Hybrid Creative Model for Advertising
Hybrid Creative Model for Advertising
(Communication + Innovation)
Creative Systemic Model
What annoyed me:
The currently creative and financial limitations of currently advertising agencies due to the
foundation system in which they are all built upon.
My solution:
To create and implement a hybrid creative platform design that would allow a single creative
structure to synergetically combine communication design and innovation development
projects.
Notes: In this project I was solely responsible for the entire design process, from research
to presentation, including (1) Problem Identification (revenues system, business issues and
market necessities), (2) Concept Creation (hybrid model, processes approaches, new
methodologies), (3) Content Elaboration (names, logos, taglines and illustrations), (4) Project
Communication (Q&A session, website implementation, project descriptions, texts).
No photos available. But I uploaded some graphics that would help to visualize the whole
concept. This Hybrid model is being implemented at [Link]
*You can read this same material with hyperlinks and pictures at [Link]
Project 1A - a Hybrid (Communication + Innovation)
Creative Systemic Model
Additional Graphic Material:
This infodynamic maps shows (1) the new business is usually centralized - the “Great Strategist Style”; (2) how
dependable is the system when all the new business relies on a single source for develpment and revenues; (2) that the
model is mostly passive because it is designed to respond only when the client are in need of communication services.
This infodynamic maps shows (1) the new business generator department have a systemic view of the company
creative processes; (2) both communication and innovation processes happen in synergy; (3) the hybrid model balances
the passive and the pro-active cycles making the system more efficient and intelligent regarding the use of creative time
and project budgets
ADVERTISING AGENCY WHIT CENTRALIZED NEW BUSINESS - “GREAT STRATEGIST” MODEL
PROSPECTING
BUSINESS GENERATOR
(OWNER)
prospects NEW
BUSINESS
promisses
STUDIO
ACCOUNTING (ART)
MEDIA PRODUCTION
PLANNING CREATION
C-2
requests material
C-1
C-3
C-1: CLIENT RUNNING
C-2: CONCEPT
INFORMATIONAL FLOW
CONTROL POINTS
DEPARTMENTS / ACTIVITIES
PARALLEL HYBRID CREATIVE MODEL WITH A BUSINESS GENERATOR DEPARTMENT
opportunity cycle
pitching
P- 4 P- 0
P-3 P- 1
P- 2
CLIENT PLANNING
ACCOUNTING MEDIA CONSUMER
RESEARCH TOR
ERA (editing, internet, design)
SS GEN
INE DEVELOPMENT
BUS
STUDIO
CONSUMER CREATION PRODUCTION
CLIENT
C-2
C-1 C-3
C-0
C-4
necessity cycle
INFORMATION FLOW
CONTROL POINTS
DEPARTMENTS / ACTIVITIES
Projetc 1B: a New Timeline Format
for ScriptWriting
Proposed solution:
To divide the 3 acts timeline in 13 parts that would help writers to evolve the
story part by part.
Notes: In this personal project I was looking for a way to understand the
creative process behind a scriptwriting and how to make it easy to understand
and visualize the underlying matrix pattern of a storytelling and combine it with
the unfolding script development structure of plots, sequences, scenes and
acts.
No photos available. But I uploaded some graphics that would help to visualize
the whole concept. I am currently writing a filmscript using this new method.
Projetc 1B: a New Timeline Format for ScriptWriting
The graphics present the currently 3 acts timeline structure that most writers uses to format their stories. This
particular one was developed by Sid Field and is usually 120 minutes long.
Presents a study for a new version of a combined Sid Field 3 acts with a 13 division scale. The new scale creates a
spiral storyline and divides it in 13 parts of 10 minutes each in order to help writers to know where they are in the
evolution of the narrative. As a consequence it adds a 5 minute sequence at the beginning and another one at the
end. You can see a similar structure in use in the movie “Eternal Sunshine of the Spotless Mind”.
CURRENTLY SYD FIELD 3 ACTS TIMELINE FORMAT FOR SCRIPTWRITING
30 90
0 60 120
120 0 10
PLOT POINT 1 (PP1): it is a change in the direction of the story that leads
to act 2.
ACT 3 ACT 1 CONECTION 1: a scene, line or sequence that ties the plot and initiate it.
PP 2 PP1
85 25 CENTRAL POINT: it is the middle of the script. At this point happens a
30 90
0 60 120
EB&:7#-.(2('$"&%&!"%!6*(.%& IB&:7#-.(2('$"&%&7#*$2(%& JB&:7#-.(2('$"&%&*#"/(0% NB&:7#-.(2('$"&$&2%"3$ OB&K%3$"&%&'%3$-7% PB&@%3$-7$"&$&(+,$)7$7#B RB&@%3$-7$"&$&M$"3%-(4$01%B LB&&@%3$-7$"&$&(-.#+"(7$7#B AB&&C%"3$)(4$"&$&$01%B EGB&H$-(2#*.$"&$&$01%B EEB&F(5#"$"&%&*#"/(0%B EIB&@%%!#"$01%&7$&C%"3$B EJB&K"$-*!%".$"B
!%7#"D&,-(2('$" !%7#"D&!%)$"(4$" !%7#"D&$.(/$" !%7#"D&7#2(-(" !%7#"D&!%.#-'($)(4$" !%7#"D&%"+$-(4$" !%7#"D&'$-$)(4$" !%7#"D&M$"3%-(4$" !%7#"D&!,)*$" !%7#"D&$!#"2#(0%$" !%7#"D&7(**%)/#" !%7#"D&7#7('$" !%7#"D&!#"*#/#"$"
$01%D&$."$(" $01%D&#*.$5()(4$" $01%D&/(-',)$" $01%D&3#7(" $01%D&'%3$-7$" $01%D&#Q,()(5"$" $01%D&(-*!("$" $01%D&3%7#)$" $01%D&"#$)(4$" $01%D&!"%7,4(" $01%D&)(5#"$" $01%D&,-(/#"*$)(4$" $01%D&."$-*'#-7#"&
4d 1d 2d 3d 4d 1d 2d 3d 4d 1d 2d 3d 4d
" !" #" $" %" &" '" (" )" *" !"" !!" !#" !$"
Ending
Opening 30 50 80 90
1º level
Begining
CENTRAL
-5 0 35 65 95 120 +5
New 3 acts, 2 levels + PMBOK Line + 13 Evolutional Cycle (130’: 5’ before + 5’ after)
:-(.($.(-+ @%-."%)(-+ @%-."%)(-+ @%-."%)(-+ the end of act 2 in movement. Many times the TP1 might
>"%'#**#* >)$--(-+&>"%'#**#* >"%'#**#* =?#',.(-+&>"%'#**#* >"%'#**#* @)%*(-+&>"%'#**#* >"%'#**#*
have a relation to TP2.
