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On large-scale animation productions model sheets help multiple animators to accurately maintain
character detail.

Expression Sheets may also be developed as a guide to character facial expressions, such as, smiling,
laughing, sad, shocked, startled, sleepy, alert, thoughtful, concerned etc.

The Comparative Size Model Sheet (sometimes called a "Character Line Up Model Sheet") is just
that; a line up of characters who appear together in a film or sequence that provides comparative
size reference
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Ultimate Ball is ready to animate for every level of animators! It's controls and attributes are unique.

FEATURES:

- It has ultimate 11 different kind of ball types.

- Fully scalable for all balls.

- Toggle extra controls visibilities.

- Toggle ball or all controls visibilities.

- Select smooth level for render or easy animating.

- Easy to animate with simplified and needed controls.

Page 4: Demonstrate the knowledge of onion skinning in Maya
Onion skinning in traditional animation is also called as ghosting in Maya. It gives you a way to
visualize how an object changes over time in space, as shown here. You can see how the object
looks in the animation several steps before and/or after the current frame.
To begein ghosting in Maya, select the Animation Menu Set. Then go to the Visualise tab in the
Menu Bar. Select the option called “Ghost Selected”. You can use the custom frame set option
to see a larger number of frames before and after the current frame as visible in second image.
Page5: High vs low key lighting

The light-hearted, happy or comedy scenes are often lit with High-key lighting style. High-
key lighting means that the scene is well-lit and there are few shadows and little contrast,
giving the viewer a sense of peacefulness. In contrast to high-key lighting, low-key lighting is
overall dark with only a few areas being brightly lit to direct the viewer’s attention. The
darkness is intended to stimulate the viewer’s imagination

Pick any image from ones given in the example and get that printed
and pasted in the portfolio
[Link]
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522l%2522%253A%252260c0e13c29a348823d330b02%2522%257D&utm_source=blog&utm_mediu
m=sb-app-link&utm_campaign=storyboard&utm_content=high-key-lighting-
example&utm_term=what-is-high-key-lighting

Page6: Composite images

Composite images are made up of two or more photographs, which are combined to create one
image. While doing composition, the images should be having same lightings otherwise while
compositing the images will not be rendered correctly.

Pick any image PAIR from ones given in the example and get that
printed and pasted in the portfolio
62 Movie Scenes Before-And-After Special Effects | Bored Panda
Page7: Identify the panels in the premiere pro workspace.

The Tools Panel is where you can select various editing tools to use in the
timeline.
The Project Panel is where you store all the elements which make up your edited
video (video clips, audio clips, graphics, titles, etc).
The Source Monitor is where you can preview clips, make simple adjustments
and add them to the timeline.
The Program Monitor shows the edited video from the timeline.
The Media Browser allows you to browse, preview and import clips from your
hard drives and network.
The Timeline Panel is where you arrange the elements of your video in the
desired order.
The Audio Meters display the volume level from the timeline.
Page 8: Identify the marked tools in the Premiere Pro Timeline.

• Snap (S). Controls whether items in the Timeline snap to each other when moved.
Enabled by default.
• Add Marker (M). Click to add a marker to the Timeline.
• Playhead. Marks the current frame of the video shown in the Program Monitor.
• Timecode. Displays the location of the playhead.
• Timeline Display Settings. Opens the Settings menu.
• Time ruler. The time display within the Timeline. Runs from left to right, usually
starting at zero.
• Track header. The area to the left of the Timeline track, where many track
configuration adjustments are made.
• Toggle Track Output. Turns the track on and off. When a track is off, its content is no
longer displayed in the Program Monitor.
• Toggle Track Lock. This button toggles locking on and off. Locking a track makes the
content uneditable.
• Toggle Sync Lock. This button toggles Sync Lock on and off. Sync Lock keeps tracks
in sync when certain edits are performed.
• Mute track. Mutes that track’s audio during playback.
• Solo track. Plays only that track’s audio during playback.
• Timeline panel menu. Contains multiple configuration options for the Timeline.

Page 9: Demonstrate the use of Ripple Edit and Rolling use tool to edit clips in
Premiere Pro.
B: Ripple Edit The Ripple Edit is a trim tool, used to trim a clip and “ripple” the rest of the clips in the
timeline. It will close the gap between the two edit points instantly at the point where you make the
edit. Changes the duration of video clip.
N: Rolling Edit The Rolling Edit moves the Out point of the first clip and the In point of the second
clip at the same time, allowing you to adjust both clips with one move. No Changes the duration of
video clip
Page 10: Demonstrate the splitting of audio file in Adobe Audition
To split sound into clips:

1. Start Adobe Audition.

2. Open an audio file in the Waveform Editor.

3. Select the Time Selection tool in the toolbar (Figure 1).

4. Drag to select a segment of the audio file (Figure 2)

5. Choose File > Save Selection As.

The Save Selection As dialog box appears (Figure 3).

Audition creates a new file based on your selection. By
default, the new file is a Wave PCM file, but you can
change that in the Format menu.
To combine clips in a multitrack file:

1. Click the View Multitrack Editor button to open the New Multitrack Session dialog box.

2. Enter a name for the new multitrack session and click OK. The new multitrack session appears in
the Files panel and opens in the Editor panel.

3. Add at least three edited audio clips to the empty tracks in the multitrack file (Figure 1).

4. To split the contents of one track, select the track, position the Current Time Indicator (CTI) where
you want to split the clip, and choose Clip > Split. The clip is divided into two parts (Figure 2). You can
now edit, trim, or remove the individual parts.
5. Select the first part of the clip you just split.

6. Position the pointer along the right side of the selected clip and drag left to trim the clip (Figure 3).

7. Select the second part of the clip you split and trim its left edge to widen the gap between the two
clips

8. Trim or split the audio in track 1 to create a clip small enough to fit in the gap you just created in
track 2 (Figure 4)

9. Drag the small trimmed section of

audio from track 1 into the empty space
in track 2. As you drag the clip into track
2, the clip snaps to the beginning of the
existing audio (Figure 5) .

You can also use the Fade In and Fade

Out handles (Figure 5) to gradually
introduce the audio of any track. This is
useful when you want the music in one
track to gradually fade in or fade out
under another audio track.
10. To fade audio, select a clip and drag either the Fade In or Face Out handle (Figure 5).
The distance you drag determines the duration of the fade. The resulting curve represents how the
fade changes volume slowly at first, then rises rapidly, and finishes slowly (Figure 6).