A story by Siddhant Parmar

SCENE 1 – OFFICE INTRODUCTION

INT. OFFICE – MORNING

Janvi, Palak, Rushil ane Jash office ma coffee peeta hoy chhe. Background ma light, casual
office music. badha casual vibe ma hoy chhe.

JANVI​
(cheerfully, leaning on desk)​
Aaje to new content writer join thay chhe aapda staff ma, majja aavse.

PALAK​
(hasi ne, thodu drama)​
Me to already guess kari lidhu… kadach ekdam serious type no hashe.

RUSHIL​
(sarcastic, smirk)​
Oo ben, shanti rakho! Aapde aiya gautam gambhir nathi joita..

JASH​
(laughing, teasing janvi)​
Hey janvi, pelo new content writer aaje j aavano chhe?

Janvi, mischievous expression.

JANVI​
(playfully)​
Haa ho, aaje j.

Rushil ane Jash ek bijani taraf look karine chidavta hoy em hase chhe.

RUSHIL​
(whisper, joking)​
Eyy, palak jo khali ketli khush thaay chhe.

Palak suddenly acts dramatic.

PALAK​
(hysterically, overacting)​
Na have, evu kai nathi

Everyone laughs. Camera pans around, showing their comic chemistry.

JANVI​
(teasing, pointing at Rushil)​
Tane shu laage Rushil, content writer kevo hashe?

Rushil does not say anything and keeps serious face.

Camera captures small cutaways: Rushil making faces, Palak laughing loudly, Janvi teasing.
Light background music accentuates comedy.

RUSHIL​
(pretending to think, exaggerated)​
Chinta na karo, ekdam dahyo dahyo chhokro hashe. Kadach boring pan hoy.

PALAK​
(acting shocked)​
Hein? boring!!

JANVI​
(smirking, teasing Palak)​
Haa haa… pan mazza aavse jo boring hoy… mane to challenge laage.

Camera shows small on SID’s desk — subtle foreshadowing unseen by them now.

SCENE 2 – SID’S ENTRY

INT. OFFICE – MOMENTS LATER

Door khule chhe. SID enters confidently — smart, calm, well-dressed. Camera slowly pans to
capture his presence. Everyone stops what they are doing for a moment, slightly stunned by his
aura.

JANVI​
(soft whisper, leaning slightly forward)​
Wow… look at him… shu mast laage chhe!

PALAK​
(hush, giggling, covering her mouth)​
Shh… koi pan direct saame na jovo, first impression important chhe.
SID walks to his desk, nods politely at each of them.

SID​
(calmy, polite tone)​
Thanks. I am SID.

Everyone introduces themselves briefly; SID nods at each one without changing his expression.
He then sits at his desk and starts working silently, completely expressionless.

Rushil leans slightly toward Jash, whispering with a mischievous smirk.

RUSHIL​
(whisper, joking)​
Laage chhe system update karta karta, human version download karvanu bhuli gayo chhe.

Jash snickers quietly. Palak giggles. Janvi rolls her eyes playfully. Everyone laughs — SID
doesn’t even blink. Long pause on SID’s straight face for comic effect.

Camera zooms in on SID typing silently, perfectly straight-faced. His meticulous work contrasts
hilariously with everyone’s chaotic energy.

PALAK​
(whisper to Janvi, teasing)​
Hu to ghare jaine mummy ne kaish ke aaj to amari office ma navo robot join thayo.

JANVI​
(laughing softly)​
Waah, taney rushil no rang laagyo

Camera cuts to subtle foreshadowing: on SID’s desk, a small photo of his younger brother
peeks out from a notebook — unseen by others, hinting at his hidden emotions.

Scene ends with everyone exchanging glances, curious and slightly challenged by SID’s
unshakable calm.

SCENE 3 – ATTEMPTS TO MAKE SID LAUGH

INT. OFFICE – DAY 1

Camera opens on the office. Everyone is energized, trying their first attempts to make
SID laugh. Full comedy mode on this day.
PALAK​
(teasing, playful)​
Rushil, aaje taari agni pariksha chhe, kharekhar taari takkar nu koi aayu.

SID continues expressionless, typing calmly. Everyone pauses briefly, shocked at his straight
face. Comedy beat accentuated by silence.

JASH​
(annoyed)​
Are pan kharekhar yaar, aa aatlo dukhi aatma kem chhe, hasavanu try kariye?

PALAK​
(dramatic, whispering to Jash)​
Ene j jaine puchhi laiye ne direct.

JASH​
(whispering)​
Are na, kaik judi matter chhe, aapde aapdi rite j try kariye

Everyone bursts into laughter; SID listens everything but still doesn’t react. Long pause
on his straight face for comic effect.

RUSHIL​
(dramatic, whispering to Jash)​
Hamna dekh khali paat-paat hasto kari dau..

Rushil cracks a corny joke:

RUSHIL​
(with smile)​
Amari society ma chhe ne ek chhokro reto. Hammesa ekdam dukhi.

PALAK​
(dramatic)​
Oh kem dukhi?

RUSHIL​
Karan ke e taklo hato.

PALAK​
(pointing at SID and speaking slowly)​
Pan aa to taklo nathi.

RUSHIL​
Be pan sambhad to khari.
Everyone bursts into laughter.

