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Design Essentials for Non-Designers

This document provides an introduction to basic design concepts for non-designers. It discusses what design is, its goals of catching attention, providing information and guiding viewers. It then covers key elements of design including line, color, texture and typography. It also discusses principles of design such as balance, rhythm, proportion, dominance and unity. The document provides examples and suggestions for learning more about design through books, magazines, websites and more.

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bmeleca
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0% found this document useful (0 votes)
8 views60 pages

Design Essentials for Non-Designers

This document provides an introduction to basic design concepts for non-designers. It discusses what design is, its goals of catching attention, providing information and guiding viewers. It then covers key elements of design including line, color, texture and typography. It also discusses principles of design such as balance, rhythm, proportion, dominance and unity. The document provides examples and suggestions for learning more about design through books, magazines, websites and more.

Uploaded by

bmeleca
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Design Basics

Design for Non-Designers


Anish Adalja
University Technology Office

Nina Kulhawy
Provost Communications Group
Design is everywhere.
DESIGN - What is Design?
Goal of design

 Catch their attention


 Provide the information
 Guide the viewer
LIKE
LIKE
I ❤ pink
& orange
Elements

 Line
 Color
 Texture
 Typography
Line
Line

Marian Bantjes: Print Magazine Cover JUL/AUG 2006


Line

David Hellsing: CSS Zen Garden, Contemporary Nouveau


Line

Veerle Peters: Geeky Dog


Color
Color

Hue

Value

Saturation
Color

R G C M

B Y K

light ink
Color
Color
Color is relative

Color is cultural

Color is emotional
I ❤ pink
& orange
Color

Jordi Romkema: CSS Zen Garden, Pretty in Pink


Color

Fritz Klaetke, Art Director: Dance month 1995


Color
Texture
Texture
Texture
Texture
Texture

designsensory: [Link]
Typography
Typography Typography Typography
Typography Typography Typography

Typography Typography Typography Typography


Typography Typography Typography

Typography Typography Typography Typography

Typography Typography typography


Four score and seven years ago
our fathers brought forth on this continent a new nation, conceived in
liberty and dedicated to the proposition that all men are created
equal!

Now we are engaged in a great civil war,


testing whether that nation or any nation so conceived and so
dedicated can long endure! We are met on a great battlefield of that
war! We have come to dedicate a portion of that field as a final
resting-place for those who here gave their lives that that nation
might live! It is altogether fitting and proper that we should do this!
But in a larger sense, we cannot dedicate, we cannot consecrate, we
cannot hallow this ground! The brave men, living and dead who
struggled here have consecrated it far above our poor power to add or
detract! The world will little note nor long remember what we say
here, but it can never forget what they did here!
Four score and seven years ago
our fathers brought forth on this continent a new nation, conceived in liberty and dedicated
to the proposition that all men are created equal.

Now we are engaged in a great civil war,


testing whether that nation or any nation so conceived and so dedicated can long endure.
We are met on a great battlefield of that war. We have come to dedicate a portion of that
field as a final resting-place for those who here gave their lives that that nation might live. It is
altogether fitting and proper that we should do this. But in a larger sense, we cannot
dedicate, we cannot consecrate, we cannot hallow this ground. The brave men, living and
dead who struggled here have consecrated it far above our poor power to add or detract.
The world will little note nor long remember what we say here, but it can never forget what
they did here.
Typography

Visual Communications Senior Class 2005 and


2007 : School of Design Senior Show
Elements

 Line
 Color
 Texture
 Typography
Principles

 Balance
 Rhythm
 Proportion
 Dominance
 Unity
Balance

Symmetry
Balance

Asymmetry
BALANCE - Symmetrical
BALANCE - Symmetrical
BALANCE - Asymmetrical
BALANCE - Radial
Rhythm
RHYTHM - Regular
RHYTHM - Flowing
RHYTHM - Flowing
Proportion
PROPORTION - Intro
PROPORTION - Intro
PROPORTION
PROPORTION
Dominance
DOMINANCE
DOMINANCE
DOMINANCE
Unity
UNITY
UNITY
Yea, but where do I go for…

 photos?*
[Link]
Stockxchange
ASU’s Image Folio
ASU Library University Collection

 color palettes?
Color Scheme Generator
Color Blender
Color Palette Generator

*use photos legally all the time, [Link]


Yea, but where do I go for…

 the latest design news?


