0% found this document useful (0 votes)
7 views4 pages

"Chilling Night: The 2 0 7 Mystery"

Peter is home alone writing a short story when he starts receiving strange phone calls. The calls refer to the numbers "2 0 7" and say "I see you." Strange events then start occurring in Peter's home, like noises and things moving on their own. When Peter's wife Elizabeth calls, she says she is still at work, though Peter thought she was home. He investigates strange sounds in his kitchen but finds nothing. In his bedroom at 2:07 AM, Peter is startled to find his wardrobe has opened on its own, and when he looks inside he sees a horrifying monster.

Uploaded by

api-352868174
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
7 views4 pages

"Chilling Night: The 2 0 7 Mystery"

Peter is home alone writing a short story when he starts receiving strange phone calls. The calls refer to the numbers "2 0 7" and say "I see you." Strange events then start occurring in Peter's home, like noises and things moving on their own. When Peter's wife Elizabeth calls, she says she is still at work, though Peter thought she was home. He investigates strange sounds in his kitchen but finds nothing. In his bedroom at 2:07 AM, Peter is startled to find his wardrobe has opened on its own, and when he looks inside he sees a horrifying monster.

Uploaded by

api-352868174
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

2 0 7

EXT. HOUSE. Night time.


Typing sounds. Cut to a computer screen as PETER is
writing a short story. He gets rid of a paragraph and
takes a sip of a cold cup of tea from a mug. He looks
over at a picture of him and his wife. All is calm when
suddenly a phone rings, breaking the silence. He is
startled and answers the phone.

PETER

Hello?

MYSTERIOUS VOICE
(quiet crying)

PETER

Hello? Who is this? Do you need help?

No reply

PETER hangs up the phone and puts his head into his arms
and briefly falls asleep.
A tall dark figure stands in his door way. The figure
slowly approaches. Not moving in height almost as if the
figure is floating. The figure reaches out and is about
to grab PETER

Phone rings causing PETER to wake up startled. He looks


around the room to see no one and nothing out of place.
He picks up the phone.

PETER

Hello?

MYSTERIOUS VOICE

I see you.

The voice is whispering


PETER

What? Who is this?

MYSTERIOUS VOICE
2 0 7

PETER

What? 2 0 7? Who is this?

Phone hangs up and Peter slams the phone down.

PETER

God Dammit!

Peter shouts in frustration

PETER

Im so tired of this.

Peter looks at the computer screen and goes to turn off


the monitor but quickly glances back at the screen. After
the last line he had written now wrote the words. 2 0 7.
See you then.

PETER

What the hell.

Before PETER can get an understanding of what happened


and how its happened. A load crash is heard coming from
his kitchen.

PETER

God damn Elizabeth go to bed its late. Ill bring you up


water when I got to bed OK. Dont worry babe.

Phone rings and PETER answers immediately.

PETER

Listen hear you. Im fed up of this. Youve been calling


me all night and Im fed up of this stupid childish
behaviour now tell me who the hell you are

Peter gets interrupted mid-sentence

ELIZABETH

What are you on about silly? Its me. Listen baby Im


sorry Im not home yet Ive been stuck at work. Doris is
off ill and Im having to work my ass off to secure this
deal Im so sorry.

PETER

Wait youre not home yet.

Peter says nervously.


ELIZABETH

No of course Im not silly. Ill be back late you might


as well go to bed well catch up tomorrow OK?

PETER

Uh. Yeah sure. Sorry babe Im not with it right now. See
you tomorrow.

ELIZABETH

OK babe. Remember you dont need to leave the door


unlocked Ive got my Key.

PETER

OK. See you later. Night.

Elizabeth hangs up the phone and peter slowly places the


phone back down. He turns to face the door. He is now
completely terrified. He grabs a torch out of a draw and
walks out of the room and into the Kitchen.

