MASCULINITY IN HANYA YANAGIHARA’S A LITTLE LIFE AND HELON HABILA’S
MEASURING TIME
CHAPTER ONE
1.0 BACKGROUND TO THE STUDY
Masculinity is derived from a Latin word Masculinus which means virility and is associated with
manhood; male strength or power. Masculinity is the study of men’s lives and their experience. It refers to
the roles, behaviours and attributes considered appropriate for men in a society. Masculinity is defined as
the characteristics of being masculine, it can be defined as covering the qualities that are attributed to a
men which are courage, bravery, economic independence and soon. Traits associated with the male
include physical prowess (strength, fitness, hard work), dominance, independence, rationality, sexual
aggressiveness, ambitiousness, assertiveness, honourable or righteous behaviour, courage, intelligence,
competence, analytic abilities, competitiveness, insensitivity and attractiveness (usually viewed from
point of view of achievements) (Tobalase, 2014). Abrams (2009) asserts that the masculine has come to
be widely identified as active, dominating, adventurous, rational and creative. Webster Dictionary states
that the word “masculinity” refers to the characteristics of being masculine, manly, male stereotypes.
According to Miescher and Linsday (2003:4), as quoted by Jegede (2013), the term masculinity refers to a
cluster of norms, values and behavioural patterns expressing implicit expectations of how men should act
and represent themselves to others. Masculinity examines the enactment of men’s manhood and centres
on the understanding of men’s lives and experiences as gendered beings. It is associated with manliness
suggesting essential differences that make a man different from a woman, especially from the biological
configuration of the sexes (Kaufman 1994: 14).
Masculinity attempts to study and understands men’s lives. Masculinity captures men’s lives and
experience in a particular society. In a particular society, means there are different factors that
differentiate a man in a given society to the other. Culture, religion, belief systems, environmental
realities, historical experience, ethnicity, races et cetera are factors that is used to different and categories
man in the masculinity hierarchy. For example what is expected from a Yoruba man is different from
what is expected from a Hausa man, what is expected from a white man is different from what is expected
from a black man and this could from time to time. Historical, political and social experience makes
culture dynamic and this can affect the society view of masculinity.
Masculinity is socially constructed and not biological. A male child born here in Nigeria is the
same with the one born in Korea because they possess the same physical characteristics. The society is
the one that differentiate from one another, it is the society that assigned expected roles, activities and
responsibility to them and when a man fails to meet up with all this or processes characteristics such as
weakness, dependence, expression of emotion especially through tears, submissive and so on, he is tagged
as a failed man. There are various types of masculinity
Masculinity as a construct
It is a myth that is a common belief that masculinity is biological, that men possess masculine
features and qualities as a result of them being born as a male. Thus, if we believe this it means that all
men are aggressive, domineering, violent, short or hot tempered and none of them can be different as they
have the same biological makeup. But, we do have men that do not have all these traits. Also, why is a
man who is domineering and violent towards his wife and kids is so timid, fearful and submissive towards
his boss. This shows that men depict typical masculine behaviour when they are in a position of power
and influence and switch to the feminine trait when they are in a dependent situation or position. This
proves that masculinity is not biological constructs but is governed by hierarchy and power dynamics
which shows that masculinity is socially oriented.
Forms of Masculinity
Raewyn Connell (1995) discusses the following forms of masculinities
Hegemonic masculinity is a form of masculinity that is dominant and expresses a successful strategy
for domination of women and men. Connell refers to this type of masculinity as a culturally authoritative
form that supports the dominance of men and total subordination of women. It is also constructed in
relation to other forms of masculinities that are affected by race, class, sexuality, etc. Although this form
of masculinity is the dominant form, only few men can actually meet up to the standards which result to
the emergence of other forms of masculinities. Subordinated masculinity are gender relations of
subordination and dominance among group of men which means that some men are inferior to the other
men for example heterosexual men or boys that are seen to portray female trait are subject of ridicule
when abused as mama’s boy, sissy, nerd, etc. heterosexual men are not the only subordinated masculinity,
but also homosexual masculinity. Gay men are subordinated to straight men, gay men face cultural and at
time economic exclusion and are target of discrimination and violence. Such oppression makes gay men
the lowest in the masculinity hierarchy.