AIGA
Speakup
Be A Design Group
Design Observer

 ASU’s info?
Communication Guide
ASU Designers Blog
I want more!

 Books, Magazines
Communication Arts Magazine
DIY: Design It Yourself by Ellen Lupton
History of Graphic Design by Phillip Meggs
How Design Magazine
The Non-Designer's Design Book by Robin Williams

 Websites
[Link]
[Link]
Design Basics

Design for Non-Designers


Anish Adalja
University Technology Office

Nina Kulhawy
Provost Communications Group

Common questions

Powered by AI

Design elements such as line, color, texture, and typography function to capture attention and guide viewers by establishing a visual hierarchy and emphasis. Lines can create shape and direct the eye, color provides contrast and emotional response, texture adds depth and interest, and typography communicates tone and readability . The combination of these elements, when aligned with principles like balance, rhythm, and unity, ensures effective communication in visual design .

Texture in design contributes to the viewer's experience by adding visual interest and tactile sensation, even in a two-dimensional format. It can create a sense of realism and depth, giving the illusion of three-dimensionality . Textures can evoke sensory responses and can be used to draw attention to specific areas or evoke a certain mood, enhancing the overall aesthetic and impact of the design.

Proportion affects the visual impact of a design by defining the relative size and scale of elements within the composition. Proper use of proportion ensures that elements complement each other and maintain balance, which is crucial for visual harmony and aesthetic appeal . Misuse or imbalance in proportion can lead to confusion, whereas accurate proportions guide the viewer’s eye and enhance the functionality and beauty of the design.

Unity in design refers to the harmony between all elements, ensuring that each contributes to the overarching theme or message. This is achieved by consistent use of color palettes, shapes, and typography, among other elements, fostering a seamless connection throughout the design . Unity ensures that the design is perceived as a complete, cohesive whole rather than disjointed parts, enhancing comprehension and aesthetic appeal.

Typography is crucial in design because it directly influences readability, tone, and the overall message of a design. The choice of typeface can reflect the personality and voice of the message, much like how a formal serif typeface conveys professionalism while a casual sans-serif font can seem friendly and approachable . Typography size, style, and placement also impact hierarchy and can emphasize key points, thereby guiding the viewer's attention and understanding .

The principle of dominance contributes to visual hierarchy by establishing focal points that attract attention and guide viewer emphasis. By strategically using size, color, or contrast, designers can highlight the most important elements of the composition, ensuring effective communication of the prioritized message . Dominance creates a path through which the viewer's eye moves across the design, maintaining interest and focus on key areas.

Rhythm in visual design influences viewer perception by creating ordered movement across the design, guiding the viewer’s eye in a structured manner. Regular rhythm establishes consistency, while flowing rhythm introduces natural movement that can mimic nature, adding dynamism to the design . This structured movement helps maintain organization and can evoke different emotional responses such as excitement or calm, depending on the rhythm type.

Resources suggested for design trends and inspiration include websites such as AIGA, Speakup, Be A Design Group, and Design Observer . These platforms offer insights into current industry standards and emerging trends, providing valuable information for designers seeking to innovate and stay relevant. Additionally, magazines like How Design Magazine and Communication Arts Magazine are recommended for more in-depth exploration .

Color influences cultural and emotional perceptions by conveying different meanings and emotions. For example, colors have different symbolisms in various cultures, such as white being associated with purity or mourning depending on the cultural context. Emotionally, colors can evoke feelings such as warmth with reds and yellows or calmness with blues and greens . This understanding allows designers to create more culturally relevant and emotionally impactful designs.

The principle of balance enhances visual design by ensuring that the composition is visually appealing and stable. Symmetrical balance involves mirroring elements on each side of a central axis, creating a sense of order and calmness, while asymmetrical balance uses different elements that have equal visual weight but are not identical, creating a more dynamic design. Radial balance radiates elements around a central point, adding movement . Proper use of balance can guide the viewer's eye and create a harmonious design.

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