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Scriptwriting and Storyboarding Guide

This document contains exam questions for two courses: Scriptwriting and Storyboard Designing, and Realistic Concepts of Animation and Special Effects. The Scriptwriting exam has two sections - Section A contains short answer questions about concepts like high concept stories, script formatting, transitions, and camera angles. Section B requires longer answers about topics such as storyboards, script analysis, production flow charts, and script writing basics. The Animation exam also has two sections with questions covering body mechanics, animation techniques, timing, computer animation, and character posing. Section B delves deeper into topics like storyboards, script analysis, and the role of sound in cinema.

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Ajay Dhamankar
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0% found this document useful (0 votes)
41 views6 pages

Scriptwriting and Storyboarding Guide

This document contains exam questions for two courses: Scriptwriting and Storyboard Designing, and Realistic Concepts of Animation and Special Effects. The Scriptwriting exam has two sections - Section A contains short answer questions about concepts like high concept stories, script formatting, transitions, and camera angles. Section B requires longer answers about topics such as storyboards, script analysis, production flow charts, and script writing basics. The Animation exam also has two sections with questions covering body mechanics, animation techniques, timing, computer animation, and character posing. Section B delves deeper into topics like storyboards, script analysis, and the role of sound in cinema.

Uploaded by

Ajay Dhamankar
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Roll No. ...........

Scriptwriting and Storyboard Designing


B Sc (MM)6th Semester 2012 Internal Examination
Duration 3Hrs
Section A

Marks 75
Marks 2 each

Note: Attempt Any 15 questions from Section A. Attempt any 9 questions from section B

Q.1. When is a story called a high concept story? Name three styles of screenwriting. Q.2. What is the length of an average features screenplay? How is the format of a script planned? Q.3. What are script revisions marked with? What does information contained in the header include? Q.4. How is a teleplay different from a screenplay for movies? What is a television season? Q.5. If used appropriately, what can transitions help in doing? Why is a cast list used? Q.6. What is the difference between the first line of a montage and the first line of the series of shots? Q.7. What is the measurements of dialogue margins? When does a parenthetical element appear in a script. Q.8. What is the main difference between the chief aims of a narrative and an expository text? What is story grammar? Q.9. What is the word 'supers' an abbreviation for? Name the first element of a script?

Q.10. What does genre mean in film theory? How are fictional films generally categorized? Q.11. How will an interactive test of concept representation and an interactive storyboard be different from each other? Q.12. Point out the difference between dual dialogue margin and standard dialogue margins. Q.13. What can poorly designed product specification lead to. Q.14. What is one of the most dynamic aspects of cinematography? Q.15. How does storyboarding inspire new ideas? How does a well designed storyboard help the user? Q.16. What does interactive storyboarding allow you to do? Q.17. What do high view points and high camera angles help to do? Q.18. Name any two special audio effects that can be incorporated into a digital story. Section B Marks 5 each

Q.1. How will you create a storyboard showing vanishing motion? Explain with the help of figure. Q.2. Explain the principles of script analysis? Q.3. Describe the production flow chart. Q.4. What do you understand by emphasis in action? Describe. Q.5. Explain flashback. Q.6. Explain Parenthetical. Q.7. Explain the various camera angles? Q.8. Explain basics and uses of script writing? Q.9. Describe what header and footers are.

Q.10. Write a note on the points that need to kept in mind while formatting dual column dialogue. Q.11. Explain interactive storyboarding. Q.12. Describe spec script. Q.13. Describe the significance of sound in cinema. Q.14. Write a meaning of (any 5): i) Antagonist v) Plot point ii) Commedia del rate vi) Storytelling iii) Estimator iv) Editor

vii) Three act structure

Roll No. ...........

Realistic Concept of Animation and Special Effects


B Sc (MM)6th Semester 2012 Internal Examination
Duration 3Hrs
Section A Q.1. What is the use of body mechanics? Q.2. Why is traditional animation known as a 'hands-on' process? Q.3. What are armatures? Q.4. What is aspect ratio? Q.5. Define animation? Name some imaginary or mythological characters used in animation films. Q.6. ? Q.7. Write the implications of the following in between. i) No in-betweens iii) Four-in-betweens ii) One in-between iv) Six-in-betweens

Marks 75
Marks 2 each

Note: Attempt Any 15 questions from Section A. Attempt any 9 questions from section B

Q.8. ? Q.9. ? Q.10. ? Q.11. ?

Q.12. . Q.13. What are the funtions of the following options. time slider, time line, Auto key and time Q.14. ? Q.15. Name the film in which clay animation was used first time. Q.16. How are timing and emotions related to each other? Q.17. What is computer animation? Q.18. What is Posing? Section B Marks 5 each

Q.1. How will you create a storyboard showing vanishing motion? Explain with the help of figure. Q.2. Explain the principles of script analysis? Q.3. Describe the production flow chart. Q.4. What do you understand by emphasis in action? Describe. Q.5. Explain flashback. Q.6. Explain Parenthetical. Q.7. Explain the various camera angles? Q.8. Explain basics and uses of script writing? Q.9. Describe what header and footers are. Q.10. Write a note on the points that need to kept in mind while formatting dual column dialogue. Q.11. Explain interactive storyboarding.

Q.12. Describe spec script. Q.13. Describe the significance of sound in cinema. Q.14. Write a meaning of (any 5): i) Antagonist v) Plot point ii) Commedia del rate vi) Storytelling iii) Estimator iv) Editor

vii) Three act structure

Common questions

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Poor product specification can lead to disorganization, miscommunication, and potential financial losses due to inaccurate resource allocation. It may result in a final product that deviates from the intended vision or fails to meet industry standards .

A teleplay is written specifically for television and typically adheres to episode formats within a series. A screenplay for movies is designed for feature-length films and focuses on a single narrative arc. A television season refers to a set of episodes aired chronologically, usually contributing to an overarching storyline .

A high concept story is one that is easy to pitch and is highly marketable because of its unique plot or idea. Three styles of screenwriting include classic Hollywood, independent, and experimental storytelling styles .

High viewpoints and high camera angles can evoke feelings of dominance, background significance, or vulnerability, providing visual commentary on the characters' status or emotional state in the narrative .

Transitions in a screenplay help smoothly guide the viewer from one scene to another, enhancing the flow of the narrative. A cast list is used to provide a quick reference for all the characters involved and the actors who portray them .

The number of in-betweens determines the smoothness of motion. No in-betweens create choppy movements, one in-between introduces basic smoothness, while four to six in-betweens result in more fluid and realistic motion, enhancing the animation quality .

Story grammar provides a structural framework unique to narratives focusing on character, setting, and plot development, whereas expository texts emphasize information and facts. In scriptwriting, narrative story grammar helps build engaging plots that guide viewers through emotional and thematic elements, contrasting with the direct, informative nature of expository texts .

Timing in animation is crucial for conveying emotions effectively. Accurate timing ensures that emotional beats are convincing, helping to elicit desired reactions from the audience. For instance, slower movements might depict sadness, while quick actions can express excitement or urgency, thereby enhancing the emotional depth of the story .

Dual dialogue margins are used when two characters speak simultaneously, aligning their lines side-by-side, whereas standard dialogue margins present each character's dialogue sequentially with typical spacing and indentation to reflect alternating conversation .

Script revisions are marked with specific colored pages indicating the revision stage, such as blue pages for the first revisions. Information in a script header often includes details like the screenplay title, the draft date, and the current draft number .

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