Intellectual Property Rights Notes FULL
Intellectual Property Rights Notes FULL
Intellectual property rights are the rights given to persons over the creations of their minds. They
usually give the creator an exclusive right over the use of his/her creation for a certain period of
time.
As per the WIPO IP can be justified for two reasons
a) One is to give statutory expression to the moral and economic rights of creators in their
creations and the rights of the public in access to those creations.
b) The second is to promote, as a deliberate act of Government policy, creativity and the
dissemination and application of its results and to encourage fair trading which would
contribute to economic and social development.
Types of IPR:-
Serial Category Definition Purpose Example
No.
1. Patent Grants exclusive rights to To protect new Pharmaceutical
inventors to use, make & sell inventions or drugs, new
their inventions for a processes machines etc
specific period.
Duration: typically 20 years
2. Trademark A sign / design / expression Protects branding Logos, brand
that identifies and names etc
distinguishes the source of
goods or services.
Duration: can last
indefinitely if renewed
3. Copyright Protects original works of Protects original Books, Songs,
authorship. works of Movies etc
Duration: life of the author + authorship
50-70 years (depending on
country)
4. Trade Secret Information that has Protects Recipe of Coca
economic value from not confidential Cola
being generally known, and business
is subject to reasonable steps information
being taken to keep the same
a secret
5. Industrial Protection for the visual Protects the Car shapes,
Design design of objects that are not aesthetic and non packaging
purely utilitarian functional features desings etc
of a product
6. Geographical A name of sign used on Protects specific Darjeeling Tea
Indications products with a specific products
geographical origin and originating from a
possess qualities with a particular place
reputation due to that origin
Personality Theory: The theory is penned down mainly by George Wilhelm & Hegel. The
theory contends that intellectual property is the physical manifestation of one’s personhood
and hence the creator must be enabled to protect the same. It provides for moralistic grounds
for protection of intellectual property; in contrast to other economically driven justifications.
All intellectual property is considered to be an extension of the creator’s will and by this
association, such property is a part of the creator’s identity and person. Hegel’s ideology
propagated that the intellectual property system must be devised in a way that more
expressive works get higher protection as compared to inventions such as genetic
researching. This is because expressive works require a higher degree of personalization,
therefore making it a bigger part of the creator’s personhood.
Example: Harry potter by JK Rowling.
Labour Theory: The writings of John Locke (‘A person deserves the fruits of his own
labour’, 2nd treatise of government) provide us with the labour theory. According to it, if a
person infuses their labour on commonly held resources (i.e. the assumption that all that is
there in nature is provided by god and it is available to all men as it is held in common for the
benefit of all), they deserve to enjoy natural ownership over the results of their effort. Hence,
a person investing time, money, knowledge and other resources in creating intellectual
property must receive the ownership rights over it as a result of their labour. No one else has
a superior or conflicitng claim.
His “sufficiency proviso” states that: an individual can only appropriate a resource from the
common by mixing their labor with it if ‘there is enough, and as good, left in common for
others’. This prevents a person from claiming exclusive rights to a scarce resource, ensuring
that their actions do not harm others by denying them the means of survival.
Criticism of the theory: Robert Nozick's interpretation of Locke's theory emphasizes that
private property rights are valid only when they do not worsen the situation for others. While
labor can create property, this is only permissible if there are sufficient resources remaining
for everyone else. For Nozick, granting a patent that limits access to a vital resource would be
problematic, as it harms others by restricting their use.
International Aspects of IPR:-
Serial Name of Type of IP Characteristic Details
No. Instrument concerned
1. Paris Convention Industrial It is one of the first and most important
for the protection property international IP treaties, laying the foundational
of Industrial principles for Industrial property protection
Property (1883) globally. 3 Key principles of the Paris
convention:
a) National Treatment, article 2 (1) : the
domestic as well as foreign investors need to
pass through the same laws
b) Right of Priority, Article 4A: the one who
files an application for registration of the
patent, in any country (member state of
convention) the applicant’s right of priority
is reserved in each of the member nations
c) Indpendence of protection, Article 4bis: even
if the protection to the invention is nullified
or lapsed or forfeited iin 1 country, the
application filed in another jurisdiction shall
not be affected, and owing to national
treatment, the application will be examined
individually in another jursidiction.
2. Berne Copyrights for The aim is to give the creators the right to
Convention for literary & control & receive payment for their creative
the protection of artistic works works on an international level. Principles
literary and established:
artistic works a) Automatic Protection, Article 5 (2):
(1886) copyright can exist without any formal
registration
b) National Treatment, Article 5 (1): authors
from member countries enjoy the same rights
as nationals in any other member country
c) Independence of Protection, Article 5 (2): the
work is protected irrespective of the fact
whether the said work has been granted
permission in country of origin or not
d) Minimum rights granted, Article 8-14:
includes rights such as translation,
reproduction, public performance,
broadcasting etc
e) Moral Rights, Article 6bis: right to claim
authorship and to object to distortion or
modification of work, even if rights are sold
to someone else.
Meaning: copyright is an exclusive right granted by law for a specified period to the creator of a
work of thought against any form of copying by an unauthorised person. The object of copyright
law is to encourage authors, composers, artists and designers to create original works by
rewarding them with an exclusive right for a limited period. The law also aims at preventing
anyone from reproducing or exploiting another person’s work without authorisation. Copyright,
essentially means the exclusive right to or authorise the doing of the following acts:
Serial No. Category Details
1. In the case of Literary, a) to reproduce the work in any material form, this
Dramatic or Musical includes storing it by electronic means;
work b) to perform the work in public or communicate it
to the public;
c) to make any cinematograph film or sound
recording in respect of that work;
d) to make any translation or adaptation of the work
or to do any of the above acts in respect to any
translation or adaptation of the work.
Thus, copyright in a work is not a single right; it bundles several rights together. For example,
copyright in a book is not merely the right to bring it out in varied editions, but also the right to
serialise it in media, to its dramatic and cinematographic versions, translation, abridgement and
adaptation etc. The bundle of rights that constitutes copyright has two kinds of rights: (a) the
economic rights that take care of the economic interests of the author, and (b) the moral rights,
that is, the rights that concern the status, respect and dignity of the author. The economic rights
deal with issues like permission to publication or reproduction of the work or their adaptation or
translation and the right to assign or license the copyright. The moral rights include the right to
claim and be recognised as the author of your intellectual creation.
Justification of copyright, through various theoretical foundations:
a) Lockean Theory: Copyright protection is justified by the labor an author invests in creating a
work. The effort expended gives the creator rights over the final product.
b) Personhood theory: When a person works on something, they express their personality in
that subject. As humans own their person, they should also own objects they've worked on as
extensions of their personality.
c) Incentive theory: Intellectual property rights serve as incentives for intellectual work. Mere
copying cannot be the intellectual work this theory aims to encourage.
Characteristics of Copyrights:
a) Protects the expression of ideas, and not the ideas themselves
b) Requires the work to be in a fixed, tangible form
c) Covers a wide variety of work: books, songs, paintings, films, software, amps, technical
drawings etc
Concept of Originality & publication or Idea Expression Doctrine: The Sine Qua Non of
copyright, is originality. Originality is a precondition to copyright protection. If the work of a
person is not original but a mere copy of someone else`s original work then copyright protection
cannot be granted to such a person. Thus, for a work to be original it is important that it should
not have been copied from another work. It is currently unclear what standard of originality is
followed in India, but various tests of originality have been developed by the courts:
a) Sweat of the Brow Doctrine: This doctrine recognizes the labor and diligence invested in
creating a work and was initially followed in the U.K. and subsequently by Indian Courts. It
conferred copyright merely because time, energy, skill, and labor were expended, focusing on
protecting the industrious gathering of data even without a creative element. Its emphasis is
on stopping misappropriation rather than protecting authorship, holding that the product of
the labor, skill, and capital of one person must not be appropriated by another.
Serial Name of the Case Judgment
No.
1. University London Press Propounded the ‘sweat of the brow’ test, conferring
Vs. University Tutorial copyright on work merely because time, energy,
Press (1916) skill, and labor were expended (originality of skill
and labor)
2. Macmillan Company The Privy Council approved the ‘sweat of the brow’
Ltd. Vs. Cooper (1924) principle, holding that the product of the labor, skill,
and capital of one man must not be appropriated by
another.
3. Burlington Home A compilation (like a database or client list) was
Shopping Vs. Rajnish involved, and the issue was whether that could be
Chibber (1995) considered a copyrightable work?
The ‘sweat of the brow’ approach was observed and
it was held that a compilation may be considered a
copyrightable work by virtue of the devotion of time,
labor, and skill in creating the said compilation
b) Modicum of Creativity: This approach, developed by the U.S. Courts in the Feist case, rejects
the "Sweat of the Brow" doctrine. It is a higher threshold requiring a creative element for
originality, focusing on the recognition of authorial dignity. It requires that the work involve
some intellectual effort and a minimal degree of creativity; more than industrious compilation
is needed, specifically requiring selection, organization, or judgment. The standard of
originality is low, but it does exist, as facts themselves are not copyrightable since they do
not owe their origin to an act of authorship.
Name of the Facts Issue Judgment
Case
Feist Rural Telephone Whether Rural's The US Supreme Court
Publications Service Co. (a local white pages rejected the ‘Sweat of the
Vs. Rural company) published an directory was a Brow’ doctrine. The balanced
Telephone alphabetical white copyrighted work approach that was taken by
Service pages directory of its and if Feist had the court, is:
(1991) subscribers (names, infringed it. a) Definition of author: ‘he to
addresses, phone Whether facts whom anything owes its
numbers). Feist (names, addresses, origin; maker; originator’
Publications (a regional phone numbers) are b) Facts Vs. Creation: Facts
directory publisher) copyrightable do not owe their origin to
copied these listings an act of authorship... the
without authorization first person to find and
after Rural refused report a particular fact has
permission not created the fact
c) Minimal Creativity
Selection and
arrangement, ‘so long as
they are made
independently and entail a
minimal degree of
creativity, are
copyrightable
The court observed that
;Originality is not a stringent
stadard. The standard of
originality is low, but it does
exist’
c) Skill & Judgment Test: This test, derived from the Canadian standard (CCH Canadian v. Law
Society of Upper Canada), represents a middle path in India, providing a workable yet fair
standard that is higher than "sweat of the brow" but not as high as "modicum of creativity". It
requires that the work originate from the author, not be copied, and be the product of the
author's exercise of skill and judgment.
i. Skill means the use of one's knowledge, developed aptitude, or practiced ability.
ii. Judgment means the use of one's capacity for discernment or ability to form an
opinion or evaluation by comparing different possible options.
The exercise of skill and judgment must be substantial and not trivial, going beyond the mere
expenditure of labor and capital or a purely mechanical exercise. While creativity is not
strictly required, a minimal element of creativity often results from the substantial skill and
judgment. The variation from the original must be substantial in nature.
Serial No. Name of the Case Content
1. Eastern Book Facts: The case involved the law publisher
Company & Ors. Vs. Eastern Book Company (EBC), which produces
DB Modak & Anr. the highly reputed law report Supreme Court
(2008) Cases (SCC), claiming copyright infringement
against rival digital publishers, primarily D.B.
Modak, who marketed their own law software on
CD-ROMs. EBC's business model involved
taking the raw, unedited text of Supreme Court
judgments (which are in the public domain and
uncopyrightable) and adding extensive editorial
‘inputs’. These inputs included drafting detailed
Headnotes, preparing Footnotes and Editorial
Notes, standardizing case names and citations,
inserting cross-references, and adding a distinct,
user-friendly paragraph numbering to the
judgments. EBC argued that this considerable
expenditure of ‘skill, labour, and capital’
transformed the raw judgment text into an
“original literary work” protected under the
Copyright Act. The Respondents, however,
allegedly bypassed their own editorial work and
copied verbatim not only EBC’s Headnotes (a
claim they conceded at one stage) but also the
entire copy-edited text, including EBC's specific
formatting, numbering, and cross-references,
leading EBC to seek an injunction against the
digital piracy of their intellectual effort.
Issues, are as follows:
a) Whether EBC's copy-edited version of
judgments was eligible for copyright
protection.
b) Whether individual elements added by EBC
sufficed for copyright over the entire work.
c) Whether the Defendants infringed EBC's
copyrights
Judgment: The Court rejected the ‘sweat of the
brow’ doctrine. It adopted the Canadian test of
‘skill and judgement’. It held that a derivative
work requires the author's independent skill
(which is substantial, not trivial) and judgment
(use of resources beyond mere labor and capital)
{essentially, the derivative work needs to be more
than just a copy of the original}. The work of the
law reporter in providing paragraph numbering,
internal referencing, brief descriptions, formatting,
and head noting required effective and substantial
skill and exercise of judgment, establishing a
minimal element of creativity. Judgment was in
favor of EBC, prohibiting the copying of their
paragraphs for internal referencing and their views
on dissent/concurring opinion.
{The Court held that EBC did possess copyright
in certain selective editorial inputs and that D.B.
