0% found this document useful (0 votes)
9 views3 pages

Singing for Actors Spring 2017 Syllabus

This document outlines the syllabus for a Singing for Actors 2 course. It provides details on the instructor, class times and location, required materials, grading breakdown, assignment descriptions, attendance policies, and the grading scale. Key assignments include two papers reflecting on the student's vocal skills and goals, four research papers on songs performed, and a final project compiling audition materials. Class participation, preparation, and on-time arrival are also graded. The course aims to develop students' singing techniques through group lessons and master classes on various styles of music.

Uploaded by

Katherine J.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
9 views3 pages

Singing for Actors Spring 2017 Syllabus

This document outlines the syllabus for a Singing for Actors 2 course. It provides details on the instructor, class times and location, required materials, grading breakdown, assignment descriptions, attendance policies, and the grading scale. Key assignments include two papers reflecting on the student's vocal skills and goals, four research papers on songs performed, and a final project compiling audition materials. Class participation, preparation, and on-time arrival are also graded. The course aims to develop students' singing techniques through group lessons and master classes on various styles of music.

Uploaded by

Katherine J.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

THE 135 Singing for Actors 2 credits

Spring 2017 Syllabus

Instructor: Mrs. T Grady, MM


Class Meeting Time and Location: MW 11:15a-12:05p, Kulas 227
Studio Room: BMAC 027
Studio Phone: x8081
Email Address: trgrady@[Link] (NOT tgrady)
Office Hours: before and after class; by appointment

Course Description:
Course will be catered to the students enrolled. Group lesson work with vocal warm
up exercises will be significant. Topics of discussion will include (but are not limited to)
posture, breathing for singing, vocal health and healthy singing technique. Students will sing
for the class in a master class format throughout the semester. Different styles and levels of
music will be used to cater to the skill level and interest of the students.

Required Materials:
No text is required in this course. Required acquisition of music will be ongoing.
Students are encouraged to take notes during brief lectures or voice record the class.

Grading:
Paper #1 50
Research papers (4) 100
Attendance and Participation 150
Preparation 150
Paper #2 50
Final Project 50
Total: 550

Paper #1:
Write a minimum 1 page paper on where you feel your voice is now. Please include
life experiences with performances, auditions, or lack thereof. What are your goals for the
semester? How do you feel skilled singing will help you in your career? DUE 01/18/17 by
11:59pm (electronically). Late papers will not be accepted and will earn a zero.

Research Papers:
These papers will coordinate with your song work. Please write a synopsis of the
show, who is singing the song/why/what (s)he hopes to accomplish. Also include information
on the composer and lyricist. Please feel free to include any other relevant information you
feel appropriate. DUE by 9am the day you sing in class (electronically). Late papers
will not be accepted and will earn a zero.

Class Attendance and Participation:


You must come to class on time and participate! These classes are group voice
lessons, and your peers are depending on you to not only come to class, but to include
yourself in the lessons and discussions.
Absences are not permitted in this class. If you are ill or have a family emergency,
contact the instructor prior to the class meeting. An absence that hasnt been approved by
the instructor will affect the Attendance grade by 15 points. A late arrival to class will result
in a deduction from the Attendance grade by 5 points.
All electronic devices must be silenced and put away for the duration of class. (-10
points)
Any student who chooses to nap during class will be counted as absent. Frequent
sleepers will be asked to drop the class.
Any student who skips class on his/her day to sing will not be eligible to make up that
round of singing. The student will earn a zero for that round.

Class Preparation:
You will be singing for the class on numerous occasions. You will be graded on your
level of preparation and willingness to try new things. Have you been practicing? Lack of
daily practice will negatively affect your grade.

Selection of Music:
Students are responsible for choosing musical selections. I am more than happy to
help! Make an appointment and we will find songs. I cant know that you are struggling with
finding music unless you tell me.

