B A S I C T O A D VA N C E D

CINEMATOGRAPHY
MASTERCOURSE
MENTORED BY
A M O L M A R K A D

11+ Yrs
EXPERIENCE

1000+
STUDENTS

+91 9545867686

@amolmarkad999@[Link]

Pune, Maharashtra, India

A mol markad films

1
 M E E T YO U R

M E N T O R
Amol Markad Sir is a highly accomplished and
renowned professional cinematographer with
over 11 years of rich experience in the wedding
and pre-wedding industry.
With a keen eye for detail, an innate
Sense of storytelling, and an
advanced understanding of
cinematography, Amol sir has
made a significant impact on the
way weddings and pre-wedding
films are shot and edited,
growing the art of
cinematography to new
heights.
over the course of his career,
Amol Sir has sharpened his skill in
the ever-changing world of pre-
wedding & wedding videography.

2
 A PA S S I O N A T E

M E N T O R

Amol Sir's dedication to the art goes beyond

his personal work. He is deeply passionate
about sharing his vast knowledge and
experience with aspiring cinematographers.
To date, he has mentored
over 1000+ students from all
corners of India, guiding them
to develop the skills necessary
to succeed in the pre-wedding
& wedding cinematography
industry. His hands-on
teaching style and
personalized approach have
earned him the admiration of
students, Many of whom have
gone on to become
accomplished
cinematographers
themselves.

3
 BASIC TO ADVANCED

C I N E M A T O G R A P HY
M AST E R C L ASS

CINEMATOGRAPHY

VIDEO EDITING

COLOUR GRADING (PREMIERE PRO+DAVINCI

RESOLVE)

GIMBAL HANDLING

MARKETING STRATEGIES (WORKSHOP)

PORTFOLIO BUILDING

LIVE PRE-WEDDING SHOOT (OUTDOOR SHOOT)

LIVE MODEL SHOOT

4
 C I N E M A T O G R A P HY

1. SHUTTER SPEED/MOTION.

2. ISO/BASE ISO/ DUAL BASE ISO/ TRIPLE BASE

ISO

3. APERTURE/ DEPTH OF FIELD/IRIS

4. WHITE BALANCE/ KELVIN

5. FOCUSING MODES

6. FPS (FRAME RATES)

7. FILE FORMAT

8. PAL/NTSC

9. VIDEO BITRATE

10. HISTOGRAM

11. PICTURE PROFILE

5
 C I N E M A T O G R A P HY

12. CREATIVE STYLE - SONY

13. CREATIVE LOOK - SONY

14. PICTURE STYLE - CANON

15. PICTURE CONTROL

16. ASPECT RATIO

17. S&Q SETTINGS

18. TOUCH OPERATION

19. RESOLUTION

20. VIDEO CODEC

21. TYPES OF LENSES

22. LOG SETTINGS (S LOG, C LOG, N LOG)

23. PROPER SHOOTING IN LOG

24. HLG (HYBRID LOG GAMMA)

25. CUSTOMIZED SETTING IN NEUTRAL PROFILE

6
 C I N E M A T O G R A P HY

26. CAMERA BODIES

27. DOLLY ZOOM/VERTIGO EFFECT

28. TILT SHIFT

29. CAMERA MOVEMENTS

30. BASICS OF SHOTS

31. WHAT IS CINEMATOGRAPHY

32. COMPOSITION (RULE OF THIRD)

33. EQUIPMENTS AND GEARS (MUST NEEDED)

34. ART OF POSING

35. DEVELOP YOUR OWN CINEMATOGRAPHY STYLE

36. CREATE STORYTELLING CONCEPTS

37. STORY BASED SEQUENCE PRE-WEDDING

38. LIVE PRE-WEDDING SHOOT

7
 C I N E M A T O G R A P HY

39. LIVE MODEL SHOOTS

40. LIGHT (NATURAL LIGHT)

HOW TO FIND BEST LIGHT FOR OUTDOOR SHOOT

REFLECTOR (HOW TO USE REFLECTOR)