RUSHIL​
(continuing joke)​
Haa to e bav dukhi rehto hato karan ke badha ene taklo-taklo kaine chidavta hata.. To ek divas
amara tya ek babaji aaya ane aa emni aagad jaine radyo. Babaji ke; shu thayu bachchaa, kyun
radta hai? Pela e to kidhu badhu. To babaji e ashirwad aapya ke have koi ene taklo taklo kaine
chidave to saame BHUDUM etlu kehvanu, to same vado bhi taklo thai jashe. Pachhi e to khush
thaine ghare gayo. Eni mummy e kidhu ja shakbhaji lai aav. E to gayo ane lari vada e puchhyu,
‘shu levanu takla’ pelo ke BHUDUM. Shakbhaji vado taklo thai gayo. Pachhi e to shakbhaji laine
gher gayo. Mummy ke, kya aatli vaar kari takla? Pelo ke BHUDUM. Eni mummy bhi takli thai
gai. Have eroy bav khush rehva mandyo pachhi farto to society ma. Pela babaji farthi malya.
Emne puchhyu, kem aatlo khush chhe takla? Pelo ke BHUDUM, to babaji bhi takla thai gaya.

Everyone laughed so hard, during the joke and after the joke too.

SID types calmly. No reaction. Everyone freezes, then slowly bursts into laughter at the
absurdity of Rushil’s act.

MONTAGE – NEXT FEW DAYS

Quick cuts showing repeated attempts to make SID laugh:

MONTAGE DAY 2–4:

●​ Rushil (Roaster): Cracks sarcastic jokes at everyone and roasts:​

“Jo sikh thodu aamna thi, ketlu kaam kare chhe.” “Hoshiyari na kar oyy” “Haa bhai behi
re ne shanti thi, khabar tane bav aavde”​

●​ Jash (Partner-in-Crime): Copies Rushil, exaggerates reactions, adds chaos, acts

shocked at minor things to make everyone laugh.​

●​ Palak (Laughing at Herself): Tells puns, spills papers, laughs loudly at her own mistakes.​

●​ Janvi (Cute/Flirty): Pretends to drop pen, spills water, asking for help, leaves sticky
notes with hearts — giggles at her own acts.​

Running gag: Rushil whispers every day:​

“Aaje to aane hasto kari j daishu!” — always fails.

Camera subtly shows SID glancing at his little brother’s photo — foreshadowing his emotional
side.
Montage ends with team laughing at themselves, setting up Scene 4 naturally.

SCENE 4 – THE DAY EVERYTHING CHANGES

INT. OFFICE – MIDDAY

Jash opens the office door, carrying his mischievous little brother. The kid looks around
excitedly and dashes into the office.

The kid grabs papers, hides pens behind his back, and runs around laughing. Everyone joins
the chase, laughing.

PALAK​
(laughing, chasing the kid) jash, taro naano bhai jabro chhe baki.

JANVI​
(teasing, playful)​
Chhe ne ekdam chhota packet, bada dhamaka

RUSHIL – Roasting Style:

●​ Notices the kid spilling some papers and smirks:​

RUSHIL: “Oyy, shh… jo ahiya pela bhai kevu shanti hi kaam kare, emne disturb na
karto ho.”

(The kid does not listen to Rushil and keeps playing.)

RUSHIL (in dramatic style) dukh thayu!

(Kid copies this again and again)

Jash laughs, encourages the kid to mimic Rushil’s exaggerated gestures. The kid copies him,
everyone laughs harder.

SID sits silently at his desk, expressionless, glancing at the chaos a few times. Camera zooms
subtly on his eyes — hinting at growing curiosity.

Soft, gentle background music begins.

SCENE 5 – THE CONNECTION
INT. OFFICE – CONTINUOUS

The kid suddenly sticks a sticker on SID’s pants, pretending to cry dramatically.

KID​
(teasing, cute)​
Showing hand and asking to stick that sticker on his wrist.

SID kneels slowly, gently sticks the sticker on the kid’s hand. The kid bursts into laughter,
showing tongue and thumb. Camera focuses on SID’s first subtle smile forming.

Everyone around gasps, smiles, and starts laughing. SID’s expression melts into joy and tears,
fully emotional now.

SCENE 6 – THE REVELATION (EMOTIONAL CLIMAX)

INT. OFFICE – CONTINUOUS

The room is quiet now. SID wipes a small tear from his eye, the office buzzing earlier now calm.
Everyone watches him silently, empathetic and curious.

SID​
(softly, emotional)​
Same maare pan ek naano bhai hato pan ek divas kaik ajugtu banyu ane have e nathi rahyo.
Pan aaje aane joine mane eni yaad aavi gai.

Camera pans over Janvi, Palak, Jash, and Rushil — all showing empathy, some teary-eyed,
some softly smiling.

SID​
(softly, but stronger, smiling now)​
Aaje mane samajhai gayu, life to chalti rehvani and problems pan aavti rehvani. Aapde just
inner child alive rakhvu joiye. ane tamara sauno khub aabhar, tame mane hasavva bahu
mehnat kareli.

Gentle, uplifting background music swells. Everyone is touched by SID’s words.

RUSHIL​
(grinning, light roasting)​
Toh kal thi smile compulsory, haan? Nahin toh janvi ne maja nai aave.
Everyone laughs warmly, the tension breaking gently. SID smiles, nods, enjoying the
light-hearted moment.

PALAK​
(teasing)​
Haa haa… aa smile toh permanent rehvi joye!

JANVI​
(shy smile)

SID smiling fully now.

Soft fade-out with everyone sharing a joyful, heartwarming office moment.

End voiceover

“There will always be problems… but face them with a smile — like a child.”​