Complicity masculinity is a form of masculinity in which men that fall under it do not exercise
hegemonic masculinity but benefits from it. The numbers of men who practice hegemonic pattern are
small but majority of men benefit and gain from it; they are not forefront of hegemonic masculinity but
they get advantage of it indirectly. Marginalized masculinity is a form of masculinity that is the
interaction of gender with other structures such as class, race, that create further hierarchical relationships
amongst masculinity. It is the relational situation between the masculinities in subordinated and dominant
classes, races, castes or ethnic groups. For example during the colonial era in Europe and even Africa the
blacks are under marginalized masculinity because of their race.
Jegede (2018) discusses the following forms of masculinities
Hegemonic masculinity is the highest form of masculinity in hierarchy and is been define by
boldness, physical strength, heterosexuality, economic independence, authority over men and women.
Hegemonic masculinity is featured by patriarchy in gender discourse; it implies that any men that belongs
to this form of masculinity commands power over women, children and lesser men in the society
(Haywood and ghail (2003:153). consider hegemonic masculinity as “an ascendant masculinity in a
particular time and space”. The word "ascendant" implies superior, control and dominance in the
masculinity hierarchy. Men that fall under hegemonic masculinity are men that possess power, wealth
influence in the society, and apart from the control over women in the patriarchal society they also
command all men that fall under them in the hierarchy. Normative masculinity is men that are belief to be
normal according to the name, normative is coined from “norm” which means that they are normal man.
Normative masculinity men who are successful, intelligent, rational, heterosexual, emotionally stable,
educated, have good jobs, own homes, proud and are bread winners. They are not as powerful like the
hegemonic masculinity but are men who are said to have fulfil the responsibility assign to them by the
society. Subordinated masculinity is the lowest in masculinity hierarchy. It is defined by other
masculinities that exclude men from the general and homogenous definition of what it takes to be a
complete man. (Kimmel & Messner, 1995). They are men that fail to meet up with the role and
responsibility assign to them by their society. They are tagged as been unworthy, incomplete, and inferior
and posses women character that differentiate them from real men.
Hyper masculinity is men that posses all the characteristics of hegemonic masculinity but are
extremist. This form of men are said to have the male ego which becomes their flaws and leads to their
downfall. They are type of men that beats treat women badly and oppress them because of the patriarchal
system. Hyper-masculinity enactment has its roots in patriarchy, masculinity mystique and gender role
schemas which combine to project the man as superior to the woman (Jegede, 2018). Hypo masculinity
are men that are weak, dependent on others, lazy, sterile and cannot fend for their family, they are similar
to subordinated masculinity since they carry their features. According to Jegede (2018), complicit
masculinity is a form of masculinity that makes no sacrifice to the masculine social group but benefits
from the privileges it confers on men. They are aware of this influence and do not challenge it but takes
full advantage of the benefits it gives to men. Jegede develops a diagram to show the masculinity
hierarchy and also explain that men could change from any of these forms since it is societal oriented.
Masculinity hierarchy
Hegemonic masculinity
Normative masculinity
Hyper masculinity
Subordinated
Hypo masculinity
Model designed by Jegede 2018.