- GOLDEN/SILVER DIFFUSER

41. TYPES OF FILTERS:-ND FILTER (NEUTRAL

DENSITY FILTER)

- CPL FILTER (CIRCULAR POLARISER LINEAR)

- VND FILTER (VARIABLE NEUTRAL DENSITY

FILTER)

- GLOW MIST FILTER (BLACK MIST FILTER)

UV FILTER (ULTRA VIOLET FILTER)

8
 V I D E O E D IT I N G

1. DATA MANAGEMENT

2. EDITING TRACK

3. BASIC INTERFACE OF PREMIERE PRO

4. IMPORTING FILES

5. CREATE SEQUENCE

6. EDITING WORKSPACE OR WORKFLOW

7. SEQUENCE SETTING

8. COLOR MATTE

9. NESTING SEQUENCE

10. USE OF PROPER WARP STABILIZER

11. LYRICS AND BEAT MATCH

12. ADDITIONAL SOUND EFFECTS

9
 V I D E O E D IT I N G

13. VIDEO TRANSITION

14. AUDIO TRANSITION

15. VIDEO EFFECTS

16. WORKING ON LAYERS

17. MASKING

TEXT MASKING

SUBJECT MASKING

REVEAL MASKING

18. PRE-WEDDING TEASER (SEQUENCE)

19. PRE-WEDDING REELS

20. PRE-WEDDING HIGHLIGHT (SEQUENCE)

21. HOW TO CREATE REELS (SEQUENCE)

22. SHORTCUT KEYS

10
 V I D E O E D IT I N G

23. SLOW MOTION

24. SPEED REMAPPING

25. BLENDING MODES

26. TIME REMAPPING

27. EDITING TECHNIQUES

28. DOUBLE EXPOSURE

29. DOLLY ZOOM

30. EXPORT SETTING

31. KEY FRAMES

32. CINEMASCOPE/ CINEMATIC BAR'S / CROP

EFFECT

11
COLOR GRADING
( I N D AV I N C I R E S O L V E )

INTRODUCTION TO DAVINCI RESOLVE

INTERFACE

DATABASE & PROJECTS

MEDIA PAGE

EDIT PAGE

COLOR PAGE

DELIVER PAGE

GALLERY IMPORTANCE IN DAVINCI RESOLVE

POWERGRADE 1

HOW TO INSTALL LUT'S

MEDIA POOL

IMAGE WIPE

HIGHLIGHTS

BYPASS COLOR

TIMELINE

12
COLOR GRADING
( I N D AV I N C I R E S O L V E )
CLIPS

NODES

OPEN FX

LIGHT BOX

CAMERA RAW

PRIMARIES COLOR WHEELS

RGB MIXER

MOTION EFFECTS

CURVE

QUALIFIER

WINDOW

TRACKING

AI MAGIC MASK

BLUR

KEY

SIZING

KEY FRAME
13
COLOR GRADING
( I N D AV I N C I R E S O L V E )

• SCOPES

PAARADE

WAVEFORMS

VECTOR SCOPE

HISTOGRAM

NODES

SERIAL NODE

LAYER MIXER

OUTSIDE NODE

KEY MIXER

PARALLEL NODES

TIMELINE NODE

SCOPES

EXPORT SETTINGS

14
COLOR GRADING
(PREMIERE PRO)

COLOR CORRECTION

COLOR GRADING

BASIC CORRECTION

COLOR

LIGHT

CREATIVE

CURVES

COLOR WHEELS AND MATCH

HSL SECONDARY

HOW TO USE LUT'S

HOW TO SAVE YOUR LUT'S

IMAGE WIPE

15
 COLOR GRADING
( I N D AV I N C I R E S O L V E )

NOISE VS FILM GRAIN

PARADE

WAVEFORMS

VECTORSCOPE

HISTOGRAM

COLOR THEORY

DIFFERENCE BETWEEN

SATURATION AND VIBRANCE

MONOCHROMATIC

COMPLEMENTARY COLORS

TRIADIC COLOR

PROPER WHITE BALANCE

PROPER EXPOSURE

CONVERSION
16
COLOR GRADING
(PREMIERE PRO)

REC 709

BT 2020

LOG FOOTAGE

RAW FOOTAGE

WHAT IS COLOR GRADING?

