Lesson 19
Plain tricot structures knitted
with two full set guide bars
Introduce
They are mainly based on a two-course
two course repeat cycle
with a change of direction lap at each course.
The two bars make different lapping
pp g movements.
Each guide bar contributes a thread to every overlap
and the two underlaps can be clearly as they lap to a
diff
different
t angle,
l extent
t t or direction.
di ti
19.1 rules governing two guide
bar structures
1.
2.
3.
Fig 19.1 Notation of two guide bar warp knitted fabrics.
As the guides swing
through the needles to
start
t t their
th i nextt overlap,
l
the back guide bar is first
to lay its underlap on the
technical back and the
front bar is the last.
The front bar thread is the
first to strike the needle
on the return swing after
the overlap and as its bar
swings furthest to the
front of the machine, it
tends to occupy a lower
position on the needle.
A low setting of a guide , a
longer run-in, an open
instead of a closed lap, or
a short underlap
movement will all tend to
movement,
cause a warp thread to
occupy a low position on
the needle.
19.1 rules governing two guide
bar structures
Fig 19.2 Plating position of the front guide bar
underlap.
Fig 19.3 Plating appearance on the technical
back of a two guide bar fabric.
4.
5.
6.
If the two bars overlap in opposition, the yarns rend
to twist over each other in the overlap.
If the two bars underlap in opposition, they tend to
balance the tension at the needle head, producing a
more rigid upright overlap stitch.
A short movement will cause the underlap to lie at
an angle and its laps will be under the greatest
tension.
19.2 two bar tricot
Fig 19.4 Plating position of the front guide bar overlap
Fig 19.5 Plating appearance on the technical face of a
two guide bar fabric.
Two bar tricot (half jersey in the USA) is the simplest two-bar
structure .
The two laps balance each other exactly as they cross diagonally inb t
between
each
h wale,
l producing
d i upright
i ht overlaps.
l
poor cover/
6
19.3 locknit
The longer underlaps of the front bar on the back of
the fabric improve extensibility, cover, opacity, and
give a smooth, soft handle and good drapability. It
greater cohesion reduces snagging and splitting
splitting.
The elasticity of locknit makes it particularly suitable
for lingerie and intimate apparel.
Shrinkage is generally between 21 and 21 per cent,
but it can be less.
Its tendency to curl towards the face at the top and
bottom, and towards the back at the sides.
19.4 reverse locknit
Reverse locknit has a reduces extensibility and no
curling, and because of the short front guide bar
underlaps it has a lower shrinkage in finished width.
underlaps,
width
It is used to a lesser extent than locknit.
19.5 sharkskin
Sharkskin is produced
byy increasing
g the back
guide bar underlap to
three or four needle
spaces making an even
spaces,
more rigid and heavier
fabric whose stability
renders
d
it useful
f l as a
print base.
Fig
g 19.6 Technical back of sharkskin fabric.
19.6 queenscord
Queenscord has even
greater rigidity than
sharkskin, because the front
guide
id bar
b makes
k the
th shortest
h t t
possible underlap.
The pillar stitch yarn as it
passes up the wale tends to
give a slight cord effect and
p of the pillar
p
the underlaps
are unable to balance the
underlaps of the back bar so
they show
Fig 19.7 Technical back of queenscord fabric.
10
19.7 double atlas
In this structure, two guide bars atlas lap in
opposition with identically balanced lapping
movements often similarly threaded with colors
movements,
colors, in
order to produce balanced symmetrical designs
including checks, plaids, diamonds and circles.
Milanese machines/either single-needle (cotton lap)
or two
two-needle
needle traverse (silk lap) fabrics can be
produced.
11
19.8 satin
Satin has an increased front guide bar
underlap(31 or 41 lapping movement)
compared
d to
t locknit,
l k it giving
i i even greater
t
elasticity, but when threaded with continuous
filament yyarn,, the long
g float produce
p
a lustrous//
light reflective surface.
12
19.9 velour and velvet
1.
2.
Fig 19.8 Technical back of raised loop velour.
3.
Velour and velvet structures
are based on producing long
underlaps on the front guide
bar that are formed into a
pile surface on the technical
back during finishing.
finishing
Brushed velour normally has
the same lapping movement
as satin.
satin
Velvet is produced with a
longer underlap on the front
guide bar
bar, such as a 61 or
even an 81 lap.
Raised loop velours both
guide bars lap in unison.
unison
13
19.10 overfed pile structures
Overfed pile structures are achieved usually by
supplying warp at a faster rate to the back guide bar
than is required for the conventional structure,
structure so
than the surplus warp forces its way through to the
surface on the technical face as a pile.
Airloop, which is reverse locknit having a front-toback guide bar run
run-in
in ratio of approximately 1 to 2
2.3
3
instead of 1 to 1.2.
14
19.11 typical run-in ratios for
nylon yarns
Th
The ttable
bl b
below
l
gives
i
examples
l off ttypical
i l
run-in ratios for standard flat nylon yarns
15