compatible 4 sets • N3 remote control socket
with 57 settings • USB 2.0 Hi-Speed compatible with 62 settings • N3 remote control socket
• QUICK Control Dial • Magnesium alloy body • Live View Settings • USB 2.0 Hi-speed interface
• Multi-controller • Magnesium alloy body • Multi-controller • USB 2.0 Hi-Speed compatible
• Simultaneous RAW and • Dual "DIGIC III" Image processors • Expanded sensitivity range • Magnesium alloy body
• Simultaneous RAW and • Simultaneous RAW and • Magnesium alloy body
JPEG image capture • 14-bit A/D conversion up to ISO 6400
JPEG image capture JPEG image capture
Sensor Size 36.0 x 24.0mm 28.1 x 18.7mm Sensor Size 35.8 x 23.9mm 22.2 x 14.8mm
Crop Factor 1.0x (Full-frame) 1.3x (APS-H) Crop Factor 1.0x (Full-frame) 1.6x (APS-C)
No. of Focusing Points 45 (Area AF Ellipse); 19 cross-type AF points (plus 26 Assist AF points)
9 (plus 6 Assist AF points); Center AF point is cross-type; 9; Each AF point has cross-type sensor; Center AF point also has
No. of Focusing Points
Autofocus Sensitivity EV -1–18 (at ISO 100) Hybrid high and standard precision diagonal, high-precision cross-type sensor for f/2.8 or faster lenses
Shutter Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Autofocus Sensitivity EV -0.5–18 (at ISO 100)
Shutter Speeds 1/8000–30 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop increments Shutter Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled
Maximum Flash Synchronization Speed Up to 1/250 sec.; high-speed sync. available with EX-series Speedlites Up to 1/300 sec.; high-speed sync. available with EX-series Speedlites Shutter Speeds 30–1/8000 sec. & Bulb; manually settable in 1/3-stop increment 30–1/8000 sec. & Bulb; manually settable in 1/3 or 1/2-stop increments
Recording Media Digital images are stored on removable CompactFlash™ (Type I or II) or SD/SDHC memory card Maximum Flash Synchronization Speed Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/250 sec.; high-speed sync. avaiilable with EX-series speedlites
Frames Per Second Single, 3.0 fps, 5.0 fps Single, 3.0 fps, 10.0 fps Recording Media Digital images are stored on removable CompactFlash™ (Type I or II)
TTL full-aperture metering: TTL full-aperture metering: Frames Per Second Single, 3.0 fps Single, 3.0 fps, 6.5 fps
• 63-zone Evaluative metering • Multi-spot metering (up to 8 • 63-zone Evaluative metering • Multi-spot metering (up to 8
• 8.5% Partial metering spot readings) • 13.5% Partial metering spot readings) TTL full-aperture metering: TTL full-aperture metering:
Metering System • 35-zone Evaluative metering • Center-weighted average • 35-zone Evaluative metering • Center-weighted average
• 2.4% Center spot metering • Center-weighted average • 3.8% Center spot metering • Center-weighted average Metering System
• 2.4% Spot metering (linked to metering • 3.8% Spot metering (linked to metering • 8% Partial metering metering • 9% Partial metering metering
user-selected focusing point) • Pre-flash metering (E-TTL II) user-selected focusing point) • Pre-flash metering (E-TTL II) • 3.5% Center spot metering • Pre-flash metering (E-TTL II) • 3.8% Center spot metering • Pre-flash metering (E-TTL II)

Metering Sensitivity EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
Metering Sensitivity EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments
Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments
Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
AE Lock Yes
AE Lock Yes
• Program AE (shiftable) • E-TTL II Flash AE • Shutter Speed-priority AE • E-TTL II Flash AE
• Shutter Speed-priority AE • E-TTL II Flash AE • Shutter Speed-priority AE • Aperture-priority AE • 6 PIC (Programmed Image
• Aperture-priority AE • Flash Metered Manual Exposure Modes • Aperture-priority AE • Auto Depth-of-Field AE Control) modes
Exposure Modes
• Program AE (shiftable) • Bulb • Full Auto • Program AE (shiftable) • Full Auto Mode
• Manual • Manual • Manual • 3 user-defined Custom Mode

Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Color Temperature setting,
White Balance White Balance Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Custom, Color Temperature setting
Custom White Balance (5 settings possible), Personal White Balance (5 settings possible) Color temperature range 2,500–10,000K

Viewfinder Fixed eye-level pentaprism Viewfinder Fixed eye-level pentaprism

Viewfinder Coverage 100% horizontal/vertical at 0.75x 100% horizontal/vertical at 0.76x Viewfinder Coverage 96% horizontal/vertical at 0.71x 95% horizontal/vertical at 0.76x