SCARY MUSIC PLAYS


Peter gets to the Kitchen and reaches for the light
switch. The audience can see a silhouette of a person
standing in the room however when the lights get turned
on the person vanishes with the light.

MUSIC STOPS
PETER notices nothing is wrong and he realises his window
is open and believes the wind has caused the loud crash.

INT. KITCHEN.

PETER goes to the tap and poors himself a glass of


water. The proceeds upstairs.

INT. CORRIDOR.

He follows a sort of routine. and sees a ghost in a


mirror he turns around and there is nothing there.
INT. DARK TO LIGHT. BEDROOM

He goes to bed and falls asleep however at 2 0 7am the


song Dream a little dream of me 1931 plays and PETER
awakes and turns as he can see and hear his wardrobe
slowly open a creak. He turns to his dresser and grabs
the touch he takes to bed with him.

He turns back to the wardrobe to see the entire door wide


open.
The music flickers with static and he turns briefly to
see the radio then looks back. In his face he sees a
horrifying monster. He goes to scream but a hand grabs
his face.

CUT TO BLACK

Final script written by Thomas Coyle

Common questions

Powered by AI

Peter's psychological state is depicted as strained and increasingly paranoid throughout the narrative. Initially, he is shown to be startled by the unexpected phone calls that disrupt his calm environment. His frustration becomes apparent when he shouts in anger at the mysterious caller, indicating stress and agitation. As the narrative progresses, Peter's fear escalates, particularly when he realizes his wife Elizabeth is not home despite hearing noises in the house. His terror peaks when he encounters supernatural phenomena, such as the ghostly appearances and the monster in his bedroom. This heightened fear, combined with sleep deprivation suggested by his exhaustion, paints a picture of a man who is deeply unnerved and psychologically tormented by the events unfolding around him .

The story integrates classic horror tropes while crafting a unique narrative by employing familiar elements like the ominous atmosphere of a dark, isolated setting and unexplained supernatural occurrences. The use of phone calls from an unknown mysterious voice iterates the trope of menacing communication from an unseen antagonist. The theme of home invasion, subtly introduced through the opening scene and mysterious figures, touches on deep-seated fears of safety breaches. The climax involving classical music at an eerie hour combined with a supernatural entity taps into the tradition of horror climaxing with a surreal confrontation. These elements are combined to form a storyline that is recognizable within the horror genre yet distinct in its execution and development, particularly through personal and intimate scares tailored to the protagonist's environment and psychological state .

The dark figure could symbolically represent Peter's internal fears and unresolved anxieties, manifesting as a tangible threat that intrudes upon his perceived safe space. Its approach towards Peter could symbolize the encroaching nature of his subconscious anxieties, forcing him to confront his deepest fears. The fact that the figure seems to float, defying physical characteristics, suggests an ethereal quality, reinforcing the idea of it being a psychological, rather than physical, manifestation. Given Peter's startled reactions and subsequent isolation, the figure could also symbolize the unknown future and its uncertainties, encapsulating his fear of losing control over his reality and surroundings. This form of symbolism aligns with horror’s thematic exploration of the human psyche and our encounter with the inexplicable .

The horror theme in the story is emphasized through several recurring elements in the atmosphere and setting. The darkness and isolation of the night time setting contribute to a sense of vulnerability and tension. The mysterious phone calls from an unknown entity create a sense of unease and paranoia. Additionally, the presence of ambiguously supernatural figures, such as the tall dark figure and ghostly images, heighten the fear of the unknown. Sudden and unexplained noises, like the loud crash from the kitchen, maintain suspense. Finally, the unsettling actions at 2:07 AM, including the playing of the song 'Dream a Little Dream of Me' and the horrific encounter with a monster, intensify the eerie atmosphere. These elements collectively establish a sense of dread and fear in the narrative .

