Rendering Jewelry

October 5, 2017

Dries Vervoort
Before we Begin…
- This will be recorded
- Slideshow PDF will be available
- KSPs will be available
- Computer: Dual Intel Xeon CPU
E5-2630 v3 (8 Cores, 16 Threads, 2.40
GHz), 32 Threads in total, 32 GB RAM,
Windows 10 Pro
- Performance: 185 FPS (camera scene)
- If you have questions…
- Pro features will be called out
Topics
- Anatomy of a jewelry shot
- Model best practices
- Material best practices
- Lighting best practices
- Camera best practices
- Post-processing in Photoshop
- Hands on: from import to finish
- Q&A
Anatomy of a jewelry shot

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Jewelry examples
- Harry Winston
- Cartier
- Van Cleef & Arpels
- Buccellati
- Tiffany & Co.
- Graff
- Piaget
Image: Tiffany & Co.
- Bvlgari
- Mikimoto
- Chopard

Image: Piaget

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Different and unique styles
- Different and unique styles
- Each brand has a unique style
- Soft vs. hard reflections
- Natural vs. idealized
- There is no “one look” for jewelry
- Jewelry = emotion
- The emotion dictates the style

Image: Van Cleef & Arpels

Image: Buccellati

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Trinity of model, materials and lighting (+ camera)
- Model, materials and lighting are equally
important

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Model + Materials + Lighting
=
Rendering

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Model best practices

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Well-prepared model = best foundation
- Clearances for gemstones
- Holes in shank for gemstone setting
- Edge blends on metal for smooth
appearance

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KeyShot features to improve model workflow
- Not always practical to prepare model
- KeyShot has features to simulate properly
modeled geometry
- Rounded Edges (Part property)
- Simulate blended edges
- Ignore Intersecting Geometry (Gem
material)
- Render gems as if there is proper
clearance

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Material best practices

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Accurate Metals
- “Metal > Precious” in KeyShot Library
- Measured Metal Type
- Presets for common metals
- Most accurate reflection and color
behavior

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Accurate Gemstones
- “Gem Stones” in KeyShot Library
- Correct color, refractive index and Abbe
number

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Optical properties of Gem material
- Color and Transparency Distance
- White for diamond
- Refractive Index
- How much light is bent (refracted) when
entering a material
- 2.418 for diamond
[Link]
- Abbe Number
E.g. Shelf: 3D / Book: Crystals
- A measure for a material’s dispersion
- Dispersion: separation of white light into
colors
- High Abbe number = low dispersion = less
colors
- 55 for diamond
- note: 30 for “Gem Stone Diamond” in
Library

15
Reality vs. desirability
- What looks best to you is not necessarily the
most realistic

16
Lighting best practices

17
Studio lighting
- Studio Environments in KeyShot Library
- Avoid HDRIs with color
- Desaturate and blur interior HDRIs (HDRI
Editor (PRO))

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Custom HDRI lighting
- HDRI Editor (PRO)
- Pins
- Set Highlight
- White background
- Most flexible in post-processing

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Physical lights to enhance shadows
- Point Light
- IES Light
- Area Light

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Caustics
- Light focused by reflective and refractive
surfaces
- Enabled by default for Jewelry Lighting
Preset
- Typically only affects ground plane for
jewelry
- Can help to accentuate the refraction and
dispersion of gems
- Rendering is faster when disabled

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Camera best practices

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Orthographic lens
- Useful when positioning geometry
- Ground Grid for alignment

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Perspective lens
- Simulate macro photography (close-up
shots)
- Focal Length for jewelry is typically 50 to
100 mm

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Depth of Field (DOF)
- Focus range or “sharpness range”
- Deep focus = large DOF = large area in
focus
- Shallow focus = small DOF = small area in
focus
- F-stop to control focus range
- Analogy to real-life camera
- Larger F-stop = smaller aperture = deeper
focus
- Often a very high F-stop is required for
close-ups to get an acceptable sharpness
- KeyShot can achieve a higher F-stop
than a real camera

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Studios (PRO)
- Tie together Model Set(s), Camera,
Environment and Multi-Material(s)
- Custom Environment for each Camera
- Studios replace Viewsets from KeyShot 6
- Very powerful productivity tool
- e.g. Studio for Occlusion Ground
Shadows
- Shared camera with “beauty” Studio
- More flexible in post-processing

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Post-processing in Photoshop

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Render Layers and Passes (PRO)
- Render Layers
- Separate gems and metal
- Rendered as transparent images
- Render Passes
- Reflection
- Refraction
- Shadow
- Ambient Occlusion
- Caustics
- Add to PSD

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32 bit output
- More flexibility in post-processing
- Colors do not get clamped
- No color detail is lost in blown out areas
- Supported formats: EXR, TIFF 32 BIT, PSD 32
BIT

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Hands On
Ring model kindly provided by
Simply Rhino Ltd (UK)
Q&A