Modak was guilty of infringement only regarding
those specific elements. The copyright protection
was granted only to those additions which
required the application of independent
intellectual effort by the editors}
2. RG Anand Vs. Delux Facts: The case is built upon the classic conflict
Films (1978) between a creator and a producer: Playwright
R.G. Anand, the appellant, owned the copyright to
his popular play, ‘Hum Hindustani’, which
centered on the theme of ‘provincialism’. The
pivotal factual claim was that Anand had read out
and explained the entire play to the respondents
(Delux Films/Mohan Sehgal) who were
contemplating a film adaptation, thereby
establishing access to the work. When the
respondents subsequently released their film,
‘New Delhi’. which also dramatically tackled the
exact same subject of provincialism, Anand sued,
alleging copyright piracy—the unauthorized
copying of his dramatic work. Crucially, both the
Trial Court and the High Court examined the
play's script versus the film's narrative and,
despite noting similarities stemming from the
shared theme, ultimately delivered concurrent
findings of fact that the differences in the
treatment, plot development, and sequence were
so material that no substantial copying had
occurred, leading to the case's final appeal before
the Supreme Court.
Issues: The primary legal question before the
Supreme Court was whether the Respondents'
cinematograph film ‘New Delhi’ constituted an
infringement of the Appellant's copyright in his
dramatic work, the play ‘Hum Hindustan’'. This
necessitated the formulation and application of
clear principles to assess copyright violation,
particularly concerning the overlap between two
works that share a common idea, theme, or
subject matter (provincialism), to determine if the
subsequent work had copied the expression of the
original.
Judgment: The Supreme Court upheld the lower
court's dismissal, formalizing the seminal eight
propositions that established the bedrock of Indian
copyright law on infringement. The core principle
cemented by the judgment is the “Idea-Expression
Dichotom”': Copyright protects the expression,
not the idea. An author cannot claim monopoly
over a theme or subject matter (the idea of
provincialism); protection is granted only to the
specific form, manner, arrangement, and sequence
in which that idea is articulated. The decisive
measure established is the ‘Dominant Impression’
or ‘Lay Observer Test’: infringement only occurs
if the average person, upon seeing the alleged
copy (the film), receives an unmistakable
impression that it is a copy of the original work
(the play). Since the dissimilarities in the film's
second half, characterization, and climax were
found to be material and prevented the film from
being a substitute for the play, the Court held that
no substantial and unfair use of the plaintiff's
protected expression had taken place.
3. Dr. Reckeweg and The Delhi High Court completely rejected the
Co. Gmbh. and Anr. doctrine of ‘sweat of the brow’. Reliance was
Vs. Adven Biotech placed on the Eastern Book Company case.
Pvt. Ltd. (2007)
4. Syndicate of Press of Followed the Eastern Book Company ratio,
the University of holding that the requirement of skill and
Cambridge on behalf judgement along with the minimal standard of
of the Chancellor creativity was essential to establish a copyright
Masters and School v.
B.D. Bhandari &
Anr. (2009)
India’s Journey in the Standard of Originality: India's approach to originality has undergone
an evolution, moving away from the purely labor-centric ‘Sweat of the Brow’ doctrine
towards a balanced standard. Initially, Indian courts followed the ‘Sweat of the Brow’ Test,
which was developed in the U.K. and protected works simply based on the time, labor, and
capital invested, as seen in cases like Burlington Home Shopping v Rajnish Chibber. This
focus on industrious gathering, rather than creativity, was ultimately challenged as it risked
monopolizing facts and common ideas. The major shift occurred with the Supreme Court
case of Eastern Book Company v. D.B. Modak, which explicitly rejected the ‘Sweat of the
Brow’ doctrine as being too low a standard. The Court recognized that while the US-
developed ‘Modicum of Creativity’ Test was appropriate in principle, it was too high a
standard for the Indian context and instead adopted the Canadian ‘Skill and Judgement’ Test.
This established a modern balance where the standard requires the application of substantial
skill and judgment that goes beyond trivial labor or mechanical copying, thereby ensuring a
minimal element of creativity without demanding novelty. This practical, midway approach
is now the dominant standard in India, as reaffirmed in a plethora of cases. {Originality of
Expression, Not Idea: A work does not need to involve novel expression of thought; all that is
required is that the expression should not be copied from another work. As established in
R.G. Anand v. Delux Films, there can be no copyright in an idea or subject matter, but only
in the arrangement and expression of such idea}
Ownership & Authorship of copyright: Authorship relates to the physical and intellectual
creation of the work, while Ownership dictates who holds the exclusive economic rights to
commercially exploit that work. The law protects the material form of expression of an idea, not
the idea itself. Therefore, the person who merely suggests a brilliant idea is not the Author or
Owner; the one who gives it a tangible, fixed form using sufficient labour, skill, and judgment is
the Author. Key Analogy: Ownership of a book's physical copy is separate from the Ownership
of the copyright subsisting in its content. Now, who is the author of what, as per section 2(d) of
the act:
Serial No. Type of work Statutory Author
1. Literary or Dramatic Work The author of the work (writer / playwright)
2. Musical Work The composer
3. Artistic work (Non The Artist / Painter / Sculptor
Photographer)
4. Photograph The person who takes the photograph i.e. the
photographer
5. Cinematograph film / The producer
Sound Recording
6. Computer generated work The perosn who causes the work to be created
(example, the person directing the AI)
Ownership, The General Rule: The fundamental principle, or the Golden Rule of
ownership, is laid down in Section 17 of the Act, which states that The Author of the work
shall be the First Owner of the copyright. The Author initially holds the bundle of exclusive
rights (Economic Rights and Moral Rights) granted by copyright law. However, this general
rule is heavily qualified by statutory exceptions, collectively known as the ‘Work for Hire’
doctrine:
a) Contract of Service (Employer as 1st owner): This is a master-servant relationship where
the employee (author) is controlled by the employer regarding what to do and how to do
it. The work is integral to the business. If the work is created by an author in the course of
his employment or under such a contract, the employer becomes the first owner.
b) Contract for Service (author as 1st owner): This is an independent contractor relationship
where the person is hired to do a specific work but is left free to decide on the course of
action. The work is accessory, not integral, to the business. In this case, the Author
remains the First Owner of the copyright.
c) Commissioned Works: Where a person commissions (requests) and pays a valuable
consideration for the creation of certain works, the commissioning person is the first
owner. Applicable Works: Photograph, painting, portrait, engraving, or a cinematograph
film
d) Works for Newspapers & Periodicals: If the work is made by an author under a service
contract for publication in a newspaper, magazine, or periodical, the employer
(proprietor) is the first owner. Limitation: This ownership is only for the purpose of its
publication/reproduction in that specific format (newspaper/periodical). Author's
Residuary Rights: For all other purposes (e.g., book publication, dramatisation, etc.), the
Author remains the first owner, unless the contract explicitly states otherwise.
e) Cinematograph films & Sound Recordings: The Producer is statutorily defined as the
Author and First Owner of the film/sound recording itself. Highlighted Issue: The rights
of the composer/lyricist (Author of the underlying musical/literary work) can be defeated
if their work is created for consideration or under a contract of service for inclusion in a
film. Judicial precedent (e.g., IPRS v. Eastern India Motion Pictures Association) held the
film producer is the first owner, and authors of songs/lyrics do not have separate rights in
this context. However, there is a highlighted need from the courts (Bombay High Court)
to ensure authors of songs/lyrics in films receive royalty for their commercial
exploitation.
f) Government Work: in the case of government work, the government, in the absence of
any agreement to the contrary, will be the first owner of the copyright.
g) Work made on behalf of a public undertaking: in the case of work made or first published
by or under the direction or control of any public undertaking such public undertaking
will, in the absence of any agreement to the contrary will be the first owner of copyright
therein.
h) Works of Certain International organisations: in such cases the international
organisations concerned will be the first owner of the copyright.
Infringement of copyright: Copyright infringement is deemed to have occurred under Section 51
of the Act when a person exercises the exclusive rights of the copyright owner without obtaining
a license, or in contravention of a license's conditions. These acts are statutorily divided into
Primary and Secondary infringement:
a) Primary Infringement u/s 51 (a): Exclusive Rights Violation (Sec. 51(a)(i)): Doing anything
the exclusive right to do which is conferred upon the owner of the copyright by the Act &
Permitting Use for Profit (Sec. 51(a)(ii)): Permitting for profit any place to be used for the
communication of the work to the public, where such communication constitutes an
infringement, unless the person was not aware and had no reasonable grounds for believing it
would be an infringement
b) Secondary Infringement, u/s 51 (b): This concerns the commercial dealing of infringing
copies of the work, often referred to as indirect infringement, and includes the following acts
by any person: Making for sale or hire, or selling/letting for hire, or displaying/offering for
sale or hire by way of trade; Distributing either for the purpose of trade or to such an extent
as to affect prejudicially the owner of the copyright; Exhibiting in public by way of trade;
Importing into India any infringing copies of the work
Modes of Copying: Infringement is established by the act of "copying," which is defined as
that which "comes so near to the original as to give every person seeing it the idea created by
the original". The viewer or reader is regarded as the primary judge of whether the work is
copied.
a) Direct Copying: This occurs when there is a direct or indirect use of portions of the
copyrighted work. Since usually only extracts are copied and not the whole work,
infringement is determined by assessing whether the observer gets the impression that the
act was a copy of the original.
b) Indirect Copying (Adaptation): This mode involves altering the form of the work while
retaining the essence of the original. Examples include converting a two-dimensional
drawing into a three-dimensional object or changing a literary work (a novel) into a
dramatic work (a play or ballet). Copyright law ensures that adaptations also require
permission from the original creator.
c) Subconscious Copying: This unique concept involves a person copying a work with
bonafide intentions, having coincidentally reproduced a work they had previously seen or
heard but forgotten, believing it to be their own original creation
Substantial Similarity: Infringement does not require that the whole work be copied;
reproduction of a substantial part of the work is sufficient. Substantiality is generally assessed
based on the quality (importance) rather than the quantity (amount) of the copied material, in
the context of the copyrighted work as a whole.
a) Qualitative Test (The 'Lay Observer' Test): The standard is the perception of the
common person or ‘lay observer’. A work is substantially similar if the observer
receives the same or similar impression from the allegedly infringing work as from the
original. The test asks whether the allegedly infringing work is so similar to the
copyrighted work that an ordinary reasonable person would conclude that one was
copied from the other.
b) Distinction from Idea: The similarity must be in the expression of the idea, not merely
the idea itself. If the common features are unprotectable ideas, public domain elements,
or scènes à faire (standard elements necessary to the idea), there is no infringement. The
court must filter out these unprotectable elements before comparing the remaining,
original expression.
Concept of Fair dealing & Case Analysis: The Copyright Act provides specific exceptions to
the exclusive rights of the owner, grouped under the umbrella of Fair Dealing {Section 52},
which permit the use of copyrighted material without securing a license in certain
circumstances, such as for private use, research, criticism, review, or reporting current events.
Name of the Case Facts of the Case Issues of the Case Judgment
The Chancellor, The petitioners, a The central legal The court ultimately
Masters & Scholars group of issues before the ruled that the act of
of the University of international court were whether preparing and
Oxford v. academic publishers, the unauthorized distributing these
Rameshwari filed a suit against reproduction and sale course packs did not
Photocopy Service Rameshwari of excerpts from constitute copyright
(2016) Photocopy Service copyrighted infringement. The
(RPS), a commercial textbooks by a term "in the course of
photocopy shop commercial entity, instruction" was
operating under a even when licensed interpreted broadly to
license from Delhi by a university and encompass the entire
University. RPS was aimed at students for teaching and learning
engaged in making syllabus-based study, process, including
and selling course amounted to the preparation of
packs to university copyright study materials by
students. These infringement. the teacher and the
course packs Specifically, the court student's study before
comprised had to determine the or after lectures. The
photocopies of proper scope and court reasoned that
relevant, albeit interpretation of the since the copies were
substantial, excerpts term "in the course of of syllabus-relevant
or portions of the instruction" as portions and intended
publishers’ stipulated in the Fair strictly for the
textbooks, tailored to Dealing exception students' educational
the specific under purposes, the activity
18
university syllabus. $\text{Section fell within the scope
The publishers 52(1)(i)}$ of the of the statutory Fair
contended that this Indian Copyright Act. Dealing exception.
commercial activity This judgment was
constituted copyright explicitly limited to
infringement under the reproduction of
Section 51. portions for course
packs and did not
grant permission for
the photocopying of
an entire book.
Remedies of Infringement: Remedies for copyright infringement are the legal means available
to a copyright owner to enforce and protect their exclusive rights against unauthorized use of
their work. They ensure that infringement is not only prevented but also adequately
compensated. The Copyright Act, 1957 provides for both civil and criminal remedies, allowing
rights holders to seek injunctions, damages, delivery-up of infringing copies, and even criminal
prosecution in cases of willful infringement.
Civil Remedies: Section 55 of the Copyright Act provides that where copyright in any work is
infringed, the owner is entitled to remedies such as injunctions, damages, accounts of profits,
and other equitable reliefs. However, if the defendant proves lack of knowledge regarding
subsistence of copyright, only injunction and reasonable profit sharing may be awarded. The
section aligns with TRIPS standards and ensures proportional protection. The plaintiff must
establish ownership (often proved through registration) to seek such reliefs. Civil remedies
aim primarily to stop infringement and compensate the copyright owner adequately.
