Module

2 Amplifiers

Class A Amplifier Design

Introduction to Amplifier Design

What you’ll learn in Module 2. Basic design process.

Section 2.0 Introduction to Amplifier Design.

Section 2.1 DC Conditions.

• Design a BJT class A common emitter

audio amplifier.

Section 2.2 AC Conditions.

• Calculate suitable values for AC

components.

• Build a prototype amplifier on Breadboard.

Fig. 2.0.1. Common Emitter Amplifier
Section 2.3 Testing the Amplifier.
Fig. 2.0.1 shows a class A common emitter
• Test the amplifier for Gain, Bandwidth, amplifier, but without its component values. This
Input and Output Impedance. module shows how to simply calculate the values
Section 2.4 Improving the Amplifier. needed to make a working amplifier that has
correct class A bias as described in Amplifier
• Carry out tests and modifications, and Module 1.2 and so produce an undistorted and
apply Negative Feedback to achieve amplified output. Building and testing an amplifier
specified performance criteria.
is a good way learn how and why an amplifier
Section 2.5 Multi-stage Amplifiers. works.
• Describe methods for inter-stage coupling How will you know that your calculations are
in multi-stage amplifiers: correct? The best way is to build your design and
Section 2.6 Amplifier Design Quiz. test it. Follow the guidelines in this section and
download the accompanying pdf documents, so
• Test your knowledge & understanding of you can design, build and test a working amplifier.
basic amplifier design.
Although amplifier design can be a complex
process, this simple exercise takes some short cuts,
because it is more concerned with learning about
how an amplifier works, rather than designing a
complete new hi-fi system.

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Amplifier Design Project

Sections 2.1 to 2.4 of this module are a practical project to design a single stage class A common
emitter amplifier. Use information from other sections modules in learnabout-electronics (just click
the links where needed) to help you calculate the component values needed for a working amplifier.
The only maths involved will be some Ohms law and some capacitive reactance calculations.
The Amplifier Design Record
Download and print out the Amplifier Design Record, which can be used in conjunction with
sections 2.1 to 2.4 of this module so you will have a complete record of how to design, build and
test an amplifier. It contains all the formulae needed to calculate the correct DC and AC conditions
for the amplifier, and once the Amplifier Design is complete, the prototype circuit can be easily
built on breadboard (Proto board). The project also shows you how to test an amplifier for
performance using a multi meter and oscilloscope.
The project is split into four sections so that it can be checked for errors as the design progresses.
By splitting the design task in this way, there is far less chance of going wrong.
Carefully follow the design sequence instructions on line in sections 2.1 to 2.4 of this module, and
record the results of your calculations and tests on the Amplifier Design Record sheets to design
and build a working class A common emitter amplifier. This is a great way to understanding how an
amplifier works.

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Module 2.1
Class A Amplifier Design

What you’ll learn in Module 2.1. Part 1. Designing the DC Conditions.

After studying this section, you should

be able to:

Design a basic class a Common emitter

audio amplifier.

• Understand appropriate design and

component requirements for a class A
amplifier.

• Calculate resistance values for DC bias

conditions.

• Assemble a prototype amplifier on

Breadboard.

• Use a multimeter to carry out appropriate

tests to confirm operation.

Fig. 2.1.1 Amplifier DC components

As you work through the design process, record your results of your calculations and design
decisions on the Amplifier Design Record sheets that you can also download from
[Link] by clicking any of the links to Amplifier Design Record
sheets. You will need these results when building the amplifier.

Calculate the component values and record your results in Part 1 of the Amplifier Design
Record sheets.
1. Decide on the DC supply voltage VCC
This should be less than the maximum VCEO voltage for the transistor you intend to use and will
also depend on the available supply; this may be a bench power supply or a battery. Values of 6 to
12 volts are common for a common emitter voltage amplifier.
2. Choose a transistor
The prototype amplifier for this exercise used a NPN small signal transistor such as the 2N3904, but
other similar transistors should work equally well. A datasheet for the 2N3904 can be downloaded
from [Link] or you could choose a different general purpose NPN small signal
transistor and download its datasheet.
3. Decide on a suitable quiescent collector current Iq
Iq is the Collector current when no signal is applied. The maximum value must be less than the
maximum VCEO figure for the transistor. However using a high value of current will waste power as
the circuit is supposed to be a VOLTAGE amplifier so current should be kept quite low, but the
lower the current you choose, the higher the value of RL will be. This increases the output
impedance of the amplifier (which will be approximately the value of the load resistor) and ideally
this should be low. A compromise figure of around 10 to 20% of the transistor’s IcMAX figure
shown on the data sheet should be adequate for Iq and a commonly selected current of around 1mA
would be typical.