EB&:7#-.(2('$"&%&!"%!6*(.%& IB&:7#-.(2('$"&%&7#*$2(%& JB&:7#-.(2('$"&%&*#"/(0% NB&:7#-.(2('$"&$&2%"3$ OB&K%3$"&%&'%3$-7% PB&@%3$-7$"&$&(+,$)7$7#B RB&@%3$-7$"&$&M$"3%-(4$01%B LB&&@%3$-7$"&$&(-.#+"(7$7#B AB&&C%"3$)(4$"&$&$01%B EGB&H$-(2#*.$"&$&$01%B EEB&F(5#"$"&%&*#"/(0%B EIB&@%%!#"$01%&7$&C%"3$B EJB&K"$-*!%".$"B PLOT POINT 2 (PP2): it is a change in the direction of the
!%7#"D&,-(2('$" !%7#"D&!%)$"(4$" !%7#"D&$.(/$" !%7#"D&7#2(-(" !%7#"D&!%.#-'($)(4$" !%7#"D&%"+$-(4$" !%7#"D&'$-$)(4$" !%7#"D&M$"3%-(4$" !%7#"D&!,)*$" !%7#"D&$!#"2#(0%$" !%7#"D&7(**%)/#" !%7#"D&7#7('$" !%7#"D&!#"*#/#"$"
$01%D&$."$(" $01%D&#*.$5()(4$" $01%D&/(-',)$" $01%D&3#7(" $01%D&'%3$-7$" $01%D&#Q,()(5"$" $01%D&(-*!("$" $01%D&3%7#)$" $01%D&"#$)(4$" $01%D&!"%7,4(" $01%D&)(5#"$" $01%D&,-(/#"*$)(4$" $01%D&."$-*'#-7#"&
$',3,)$"
story that leads to act 3.
2%"3$)(4$" '%-/#".#"&$&$01% !"#!$"$"
:-;'(%&<&=-."$7$ #*.$5#)#'#"&!"%!6*(.%&7%&'(')%&85$*#&7#&$01%9 #&"#,-("&"#',"*%*& #*.#-7#"&%&"(.3%&7$&$01% %&'(')%&*#+,(-.#
$&$01%
4d 1d 2d 3d 4d 1d 2d 3d 4d 1d 2d 3d 4d
* !* "* #* $* %* &* '* (* )* !** !!* !"* !#*
Ending
Opening 30 50 80 90
1º level
Begining
CENTRAL 120 +5
Encerramento Final
2º patamar
!#
-5 0 35 65 95 120 +5
!"
!
Abertura
1º patamar Início "
-5 0
!!
ACT 3 ACT 1 #
30 PP 1
Character Dialog Shooting Plan Scenario Action-Sinchrony
!* 95
35
$
PP 2 90
)
ACT 2
%
0d 1d 2d 3d 4d
65 PINÇA 1
PINÇA 2 80
(
& 50
'
PONTO
CENTRAL
Project 1C - Three conceptual ideas
What annoys me:
1) That I canʼt easily find a good Brazilian cachaça brand in US market
2) That I usually donʼt cook gourmet meals at home because by being single I donʼt have the
time to buy all the necessary ingredients and also because most of those ingredients are
too expensive to buy to cook for just one person.
3)That I canʼt find a restaurant with a menu specially designed for my own blood type.
My solutions:
1) To create a new shot glass drink packaging as a way to conquer the american consumer.*
2) To create a new kind of cook-out restaurant
3) To create a new kind of restaurant based on the Blood Type Diet.
1)
BEBA MODER
4567 ADA
45 6 ME 4567
BEBA MODER
J3 45 6
ADA
NP NT
E- J3 ME
-C NP NT
-C E-
BE
EIR
A
B ID
Shot
BE
SIL
EIR
B ID
AC
Shot
RA
SIL
AC
ERIDA - INDÚSTRIA B
RA
OM
ERIDA - INDÚSTRIA B
OM
ALTO TEOR ALCOÓLI
EQU
CO
ER
single power drink
CO
ER
NT
-
single power drink
PR
TE
NT
-
OI
PR
PA
TE
B
ID
OI
-
PA
S A
B
AV ID
EN NO - S A
DA 8A AV
NO
PARA M ORES DE 1 EN
#'#
EN DA 8A
PARA M ORES DE 1
$%& #'#
EN
!"# $%&
!"#
2) 3)