Serial No. Kind or Type Content
1. Who May Sue Persons entitled to sue include (i) authors as first
owners, (ii) joint owners, (iii) producers/employers as
first owners, (iv) valid assignees, (v) exclusive
licensees, and (vi) copyright societies. Section 56
allows each separate right holder to sue independently.
Exclusive licensees must implead the copyright owner
as defendant under Section 61. However, as held in
Phonographic Performance Ltd. v. Hotel Gold
Regency, copyright societies may sue even without
exclusive license status, forming an exception to this
rule.
2. Who May be Sued Both primary and secondary infringers can be sued.
Courts also recognise unidentified infringers under
John Doe or Ashok Kumar orders, allowing
injunctions against unknown persons engaged in
piracy. Such orders originated in Billy Joel v. Various
John Does (U.S.) and were first used in India in Tej
Television Ltd. v. Rajan Mandal, where the Delhi
High Court allowed ex parte relief to curb large-scale
unauthorized cable broadcasts. These orders uphold
the principle ubi jus ibi remedium — where there is a
wrong, there must be a remedy.
3. John Doe Orders John Doe orders allow copyright owners to act swiftly
against unidentified infringers. Courts issue ex parte
injunctions authorizing commissioners to seize
infringing goods and serve documents on defendants
when identified. The Delhi High Court in Luxottica
S.R.L. v. Munny laid procedural safeguards —
commissioners must inventory seized goods, permit
their temporary return (suprdari), and allow
defendants to contest the injunction. These orders are
exceptional remedies to preserve evidence and prevent
destruction of infringing material, used only in
rampant piracy cases.
4. Jurisdiction, or Section 62 of the Copyright Act provides that
where to Sue infringement suits may be filed in the district court
having jurisdiction where the plaintiff resides, carries
on business, or works for gain. This is in addition to
general CPC provisions permitting filing where the
defendant resides or where the cause of action arises.
The section thus provides an additional forum
favouring the copyright owner and easing enforcement
of rights.
5. Groundless This section protects individuals from baseless threats
Threats, Section 60 of legal action by alleged copyright owners. If a
person is wrongfully threatened with proceedings,
they may sue for a declaration that no infringement
occurred, seek an injunction to stop such threats, and
claim damages. However, if the threatening party
initiates a genuine infringement action, the Section 60
suit becomes infructuous. As held in Super Cassette
Industries Ltd. v. Bathla Cassettes (P) Ltd., the
purpose is to prevent abuse of monopoly rights
through intimidation.
6. Delivery up & Section 58 deems all infringing copies and plates to be
Anton Piller the property of the copyright owner, who can seek
Orders possession or recovery. Courts issue Anton Piller
orders — ex parte search orders — to preserve
evidence and prevent destruction of infringing
material. In J.K. Rowling v. City Publication, the
Delhi High Court ordered delivery-up of pirated Harry
Potter books and equipment used for duplication.
Similarly, Autodesk Inc. v. A.V.T. Shankardass laid
guidelines for appointing commissioners in software
piracy cases, emphasizing surprise inspections,
preservation of evidence, and minimal disruption to
the defendant’s business.
Criminal Remedies: Criminal liability under Section 63 applies to those who knowingly
infringe or abet infringement. Punishment ranges from six months to three years’
imprisonment and fines from ₹50,000 to ₹2,00,000. For non-commercial infringements,
courts may impose lesser sentences. Section 63A enhances punishment for repeat offenders.
Section 63B penalizes knowing use of infringing computer programs. Section 65 targets
possession or making of plates used for infringing copies. The Supreme Court in State of A.P.
v. Nagoti Venkataramana upheld prosecution even without the owner’s complaint,
recognizing public interest in curbing video piracy. Section 64 empowers police to seize
infringing copies without warrant, and courts may order their delivery-up post-seizure.
Difference between Civil and Criminal remedies:
Basis Civil Remedies Criminal Remedies
Legal Basis Sections 55-62 Sections 63-65
Nature Compensatory and Preventive Punitive and Deterrent
Relief Injunctions, Damages, Imprisonment, fines, seizure, forfeiture,
accounts, delivery up, destruction
groundless threat suits
Purpose Protect rights & compensate Punish willful infringers and deter piracy
losses
Authority Civil courts Police and criminal courts
Limitations & exceptions of copyright: According to section 13 (3) of the act, there are certain
limitations to copyright, i.e. copyright does not susbsist in:
a) Cinematograph Films: if a substantial part infringes someone else’s copyright. o Example: A
movie that copies scenes from another film without permission.
b) Sound recordings that infringe the underlying literary, dramatic, or musical work. o Example:
Recording a song without permission from the composer.
c) Architectural works: Only the artistic design is protected, not construction methods or
processes.
d) Copyright in a film or sound recording does not override the copyright in the original work.
Example: A movie based on a novel → the film has copyright, but the novel’s copyright
remains with the author
Exceptions of copyright, u/s 52:
Serial No. Exception Category One Liner Description
1. Fair Dealing Using a work fairly for personal research or private
study
2. Criticism & Review Using a work fairly for the purpose of criticism &
review of that work or another work
3. Current Events Using the work for reporting current events in
Newspapers, broadcasts or films
4. Judicial Use Reproduction of the work for the purpose of a judicial
proceeding or its report
5. Educational Use Reproduction by a teacher or pupil in the course of
instruction or as part of an examination.
6. Non Profit Performance by staff and students in an educational
Performance institution to a limited, associated audience.
7. Public Art Making a painting, drawing, or photograph of a
sculpture or other artistic work permanently located in a
public place.
8. Incidental Inclusion Inclusion of an artistic work in a film or broadcast if it
is only incidental or by way of background.
9. Cover Versions Making a sound recording (cover version) after paying
prescribed statutory royalties and giving notice.
10. Library Archival Public libraries making a limited number of copies of a
book that is not available for sale in India.
11. Computer Programs Making copies of a computer program for backup,
interoperability, or personal non-commercial use.
12. Official Documents Reproduction or publication of official government
documents, Gazette matters, or court judgments.
13. Religious Ceremony Performance of a work during a bona fide religious
ceremony or an official government ceremony.
Economic Rights are rights that allow creators to financially benefit from their works by
controlling how their creations are used. Economic rights cover activities such as
reproduction, distribution, and public performance, ensuring that creators can earn a living
from their work.
Serial No. Kind or type of Description
economic right
1. Right of Reproduction Is the most fundamental of the economic rights and
is available to all works protected by copyright. This
right grants the owner the exclusive authority to
prevent any person from making one or more copies
of the work, or a substantial part of it, in any material
form, which includes sound and film recording,
without obtaining the copyright owner's permission.
This right forms the legal basis for commercial
exploitation acts like a publisher printing books or a
producer cutting music CDs. Reproduction does not
require an exact copy; it includes any substantial use
of the original work's copyrighted features that might
be considered an infringement
2. Right of Distribution The owner of copyright holds an exclusive right over
the initial distribution of copies of their work, a right
that flows logically from the right of reproduction.
Like the right of reproduction, the right of
distribution is available for all works subject to
copyright protection. However, this right is generally
considered 'exhausted' after the first sale of a
particular copy. Consequently, the purchaser is free
to resell or otherwise dispose of the copy they
bought—for example, a person can sell a second-
hand book without the copyright owner's consent
3. Rental Right stems from the right of distribution and means
making a work available for use for a limited period
for direct or indirect economic or commercial
advantage. This right is a relatively new addition and
marks a departure from the old exhaustion doctrine,
necessitated by the ease with which certain works
can be copied illegally. It is currently made available
only to three specific classes of works: computer
programmes, sound recordings, and cinematograph
films. A person who has lawfully purchased a copy
of these specific works requires the copyright
owner's permission for commercial rental to the
public, and the owner may collect royalties from
third parties engaged in such commercial rental.
4. Right of public This exclusive right allows the copyright owner to
performance authorize the public performance of their work, a
matter of basic importance, especially for dramatic,
dramatico-musical, or musical works created
primarily for performance. The right is available for
literary, dramatic, and musical works, entitling the
owner to authorize live performances such as a play
or an orchestra performance. A performance is
deemed "public" if it occurs at a place where the
public is or can be present, or at a place not open to
the public but where a substantial number of persons
outside the normal family and close friends circle is
present. Private performance, generally before an
essentially domestic circle, has no restriction
5. Right to communicate is applicable to all categories of protected works.
the work to the public "Communication to the public" is defined as making
any work or performance available for being seen,
heard, or otherwise enjoyed by the public directly or
by any means of display or diffusion other than by
issuing copies of the work. The work is considered
communicated to the public simply if it is accessible
to the public, even if no member of the public
actually sees or hears it—for instance, a cable
operator transmitting a film that no one watches.
This right also includes the exclusive authority to
authorize the broadcasting of a work by radio,
television, or its communication by wire or wireless
means
6. Right of adaptation & This right pertains to the preparation of new works
translation based upon an already existing work. The Right of
Adaptation is available for literary, dramatic,
musical, and artistic works. Adaptation involves
various acts, such as converting a dramatic work into
a non-dramatic work, converting a literary or artistic
work into a dramatic work, abridgement, or any
rearrangement or alteration of the work. Similarly,
the owner of a literary, dramatic, or musical work
has the exclusive Right of Translation, which is the
expression of the work in a language other than that
of the original version. Both translations and
adaptations are, in themselves, works protected
under copyright, meaning that publishing either
requires obtaining permission from the copyright
owner of both the original work and the new adapted
or translated work.
Caselaws Analysis:
Name of the Facts of the Case Issues of the Case Judgment of the Case
Case
Neha Bhasin The case involved a The primary legal The court clarified that the
v. Anand Raj commercial dispute issue was the term ‘performance’ requires
Anand where the central interpretation of the a visual or acoustic
(Delhi High question was the term ‘performance’ presentation to be made live
Court) nature of a studio under Section 2(q) of in the first instance, even if
(2006) recording of a singer. the Copyright Act, it occurs in a studio without
The opposing party 1957. Does the term a public audience. The
argued that such a require the ruling upheld that the act of
recording did not performance to be initial performance by the
qualify for ‘live’ in front of the person, rather than the place
Performer's Rights public, or is the initial or public nature, is what
because it was not presentation by the triggers the protection under
presented before a performer sufficient? the Act.
live audience,
challenging the
definition of
‘performance’
Indian This landmark case Does the assignment The Supreme Court held
Performing involved a conflict of the right to that once a copyright owner
Right Society between the Indian incorporate a musical (like a composer) consents
Ltd. v. Performing Right work into a film to their work being
Eastern Society (IPRS), imply the transfer of incorporated into a
Indian which manages the the right to publicly cinematograph film or
Motion performance and perform/broadcast sound recording, a license
Pictures communication rights that work as part of for subsequent exploitation
Association of musical works the film? In essence, of that recording/film as a
(IPRS v. (songs, lyrics, who controls the whole needs to be obtained
EIMP) compositions), and secondary rights once only from the copyright
(Supreme the Eastern Indian a song is part of a owner of the film/recording
Court) Motion Pictures movie? (the producer). This ruling
(1977) Association (EIMP), confirmed the dominance of
which represented the film producer's right
film producers. The over the underlying musical
dispute centered on work for use in that specific
whether the film format.
producers, after
acquiring the right to
use the music in their
films (via
synchronization
rights), could license
the public exhibition
or broadcast of the
film (containing the
music) without
needing a separate
performance license
from IPRS for the
underlying musical
works.
Aasia This case involved Does the act of The court ruled that the
Industrial the infringement of altering or interfering BRR holder has the
Technologies the Broadcast with the content of a exclusive right to control the
Ltd v Reproduction Right broadcast— reproduction,
Ambience (BRR) held by a specifically by communication, and
Space Sellers broadcasting replacing commercial rebroadcasting of the
Ltd. organization. Local advertisements— content. The unauthorised
(Bombay cable operators were constitute an act of interfering with or
High Court) capturing the original infringement of the altering the broadcast
(1997) television broadcast BRR granted under content (even if only the
signal and, while re- Section 37 of the commercial break) was
transmitting it, were Copyright Act? deemed a clear infringement
blanking out the of the broadcasting
advertisements placed organization's BRR.
by the original
broadcaster, replacing
them with their own
local advertisements.
ESPN Star ESPN Star Sports, Does the creation of The Delhi High Court held
Sports v holding the BRR for a derivative that the BRR is a robust
Global live sports event programmes using right that extends to using
Broadcast broadcast, sued short clips from a live parts of the broadcast to
News Ltd. Global Broadcast broadcast infringe the create innovative derivative
(Delhi High News Ltd. (a news BRR? Furthermore, programmes (like montages
Court) channel) for do procedural with panel discussions), thus
(2008) unauthorized use of requirements specific restricting the use of the fair
short clips, montages, to copyright suits, use exception in favour of
and highlights from such as Section 61 unauthorized news
the live broadcast. (requiring the joining reporting. Crucially, the
The news channel of the licensee), apply court also ruled that BRR
had interspersed these to infringement suits are special and distinct
clips with its own concerning rights, making procedural
expert panel Neighbouring Rights requirements like Section 61
discussions. (BRR)? (which Parliament did not
include in Section 39A)
inapplicable to BRR
infringement suits.