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4. Calculating a value for the load resistor RL

Once the supply voltage and collector current are decided, the value of the collector resistor can be
calculated. The transistor quiescent collector voltage needs to be about half of VCC so that the
output signal can swing by equal amounts above and below this value without driving the transistor
into saturation (0V and maximum collector current) or cut off (zero current and VC equal to the
supply voltage). RL will therefore be half of VCC divided by Iq.
Note that whenever a component value has been calculated, it is unlikely that the result of the
calculation will match any of the available preferred values of real resistors. Therefore you will
need to choose the nearest preferred value.
5. Calculating the value of RE
To provide efficient bias stabilisation, the emitter voltage VE should be about 10% to 15% of VCC.
So choosing a value of 12% of VCC for VE and assuming that IE is the same as IC (It is only different
by the small amount of the base current), a value for the resistor RE can be calculated by dividing
the emitter voltage VE by the emitter current IE then choosing the nearest preferred value.
6. Estimate a value for base current IB
This can be found by dividing the collector current IC by the transistor’s current gain hfe obtained
from the data sheet. Because the hfe varies from one transistor to another, even of the same type, it
may be quoted as a typical value or as a range between minimum and maximum values, hfe also
varies with collector current so whatever figure you choose for hfe, the result of calculating IB will
be an approximation so the base voltage will probably not be accurate. However this can be ‘fine
tuned’ when the amplifier is being constructed.
7. Calculating VB
The base voltage should be about 0.7V (700mV) higher than VE to ensure that the input signal is
biased on the linear part of the transistor input characteristic.
8. Calculating the DC bias network current.
To ensure adequate bias stability, the current flowing through R1 and R2 should be about 10 times
greater than the base current IB so the current flowing through R1 and R2 will be simply IB x 10.
9. Calculating the resistance for R1
The value of this resistor will be the difference between VCC and VB divided by the bias network
current through R1 and R2.
10. Calculating the resistance for R2
The value of R2 will be the base voltage VB divided by the bias network current through R1 and R2.

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11. Start constructing the amplifier

Fit the transistor and the four resistors in
place on the breadboard together with
any necessary wire links (Do NOT fit
any capacitors yet). Then after a
thorough visual check that everything is
correctly connected, connect the power
supply, switch on and use a multimeter
to check the voltages on collector, base
and emitter of the transistor.
If the voltages are correct you have
successfully designed the DC conditions.
If there are any drastically wrong
voltages, (e.g. more than 30% high or
low) check that all the connections on
the amplifier are correct, and that you
Fig. 2.1.2 Fitting the DC components.
have read the resistor colour codes
correctly. Any smaller differences may
need the value of one or more of the resistors changing.
Try to make collector voltage VC exactly half of the supply voltage VCC. If it already is, well done!
If not (which is most likely) the first thing to check is that you have correctly calculated the values
of RL and RE and fitted the nearest preferred value of resistor in both positions. If these resistors are
OK, the base voltage probably needs correcting, as mentioned in "Estimate a value for base current"
above. If the collector voltage is high, the base voltage will need increasing slightly (try changing
R2 to the next higher preferred value). If the collector voltage is low, decrease the value of R2.
It is not unusual to have to ´tweak´ the values slightly in this way, as it is only possible to use
preferred values of resistor rather than the exact calculated values. Make sure to note the effect of
any changes you make, if you change a resistor value to increase a voltage, did it increase as
expected? If not try to work out why. Remember the purpose of this exercise is to help you
understand the effects of each of the components in the amplifier circuit − experiment and learn!

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Module 2.2
Class A Amplifier Design
What you’ll learn in Module 2.2. Part 2. Adding the AC Components.