Inside the picture area: Nine focusing points, 3.5% Spot metering Inside the picture area: Nine focusing points, 3.8% Spot
Inside the picture area: Area AF Ellipse, illuminated AF points and Spot metering circle.
circle. Displayed at the bottom of the viewing area: metering circle. Displayed at the bottom of the viewing area:
Displayed at the bottom and right side of the viewing area:
Numeric and textual information with 7-segment LCD: Numeric and textual information with 7-segment LCD:
• Shutter speed • Multi-spot readings • Exposure compensation/ • ISO speed • Shutter speed • Flash exposure • White Balance +/- • Shutter speed • Flash exposure compensation
Viewfinder Information • Aperture value • Metering pattern Flash compensation • JPEG indicator Viewfinder Information • Aperture value compensation • ISO speed • Aperture value • Exposure bracketing
• AE Lock • Highlight tone priority • Exposure bracketing • RAW indicator • AE Lock • Exposure bracketing • JPEG indicator • AE Lock • Flash ready/High-speed sync
• FE Lock • Exposure level/ • Flash ready/Hi-speed sync • Battery check • FE Lock • Flash ready/High- • CF card full warning • FE Lock • Focus confirmation
• Shots remaining Flash exposure level/ • Focus confirmation • Memory card full warning • Max. burst speed sync • Max. burst • White Balance +/-
• Max. burst FManual exposure level • White Balance +/- • Exposure level • Focus confirmation • Exposure level • CF card full warning

Precision laser-matte screen Ee-A marked with focusing points Precision laser-matte screen Ef-A marked with focusing points
Laser-matte screen Ec-C IV with area AF Ellipse and fine Spot metering circle provided as the standard screen (interchangeable with
Focusing Screens Focusing Screens and Spot metering circle (interchangeable wth Ee-series and Spot metering circle (interchangeable with dedicated Ef-series
Ec-series focusing screens, metering correction data can be set with a custom function for the Laser-matte screens)
focusing screens; metering correction via [Link] 00) screens. Metering correction via Custom Function IV-5)
Self-Timer Electronically controlled with 2- or 10-second delay Self-Timer Electronically controlled with 2- or 10-second delay

Image display format: Single Image, 4-image index, 9-image index, jump, Magnified zoom (approx. 1.5x – 10x), Auto review right after Single image, Single Image (INFO.), 4-image index, 9-image index, Magnified zoom (approx. 1.5x – 10x),
Image Playback shooting, Histogram, Auto rotate,Rotate. Highlight alert is displayed in Single Image display and (INFO.) display, the highlight areas with Image Playback Rotated Image can be displayed. Highlight alert is displayed in Single Image and Single Image (INFO.) formats,
overexposed data will blink any overexposed highlight areas link in the image display

Direct Printing Compatible printers: CP Printers, Bubble Jet Direct, and PictBridge compatible printers Direct Printing Compatible printers: CP Printers, Bubble Jet Direct, and PictBridge compatible printers
Body Dimensions (W x H x D) 6.1 x 6.3 x 3.1 in./156 x 159.6 x 79.9mm 6.1 x 6.2 x 3.1 in./156 x 156.6 x 79.9mm Body Dimensions (W x H x D) 6.0 x 4.4 x 3.0 in./152 x 113 x 75mm 5.7 x 4.2 x 2.9 in./145.5 x 107.8 x 73.5mm
Weight (Body Only) 42.7 oz./1,210g 40.7 oz./1,155g Weight (Body Only) 28.6 oz./810g 26.1 oz./740g

80 81
 The Highest Expression of Digital SLR
Photography Today, more professional photographers depend on Canon EOS than any other digital SLR
system, and the reasons are no mystery. The EOS System gives pros what’s needed to
deliver results in every imaginable shooting situation—a camera system so advanced
that the technology becomes an unconscious extension of the mind’s eye. Groundbreaking camera engineering and optical
design have kept the Canon EOS System at the cutting edge ever since 1987, when the first EOS SLR camera shook the photo-
graphic world. In today’s digital world, the EOS System continues to lead the way with dramatic innovations that are
reshaping the industry. With an unmatched range of choice in camera bodies, more than 50 world-renowned EF lenses,
sophisticated Speedlite flashes, advanced wireless networking, data handling capabilities, and numerous other
powerful system options and accessories, the Canon EOS System reigns supreme.

1-800-OK-CANON
[Link]

Canon U.S.A., Inc.

One Canon Plaza
Lake Success, NY 11042 U.S.A.

Canon Canada, Inc.

6390 Dixie Road
The images used throughout this brochure unless not noted, are pho- Mississauga, Ontario L5T 1P7 Canada
tographed by “Canon Explorers of Light,” a select group of photographers
who shoot with Canon EOS System cameras and “Canon PrintMasters,”
a select group of photographers who shoot with Canon EOS System cameras Canon Latin America, Inc.
and print exclusively with Canon Professional Printers. They are among the 703 Waterford Way, Suite 400
top photographers in the world and work in diverse photographic disciplines
including journalism, nature, fashion, fine-art, portrait and commercial. Miami, FL 33126 U.S.A.
EOS product photography by Michel Tcherevkoff, Explorer of Light and
PrintMaster and shoots with the EOS-1Ds Mark III. Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
To learn more about Explorers of Light and Col. Lomas de Chapultepec
PrintMasters and to see more images taken by
them, visit the Canon Digital Leaning Center at: C.P. 11000 México, D.F. México
[Link]/dlc

All LCD and printer output images are simulated. All data are based on Canon’s Standard
Test Method. Specifications and availability subject to change without notice. Canon, EOS,
DIGIC, PIXMA are registered trademarks and imagePROGRAF is a trademark of Canon Inc. 0113W984 2/08
in the United States, and may also be registered trademarks or trademarks in other
countries. All other products and brand names are registered trademarks, trademarks
or service marks of their respective owners. ©2008 CANON U.S.A., INC.
PRINTED IN U.S.A.