Trademark is defined u/s 2 (zb) of the TM Act, 1999 as: a mark or a sign that is capable of being
represented geographically and which is capable of distinguishing the goods or services of one
person from those of others, and may include the shape of goods, their packaging and
combination of colours etc. [So, the requirements essentially are distinctiveness & graphical
representation]
Mark, u/s 2 (m) of the TM Act, 1999: it includes a device, brand, heading, label, name,
signature, word, letter, numeral, shape of goods, packaging or combination of colour or any
combination thereof.
Nature of a Trademark: A trademark is a symbol or other unique mark applied to goods or their
packaging that serves to distinguish them from similar items and identify them with a particular
manufacturer or trader. Functioning as a bridge between the product and its owner, the trademark
has an existence independent of the physical article; its sole purpose is to establish this essential
connection for consumer recognition. While traditionally consisting of symbols, modern law
permits the registration of unconventional marks, underscoring the extraordinary legal privileges
and power associated with trademark rights.
Functions of a Trademark: a trade mark must offer a guarantee that all the goods or services
bearing the trademark have originated under the control of one undertaking which responsible
for its quality. same This is also called the ‘origin identifying function’ which eradicates
likelihood of confusion and thereby helps the consumer in deciding what they want. Essentially,
it advertises the goods or services; it identifies the goods or services and its origin; it creates an
image for the goods or services; it guarantees unchanged quality (since the goods are
manufactured owing to a series of established protocols that are always followed) & it signifies
that all goods bearing a particular trademark come from a single source.
Theories of Economic functions, are as follows:
1) Search Cost Theory or the Lander Posner Theory: posits that legally protected trademarks
are essential tools for reducing the search costs and risks faced by consumers due to
information asymmetry. This asymmetry occurs because producers have more complete
knowledge about product quality, often withholding negative details, which makes quality
verification difficult for buyers. By ensuring a product's mark is consistent and protected
from counterfeiting, a trademark acts as a reliable indicator of desirability and source. This
signal enhances the customer's information situation and allows them to reduce various
costs—pecuniary, psychological, and communication—that would otherwise be incurred
while investigating a product's quality. Example: For buying an expensive leather bag you
have to know and take out information about leather used, packaging etc and even after all
may end up with a wrong choice.
2) Quality Assurance Theory: asserts that trademarks are a vital source of information about the
quality of the products they represent, encompassing everything from aesthetics to emotional
impact. A mark enhances the modern market by enabling owners to efficiently share details
about their product's quality. Essentially, a trademark signifies the consistent quality of all
goods bearing it, assuring consumers that products with the same mark share similar
characteristics and standards. It thus serves as an indicator of what the consumer is about to
purchase and establishes the commercial responsibility of the trademark owner, building trust
through its strong communicative power.
The Factor of Distinctiveness: Distinctiveness is the quality of being different from the other
things. If a mark is not distinctive then it can create confusion in the minds of the consumers of
the products regarding the origin of the products or services it represents. For prevention of such
confusion, Section 9(1)(a) of the TM Act prohibits the registration of the marks which have no
distinctive in nature. Thus, it is absolutely essential for a TM to qualify as ‘distinctive’. The test
to determine whether a mark is ‘distinctive’ or not was laid down in the Abercrombie & Fitch
Co. v. Hunting World, Inc (1976) case, and is known as the ‘Abercrombie Spectrum of
Distinctiveness’. The case essentially broke trademarks into classes which are accorded differing
degrees of protection. It laid down a spectrum which measures distinctiveness on the following
categories:
a) Generic Marks (does not qualify for protection): It is a term that one refers or has come to be
understood as referring to the genus or class of which the particular product is a specie. They
do not warrant protection because if one seller could trademark a generic name, other sellers
would be unable describe their products and would thus be at a great disadvantage. Such
words which have become public juris or generic cannot be appropriated as they belong to
the public at large. Example: it is not permissible to use a word mark ‘Milk’ to brand the
product milk or the words ‘Hiking Boots’ to brand boots
b) Descriptive Marks (sometimes qualifies for protection): merely identify a product's
attributes—like its purpose, size, color, or ingredients—generally do not qualify for
trademark protection on their own. To gain legal protection, such a mark must acquire a
‘secondary meaning’. This means the consuming public must primarily associate the mark,
not with the product itself, but with the specific manufacturer or seller. For example, a mark
like ‘Jiffy Lube’ while descriptive of speedy service, is protected because consumers link it to
a single company. Similarly, surnames (like McDonald's or Hilton) are treated as descriptive
marks and only become protectable once they have established this strong secondary
association with a single commercial source.
c) Suggestive Marks (qualifies for protection): is a trademark that has some association to the
product or service at issue but it is not immediately clear. Suggestive product identifiers do
not directly describe a quality or characteristic of a company, product or service. They
instead use terms or designs that suggest specific qualities and traits. For a trademark to fall
under this umbrella, consumers must need to use their imaginations to make the mental
connection between trademark and brand. For example, ‘Netflix’ suggests entertainment and
streaming services but does not directly describe them, making it inherently distinctive as
well.
d) Arbitrary Marks (qualifies for protection): which consist of real, dictionary-defined words
that bear no logical relationship to the goods or services offered ‘Apple’ for computers being
a classic example. These too are inherently distinctive because they do not describe or
suggest the nature of the product.
e) Invented or Fanciful Marks (affords strongest protection): These trademarks are inherently
distinctive by nature, as they are uniquely created to serve as brand identifiers because they
are coined terms with no prior meaning in any language. Example: Xerox or Kodak.
Thus, we can see that, the strength of trademark protection is directly related to the mark's
distinctiveness, creating a spectrum from weakest to strongest protection. Marks that are highly
descriptive (like a generic name or a term that directly describes the product) have the closest
nexus to the product, resulting in the weakest protection. Conversely, highly distinctive,
arbitrary, or fanciful marks (with a weak or non-existent nexus to the product) are accorded the
strongest protection. Therefore, the degree of legal protection is inversely proportional to how
closely the mark relates to the goods it identifies.
Name of the Case Facts of the case Judgment of the case
Abercrombie & Abercrombie & Fitch (A&F) sued The Second Circuit, in an opinion
Fitch Co. v. Hunting World (HW) for trademark by Judge Friendly, established the
Hunting World, Inc infringement, seeking to enjoin “spectrum of distinctiveness” for
(1976) HW's use of the word ‘Safari’ and trademarks (generic, descriptive,
related terms (e.g., ‘Minisafari’, suggestive, arbitrary, and fanciful).
‘Safariland’) on various apparel and It held that ‘Safari’ was generic for
merchandise. A&F had been using certain products like a safari hat or
and registering ‘Safari’ since 1936, jacket, and thus unprotectable for
promoting it heavily as an those items, affirming the dismissal
exclusive mark. HW contended that for those uses. However, the Court
‘Safari’ was a common, generic, reversed the cancellation of all
and descriptive term for a type of A&F's trademarks, holding that for
journey and associated apparel, and other goods, the term might be
therefore was not entitled to suggestive or have acquired a
exclusive trademark protection. The secondary meaning and could still
District Court dismissed A&F's be valid.
complaint and canceled all its
‘Safari’ trademarks, leading to
A&F's appeal to the Second
Circuit.
The concept of Graphical Representation: It is essentially, the capability of a mark of being put
in a register in a physical form, and also, being published in a journal. Section 2(1)(k) of the
Trademark Rules, 2002 define graphical representation as ‘graphical representation’ means the
representation of a trade mark for goods or services in paper form. The Trade Mark Rule 2017
amended the definition into: ‘Graphical Representation means the representation of a trademark
for goods or services represented or capable of being represented in paper form and includes
representation in digitised form’. Need of graphical representation:
a) It is needed because it enables the traders to identify with clarity, what other traders have
applied for registration as a TM and which products
b) it also enables the public to determine, with precision the signs which form the TM
registration
c) It helps in record keeping
d) It helps during substantive examination of the TM application to check the degree of
similarities
e) It enables the trade mark registry, competitors of the protected mark and the public to identify
the mark.
f) It enables courts to use the mark that is graphically represented as a reference point in
assessing whether someone has infringed the mark.
Sieckmann Criteria: states that a representation must fulfil the CPSAIDO criteria, to qualify
as a mark capable of being graphically represented {Clear, Precise, Self Contained, Easily
accessible, Intelligible, Durable & Objective}
Name of the Case Facts of the case Judgment of the Case
Ralf Sieckmann v/s Ralf Sieckmann sought to register an The ECJ held that while a
Deutsches Patent- olfactory (smell) mark described as a non-visual sign (like a
und Markenamt ‘balsamically fruity odour with a slight smell) could potentially be
(2002) hint of cinnamon’ for various services. a trademark, it must be
To fulfill the requirement of graphic represented graphically in a
representation under the European Trade manner that is clear,
Marks Directive, he submitted a chemical precise, self-contained,
formula (methyl cinnamate), a written durable, and objective. The
description, and a physical sample of the Court ruled that neither a
scent in a container. The German Patent chemical formula (as it
and Trade Marks Office refused the represents a substance, not
application, doubting both its graphic the smell), nor a written
representability and distinctiveness, description (being
leading the German Federal Patents Court subjective), nor the deposit
to refer questions on the interpretation of of a sample (lacking
the Directive to the European Court of stability and durability), nor
Justice (ECJ). a combination of these
elements satisfied the strict
graphic representation
requirement for an olfactory
sign. The application was
ultimately refused as the
smell could not be precisely
identified
Colour Marks: A colour trademark is a non-conventional trademark in which the trade mark
function of uniquely identifying the commercial origin of goods or services is performed by at
least one colour. A colour trademark functions as a symbol or logo employed by a company to
signify its brand, also referred to as a corporate identity emblem. It essentially equates the brand
with a specific colour. For instance, when seeing chocolate candy wrapped in purple, one
immediately thinks of Cadbury. Similarly, a turquoise jewellery box is unmistakably linked to
Tiffany & Co.
Name of the Facts of the Case Issues of the Case Judgment of the Case
Case
Libertel Libertel, a Dutch The primary issue The ECJ, reiterating the
Greop BV telecommunications referred to the ECJ Sieckmann requirements, ruled
V/S group, sought to was whether a that the registration of the color
Benelux- register the single color color per se (a ‘orange’ as represented was not
Merkenbure orange as a trademark. single color) acceptable. A simple
au (2003) The application possessed the reproduction and written
provided a requisite description failed the durability
representation of the distinctiveness to requirement, as color samples
color in a rectangle and function as a fade, and verbal descriptions are
a written description of trademark for imprecise. However, the Court
the mark simply as specific goods or acknowledged that a color per
‘orange’. This attempt services. Secondly, se could, in theory, function as a
to register a color per se the issue centered ‘badge of origin’ and acquire the
(on its own) raised on whether a potential to distinguish goods if
questions about its representation of consumers perceive it as an
ability to meet the the color alone, indication of source. Thus, a
formal and substantive with a simple single color can be registered if
requirements for verbal description, it fulfills all formal and
trademark registration satisfied the substantive requirements. The
under European law, Sieckmann ECJ reasoned that in most cases,
particularly the requirements, registration of a color per se
standards previously specifically the would require compelling
established by the need for a sign to evidence of acquired
Sieckmann ruling be graphically distinctiveness (secondary
concerning graphic representable in a meaning) through extensive use,
representation and manner that is as colors inherently have little
durability, which the clear, precise, and communicative capacity. A
ECJ subsequently durable over time. cautious approach to registration
addressed. is preferred due to concerns over
the Color Depletion Theory,
which warns that granting
monopolies over a limited
number of colors (especially
functional or common colors
needed in a relevant business)
would be anti-competitive and
distort market freedom.
Sound marks: A sound mark is a non-conventional trademark where sound identifies the source
of goods or services from a particular entity. The Trade Marks Act of 1999 in India does not
explicitly define sound marks, but they are recognized as distinct from traditional trademarks like
logos and phrases. The first Sound Mark Registration in India was the “Yahoo yodel” in 2008,
followed by ICICI Bank’s corporate jingle “Dhin Chik Dhin Chik” in 2011. Initially, there were
no clear guidelines for sound mark registration in India, particularly regarding graphical
representation. However, the amendment of the Trade Marks Rules in 2017 established explicit
criteria for their registration. The process for registering a sound mark in India, is as follows:
a) The company or entity should file the Form TM-A for trademark registration.
b) In Form TM-A, the company or entity must mention the category of mark as a sound mark;
otherwise, it will be considered as a device mark.
c) When the Registrar of Trademark is not satisfied with the sound mark, he/she can ask for
clarification or require supporting documents from the applicant.
d) When the sound trademark has a unique note and does not overlap with any other existing
sound trademark, it will be registered by the Registrar of Trademarks and granted a
trademark registration certificate.