After studying this section, you

should be able to:

Design a basic class A common emitter

audio amplifier.

• Calculate capacitor values for coupling

and decoupling components.

• Assemble a prototype amplifier on

Breadboard

Fig. 2.2.1. Common Emitter Amplifier

Calculate the component values and record your results in Part 2 of the Amplifier Design
Record sheets.
Choosing a value for C1 and C2
The primary function of C1 and C2 is to act as coupling capacitors, allowing AC signals to pass
whilst blocking DC at the input and output so that voltages present on preceding or later circuits
will not upset the bias condition for this amplifier.
The main consideration in choosing these capacitor values is to ensure that their capacitive
reactance is low enough, compared with the input impedance of the amplifier, or any load
connected to the output, to allow signals at all the required frequencies to pass.
The reactance of a capacitor is greatest at low frequencies, therefore the choice of coupling
capacitor values must allow for a low reactance at the lowest frequencies the amplifier is designed
to amplify. A generally accepted value for coupling capacitors in an audio amplifier would be
between 1µF and 10µF, (this can be changed later when the design is finalised).
Choosing a value for C3
The purpose of C3 is to prevent any AC signal voltage appearing across the emitter resistor RE. Any
AC appearing on the emitter of the transistor would be in phase with the signal at the base, therefore
the base and emitter voltages would rise and fall together, and the difference between base and
emitter voltages would be reduced. This would effectively reduce the input signal and so reduce the
amplifier’s gain.
C3 must therefore remove as much of the AC from across RE as possible, and so must have a low
reactance at all audio frequencies. As the lowest frequency is going to be around 20Hz, C3 must
have a reactance (XC) that is small compared to the value of RE at all frequencies above 20Hz.

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The value of C4
The purpose of C4 is to give an
appropriate reduction in amplification
at the high frequency end of the
amplifier’s bandwidth. The choice of
its value will be covered after initial
testing of the amplifier. At this stage it
is not necessary to fit C4.

After switching off the power to the

circuit, capacitors C1, C2 and C3 can
now be added to the circuit on the
´Bread board´ for testing.

Fig. 2.2.2 Fitting the AC components.

WARNING: Be extra careful when connecting

electrolytic capacitors to ensure they are connected with
the correct polarity, see Fig. 2.2.3 showing negative lead
marking on a capacitor, but note that the convention in
circuit schematic diagrams (Fig. 2.2.1) is to mark the
positive plate of an electrolytic capacitor with a +
symbol. Fig. 2.2.3 also shows the safe working voltage
of the capacitor, which must be high enough to
withstand any likely voltage the capacitor will be subject
to in the circuit.

Connecting electrolytic capacitors the wrong way

round, or exceeding their working voltage can cause
them to EXPLODE!

Carry out the initial checks in Part 3 before re-connecting the power.

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Module 2.3

Testing the Amplifier

What you’ll learn in Module 2.3 Part 3. Testing the amplifier under signal
conditions.
After studying this section, you should Record your results in Part 3 of the Amplifier
be able to:
Design Record sheets.
Test the amplifier operation using a 1. Initial check.
multimeter, signal generator and
oscilloscope for: Visually double check the circuit, especially the
capacitor connections (see warning in Part 2). Switch
• Gain, Bandwidth, Input and Output
Impedance.
on and re-check the transistor voltages to make sure
the circuit is operating as predicted.
Understand the importance of individual
component values relating to: 2. Gain (Voltage Amplification Av).
Gain can be measured using the set up shown in Fig
• Gain, Bandwidth, and Distortion.
2.3.1. The generator is set to a mid-band frequency of
1kHz and a small amplitude sine wave signal applied
to the amplifier input. With the oscilloscope attached
to the output terminals, the input signal is adjusted to give a large amplitude output signal that still
has an undistorted waveform. The peak-to-peak amplitude of the output signal is measured and then
the oscilloscope probes are transferred to measure the input. The two values are compared, and the
Small Signal Voltage Amplification (Av) is calculated using the formula on the Amplifier Design
Record sheets.
Av is simply the ratio of output to input, so does not have any units.

Fig. 2.3.1 Measuring the Amplifier Gain

Input Impedance.