Paper #2:
At the end of the semester, write at 3-4 page paper on your singing accomplishments
throughout the semester (use specific examples!). Also, what are your goals from here?
What is your course of action to reach these goals? How do you feel skilled singing will help
you in your career? DUE 04/26/17 by 11:59pm (electronically). Late papers will not be
accepted and will earn a zero.

Final Project:
As the semester progresses, you should be compiling a binder of possible songs to
use for auditions. At the final, you will sing your binder for us. You must have 5 elements in
the binder (at least 3 must be song cuts (min of 2 from earlier in the semester, maximum of
2 monologues) so that you may have many aspects of your acting talent to showcase to the
class at the final. Copies of monologues must be given to instructor at the final. FINAL is
05/01/17, 11:30a-2:30p.

Academic Dishonesty:
Cheating on examinations, submitting work of other students as your own, or
plagiarism in any form will result in penalties ranging from an F on the exam/assignment to
more severe action. Be mindful of this when writing your research papers. DO NOT simply
copy and paste from websites. Dont be Mrs. Trump.

Students with Disabilities:


Any student with a documented disability who needs to arrange accommodations
must contact both the instructor and Disability Services at the beginning of the term.

Grading scale:

A = 486-525
A- = 470-485
B+ = 455-469
B = 434-454
B- = 418-433
C+ = 402-417
C = 381-401
C- = 365-380
D+ = 350-364
D = 329-349
D- = 313-328
F = 0-312

Common questions

Powered by AI

The final project plays a crucial role by requiring students to compile and present a binder of songs for potential auditions, demonstrating both their technical vocal abilities and acting skills. It synthesizes the semester's learning and serves as a tangible representation of their progress, reinforcing goal-setting and career preparation .

The course addresses diverse learning needs by adapting music selection to different skill levels and interests, offering guidance for music selection, and utilizing a flexible masterclass format that accommodates varied vocal styles and educational objectives. This inclusivity ensures students can progress at their pace and according to their interests .

The academic honesty policy impacts student performance by mandating originality in research papers, which fosters genuine engagement with the material and deters plagiarism. The threat of penalties for dishonesty reinforces accountability and encourages students to develop their unique interpretations and vocal skills .

The course incentivizes active engagement by making attendance and participation a significant grading component, deducting points for inactivity, and fostering a collaborative learning environment. The requirement for students to choose and perform music reflects a commitment to practical, immersive learning experiences .

The course places significant emphasis on attendance and participation by allocating 150 points to this aspect of the grade and stipulating attendance as crucial for not only individual learning but as a responsibility towards classmates' learning. Non-approved absences and late arrivals result in point deductions, underscoring the importance placed on engagement and collaboration in class activities .

Student assessment in "THE 135 Singing for Actors" comprises research papers, class attendance, participation, preparation, and a final project. These components encourage practical application of skills through singing, research on musical works, and reflection on singing progress. This multifaceted approach ensures students develop a well-rounded understanding of vocal performance and prepares them for professional scenarios .

The course "THE 135 Singing for Actors" tailors learning experiences to the individual needs of students by catering topics of discussion such as posture, breathing, and vocal health to the students' enrolled. Lessons are conducted in a masterclass format with music selected to match the skill level and interest of students, allowing for individualized progression .

The course employs strategies such as required daily practice and selection of appropriate music to ensure students are well-prepared. This preparation is directly reflected in the grading as students are evaluated on their readiness and willingness to experiment, emphasizing the importance of continual practice and engagement .

Continuous vocal improvement is facilitated by regular singing activities, both individually and in group settings, where students practice and receive feedback in a masterclass format. The requirement for students to select their own music encourages ongoing engagement with their vocal development, while personalized assessments and progressive projects maintain a focus on individual growth .

The course balances theoretical knowledge with practical skill development by combining discussions on vocal technique and health with practical singing sessions and projects. Students engage in research papers that explore musical context and creator intent, while regular singing assignments allow them to apply learned techniques in real-world scenarios .

You might also like