Name of the Case Facts of the Case Judgment of the Case
Shield Mark v Joost Shield Mark, a Dutch The ECJ ruled that sound marks,
Kist h.o.d.n. telecommunications group, held whether musical or non-musical, are
MEMЕХ (1998) multiple sound mark registrations, registrable in principle as they can
including the first nine notes of function as a badge of origin,
Beethoven's "Für Elise", provided their graphic representation
represented on a musical stave, meets the Sieckmann criteria of
and the onomatopoeia being clear, precise, and durable.
"Kukelekuuuuu" (a cockrow The Court held that a sound
imitation). Shield Mark filed a represented by musical notes on a
trademark infringement suit stave meets these criteria, as the rise
against Joost Kist h.o.d.n. and fall in pitch are clearly
MEMEX because Kist used the understood by musically literate
Für Elise composition for persons, aiding comparison and
advertising and the cockcrow infringement assessment. However,
sound for a computer program. a written description of a sound or an
The issue before the Dutch courts, onomatopoeia like "Kukelekuuuuu"
and subsequently referred to the was deemed insufficient because
ECJ, was whether sound marks, words lack the necessary precision to
specifically those represented by a clearly indicate pitch variation,
musical stave or a written creating ambiguity for the trademark
onomatopoeia, met the necessary registry and the public. The ruling
graphic representation therefore validated the protection of
requirements to qualify for the musical score but cast doubt on
trademark protection. the protection of the onomatopoeia
as represented.
Certification marks, u/s 2 (1) (e) of the TM Act: is the kind of mark that certifies the nature or
origin of goods or services to which it has been applied. This method or mode services or any of
includes the manufacture definable manufacture or provision of standards. region or or location
provision, quality characteristic services of the by members or origin, assurance, goods or of a
union materials accuracy of construction, of the goods or It can also certify or other organization
to certain services. The sole purpose of a certification mark is to indicate that certain standards
have been met. The function of a certification mark is not to indicate trade origin but to certify
that the goods or services in relation to which it is applied are certified by the proprietor of the
mark as to certain characteristics of the goods or services. A certification mark requires a formal
agreement with a nationally accredited organization. Its validity rests on legal evidence of
product testing against a national standard, assurance of consistency between tested and sold
goods, and regular audits of the manufacturer's process. Crucially, its distinctiveness is judged by
its ability to distinguish certified goods from uncertified ones, rather than differentiating between
the goods of two competing businesses.
Well Known Trademarks, u/s 2 (1) (zg) of the TM Act: It is defined as ‘marks which have
become so well known to the substantial segment of the public which uses such goods or
receives such services that the use of such mark in relation to other goods or services would be
likely to be taken as indicating a connection in the course of trade or rendering of services
between those goods or services and a person using the mark in relation to the first- mentioned
goods or service’.
Criteria for recognising a WKTM: Section 11 (6) lays down the various factors to be taken
into account by the registrar while determining whether a TM is a WKTM or not. They are:
a) The knowledge or recognition of that trade mark in the relevant section of the public
including knowledge in India obtained as a result of promotion of the trade mark. The
following facts may be considered in this regard: the number of actual or potential
consumers of the goods or services; the number of persons involved in the channels of
distribution of the goods or services; the business circles dealing with the goods or
services, to which that trade mark applies.
b) The duration, extent and geographical area of any use of that trade mark
c) The duration, extent and geographical area of any promotion of the trade mark,
including advertising or publicity and presentation, at fairs or exhibition of the goods or
services to which the trade mark applies
d) The duration and geographical area of any registration of or any application for
registration of that trade mark under this Act to the extent they reflect the use or
recognition of the trade mark
e) The record of successful enforcement of the rights in that trade mark; in particular, the
extent to which the trade mark has been recognised as a well-known trade mark by any
court or Registrar under that record.
Criteria not considered or required for WKTM Registration: Section 11 (9) lays down certain
conditions which are not needed or not required for the purpose of granting a WKTM. They
are as follows:
a) That the TM has been used in India
b) That the TM has been registered
c) That the application for registration of the trade mark has been filed in India
d) That the TM is well known in or registered in any other jurisdiction other than India
e) That the trademark is well-known to the public at large in India.
Name of the case Facts of the Case Judgment of the case
Daimler Benz Daimler Benz, the renowned German The Delhi High Court granted an
Aktiengesellschaft automobile manufacturer, sued Hybo injunction in favor of Daimler
v. Hybo Hindustan to prevent the latter's use Benz, recognizing the "BENZ"
Hindustan (1994) of the identical trademark "BENZ" mark and its emblem as a globally
along with a similar three-pointed well-known trademark with an
human figure device for undeniable reputation in India, even
undergarments. Daimler Benz for unrelated goods. The Court
contended that their "BENZ" mark emphasized that such a prestigious
and the three-pointed star symbol mark is not "up for grabs" for
were well-known globally and in unrelated, especially inferior,
India, despite not manufacturing or products like undergarments, as this
selling innerwear. Hybo Hindustan would dilute the mark's
argued that the goods were distinctiveness and prestige. The
completely dissimilar and that judgment established an early
"Benz" was a common German precedent for the protection of
surname, negating any likelihood of famous marks against dilution and
confusion or infringement. unauthorized use on dissimilar
goods in India.
Whirlpool Whirlpool Corporation, a US-based The Supreme Court upheld the
Corporation v. company, sued N.R. Dongre for injunction against Dongre,
N.R. Dongre passing off, asserting prior use and affirming that Whirlpool
(1996) trans-border reputation for the Corporation’s mark possessed a
trademark "WHIRLPOOL" for trans-border reputation that
washing machines since 1937, extended to India, regardless of the
despite its Indian registration having lapsed registration. The Court
lapsed in 1977. Dongre had applied established that in a passing-off
for and obtained registration for the action, prior use and reputation
"WHIRLPOOL" mark in India in supersede a later registration. It
1986. Whirlpool argued that its held that the use of the well-known
global reputation, maintained through mark by Dongre would cause
extensive advertising in international confusion and deception among
magazines circulated in India and consumers, allowing the defendant
sales to the US Embassy, established to pass off his goods as those of the
a goodwill that was being exploited famous Whirlpool brand, thereby
by Dongre's inferior quality protecting the principle that
machines. goodwill knows no geographical
boundaries
Section 9(2)(b) Marks that contain or comprise matter likely to hurt the
religious sentiments of any class or section of the citizens
of India.
Passing Off: is a common law tort which is most commonly used to protect goodwill that is
attached to the unregistered trademark. Passing off is basically when one person is passing off
his goods or services as that of another person. The Trademarks Act, 1999 gives rights and
protection in the form of remedies to not only registered but also unregistered trademarks.
Section 27(2) of the Act provides a remedy for an unauthorized use of an unregistered trademark.
Ingredients of passing off:
a) Misrepresentation: is noted to have taken place wherever and whenever the defendant makes
or tries to make the public believe that the goods and services that he is providing, are of the
plaintiff. Any representation that gives rise to the action of passing off implies that there had
been a misrepresentation by the defendant that the goods or services, which were in actuality
the plaintiff’s, were possessed to be in fact his or hers. Misrepresentation can be both
intentional and unintentional, what has to be seen is whether the defendant is selling his
goods in such a way that a common ordinary man would confuse his good to that of the
plaintiff's. The word misrepresentation does not mean that the plaintiff has to prove any
malafide intention on the part of the defendant. What has to be established is the likelihood of
confusion in the minds of the public, (the word "public" being understood to mean actual or
potential customers or users) that the goods or services offered by the defendant are the goods
or the services of the plaintiff.
b) Goodwill or Prior use: It must be proven that the person or the goods and services own some
kind of reputation in the market that associates the public with those specific goods or
services. Goodwill can be noted as the benefit or advantage of a good name or reputation that
is connected to the business of the concerned products or services. It is the attribute that helps
the business expand and an injury to it, would benefit the business. Supreme Court has also
laid emphasis on prior use in the case of Satyam Infoway Ltd. vs. Siffynet Solutions (P) Ltd,
(2004) ‘The action is normally available to the owner of a distinctive trademark and the
person who, if the word or name is an invented one, invents and uses it. If two trade rivals
claim to have individually invented the same mark, then the trader who is able to establish
prior user will succeed. The question is, as has been aptly put, who gets these first? It is not
essential for the plaintiff to prove long user to establish reputation in a passing off action. It
would depend upon the volume of sales and extent of advertisement’.
c) Damage: the offended party must prove that it has suffered actual or reasonable loss of
business due to the alleged misrepresentation. It must be proved that the misrepresentation
has harmed the goodwill or caused a loss to the reputation. To avail the defence of passing
off, the plaintiff must satisfy the court that he has suffered damages or is in a ‘quia timet’
action meaning ‘because he fears’ & in TM law, it means that it leads the plaintiff to seek an
injunction in the court because there is an apprehension to him that there can be injury caused
to his rights in the future by the defendant.
Serial No. Name of the Case Judgment of the case
1. Reckitt & Colman Facts: The plaintiff, Reckitt & Colman (trading as
Products Ltd v. Borden Colmans of Norwich), had, since the 1950s, been
Inc. and Others [1990] the exclusive supplier of preserved lemon juice in
the UK, sold in distinctively shaped, natural-size,
yellow plastic squeeze-containers resembling a
lemon, under the brand name ‘Jif Lemon’. The
get-up was widely recognised and associated by
the public with the plaintiff's product. The
defendant, Borden Inc., a competitor selling
‘ReaLemon’ juice, sought to enter the UK market
with their own lemon juice sold in near-identical
lemon-shaped plastic containers. Reckitt &
Colman sued Borden for the common law tort of
passing off to prevent the defendant from
marketing its product in that specific get-up.
Points of
Infringement Passing off
differences
South India Beverages Pvt. Ltd. Vs. General Mills Marketing Inc. case analysis:
Facts: General Mills Marketing Inc. (Respondent-Plaintiff) is the registered proprietor of the
composite trademark ‘HAAGEN-DAZS’ for ice-creams. South India Beverages Pvt. Ltd.
(Appellant-Defendant) used the rival mark ‘D’DAAZS’ also for ice-creams. The Respondent-
Plaintiff filed an infringement action against the Appellant-Defendant, arguing that the
adoption and use of the mark ‘D’DAAZS’ constituted infringement and passing off due to
deceptive similarity. The case required the court to analyze the competing marks, considering
‘HAAGEN-DAZS’ as a composite mark, and determine the likelihood of consumer
confusion, particularly given that the goods (ice-creams) are consumed by people of all ages
and socio-economic strata, lessening the defense of sophisticated consumers.
Issues: The primary legal issue before the court was whether the Appellant-Defendant's mark
'D’DAAZS' was deceptively similar to the Respondent-Plaintiff's registered composite mark
'HAAGEN-DAZS', thereby constituting trademark infringement. This required the court to
determine the correct application of two established principles in trademark law concerning
composite marks: the ‘Rule of Anti-Dissection’ and the ‘Identification of the Dominant
Mark’. A secondary issue was whether the difference in price or the assumed sophistication
of premium ice-cream consumers offered a valid defense against the claim of infringement or
likelihood of confusion.
Judgment: The court held that the principles of 'anti-dissection' and 'dominant mark' are
complementary, not antithetical, and allow for the consideration of individual elements as a
preliminary step. The court rejected the Appellant's submission that infringement cannot lie if
the entire mark 'HAAGEN-DAZS' is not appropriated. It found that 'HAAGEN DAZS' is
composed of two equally dominant elements and that the element 'DAZS'/'D’DAAZS' is
arbitrary and distinct, possessing greater strength and protection. The court noted that ice-
creams appeal to all groups, including children, and that the defense of 'sophisticated
consumers' is not a complete shield against confusion, especially for products of mass appeal.
MODULE VI, GEOGRAPHICAL INDICATIONS:
The difference between GI & C-TM: A certification trademark (CTM), as the name indicates, is
a mark that certifies the nature or origin of the goods or services to which it has been applied. So
a question arises: Why have a GI Act if a CTM serves the same purpose?
WIPO says : A CTM application can include, for example, region or location or origin,
materials of construction, method or mode of manufacture or provision, quality assurance,
accuracy of the goods or services or any definable characteristic of the goods or services. It
can also certify manufacture or provision of services by members of a union or other
organization to certain standards. (it is a broader standard).
A GI, on the other hand, is only an indication (or certification) of the geographic origin of
goods and quality or characteristics of the goods that are directly attributable to the
geographic origin.
Appellation of Origin: is a higher category of GI. It refers to a geographical name that not only
identifies the place of origin but also indicates that the qualities, reputation, or characteristics of
the product are essentially due to that geographical environment. Example: Darjeeling Tea, as
the taste and aroma come from the climate and soil of Darjeeling. This is covered u/s 2 (1) (e) of
the GI Act, 1999. {Imp: from where it comes + qualities due to that place}
Indication of Source: It is the simplest form of geographical indication. It only shows where the
product comes from, but does not guarantee quality or characteristics. Example: ‘Made in India’
or ‘Product of France’ on a label. This is not expressly defined under Indian law. {Imp: from
where it comes}
TRIPS & GI:
Article 22, General protection for GI: The TRIPS Agreement of 1995 recommends a
minimum standard of protection for geographical indications (GIs) , with Article 22 outlining
this general level of protection that applies to all goods irrespective of nature. GIs, for the
purpose of this Agreement, are indications that identify a good as originating in a Member's
territory, region, or locality, where a given quality, reputation, or other characteristic is
essentially attributable to its geographical origin. Member countries must provide legal
means to prevent the use of designations that mislead the public as to a good's geographical
origin or constitute an act of unfair competition within the meaning of Article 10bis of the
Paris Convention. Furthermore, a Member must refuse or invalidate the registration of a
trademark that consists of or contains a GI if its use for non-originating goods is of a nature
to mislead the public. Importantly, unless a GI is protected in its country of origin, there is no
obligation for other countries to extend reciprocal protection under this Agreement.