Since the input of the amplifier will be mainly resistive at frequencies around or below 1kHz the
input impedance Zin can be represented in the diagram of the amplifier (Fig. 2.3.2) as a resistor
across the input terminals. To find the value of Zin (at 1kHz) a variable resistor of about 10K ohms
(a larger value than the amplifier input impedance is expected to be), or a decade resistance box can
be connected between the generator and the amplifier input as shown in Fig. 2.3.2.

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Fig. 2.3.2 Measuring the Input Impedance Zin

Initially the variable resistor is set to zero ohms and the generator is adjusted to give a large
undistorted display on the oscilloscope. The amplitude of the display on the oscilloscope should be
adjusted to fit exactly between an even number of the horizontal graticule markings.
The variable resistor is now adjusted until the peak-to-peak of the output wave is exactly half its
original value. Disconnect the variable resistor taking care not to disturb the slider position, and
measure its resistance value with the multi-meter. As the variable resistor and the input impedance
must both be the same value to give 50% of the amplitude across each, the resistance value of the
variable resistor is therefore the same value as Zin.
Output Impedance Zout
The output of the amplifier is developed across the load resistor RL so this resistor is effectively the
output resistance (and approximately the output impedance Zout at 1kHz) of the amplifier. The
output coupling capacitor C2 (see Fig. 2.2.1 in section 2.2) will not have a significant effect on Zout
as it will have a very low reactance at 1kHz.
C4 (when fitted later), will effectively be in parallel with RL but as it will have a very high
reactance over most of the amplifier’s bandwidth, it will not greatly affect the output impedance
Zout at 1kHz.
Bandwidth.
Checking the bandwidth of the amplifier requires the same equipment set up as in Fig. 2.3.1 but this
time the frequency of the input will be varied.

Fig. 2.3.3 Measuring the Amplifier Bandwidth

a.) Initially set the generator frequency to 1kHz and adjust the generator amplitude and the
oscilloscope controls to view a large, undistorted waveform, adjust the amplitude of the waveform
to fit exactly between an even number of horizontal graticule lines on the oscilloscope display.
b.) Calculate the −3dB level by multiplying the Vpp value observed in a.) by 0.707.
c.) Without altering the generator amplitude, reduce the frequency of the input wave and observe its
VPP amplitude on the oscilloscope. Keep reducing the frequency until the amplitude of the output
wave falls to 0.707 of that observed at 1kHz. This is the low frequency −3dB limit of the
bandwidth.
d.) Increase the frequency past 1kHz until the output VPP again falls to 0.707 of the 1kHz value (this
may be up to 100kHz or even be higher). This frequency is the high frequency −3dB limit of the
bandwidth.
It is quite probable that the tests will show that the amplifier bandwidth will not conform to a nice
20Hz to 20kHz specification, or that there may be variations in maximum gain over the frequency
range. This is not the ideal situation for a good audio amplifier, so the design may need improving
as described in Amplifiers module 2.4.
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Module 2.4

Class A Amplifier Design

What you’ll learn in Module 2.4. Part 4. Improving The Design.
Once the circuit has been through the initial stages of
After studying this section, you should design, improvements can be made to get the design
be able to: to match specific criteria. This design represents a
• Carry out tests and modifications, and basic audio amplifier, and therefore it should at least
apply Negative Feedback to achieve conform to the following very basic requirements.
specified performance criteria. The gain (at the mid band frequency of 1kHz) should
be of a specific value, this requirement would depend
on the overall system design, of which this is only a
single stage, but for this exercise:

Required Gain = 50
Bandwidth = 20Hz to 20kHz
Max. Undistorted Output Vpp > 70% of VCC
Achieving these criteria will require repeating the above design calculations and tests several times,
because as you change one component in the design, some if not all of the test results previously
obtained will change! Refining the design in this way is a normal part of any design process and
learning how the different components change the operation of the whole circuit is a great learning
exercise - enjoy!
Introducing some negative feedback.
In the DC only conditions introduced in Amplifiers Module 2.1, the gain of the amplifier was
dependent on the ratio of RL to RE but when the emitter is decoupled by C3 in part 2, the AC
voltage across RE is reduced to virtually zero by the low reactance of C3. This makes the ratio RL to
RE just about infinite and the gain then becomes dependent on the hfe of the transistor. The hfe of
small signal transistor is quite high, but also it can be seen from transistor data sheets to have a wide
variation, 100 to 300 in the case of the 2N3904.
Changing the transistor would therefore, very probably change the gain, also it would not be
possible to make multiple versions of this design and expect the gain to be identical on each
example. One way around these problems would be to use negative feedback. This will reduce the
gain but make it much more dependent on fixed component values rather than the variable value of
hfe.
Negative feedback also helps reduce distortion, and any background noise (hiss) generated within
the circuit. It also helps to even out the gain over the amplifier’s bandwidth. If the gain is not
constant, some frequencies will receive more or less amplification than others and ‘frequency
distortion’ will occur. Slight differences in gain, of 1dB or less would not generally be noticeable,
but using negative feedback can reduce larger differences.
Amplifiers Module 2.2 described how C3 is used to prevent negative feedback, but if some gain is
sacrificed by allowing a controlled amount of negative feedback, this will flatten the response of the
amplifier and increase the bandwidth, and although an increase in bandwidth may not be needed at
this point, having achieved the advantages above, the bandwidth can be adjusted later.

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There are two ways to reduce the

decoupling effect of C3 as shown in
Fig. 2.4.1 Both involve introducing an
additional resistor RNFB into the emitter
circuit.
In Fig. 2.4.1a RNFB is not decoupled.
In Fig. 2.4.1b RNFB reduces the
decoupling effect of C3.
Adding RNFB reduces the decoupling
effect of C3, making the (reduced) gain
independent of hfe and sets it to the
ratio of RL / RNFB. Once the value of
RNFB has been calculated to give a gain
AV of 50, the value of RE should also Fig. 2.4.1 Two methods of applying NFB
be re calculated and changed so that
the original value of RE is shared between RE and RNFB. This will keep the DC conditions of the
amplifier at about the same values as you set earlier.
Once these values have been calculated record the results in the Amplifier Design Record sheet,
Part 4.1.
Because of the negative feedback, the effective input signal to the amplifier is reduced. This reduces
Iin and because input current has input reduced, input impedance Zin (measured in Amplifiers
Module 2.3) increase. The change in Zin will also affect calculations for the value of C1, so it would
be good to re- check both the gain at 1kHz and the input impedance before carrying out the next
operations. Record the new figure for Zin in the Amplifier Design Record sheet Part 4.1.
Refining the Bandwidth
The specification for this exercise asks for the bandwidth of the amplifier to be as close to the range
20Hz to 20kHz as possible, this part of the design exercise will adjust the high and low frequency
limits of the bandwidth.

Fig. 2.4.2 Ideal Audio Response

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Setting the low frequency limit of the bandwidth.

The low end of the bandwidth can be controlled by C1 and choosing an appropriate value allows the
low frequency end of the bandwidth curve to be tailored to approximately (within the limits
imposed by component preferred values) the frequency required e.g. −3dB at 20Hz.
C1 together with the input impedance (Zin) of the amplifier forms a high pass filter, which will
shape the bandwidth at low frequencies. To get an accurate frequency for the -3dB point may
require some experimentation with different preferred values of capacitor close to the calculated
value, and repeated checks on the low end (20Hz) frequency of the bandwidth as described in Part 3
(5c). A suitable value for C1 can be found by re-arranging the standard formula for a filter corner
frequency to give:

Calculate the value for C1 and the nearest preferred value and enter them in Part 4.2 of the
Amplifier Design Record sheet.
The value of C2
The primary function of C2 is to provide DC isolation between this amplifier stage and any
following circuitry, whilst coupling the AC signal. As such it needs to have a reactance that is low
enough to pass all audio frequencies, a value of between 1µF and 10µF should be suitable. A more
accurate value would only need to be considered if it would form any filter arrangement with any
circuit connected to the output.
The value of C4
Now that the mid band gain and the low frequency limit of the bandwidth are set, C4 can be added
to the circuit. The purpose of this capacitor is to form a low pass filter together with RL. This filter
will control the high frequency limit of the amplifier reducing high frequency noise and instability.
Too much gain at high frequencies can also lead to instability and positive feedback problems if not
rejected. The value of C4 can be calculated in a similar way to the value for C1, however for C4,
the resistive part of the filter is RL and the corner frequency of the filter (where the gain will drop
by −3dB) will, for this exercise be 20kHz.
In a practical amplifier designed to accommodate all frequencies within the audio spectrum plus
some higher frequencies to allow for the amplification of the audio harmonics the cut of frequency
would be considerably higher, some commercial audio amplifiers will have a cut of frequency of
around 100 to 150kHz.
The process of making C4 and RL act as a low pass filter is the same for any chosen frequency, only
the corner frequency of the filter (your chosen cut off frequency) will be different, and so this will
change the calculated value of C4. The main point is that you are able calculate the value of C4 to
produce the cut off frequency of your choice. If you choose 20kHz you will loose some of the
harmonics and the amplifier will not perform well at amplifying complex waves, such as square
waves. If you choose a much higher value (or leave out C4 altogether, you run the risk of excessive
HF noise and possibly some instability.
Calculate the value for C4 and the nearest preferred value and enter them in Part 4.2 of the
Amplifier Design Record sheet.

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Maximum undistorted waveform

Apply a 1kHz sine wave to the amplifier input and connect an oscilloscope to the amplifier output
to monitor the output waveform.
Adjust the amplitude of the input signal until the output wave observed on the oscilloscope just
begins to show distortion.
Record the peak to peak value of the wave to ensure that VPP is greater than 70% of the value of
VCC.

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Module 2.5
Multi-Stage Amplifiers

What you’ll learn in Module 2.5. Inter-Stage Coupling

For many amplification purposes, a single
After studying this section, you should be transistor does not provide enough gain, so
able to: multiple circuits, or ´stages of amplification´ are
Describe methods for inter-stage coupling in needed. When an amplifier contains multiple stages
multi-stage amplifiers: the total gain is the product of the individual stage
gains:
• Direct Coupling
Gain G = G1 x G2 x G3 etc.
• Capacitor coupling.

• Transformer Coupling
Or, when the gain is expressed in deciBels, the sum
of the individual stage gains:
Total gain in dBs = dB1 + dB2 + dB3 etc.
The way in which the individual stages are coupled together is important. The design of the
coupling circuitry must fulfil several requirements, including:
a.) Impedance Matching.
When coupling amplifier stages together impedance matching is important so that as much signal as
possible is transferred from the output of one stage to the input of the next, keeping inter stage
losses to a minimum.
b.) Correct Frequency Response.
Ensuring that the correct bandwidth is maintained throughout all stages of amplification.
c.) DC Isolation.
It may be required that where the output of one stage is at a different DC potential to the input of
the next, the two stages are electrically isolated from each other.

Direct (DC) coupling

In some amplifiers, it is important that DC, as
well as AC is coupled between stages. In
direct coupling, illustrated in Fig. 2.5.1, the
output of one stage (e.g. the collector) is
connected directly, or via a component such
as a resistor, which does not block DC, to the
input (e.g. the base) of the next stage. This
method allows the amplification of very low
frequencies as well as DC (0Hz). Fig. 2.5.1 Direct
DC coupling may also be used in wideband
amplifiers to eliminate the use of capacitors where there may be a possibility of high frequency
instability caused by capacitors and resistors combining to form filter or phase shift circuits; if this
happens the gain may have variations at some frequencies due to filter action and may become
unstable and begin to oscillate if unwanted phase shifts occur.

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Amplifiers using direct coupling must be very stable in their operation, especially with regard to
variations in temperature, as even a very small change in the bias conditions at the base of a
transistor caused by fluctuating temperature, will cause a large change in the DC conditions at the
collector, creating an error voltage (the difference between the predicted collector voltage and the
actual voltage present). Any such error will be magnified at each subsequent stage, and so efficient
bias stabilisation is vital, also some additional error correcting feedback is normally required.
Capacitor Coupling.
Capacitor coupling (Fig. 2.5.2) provides electrical isolation
(DC Blocking) between the coupled stages, whilst allowing
AC signals to pass. This allows for different collector and base
voltages on the coupled stages, and reduces DC stability
problems. With this type of coupling, the reactance of the
capacitor must be low enough at the lowest signal frequencies
so as not to unduly reduce signal between stages. However,
using capacitors in this way can introduce unwanted high and
low pass filter effects, as described in DC Coupling above.
Fig. 2.5.2 Capacitor Coupling