The protagonist's relationship with his wife, Elizabeth, significantly influences his coping mechanisms throughout the story. Initially, Peter's minor frustration and eventual horror partly stem from his expectation of normalcy in his domestic life, where Elizabeth’s absence creates a void in his support system. The conversation with Elizabeth provides clarity and some comfort, yet also deepens his isolation and fear when he realizes she is not home to provide physical reassurance. This relationship delineates his reliance on her presence for security, illustrating how the lack of close companionship in facing the supernatural elements exacerbates his psychological stress. Elizabeth’s absence and their conversation heighten Peter’s emotional vulnerability, prompting him to face the looming threat alone, significantly affecting his emotional resilience and the narrative's tension .

The story effectively uses suspense to build tension and engage the audience emotionally. The narrative employs sudden, unexplained events, such as the ringing phone and strange noises, to create an anticipatory anxiety. The ambiguity of the mysterious voice adds to the suspense, as the audience shares Peter's uncertainty and fear. Visual elements, like the figure that floats into the room and disappears, maintain a sense of pending doom. The strategically timed events, particularly the dramatic occurrences at exactly 2:07 AM, capitalize on the predictability of horror traditions, keeping the audience attentive and engaged. The climax, involving the unexpected confrontation with a monster, delivers a payoff that justifies the built-up tension, making the suspense throughout the story highly effective .

The use of specific times, particularly 2:07 AM, is crucial in structuring the story's narrative and pacing. This precise timing serves as a central motif that marks the climax of supernatural activity, becoming a signature moment that the audience anticipates. The repetition of the time '2:07' throughout the narrative increases suspense, as it suggests a predestined event, aligning with traditional horror themes of time-specific supernatural phenomena. This repetition also aids in structuring the narrative, creating a rhythm that guides the audience through rising tension and the eventual crescendo at this particular moment. By aligning the peak of horror with this time, the pacing becomes more dynamic, punctuating the narrative with heightened drama and a definitive turning point that sustains audience engagement .

Isolation is a significant theme in the narrative, portrayed through both the physical and psychological experiences of the protagonist, Peter. Physically, Peter's solitude in his house at night serves as the backdrop for the events, amplifying his vulnerability to the supernatural occurrences. The absence of his wife, Elizabeth, further personalizes this isolation, as he cannot rely on comfort or rational explanations from another person. Psychologically, his isolation is intensified by the inexplicable nature of his experiences, as he grapples with the disconnect between reality and hallucination. This isolation amplifies the horror elements, heightening the tension and fear as the audience witnesses Peter's solitary struggle against an unseen threat. The theme emphasizes the horror of facing one's fears alone without reassurance or validation from others, making Peter's experiences more terrifying and emotionally intense .

Technology and communication play pivotal roles in amplifying the horror elements of the story. The recurring phone calls from a mysterious voice are central to building suspense and uncertainty, creating an air of foreboding and intrusion into Peter's safe space. These calls symbolize a breakdown of personal security, as technology becomes the medium through which fear is transmitted. Additionally, the appearance of cryptic messages on Peter's computer screen suggests an unsettling influence of technology over his environment, as if the supernatural forces possess the capability to manipulate modern communication tools to convey threats. The radio that suddenly plays eerie music further contributes by signaling supernatural intervention, linking technology with the eerie, otherworldly events Peter faces. Together, these elements underscore the theme that even familiar, everyday technologies can become conduits of fear and supernatural interference .

Music plays a significant role in the story by accentuating the eerie and unsettling tone, particularly at critical moments. The choice of the song 'Dream a Little Dream of Me' playing at 2:07 AM carries an implication of dream-like, surreal occurrences, juxtaposing a sense of nostalgia with horror. This choice of music aligns with classic horror tropes where music evokes a melancholic or foreboding atmosphere. The unexpected playing of the song heightens suspense and contributes to the sense of supernatural interference. It psychologically impacts both the character and the audience, amplifying the narrative tension by using an anachronistic element that contrasts with the contemporary setting, thus enhancing the horror experience and the psychological unease .

You might also like