Developing countries have largely based their statutory regimes on the provisions of Article
22. When looking at the principles what becomes very clear is that the principle of national
treatment has been given importance as the range of protection from registration to treatment
similar to domestic product has been stressed upon. The second clause of Article 22 provides
a negative right as to prevent others from protecting GI's. What is interesting to note is that
this definition is also covering protection available to wines and spirits and is not exclusive to
them. It provides a very equal regime for all goods.
Article 23, Special protection for wines and spirits: In addition to the general protection,
Article 23 provides additional protection (a higher level of protection) specifically for GIs
identifying wines and spirits. This special protection is absolute and unqualified. It imposes
an obligation upon Member countries to prevent the use of a GI for wines or spirits not
originating in the indicated place, even where the true origin is indicated or the GI is used in
translation or accompanied by expressions such as ‘kind, type, style, or imitation’. This
means that protection is required even if there is no risk of misleading or unfair competition.
Furthermore, the registration of a trademark for wines or spirits that consists of or contains a
GI identifying them must be refused or invalidated if the product does not have that origin,
without needing proof that the public is misled. For homonymous GIs for wines, protection is
accorded to each indication, but Members must determine practical conditions to differentiate
them to ensure equitable treatment for producers and prevent consumers from being misled
Article 24, exceptions to GI protection: These exceptions include cases where a GI is not
protected in its country of origin , or if it has been registered as a trademark with bona fide
intentions. Other exceptions relate to the GI having been used in that country for a period of
ten years already, or the use of generic terms traditionally. However, under the TRIPS
Agreement, WTO members are not required to extend protection to GIs if they become
generic for the goods.
India’s compliance & Sui Generis Approach: India implemented the TRIPS provisions in its
domestic legislation through “The Geographical Indication of Goods (Registration and
Protection) Act, 1999”. India's Act provides a sui generis interpretation of the protection
available. The Indian statute characterizes GIs in connection to products by classifying goods
into agricultural goods, natural goods, or manufactured goods , unlike the general 'goods'
description in TRIPS. It highlights the importance of human skill and geographical origin for
agricultural and manufactured goods , particularly noting the craftsmanship in handloom and
handicraft industries. India also adopts a unique approach regarding Homonymous GIs;
Section 10 of the Indian Act requires the registrar to differentiate between two Homonymous
Indications and ensure equitable treatment and prevent market confusion, but India has
extended this provision to products other than wines, demonstrating a sui generis approach in
protecting its own goods. For instance, the definition of ‘producer’ [u/s 2 (k)] specifically
includes processing and manufacturing steps, ensuring that human factors—critical for
products like Darjeeling Tea—are considered attributable to the origin.
The debate on the extension of Article 23 protection: The debate on the extension of the
specific protection available to wines and spirits under Article 23 to other products remains
vigorous. Developing countries, including India , have been demanding this extension due to
incidents of infringement and the lower standard of protection under Article 22, which is seen
as inadequate against ‘free-riding’ and the risk of genericide of GIs. They argue that the
absolute protection of Article 23 (which even bars terms like 'kind' or 'type') is necessary to
prevent excessive damage to their GIs' reputation and revenue. Opponents of the extension
argue that Article 22 is adequate , and that failure of national enforcement mechanisms is the
real issue. Granting absolute rights through extension could also be anti-competitive, give
rise to monopoly, and increase financial and administrative burdens on developing countries.
Furthermore, it is argued that the higher protection could be negatively used to block imports,
limiting the market access for developing countries instead of increasing it. This debate,
rooted in historical negotiations and compromise, is essentially a power play concerning the
economic interests of different countries.
Provisions for negotiation & Mandate regarding extension: Article 24.1 provides for
additional negotiations in case there is a need to extend any protection under Article 23. The
Doha Declaration also addressed this issue, with Paragraph 18 noting that issues related to the
extension of Article 23 protection to products other than wines and spirits "will be addressed
in the Council for TRIPs pursuant to paragraph 12". However, it is inferred that neither
Paragraph 12 nor Paragraph 18 has clearly provided a mandate for extending the protection,
but merely highlighted the need to address the matter. Separately, Article 23.4 explicitly
provided for negotiations concerning a multilateral system of notification and registration of
GIs only for wines.
Effect on foreign relations & market access in case of extension: Proponents argue that
extension would offer an incentive for local producers, encourage the agricultural sector, and
lead to increased employment and the development of sectors like tourism and biodiversity. It
could help developing countries establish a place in the International Market and lead to
greater welfare. However, these are propositions, and opponents counter that absolute rights
could lead to monopoly and exploitation. Furthermore, increased administrative costs may
outweigh expected trade benefits. The risk that the complexity of elevated protection could
be used to create barriers for imports is a significant concern, which could hinder market
access for developing countries and force bona fide producers to re-label their goods,
incurring revenue loss.
GI & its process of registration in India:
Legal Framework & Authority: The framework for GI registration in India is established by
the Geographical Indications of Goods (Registration and Protection) Act, 1999 and the
Geographical Indications of Goods (Registration and Protection) Rules, 2002. The central
body overseeing registration is the Geographical Indications Registry located in Chennai. The
Registrar of Geographical Indications is the Controller-General of Patents, Designs, and
Trade Marks.
Substantive conditions & application filing: Eligibility for a GI requires that the goods
(agricultural, natural, or manufactured) are identified as originating in a specific territory,
region, or locality, where a given quality, reputation, or other characteristic is essentially
attributable to that geographical origin. The application must be filed by an association of
persons, producers, or any authority representing the interests of the producers of the
concerned goods. The application is filed in triplicate using Form GI-1, accompanied by a
detailed Statement of Case. The Statement of Case must include a description of the goods,
the specific geographical area, proof of the product's reputation, and details of the inspection
structure (if any).
Examination, advertisement & opposition: Following submission, the application undergoes
a Preliminary Scrutiny by an examiner, where any deficiencies must be corrected by the
applicant within one month. Subsequently, the Registrar, often in consultation with a
Consultative Group of Experts, examines the application on its merits to ascertain the
correctness of the particulars and the validity of the geographical link. If the application is
accepted, it is advertised in the Geographical Indications Journal within three months to
allow for public transparency and opposition. Any person can file a notice of opposition
within three months of publication. If opposition is filed, the applicant must file a counter-
statement, and the Registrar will hold a hearing to consider evidence before issuing a
decision. If accepted, the Registrar registers the GI, and the registration date is deemed to be
the date of the original filing.
Rights & Duration: A GI registration is valid for a period of ten years. It may be renewed
indefinitely for subsequent ten-year periods upon payment of the prescribed fee. Rights
Conferred: Registration grants the registered proprietor (the filing organization) and the
Authorized Users (registered producers of the goods) the exclusive right to use the indication
concerning the registered goods. This confers the right to take legal action for infringement
against unauthorized use. Prohibition: Registration is prohibited for GIs that are likely to
deceive, cause confusion, are contrary to public order, contain scandalous matter, or have
become a generic name for the goods. Nature of Right: A GI cannot be assigned as it is
considered a collective public property right, unlike an individual trademark.
Case Studies or Case Laws:
Serial No. Name of the Case Content
1. Tirupati Laddu Case The story of the Tirupati Laddu GI tag began when the
Tirumala Tirupati Devasthanam (TTD) sought to
protect the famous temple offering as a Geographical
Indication. However, this move triggered controversy.
A public interest litigation was filed by R.S. Praveen
Raj, a scientist, questioning whether a sacred offering
could be classified as “goods” under the GI Act. He
argued that since TTD was the only producer, it
violated the very spirit of a GI, which is meant for a
community of producers. He also claimed the
registration breached Sections 9(a) and (d) of the GI
Act as it could deceive consumers and hurt religious
sentiments. The Madras High Court dismissed the
PIL, advising the petitioner to approach the GI
Registry or IPAB. When filed there, the GI Registry
rejected his plea for rectification, ruling he lacked
locus standi and had not suffered any legal injury.
Thus, the Tirupati Laddu remained protected as a GI,
recognized as a product uniquely associated with the
temple and its divine heritage.
2. Jamnagar Petrol Reliance Industries Limited attempted an unusual GI
Case registration for its “Jamnagar Petrol, Diesel, and
LPG.” The company claimed the name signified
quality and origin, as Jamnagar hosted one of the
world’s largest refineries. However, the application
stirred debate. A GI requires a natural or human link
between the product and its geography—something
inherently unique to the location. RIL’s claim lacked
this connection; it merely mentioned compliance with
ISO standards and general historical contributions to
the local area. There was no distinct geographical
quality or reputation exclusive to Jamnagar’s petrol.
Legal scholars and commentators questioned how an
industrial product refined from globally sourced crude
oil could qualify as a GI. The controversy ended when
RIL quietly abandoned its application, but it left an
important lesson: GIs must be rooted in geography and
cultural distinctiveness—not industrial capability.
3. Darjeeling Tea case The Tea Board of India, under the Tea Act of 1953,
owns the GI for Darjeeling Tea, cultivated in 87
gardens in the Darjeeling district. To protect its
heritage, the Board has fought numerous battles
worldwide against misuse of the “Darjeeling” name.
In the U.S., it successfully opposed the Republic of
Tea’s attempt to trademark “Darjeeling Nouveau.”
The Trademark Trial and Appeal Board upheld that
Darjeeling refers specifically to tea from India, not a
generic type. In France, the Tea Board won another
case when “Darjeeling with Kettle Device” was
declared invalid, as it diluted the GI’s identity. The
court even imposed fines for infringement. The
Darjeeling story demonstrates how India actively
defends its GIs globally, maintaining quality control,
licensing, and consumer education to preserve its
international reputation.
4. Indian GI & Quality While India has many registered GIs, the system faces
control issues serious quality control challenges. The Banarasi Saree
makers struggle against cheaper powerloom
imitations; Pashmina’s authenticity is safeguarded
only through voluntary certification; Darjeeling tea
producers face blending issues abroad; and Alphonso
mango exports were once banned by the EU due to
poor compliance with sanitary standards. These stories
reveal that registration alone is not enough—there
must be consistent inspection, quality monitoring, and
consumer assurance. Experts recommend a
decentralized system where inspection bodies are
empowered and accountable to preserve the credibility
of India’s GIs.
5. Basmati rice Facts: Basmati rice, a long-grained aromatic variety
controversy cultivated for centuries in the sub-Himalayan plains of
India and Pakistan, gained worldwide recognition for
its unique aroma and texture. In 1997, a U.S.-based
company, Ricetec Inc., obtained a patent from the
United States Patent and Trademark Office (USPTO)
for certain rice lines claimed to be “novel Basmati.”
The company marketed these rice varieties under the
trademarks Texmati and Kasmati, labelling them as
“American-style Basmati.” This led to international
controversy as India objected, arguing that Basmati
was indigenous to the Indian subcontinent and part of
its traditional agricultural heritage. However, India
faced a legal setback since Basmati had not been
registered or protected domestically as a Geographical
Indication (GI) at that time. Consequently, under
Article 24.9 of the TRIPS Agreement, India could not
invoke GI protection internationally, as the product
was not protected within its country of origin.
Issues: The main issues were whether Basmati could
be treated as a GI exclusive to India and Pakistan, and
whether Ricetec’s patent violated India’s traditional
rights over the product. Another key concern was
whether the term Basmati had become generic due to
its global usage, such as “American Basmati” or “Thai
Basmati.” The case also highlighted India’s delayed
implementation of a comprehensive GI protection
framework and the inadequacy of its laws in
preventing biopiracy. Further, India’s Geographical
Indications of Goods (Registration and Protection)
Act, 1999, adopted a broader test for determining
genericide, requiring consideration of the product’s
reputation not only in its region of origin but also in
areas of consumption, which could potentially weaken
domestic claims of exclusivity.
Judgment: After objections raised by India, the
USPTO modified Ricetec’s patent, restricting it to
specific hybrid rice varieties rather than granting
rights over Basmati itself. While India considered this
a partial victory as its exports were no longer directly
threatened, the case exposed the shortcomings in
India’s prior intellectual property framework. The
incident led to increased awareness and the
establishment of stronger GI protection under the 1999
Act. However, the controversy demonstrated the risks
of inadequate domestic protection, as the term Basmati
risked being treated as a generic name internationally.
The episode underscored the necessity for India to
proactively safeguard its traditional agricultural
products and to maintain narrow criteria for
determining genericide to ensure that such names
remain associated with their true geographical origin.