Transformer Coupling.
In transformer coupling (Fig. 2.5.3), the signal current
flowing in the collector circuit of one stage flows through the
primary winding of a transformer, which induces a signal
voltage into a secondary winding connected in the input of the
next stage. This signal is added to the DC bias at the base of
the next stage.
Only AC signals are coupled, DC is blocked and the
transformer turns ratios can also be used to provide
impedance matching between stages. Transformer coupling is
more ideally suited to radio frequency (RF) amplifiers Fig. 2.5.3 Transformer Coupling
because the size of transformers at these frequencies can be
kept reasonably small. The much larger audio transformers are used for matching power output
amplifiers to loudspeakers and microphones to amplifier inputs, but even so, tend to be too large
and heavy for applications such as inter-stage coupling between multiple stages.

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Amplifiers Module 2.6

Amplifiers Quiz 2
Amplifiers Quiz
Try our quiz, based on the information you can find in Amplifiers Module 1. Submit your answers
and see how many you get right. If you get any answers wrong. Just follow the hints to find the
right answer and learn about Amplifiers as you go.
1.

What would be the approximate transistor collector voltage when operating correctly in class A with no signal input?
a) Vcc b) 0V c) 0.5Vcc d) 0.707Vcc
2.

Which of the following statements regarding the biasing of a class A amplifier is correct?
a) The base current should be 10% higher than the emitter current.

b) The base voltage should be 0.6V to 0.7V higher that the emitter voltage.

c) The emitter voltage should be 10% higher than the base voltage.

d) The emitter voltage should be 0.6V to 0.7V higher that the base voltage.
3.

Which of the following values would be most suitable for C1 and

C2 in the audio amplifier illustrated in Fig 2.6.1?
a) 10µF b) 22nF c) 220nF d) 470µF

4.

Which of the following statements would best describe for C3 in the audio amplifier illustrated in Fig 2.6.1?
a) C3 should have a high value of Z at 1 kHz.

b) C3 should have a maximum working voltage of about 4 to 5 times Vcc.

c) C3 should have a value of Xc that is small compared to the resistance of R4 at low frequencies.

d) C3 should have a tolerance of 5% or less.

5.

Which combination of test equipment would be most suitable for measuring the gain of an audio amplifier?
a) AC voltmeter and decade resistor box.

b) AF signal generator and AC voltmeter.

c) AC voltmeter and CRO.

d) AF signal generator and CRO .

AMPLIFIERS MODULE [Link] 16  E. COATES 2007 - 2012

[Link] Class A Amplifier Design

6.

Which combination of test equipment would be most suitable for measuring the input impedance of an audio
amplifier?
a) An AF signal generator, a decade resistance box and a CRO.

b) An AF signal generator, a decade resistance box and an ohmmeter.

c) An AC voltmeter, an AF signal generator and a variable resistor.

d) An AF signal generator, a CRO and an ohmmeter.

7.

Refer to Fig 2.6.2. What is the purpose of R4?

a) To increase low frequency gain

b) To improve decoupling.

c) To increase gain and decrease bandwidth.

d) To decrease gain and increase bandwidth.

8.

For what reason is it not desirable to have the amplifier gain reliant on the hfe of the transistor?
a) The hfe gives too much gain.

b) The value of hfe is too variable.

c) Relying on the hfe makes the amplifier unstable.

d) Relying on the hfe makes the bandwidth to narrow.

9.

Which of the following is an advantage of direct coupling between stages of a multi stage amplifier?
a) There is no voltage drop between the collector of one stage and the following base.

b) It increases gain.

c) It increases the input impedance of the amplifier.

d) It reduces the likelihood of phase changes.

10.

What will be overall gain of a two stage amplifier where the gain of the individual stages is 6dB and 12dB.
a) 18dB

b) 2dB

c) 72dB

d) 6dB

Check your answers at [Link]

AMPLIFIERS MODULE [Link] 17  E. COATES 2007 - 2012