There is no way we would talk about masculinity that we wouldn’t take about the notion of
emasculation. Emasculation is a condition in which a man is deprives of his right and virility: manhood,
manliness. It is a form of weakness in which the power and control of being a man is absent, causing the
man to feel castrated. Emasculation also results from oppression either by female or male that leads to
psychological pain and trauma. Male emasculation implies a social condition that is created to make a
man less masculine psychologically, materially, culturally and in terms of social responsibilities (Kimmel,
2005). James and Nadeau (1999:98) define emasculation as “the fear of losing masculine status and
power in the eyes of others”. According to them, emasculation is one of the fears associated with gender-
role schemas which can be experienced consciously and unconsciously and the capacity to “play a
significant role in males’ interpersonal relationships with both men and women”. James and Nadeau
(1999) posit that: One of men’s greatest fears is to be emasculated. To be emasculated means to be
deprived of virility or procreation powers; to be castrated; to be deprived of masculine energy, vigour, or
spirit; to be weakened; to be unnerved by others in terms of your masculine gender-role identity. In short,
emasculation means losing one’s masculine identity and energy. Being emasculated is part of almost
every boy’s and man’s gender-role identity development. He may feel emasculated by devaluing
comments, failures, sexual dysfunctions, and perceived losses of control and power. Such men are seen in
their society as failures, useless and lazy. Emasculation has its types; they are biological, psychological
and socio-cultural.
Biological emasculation result from when a man is suffering from physical disability or inability to
reproduce. Psychological emasculation result from the negative comment that produces self esteem.
Physical disability is a major cause of emasculation as people with disabilities are perceived as weak,
dependent and pitiable. Socio-cultural Emasculation occurs when men are been deprive, constraint and
not privileged from the social and cultural norms of being a man. Socio-cultural emasculation also results
from economic deprivation, poverty, unemployment and the inability to perform the masculine roles.
Culture defines the masculinity of an individual man. For instance, what it takes to be a real man in Africa
(black) is different from what it takes to be real man in Europe (white). According to Kaufman (1995),
masculine norm has its own particular nuances and traits dependent on class, nation, race, religion, and
ethnicity.
Measuring Time by Helon Habila tells the story of the lives of twin boys, Mamo and LaMamo in the
Nigerian village of keti. Mamo, the older twin, suffers from sickle cell anaemia, is physically weak,
reserved and intellectual. LaMamo is strong, athletic and outgoing. The brothers dream of escaping from
their domineering father to lead adventurous lives. Their paths diverge after they run away from home to
become soldiers. Mamo is forced to return home because of his health emergence while LaMamo
continues his journey and becomes a mercenary, and eventually working with Medecins Sans Frontiers
(doctors without borders) before returning home. The rest of the story lies through the lives of these twin
brothers, their family and the people they interact with.
A Little Life by Hanya Yanagihara tells a story about four classmates from a small Massachusetts
college who move to New York to make their way; they are broke, adrift, and buoyed only by their
friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted,
sometimes cruel Brooklyn-born painted seeking entry to the art world; Malcolm, a frustrated architect at a
prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as the centre of the story. Over the
decades, their relationships deepen and darken, tinged by addiction, success and pride. Yet their greatest
challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an
increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what
he fears is a degree of trauma and he will not only be unable to overcome but that will define his life
forever.
1.1 STATEMENT OF THE PROBLEM
There have been works on masculinity such as: Masculinity in Things Fall Apart by Samanhyia
2022. The portrayal of masculinity in to Catch a Prince by Ariani 2015. Revisiting masculinity and
othering in Diasporic fiction by Saxena and Sharma, 2022 using Buchi Emecheta’s Second Class Citizen
(1974) Joan Riley’s Waiting in the Twiglight (1987) and Hanif Kureishi’s The Budda of Suburia (1990).
The Edvinsson 2019 May the best win: non-stereotypical masculinity in the novel A Little Life using
Raewyn Connell’s masculinity theory. The theory is based on three aspect, but Edvinsson only
concentrate on the hegemonic concept while this research focuses on the three aspect of Raewyn
Connell’s theory which are psychoanalysis, using life history method which focus on the character’s
lives, struggle and experience, the hegemonic concept to study the non-hegemonic masculinity, and the
cathexis which is about their sexual lives. Work had been done on Measuring Time but the concept of
masculinity has not been reviewed.
1.2 AIM AND OBJECTIVES
The aim of this project is to examine the literary representation of the male in Measuring Time by
Helon Habila and A Little Life by Hanya Yanagihara. The specific objectives are:
a. discuss masculinity in the novel looking at the character lives and experience;
b. analyze how the authors create characters using the actions and speeches and other indicators of
the male psychic and sensibilities in the novels and
c. discuss the notion of emasculation and its types using the characters in the novels.