POWERFUL TIPS FOR COLOR GRADING

MUST USE TOOLS FOR COLOR GRADING

PRE-WEDDING LOOK

FILM LOOK

WARM LOOK

COOL LOOK

VINTAGE LOOK

MOODY PRE-WEDDING EDITS

CANON C LOG 3 TO REC 709

SONY S LOG 3 TO REC 709

17
 A DVA N C E D G I M B A L
PRACTICAL TRAINING
BASICS OF GIMBAL

HOW TO BALANCE PROPER GIMBAL

GIMBAL SETUP

18
 TRAINING
PRACTICALS

1. DOLLY IN AND DOLLY OUT (PUSH AND PULL)

2. ORBITAL SHOTS (PAN SHOTS)

3. WALK WITH GIMBAL

4. PANING SHOT WITH STATIC SUBJECT

5. PANING SHOT WITH WALKING SUBJECT

6. LOW ANGLE DOLLY IN (PUSH)

7. LOW ANGLE DOLLY OUT (PULL)

8. LOW ANGLE PAN SHOT

9. LOW ANGLE ORBITAL SHOT

10. RUNNING SHOT

11. TILT+ DOLLY OUT SHOT

12. TILT + DOLLY IN SHOT

19
 TRAINING
PRACTICALS

13. JIB SHOT

14. PF MODE

15. PTF MODE

16. FPV MODE (FPV SWING SHOT)

17. SPORTS MODE

18. TILT + DOLLY OUT+ ORBITAL SHOT (HARD)

19. HANDHELD SHOTS

20. 3D ROLL 360 SHOT

21. MOTION + MOVEMENT COORDINATION

22. 1.5 NINJA WALKING

23. LOW ANGLE WIDE ORBITAL SHOT

24. LOW ANGLE WIDE PAN SHOT

20
 MARKETING
ST R AT E G I E S

How to grow social media

How to build your portfolio on social media

How I got Unlimited pre-wedding shoots [my

techniques]

How to convert enquiry into shoots

Breakdown of Indian photography market

How to earn 20 lakhs in a year as a

Cinematographer (100% Working Techniques)

Client management

21
 P O RT F O L I O
BUILDING

We build each student's portfolio for pre-

wedding shoot

We provide 5-6 Pre-Wedding’s & model's Raw

shoot data for your portfolio

live Pre-wedding shoot for your portfolio

live model's shoot for your portfolio

22
 COURSE
D E TA I L S

COURSE DAILY SCHEDULE

(Flexible Time*)
FEES
( N o n - Re f u n d a b l e ) 2 Hours : THEORY LECTURE

2 Hours : GIMBAL TRAINING

45,000/- (8 TO 10 DAYS)

I N C L U D I N G S TAY 2 Hour : EDITING PRACTICE

41,000/-
Course language
E XC L U D I N G S TAY Marathi, Hindi, English

(Saturday and Sunday holiday and

assignments or Editing Practice)

Stay availability in Course fees

Food - Separate charges (3500 to 4500)

for 1 month (multiple options available)

LOCATION
AMF institute, Sinhgad institute Rd, near
panhala boy's hostel, campus, Pune,
Maharashtra, 411041

[Link]

23
 R E G IST R AT I O N
PROCESS

R E G IST R AT I O N F E E S : 3 0 0 0 / -
[ NON REFUNDABLE ]

+91 9545867686

Send

- Pa y m e n t s c r e e n s h o t & y o u r f u l l
name and WhatsApp number on this
number +91 9545867686

- Remaining fees should be paid on

first day of course (compulsory)

- If available carry your Camera,

Gimbal, laptop otherwise it will be
provided, If you want to learn

For enquiries/queries Call

9545867686 8799808521

Amol markad films

24