SKM SUGGESTIONS, ANSWERS:
Question 2) What is the definition of invention & new invention u/ the 1970 Act?
Answer: The Patents Act, 1970, defines an ‘invention’ as a new product or process involving an
inventive step and capable of industrial application. A ‘new invention’ means that the invention
has not been anticipated by publication in any document or used in the country or elsewhere in
the world before the date of filing of the patent application with complete specification.
[Provision applicable: Section 2(1)(j), Section 2(1)(l) of the Patents Act, 1970]
Question 16) How to obtain patent in India? Explain the process along with a flowchart
Answer: A patent is essentially a statutory right for an invention granted for a limited period of
time to the patentee by the government, in exchange of full disclosure of his invention for
excluding others, from making, using, selling, importing the patented product or process for
producing that product for those purposes without his consent. Obtaining a patent in India
involves several key steps from filing to grant, which can be illustrated in a flowchart-like
sequence. First, the inventor must draft a patent application – typically a provisional
specification if the invention is at an early stage, followed within 12 months by a complete
specification with claims, drawings and an abstract. Next, file the application (Forms-1, 2, etc.)
at the Patent Office along with the prescribed fees. The application is then published
automatically 18 months after filing (or earlier if the applicant requests early publication) . After
publication, the inventor must request examination (Form-18) within the prescribed time
(currently within 48 months of the priority date). The Patent Office examines the application,
conducts a search for prior art, and issues an examination report. The applicant must respond to
objections by amending claims or arguing patentability. If objections persist, a hearing before the
Controller may be held. If the Controller is satisfied that the invention is patentable (novel, non-
obvious, industrially applicable, and not excluded by law), a patent is granted and published in
the Patent Journal. Throughout this process, opportunities for opposition exist: third parties may
file a pre-grant or post-grant opposition challenging the application’s validity. Finally, once
granted, the patent is valid for 20 years from the filing date.
In summary, the procedural flow is: Conceive invention → Prepare application
(provisional/complete) → File application → Publication (18 mo.) → Request Examination →
Examination & reply → (Pre-grant opposition) → Grant of Patent → (Post-grant
opposition/renewal).
a) Preparation and Filing, Section 10: Draft provisional specification (optional) and then
complete specification with claims. File patent application (Form-1, Form-2, etc.) with the
Patent Office and pay fees.
b) Publication of Applications, Section 11A: The application is published after 18 months (or
earlier on request). The publication of every application includes the particulars of the date of
application, number of application, name & address of the applicant identifying the
application & an abstract. Certain applications are not published, which include: applications
in which secrecy direction is imposed; applications that have been abandoned or the
application has been withdrawn.
c) Request for examination, Section 11B: The applicant or any other interested person shall file
a request for examination within the prescribed period, and in the prescribed manner. (usually
48 months).
d) Examination of Application, Section 12: The Controller examines the application and issues
an examination report.
e) Response & Hearing: Applicant responds to objections (amendments or arguments). If
needed, a hearing is held.
f) Grant: If all criteria are met and objections resolved, the Controller grants the patent (Section
45). The grant is published, and the inventor obtains exclusive rights.
g) Post-Grant: The patent can be opposed or even revoked after grant on statutory grounds.
Maintenance fees must be paid to keep the patent in force.
Question 17) How to obtain patents from countries other than India?
Answer: To protect an invention abroad, an inventor cannot simply rely on an Indian patent; one
must seek protection under each jurisdiction’s law. There are two main routes: the Paris
Convention route and the PCT route.
a) Paris Convention: The Paris Convention provides the foundational framework for
international patent protection through its priority filing system. Under this system, an
applicant who files a patent application in one convention country receives a 12-month
priority period to file corresponding applications in other member countries while
maintaining the original filing date. This mechanism operates on three key principles:
national treatment (ensuring foreign applicants receive the same treatment as domestic
applicants), right of priority (preserving the original filing date), and reciprocity through
common rule enactment among member states. The process allows inventors to file either a
provisional or complete application locally first, then leverage this priority date when filing
in multiple jurisdictions abroad within the 12-month window. This system effectively
provides inventors with a year to assess market potential and secure funding before
committing to expensive international filing strategies.
b) PCT route: The PCT system revolutionizes international patent filing by creating a unified
procedure that simplifies the process of seeking patent protection across multiple countries
simultaneously. Under the PCT framework, applicants file a single international application
in one language at one designated office, which has legal effect in all PCT contracting states.
The system operates through two distinct phases: the international phase and the national
phase. During the international phase, the application undergoes international search
(resulting in a search report and written opinion by month 16), international publication in the
PCT gazette (at 18 months), and optional international preliminary examination. The national
phase begins when applicants enter individual country procedures before designated offices
(typically by month 22, or 30 months if preliminary examination is requested), where final
decisions on patent grants are made. This approach essentially eliminates the need for
separate applications in each country initially, reducing costs, complexity, and administrative
burden while providing applicants with valuable international search results to inform their
national phase strategies.
In summary, an inventor can either file separate national applications under the Paris Convention
claiming priority within 12 months , or file one PCT international application covering all
desired countries . The choice depends on strategy and resources. Both approaches preserve the
original filing date in subsequent applications. For example, a PCT application “makes it
possible to seek patent protection in a large number of countries by filing a single ‘international’
application instead of filing several separate national applications.
Question 18) The process for registration of design, along with a flow chart.
Answer: Registering an industrial design in India involves the following main steps:
a) Filing of Design Application: An application for design registration can be filed by ‘Any
Person’ which includes both natural persons and entities other than natural persons (such as a
Small Entity). The application should be filed in Kolkata, which is the jurisdiction for filing,
although receiving offices also exist in Delhi, Chennai, and Mumbai.
b) Application Requirements: The application must include the requisite fees (which vary based
on the applicant's legal status), Application Form-1 providing details like the applicant's
name, nationality, address, class number, and name of the article. It also requires four sets of
representations depicting various views of the article, and other documents such as a Power
of Attorney (if applicable), priority document, assignment document, and Form 24 for small
entities.
c) Representation: Four copies of the design representation must be submitted, which can be
drawings, photographs, tracings, or computer graphics, prepared on one side of A4 size
paper. Each view must be clearly designated (e.g., perspective view, front view), and a
statement of novelty and disclaimer must be endorsed on each sheet.
d) Numbering, Dating, and Formalities Check: The filed application is numbered and dated,
followed by a formal examination by the Examiner to check compliance with procedural
requirements. This includes verifying payment of the prescribed fee, correct bibliographic
data, proper submission of priority/assignment documents, and whether the representations
meet the standards under Rule 14.
e) Substantive Examination: The Examiner conducts a search and checks if the design is
registrable, specifically against criteria such as meeting the definitions of ‘article’ and
‘design’ being ‘Original’ and not falling under prohibitions like not being new or original, or
comprising scandalous matter (Section 4). Classification of the article (Rule 10) and the
novelty statement (Rule 12) are also checked.
f) Communication of Objections: If the Examiner's report to the Controller indicates objections
adverse to the applicant, a statement of these objections is communicated to the applicant.
The applicant is expected to comply with or contest these objections. Failure to respond or
noncompliance may lead to the application being abandoned.
g) Hearing and Decision: If the Controller remains unsatisfied after reviewing the applicant's
reply, the application is fixed for a hearing. If the applicant fails to attend without requesting
an adjournment, the application may be refused. If all requirements are met after compliance
or a favorable hearing/appeal outcome, the application is accepted.
h) Registration and Publication: Once accepted, the design is registered, and a Certificate of
Registration is issued. Post-registration, the design is published in the Official Journal, and its
particulars, including one or more views of the representation, are made public. The design is
also entered into the Register of Designs.
Question 19) The process for registration of semi conductor & conductor related circuit,
along with a flowchart.
Answer: A semiconductor layout design means a layout of transistors and other circuitry
elements and includes lead wires connecting such elements and expressed in any manner in
semiconductor integrated circuits. Semiconductor chips (integrated circuits) are protected by a
special sui generis law in India: the Semiconductor Integrated Circuits Layout-Design Act, 2000.
Under this Act, the layout-design (topography) of a semiconductor integrated circuit –
essentially, the three-dimensional arrangement of transistors, wires and circuitry elements – is
defined as a protectable subject-matter . The Act grants an exclusive right to the creator (or
owner) of an original layout-design. ‘Original’ means the layout originates from the author,
although it may apply old concepts in a new way. Process of registration:
a) Filing of application in writing to the registrar in the office of SICLD registry in a prescribed
form along with 3 sets of drawings produced to the plotter which describes the layout design
and 3 sets of photograph of masks used for the fabrication of the semiconductor integrated
circuits by using of the layout design or drawings which describes the pattern of such masks.
b) Acceptance of the application with acknowledgement by way of returning one copy of the
application. The registrar can also withdraw the acceptance if the application is found to be
prohibited for registration.
c) The application is advertised in a prescribed manner within 14 days of acceptance of layout
design application. If any opposition is found to the registration, then a notice is sent to the
registrar in the prescribed manner within 3 months from the date of advertisement. The
registrar is required to serve a copy of the notice to the applicant, who may then, send a
counter statement of the grounds on which he relies, within 2 months from the receipt of
notice. The registrar can call for evidences to be produced by both the parties and finally give
his decision.
d) If the application is not opposed or the opposition has been decided in favor of the applicant,
the registrar shall register the said layout design in the register of layout design and also issue
a certificate sealed with the seal of the SICLD Registry. The date of making the application is
considered to be the date of registration of the layout design. After registration, the registrar
issues certificate of the registration sealed with the seal of the registry.
Duration of registration: The registration of the layout design shall be only for the period of 10
years counted from the date of filing an application for registration or from the date of first
commercial exploitation anywhere in any country, whichever is earlier.
Effect of registration: The registration of the layout design gives to the registered proprietor of
the layout design the exclusive right to the use of the layout design and to obtain relief in respect
of infringement. This right shall be available to the registered proprietor of that layout design
irrespective of the fact as to whether the layout design is incorporated in an article or not. Once
the layout design is registered,
[No flowchart was available]
Question 20) How many types of varieties of plants are there under the act & what is the
duration of right?
Answer: Under India’s Protection of Plant Varieties and Farmers’ Rights (PPV&FR) Act, 2001,
the law recognizes three main categories of varieties eligible for registration: Extant varieties,
New varieties, and Essentially Derived varieties (EDVs).
a) Extant Varieties: These are varieties already existing in the country as of the Act’s
commencement. This includes varieties officially notified under the Seeds Act or farmers’
(traditional) varieties known through common knowledge. Extant varieties can still be
registered to grant formal rights, but they are not ‘new’ in the novelty sense. An extant
variety can be registered under the Act if it conforms to the criteria for distinctiveness,
uniformity and stability. Thus novelty is not considered while going for the protection of
plant varieties.
b) New Varieties: A new variety is one not known or commercialized before; typically it means
not sold for the prescribed period (less than one year in India, or not earlier than 4–6 years
abroad). A true invention by a breeder. A new variety can be registered under the Act if it
conforms to the criteria for novelty, distinctiveness, uniformity and stability.
c) Essentially Derived Varieties (EDVs): These are varieties that are predominantly derived
from an existing protected variety (initial variety), retaining most of the original variety’s
characteristics, with only minor changes. EDVs can be registered, subject to permission of
the initial variety’s owner unless they are sufficiently distinct. For all these categories, the
Act grants a breeder’s right upon registration.
d) Farmers’ (traditional) varieties are also acknowledged: farmers have the right to register a
variety they have cultivated or conserved, and can claim certain benefits, although these are
typically treated under ‘extant’ or special forms of registration. : Under section 2 (l) farmers
variety means a variety ‘which has been traditionally cultivated and evolved by the farmers in
their fields’.
Duration of Rights: The period of protection depends on the plant type. For field crops (grains,
vegetables, etc.), the initial term is 6 years from the date of grant, renewable once for another 9
years, totaling 15 years . For trees and vines, the initial term is 9 years, renewable up to 18 years
total . After these periods, the rights lapse.
a) For trees and vines (Perennials) - 18 years from the date of registration of the variety.
b) For other crops (Annuals) – 15 years from the date of registration of the variety.
c) For extant varieties – 15 years from the date of notification of that variety by the Central
Government under section 5 of the Seeds Act, 1966
In summary, three main types (Extant, New, Essentially Derived) are protected under PPV&FR .
The protection spans up to 15 years for crops and 18 years for trees/vines (6+9 or 9+9 years
respectively) . This encourages breeders to develop and register new varieties while safeguarding
farmers’ contributions
Question 21) What are the exemption provisions under this act?
Answer: The exemptions under the act are as follows:
a) Farmers’ exemption: the farmer shall be entitled to produce, save, use, sow, resow, exchange,
share or sell his farm produce including seed of a variety protected under this act
b) Researchers’ Exemptions: researchers are allowed to use the registered variety for conducting
experiments & use the variety as an initial source of variety for the purpose of creating other
varieties.
Question 22) What is the special requirement for registration of varieties under the act?
