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Character Study

The Character Study document is a template designed for actors to analyze and develop their characters through various sections, including given circumstances, objectives, beat breakdowns, and inner life exploration. Actors are encouraged to fill it out regularly, reflecting on their character's motivations and emotional state, and to submit the completed document by May 31, 2026. Additionally, it includes a weekly development log and theory application sections to connect acting principles learned in class to their performance.

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mushira217
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0% found this document useful (0 votes)
5 views4 pages

Character Study

The Character Study document is a template designed for actors to analyze and develop their characters through various sections, including given circumstances, objectives, beat breakdowns, and inner life exploration. Actors are encouraged to fill it out regularly, reflecting on their character's motivations and emotional state, and to submit the completed document by May 31, 2026. Additionally, it includes a weekly development log and theory application sections to connect acting principles learned in class to their performance.

Uploaded by

mushira217
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

How to use the Character Study document?

Please download a copy of this document and save it in your name (click on this video to know
how to do this).

You should be filling in the sections with the lines under the questions.

You might find that your answers change from day to day, or week to week. That is fine — just
keep updating it with your ideas. This is a digital document and I will mark whatever is on it.

Remember, you will submit this document in its complete form to me on 31 May 2026 by
11:59pm.

Scenes Character Study Template

Name:
Scene Title: ___________________
Play/Source (if applicable): ___________________

SECTION 1: GIVEN CIRCUMSTANCES

Who am I?
(Identity, age, social background, emotional state at start)

Where am I?
(Physical location + emotional atmosphere)

When is this happening?


(Time period, time of day, life moment)

What happened immediately before I began speaking?

Who am I speaking to?

Why must I speak now? What makes this urgent?

SECTION 2: OBJECTIVE & OBSTACLES


(Refined Weekly)
My Scene Objective (What I Want Right Now):
“I want to __________________ from __________________.”

Why do I want it?

What happens if I don’t get it? (Stakes)

Obstacles (What’s in my way?)


1
● External obstacle:

● Internal obstacle:

SECTION 3: BEAT BREAKDOWN


(Adjust weekly)
Divide the monologue into thought shifts.
Beat # What Changes? My Objective in This Beat Action Verb (Playable)

4
(Add more rows if needed.)

SECTION 4: SUBTEXT WORK


Choose 3 important lines from your monologue.
What I Say What I Really Mean What I’m Afraid to Say

(Add more rows if needed.)

SECTION 5: INNER LIFE EXPLORATION


(Written in First Person – Week 3)
Write one page in the voice of your character:
“What I would never admit out loud is…”
(Attach additional page if needed.)

SECTION 6: PHYSICAL & VOCAL CHOICES


(Week 4 – Experimentation Phase)
Body:
● Posture:
● Where I hold tension:
● Movement style:
Voice:
● Pace:
● Volume:
● Breath pattern:
● Tone quality:
How do these physical choices connect to the character’s psychology?

2
SECTION 7: WEEKLY DEVELOPMENT LOG
(Completed Every Sunday After Class)
Week #: 2 Date: __________
What did I discover about my character today?

What felt truthful?

What felt forced or artificial?

One adjustment I will try next week:


Week #: 3 Date: __________


What did I discover about my character today?

What felt truthful?

What felt forced or artificial?

One adjustment I will try next week:


Week #: 4 Date: __________


What did I discover about my character today?

What felt truthful?

What felt forced or artificial?

One adjustment I will try next week:

SECTION 8: THEORY IN PRACTICE


(Completed Weekly – Very Important)
Each week, students must connect their work to an acting principle introduced in class.

Week ___ Theory Focus: _______________________


(Example: Objectives, Given Circumstances, Subtext, Active Listening, Beats, Stakes, Tactics,
etc.)
1. What theory did we explore in class this week?

2. How did I apply this theory to my monologue?

3. What changed in my performance because of this theory?

4. Where did I struggle to apply it?

3
Week ___ Theory Focus: _______________________
(Example: Objectives, Given Circumstances, Subtext, Active Listening, Beats, Stakes, Tactics,
etc.)
1. What theory did we explore in class this week?

2. How did I apply this theory to my monologue?

3. What changed in my performance because of this theory?

4. Where did I struggle to apply it?

Week ___ Theory Focus: _______________________


(Example: Objectives, Given Circumstances, Subtext, Active Listening, Beats, Stakes, Tactics,
etc.)
1. What theory did we explore in class this week?

2. How did I apply this theory to my monologue?

3. What changed in my performance because of this theory?

4. Where did I struggle to apply it?

SECTION 9: PRE-MIDTERM REFLECTION


(Completed Week Before 19 April 2026)
● What am I most confident about?
● What still feels unstable?
● What is my performance intention?
● What do I want my scene partner/audience to feel?

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