INSTITUTIONS

STUDIO
6.53
V
Vaishnavi panchal
Roll no:14
ART GALLERY

A room or series of rooms where works of

art are exhibited. An art gallery has a
specific focus, and is managed by a
curator who specializes in that type of art.
Common focuses for art galleries are art
from a particular region, art in a certain
medium, art of a singular style, or art
which has a specific focus, such as
political art.

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TRIVENI KALA SANGAM
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• Location:Tansen Marg, Todermal
Road Area, Mandi House, Delhi.
• Architect: Joseph Allen Stein
• Formation:1950

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 INTRODUCTION
• Triveni Kala Sangam is an important
cultural and arts complex and
education centre in New
DelhiFounded in 1950by Sundari K.
Shridharani, who was also its
Founding Director, Trivenias it is
commonly referred, contains four art
galleries, a chamber theatre,
outdoor theatre, open air sculpture
gallery, besides this it runs its various
artsmusic and dance classes. It is
situated on Tansen Marg, between
Mandi House roundabout and
Bengali Market

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INTRODUCTION
Designed in modern architecture
stylethe complex is noted for its
"multiple spaces for multiple purposes"
and use of jali work, which was one of
the first buildings by noted American
Stein's [Link] Kala Kendra is an
important cultural and arts complex and
education centre in New Delhi. Founded
in 1950by Sundari K. Shridharani, who
was also its Founding Director.

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DESIGN CONCEPT

• Perfectly synchronized interior &

outdoor spaces having provision
with the clarity in functioning of
each and every space.
• Large number of functions to be
Vnhandled on asmall site
• A high degree of flexibility required
for various functions.

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 GENERAL PLANNING
The centre is organized into a four storey
classroom block with a canteen & shaded
dining & terrace.
A ground floor gallery back with a shaded roof
terrace above to the west.
Opposite he gallery is a covered stage
opening onto an outdoor garden theater
which is heart of the complex.
The building was built as one of the pioneer
cultural institutions for promoting Indian
ethos.
The three storey extensions of 1977 to the
North houses additional classrooms an indoor
auditorium and instructor's apartment and
also create shaded outdoor spaces for
painting and sculpture classes
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 Space characteristics

• Enclosure achieved by
surrounding the space with low
height structure which relate to
human height.
• Focus has been made towards the
Phase 2 Phase 1 stage & thus the user faces away
from the higher buildingOn the
PHASE I -Music & Dance studiosOATLibraryCafeExithibition galleries ground floor, there is one admin
& admin area office and a reception room with
PHASE II - Auditorium for 250 peoplepainting & sculpture Workshop wooden walls.
& residential apartments • It also has an exithibition gallery
named" SHRI DHARANI ".
• The pergolas & the green spaces
Zoning and forms used together create
• The ground floor has the public are like lounge, exhibition informal inviting space
halllibraryconference rooms etc.
• On the first and the second floor work studios are situated.
• On third floor we have living areas. 9
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AUDITORIUM
• The entrance to auditorium space. through an entrance lobby
which is also served as display cum exhibition.
• The auditorium has seating of 250 people and has one entry and
one exit point.
• The interior is done with wooden panels, the flooring is also
wooden.
• There are only side aisles in auditorium.
• The projector room is at rear end.
• Stage lights concealed in depth of coffer slabs.
• Coffered ceiling in expose concrete with a few acoustical panels,
placed randomly.
• Glass wool is used as an material behind wooden panels.
• For exclusion f external noise, ducts treated internally with sound
absorbing lining.
• Control room located behind audience seating has both sound &
light control.
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 Merits Demerits

• The sculpture court provideopportunity to work in an • There is no parking space, vehicles have to
open atmosphere. parked main road & paring space is not sufficient.
• Large number of functions to be handled on a small • The two heavy massed blocks rise up to 4 storey
site. & are a response to tight program within the tight
site.
• All floor provide planter into exterior wall, creates
good environment. • 4 storey building but not provided any lift.

• The light and ventilation is taken care by providing

window opening on whole length of wall north side.
• A large green lawn enhance thelandscaping.
Inferences
• Separate entries for gallery, exhibition hall and cafe. • Despite of a tight program, a feeling of a
• Architecture features with plaster facade as well as spacious has been achieved by incorporating
planter into wall pedestrian movement & vehicular the O.A.T as a multifunctional space.
movement is done along the periphery of site. • The parking is done along the roadside which
creates a little traffic problems.
• Triveni Kala Sangam built on rectangular which is
internally divided into various functions.

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 CONCLUSION
• Triveni Kala Kendra is easily [Link] kala Kendra has a systematic and a good
arrangement of spaces.
• It is well orientated to receive more day light.
• Arrangement of space are in such a manner that the activity does not clash each other.
• Open air theatre is in east-south direction so that in day time the events does not require
any artificial lighting.
• Formal and informal space has their separate entry/exits, without disturbing other
activities.

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GUGGENHEIM MUSEUM
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Location: museum in New York
City,new York.
Architect: Frank Lloyd Wright
Architecture style:contemporary
style
Built: 1956-1959
INTRODUCTION
• The project was involved in complex
discussions between the architect
and the client in the city, the art
world and public opinion, because of
the contrast of its forms within the
grid of the city of New York.
• In 1992 the building was
complimented with a rectangular
tower, higher than the original spiral.
• This modification to Wright's original
design created a strong controversy.

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 • The building itself became a work of art. From
the street, the building looks like a white ribbon
CONCEPT rolled into a cylindrical shape, slightly wider at
the top than at the bottom. Internally, the
galleries form a spiral. Thus, the visitor sees the
work as you walk up the illuminated spiral ramp.
• Its design was inspired by a "Ziggurat"
Babylonian temple pyramid, inverted.

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SPACE

• The tour begins at the entrance and slowly leads visitors to a path
where the artworks are exposed along a spiral ramp lit by a large
skylight at its zenith divided in the shape of a citrus fruit.
• The paths around the great central emptiness promote the reflection
upon and the enjoyment of the art.
• The meaning of the art is communicated via the trip through this
New York Museum.
• The provision of semi-open exhibition halls gives visitors an overview
of the entire building from any point up the central aisle. Also, it calls
attention to the mosaic on the ground floor.
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MATERIAL

• The materials used in its construction were basically precast

concrete blocks.
• The white paint used on the internal walls makes the works of art
stand out.
• The skylight is supported by steel joints.

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