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Comedy Program

The document outlines a production of William Shakespeare's play set in Ephesus during the 1920s, focusing on themes of mistaken identity involving two sets of twins. It includes details about the cast, production staff, and setting, as well as performance dates and auditorium policies. The play features a diverse cast and crew, highlighting various roles in production and design.

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0% found this document useful (0 votes)
3 views3 pages

Comedy Program

The document outlines a production of William Shakespeare's play set in Ephesus during the 1920s, focusing on themes of mistaken identity involving two sets of twins. It includes details about the cast, production staff, and setting, as well as performance dates and auditorium policies. The play features a diverse cast and crew, highlighting various roles in production and design.

Uploaded by

darren
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

t h e u n i v e r si t y c l a s sic pl ay e r s

in William Shakespeare’s

Directed by Ron Pyle

Harrell Whittington, Scene design


Richard Streeter, Lighting design
Beneth Jones, Costume design
SETTING PRODUCTION STAFF

Ephesus in the 1920s. The action—which revolves around confused identities


Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Darren Lawson
of two sets of twins—takes place variously at the Abbey; the marketplace; and
Antipholus’s house, the Phoenix. Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rodney McCarty

The play is divided into eleven scenes with an intermission following scene seven. Dramaturg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Janie McCauley
Set Decoration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jason Waggoner
Costume/Hair/Makeup Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Sandy
CAST of CHAR ACTERS Costume Construction . . . . . . . . . Ruth Bartholomew, Barb Filipsic, Cynthia Long,
Joyce Parsons, Becky Sandy, Kimberly Schmidt
Solinus, Duke of Ephesus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joseph Bartosch
Costume Department Administrative Assistant . . . . . . . . . . . . . . . . . . . . . . . . Ruth Blaj
Jailor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Titus Hopper
Wig Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alicia Carr
Officer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Caleb Schaaf
Assistant Wig Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Brown
Egeon, a traveler of Syracuse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Bean
Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Wood
Antipholus of Syracuse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Justin Snyder
Sound Designer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Johansen
Dromio, servant of Antipholus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Benjamyn Toler
Audio Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jon Baker
Antipholus of Ephesus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Micah Thompson
Music Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kenon Renfrow
Dromio, servant of Antipholus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Greg Toler
Assistant Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Janie Mayer
Adriana, wife to Antipholus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katharine Golightly
Assistant to the Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sandy Jaworski
Luciana, sister to Adriana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Williquette
Luce, servant to Adriana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Hart We wish to express special thanks to Mr. Hennie Jacobs
for providing Duke Solinus’s transportation.
Emilia, an Abbess of Ephesus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kristin Post
Hostess of the Porpentine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katrina Case
Dr. Pinch, a conjurer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Omar Maldonado
Angelo, a goldsmith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christian Shockley
Balthasar, a merchant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nathan Dupea
First Merchant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Jutras
Second Merchant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Loren Crisp

TOWNSPEOPLE of EPHESUS : William Brunton, Rachel Georges, Andrew


Klinger, Rebekah Priest, Miranda Wells

MUSICIANS : Jacqueline Olinger, Kenon Renfrow, Rob Schoolfield


RODEHEAVER AUDITORIUM
November 16, 17 and 18, 2011, 8 p.m.

*Chimes will sound and lobby lights will flash three minutes before the end of intermission.
After the houselights are dimmed following intermission, no one will be readmitted to his seat.

Cameras and recording equipment are not permitted in Rodeheaver Auditorium during any performance.
We request that personal communication devices be turned off during the program.

PP 003 (11451) 10/11

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