Answer: A crucial requirement under the PPV&FR Act is that any candidate plant variety must
satisfy the ‘DUS’ criteria – it must be Distinct, Uniform, and Stable. In other words, the variety
must be novel (distinct from any other known variety), uniform in its relevant characteristics, and
stable (these traits remain unchanged through repeated propagation) . Additionally, it must meet
the standard for a ‘new’ variety under the Act (e.g. not commercially available beyond the
allowed grace period). This DUS test is a special registration requirement: applicants must
submit seed samples and data, and the variety undergoes field trials at authorized centers to
confirm these properties . If a variety fails any DUS criterion, it cannot be registered. Thus, the
special requirement is essentially that the variety demonstrates novelty, distinctiveness,
uniformity and stability in its characteristics . Once these conditions are satisfied (often after
multi-season testing), the Authority may accept the variety for registration.
a) Distinct: A variety is said to be distinct if it is clearly distinguishable by at least one essential
characteristic from any other variety whose existence is a matter of common knowledge in
any country at the time of filing an application.
b) Uniform: A variety is said to be uniform, if subject to the variation that may be expected
from the particular features of its propagation it is sufficiently uniform in its essential
characteristics.
c) Stable: A variety is said to be stable if its essential characteristics remain unchanged after
repeated propagation or, in the case of a particular cycle of propagation, at the end of each
such cycle.
Question 23) What is compulsory license? What are the grounds for it?
Answer: A compulsory licence in patent law is an authorization granted by the patent authority
(Controller general) to a third party to use a patented invention without the patentee’s consent.
This concept is recognised bpth at national as well as international levels, with express mentions
in the TRIPS agreement as well as the Indian Patent Act, 1970. In India, a person may apply for
a compulsory licence after 3 years from the grant of a patent (Sec. 84), on specific grounds. The
statutory grounds are :
a) Public requirements not met: The reasonable requirements of the public with respect to the
patented invention have not been satisfied. For example, if demand for the patented product
is high but the patentee does not supply enough.
b) Affordable price: The patented invention is not available to the public at a reasonably
affordable price. If a drug, for example, is priced too high, the Controller may issue a licence
so generic competitors can produce it cheaper.
c) Working in India: The patented invention is not worked in the territory of India (i.e., not
manufactured or used in India) on a commercial scale. If the patentee has not introduced or
sufficiently produced the patented product in India, this ground is met.
If the Controller is satisfied that any of these conditions exist, he may grant a licence on suitable
terms . The Act also requires the applicant to show ability to work the invention and an attempt
to obtain a voluntary licence on reasonable terms (unless national emergency, etc.).
In summary, a compulsory licence is a forced licence imposed by the government when it finds
that a patentee is not serving public interest. The statutory grounds are failure to meet public
demand, excessive price, or non-working in India . Examples include the Nexavar (Bayer v.
Natco) case, where a compulsory licence was granted because demand was unmet and price
unaffordable.
Question 27) What is the evergreening of patent right? How can it be protected?
Answer: Evergreening is the strategy where patent holders, particularly in industries like
pharmaceuticals, extend their monopoly beyond the original patent term by making minor
modifications to existing products and securing additional patents. These modifications often
include changes in dosage forms, new delivery mechanisms, combinations of existing drugs, or
alternative chemical formulations—none of which may significantly improve the product’s
efficacy or innovation. Common methods of evergreening are as follows:
a) Patent Clusters: Companies may file multiple, overlapping patents that cover different
aspects of the same product, ensuring prolonged exclusivity through a web of intellectual
property claims. This discourages competitors from producing generic alternatives due to the
risk of infringement lawsuits.
b) Patent Thickets: A dense cluster of interrelated patents is created to deter competitors,
making it legally challenging and financially burdensome for them to develop alternative
versions of the patented product. By layering patents over different components of a single
invention, companies make it difficult for rivals to enter the market.
c) Incremental Innovations: Minor modifications, such as changing an active ingredient’s
formulation, can be used to obtain a new patent without substantial improvement in
therapeutic effectiveness. For example, a drug manufacturer may file a patent for a new
coating that alters a pill’s absorption rate, even though it does not change its medicinal
properties significantly.
d) Data exclusivity & Regulatory Maneuvers: Even after a patent expires, companies may
prevent generic competition by restricting access to clinical trial data, thereby delaying
regulatory approvals for generics. In some jurisdictions, pharmaceutical companies can
extend exclusivity by obtaining additional market protections tied to regulatory approval
requirements.
Relevant provisions in Indian Patent Law: India’s Patents Act, 1970, particularly Section 3(d),
restricts patents on modifications of existing drugs unless they demonstrate significant efficacy
improvement. This prevents frivolous patent extensions and encourages genuine innovation.
Section 3(d) has been hailed as a model for ensuring that patent laws do not hinder public access
to critical medications.
Landmark Judgment: A key case in India’s stance against evergreening is Novartis AG v. Union
of India, where the Supreme Court rejected Novartis’s patent application for an updated version
of its cancer drug Glivec. The court ruled that the changes made to the drug did not demonstrate
a significant enhancement in therapeutic efficacy, a requirement under Section 3(d) of the Indian
Patents Act. This landmark decision set a precedent by preventing companies from obtaining
new patents for minor modifications, reinforcing India’s commitment to affordable healthcare
and curbing monopolistic practices in the pharmaceutical industry., ruling that the modification
did not enhance efficacy. This case set a precedent by establishing that minor modifications
without significant benefits to consumers do not qualify for new patents.
Question 28) What are the grounds for opposition of patent rights?
Answer: Opposition and revocation provisions under the Patents Act allow third parties to
challenge a patent application or a granted patent on specific legal grounds. These grounds
ensure that patents only stand if all legal conditions are met. Broadly, the grounds include:
a) Lack of novelty: The claimed invention was already published or known before the priority
date. If the invention is not new, the patent can be opposed or revoked.
b) Obviousness (lack of inventive step): The invention is obvious to a person skilled in the art,
given prior art. An obvious invention is not patentable.
c) Not an invention: The subject-matter is not patentable under law (e.g. abstract ideas, mere
discovery, a method of treatment, etc.).
d) Public prior use: The invention was previously used or known publicly in India before the
patent filing.
e) Wrongful claim to property: The applicant is not the true inventor (e.g. the patent was
obtained by means such as theft or breach of trust).
f) Non-disclosure: The application failed to disclose required information (e.g. biological
source) or misled by false statements (Section 8 in India).
g) Non-working: For revocation, if the patent is not worked (manufactured) in India, or worked
only to an inadequate extent. This can violate the patentee’s duty to make the invention
available.
h) Violation of secrecy obligations: The patented invention violates secrecy laws (like national
security) or is outside the scope of the patent (e.g. an amended claim unsupported by the
spec). These are embodied in the Act. For example, Section 25 lists opposition grounds such
as: invention published in India or abroad, publicly known/used, obviousness, not an
invention under the Act, insufficient disclosure, etc . Similarly, Section 64 provides
revocation grounds including that the patentee obtained it wrongfully, the invention was not
novel or obvious, the patent wasn’t worked in India, and the spec. is not sufficient, among
others
Question 32) What is the definition of ‘original’ under the designs act?
Answer: The concept of originality under design law is primarily governed by the Designs Act,
2000. Section 2(g) defines an “original” design as one that is new or original and has not been
previously published in any country. A design must originate from the author and should not be a
mere imitation of an existing design. Originality, therefore, implies that the design owes its
origin to the author’s own skill and effort and is not copied from another source. The originality
requirement serves as the foundation for registration under Section 5 of the Act, ensuring that
only genuinely novel designs are granted statutory protection. Under design law, originality does
not demand absolute novelty in every element. Rather, it requires that the combination,
arrangement, or overall visual impression of the design must be the result of independent
creation. Even if a design incorporates known features, it can still be original if the author has
exercised creative skill and produced a distinctive visual appeal. The focus is on the aesthetic
aspect that pleases the eye, as the design must be judged primarily by what is visible on the
finished article. Hence, originality is a test of visual distinctiveness coupled with creative effort.
In Microfibres Inc. v. Girdhar Co. (2006), the Delhi High Court clarified that originality
under design law is distinct from originality under copyright law. It must be assessed strictly
within the framework of the Designs Act, 2000.
In Bharat Glass Tube Ltd. v. Gopal Glass Works Ltd. (2008), the Supreme Court held that
where a design is created independently by an author and has not been published or used
earlier, it qualifies as original. The Court reinforced that originality flows from the author’s
own creation rather than from mere novelty.
In M/s Brighto Auto Industries v. Shri Raj Chawla (1976), the Bombay High Court
observed that originality refers to the author’s own conception and may exist even if certain
features of the design are already known, as long as the combination results in a new
appearance.
In Veeplast Houseware Pvt. Ltd. v. Bonjour (2011), the Delhi High Court stressed that to
qualify as original, a design must be sufficiently distinct so that it would not deceive the eye
of a customer.
Question 33) What is the concept of ‘Piracy’ under the Design Act?
Answer: Piracy of a registered design refers to the unauthorised use or imitation of a design that
has been validly registered under the Designs Act, 2000. It is essentially the infringement of the
exclusive rights conferred by registration. The law identifies piracy both where there is deliberate
copying (fraudulent imitation) or where imitation is so close that it amounts to an “obvious
imitation”. Piracy may also occur when an article incorporating the registered design is imported
for sale without the consent of the design-owner. Under Section 22 of the Designs Act, the owner
of a registered design has rights to prevent others from making, selling or importing articles
which bear fraudulent or obvious imitations of that design. The law distinguishes between
fraudulent imitation and obvious imitation. A fraudulent imitation implies an intention to deceive
— the infringer knowingly replicates the design so as to pass it off as the registered design. An
obvious imitation refers to copying with only slight modifications, such that the resemblance
remains sufficiently close as seen by an ordinary observer. Even if the infringer argues minor
changes, if the overall look closely replicates the registered design, it may qualify as obvious
imitation.
Dabur India Limited v. Rajesh Kumar & Others (Delaware): The case concerned bottles of
‘Dabur Amla Hair Oil’ registered under the Design Act. The plaintiff alleged that the
defendants produced imitation bottles copying its registered design. The Court analysed the
design features and held that the plaintiff did not sufficiently establish originality or
distinctiveness in its registration certificate; hence infringement was not upheld
Disney Enterprises Inc. v. Prime Housewares Ltd. (2014, Delhi High Court): In this suit,
Disney challenged the manufacture of certain character-based designs used by Prime
Housewares. Although the primary issue in that litigation related to trademark, design rights
were also implicated in refusing unauthorised use of character designs.
Britannia Industries Ltd. v. Sara Lee Bakery (Madras High Court): The plaintiff claimed
piracy of a registered design for its “Milk Bikis Milk Cream” cookie shape (face-feature
design). The Court compared the designs and held that although superficially similar, the
differences in shape and packaging were sufficient to deny infringement.
Question 34) Does the patent office keep information of the invention secret? If yes, how?
Answer: Yes, under Indian patent law, the Patent Office is required to maintain confidentiality of
inventions before they are published. The obligation arises mainly under Sections 35 to 42 of the
Patents Act, 1970 and the Patents Rules, 2003. These provisions empower the Controller of
Patents to prohibit or restrict the publication or communication of certain inventions in the
interest of national security or before formal publication of the application.
Confidentiality before publication: When a patent application is filed, the complete
specification is kept confidential by the Patent Office until it is formally published under
Section 11A, which usually occurs after 18 months from the date of filing or priority,
whichever is earlier. Until this period, the application and all related documents remain secret
and are not open to public inspection. This ensures that the inventor’s disclosure is protected
from misuse or premature exploitation.
Secrecy Directions for sensitive information: Under Section 35, if the Controller believes that
an invention is relevant for defence purposes or may affect national security, they must issue
secrecy directions. In such cases, the invention is not published, and no patent is granted
without prior written permission from the Central Government. The applicant and anyone
involved are prohibited from communicating the invention or its details to any unauthorized
person or foreign entity. These directions may later be revoked under Section 38 when the
Government deems that secrecy is no longer necessary.
Control over foreign applications: Under Section 39, Indian residents cannot file patent
applications abroad without prior permission from the Controller if secrecy directions are in
force. This restriction ensures that sensitive technological information does not leak to
foreign jurisdictions and remains within government control. Violation of this provision
constitutes an offence under Section 118 of the Act.
Access & Publication Post Secrecy: Once the secrecy period ends or the application is
published under Section 11A, the documents become accessible for public inspection under
Section 11B and Rule 27 of the Patents Rules. However, even post-publication, certain
internal communications or documents marked as confidential under the Official Secrets Act,
1923, remain protected.
Question 36) What is the Definition of ‘Article’ under the Designs Act?
Answer: The term ‘article’ is defined under Section 2(a) of the Designs Act, 2000. It means “any
article of manufacture and any substance, artificial or natural, or partly artificial and partly
natural, and includes any part of an article capable of being made and sold separately.” In simple
terms, an article refers to any tangible product that can be made by an industrial process and is
capable of independent sale. The design protection applies to the visual features—such as shape,
configuration, pattern, or ornamentation—of such an article. For example, a bottle, chair, or
mobile phone casing qualifies as an article. However, design protection does not extend to
mechanical or functional aspects; it is confined to the aesthetic features that appeal to the eye.