An Introduction to the Subjunctive Mood
In English grammar, the concept of mood refers to the attitude or
intention of the speaker toward the action of the verb. While the vast
majority of daily communication relies on the indicative mood (which
states facts and reality) and the imperative mood (which issues direct
commands), the subjunctive mood serves a distinct, sophisticated function: it addresses
the realm of the unreal, the hypothetical, and the non-factual.
The subjunctive mood is employed to express wishes, possibilities, necessity, or actions
that are contrary to current reality.
Structural Adaptations of the Subjunctive
When a sentence shifts into the subjunctive mood, standard rules of subject-verb
agreement are suspended. This mood manifests primarily in two forms:
1. The Present Subjunctive (Necessity and Mandates)
Used after clauses that demand, suggest, or require an action, the present
subjunctive requires the bare base form of the verb (the infinitive without "to").
This form remains completely unchanged, regardless of whether the subject is
singular or plural.
Indicative (Fact): She is present at the meeting.
Subjunctive (Demand): The director insisted that she be present at the meeting.
Indicative (Fact): He writes the report.
Subjunctive (Recommendation): It is vital that he write the report immediately.
(Note the omission of the third-person "-s").
2. The Past Subjunctive (Hypotheticals and Counterfactuals)
Used to express wishes or conditions that are completely contrary to fact. For the
verb to be, the subjunctive demands the use of were for all persons and numbers,
entirely overriding the standard past-tense use of was.
Indicative (Fact): I am not in your position.
Subjunctive (Hypothetical): If I were in your position, I would accept the terms.
Indicative (Fact): He is not the chairman.
Subjunctive (Wish): He wishes he were the chairman.
Summary of Function
The subjunctive mood alters standard grammatical structures to signal to the reader
or listener that the statement is not a statement of objective fact, but rather an
expression of urgency, desire, or imagination.