1.3 RESEARCH QUESTION
The research attempt to discuss masculinity in Measuring Time by Helon Habila and A Little Life
by Hanya Yanagihara. As a result, these research questions guild this study:
a. how is masculinity portrayed in Measuring Time by Helon Habila and A Little Life by Hanya
Yanagihara?
b. what does it means to be called a failed man?
c. what does it mean to be a real man?
d. how true is the assertion that we live in a patriarchal society where men rules over everything?
e. are men not been oppressed or subjugated?
1.4 SCOPE OF THE STUDY
This study explores masculinity in Measuring Time by Helon Habila and A Little Life Hanya
Yanagihara. This study examines the characters lives and their experience from their childhood down to
their adulthood, discussing the concept of emasculation and its types using the characters in the novel.
This study is to help in understanding the men’s life and that there are various types of men and also to
reveal and gives oversight about men’s trauma and pains. It also helps in understanding how the society,
culture, religion, belief system, races and so on has sharpens a man.
1.5 SIGNIFINANCE OF THE STUDY
Masculinity is the study of men’s lives and their experience. It comprises of the roles and
characteristics of men given to them by the society. The notion of emasculation means the condition
whereby a man is deprived of his rights. Emasculation also results from oppression men and women that
make men suffer and lose their power in front of others. This study illustrates masculinity in Measuring
Time by Helon Habila and A Little Life by Hanya Yanagihara and how the characters are been portray
using masculinity and emasculation. This research work show us that though we live in a patriarchal
society, not all men rules and that some men are suffering in silence because voicing out will make them
a weak man. The roles and responsibility given to them by the society are making men to strive very hard
in other not to be tagged a failed man. The result of the research will be useful to student and future
researchers.
1.6 RESEARCH METHODOLOGY
This study uses primary and secondary sources of data. The primary sources comprise Measuring
Time and A Little Life. The texts are chosen because they have a distinctive representation of masculinity.
The secondary sources such as articles, journals, internet, and books are used as well. Masculinity theory
and the notion of emasculation are use to read the texts.
1.7 ABOUT THE AUTHORS
HELON HABILA
Helon Habila Ngalabak was born on November 1967 in kaltungo, Gombe state, Nigeria. He studied
English Language and Literature at the University of Jos and lectured for three years at the Federal
Polytechnic, Bauchi. In 1999 he went to Lagos to write for hints magazine, then to Vanguard newspaper
as literary Editor before moving in 2002 to England where he was a Chevening scholar at the University
of East Anglia, and now teaches creative writing at George Mason University, Washington, D.C. Helon
Habila is a Nigerian novelist and poet, whose writing has won many prizes, including the Caine prize in
2001. His second novel, Measuring Time, published in 2007, was nominated for the Hurston Wright
legacy award, the IMPAC prize, and in 2008 won the Virginia Library Foundation prize for fiction.
HANYA YANAGIHARA
Hanya Yanagihara was born on September 20, 1974, in Los Angeles. Her father's family had lived in
Hawaii for multiples generations and includes Japanese ancestry, while her mother is South Korean and
was born in Seoul. Yanagihara complete high school in Hawaii, she attended Smith College, a women-
only liberal arts college in Massachusetts. Yanagihara graduated in 1995 and moved to New York City.
She began her career working as a publicist and eventually began writing for Conde Nast Traveller, where
she subsequently became an editor. Yanagihara was working at Conde Nast Traveller when she published
her first novel, The People in the Trees, in 2013. This novel received very favourable reviews and
established Yanagihara as a notable new voice in fiction. In 2015, Yanagihara began a new job as editor-
in-chief at The New York Times Style Magazine. That same year, she published her second novel, A
Little Life. Yanagihara has received some attention due to her career combining a mixture of commercial
journalism and media work with the writing of literary fiction.
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