Maestro Marciano Ribeiro

             
Dobrado n°11

 
Ranieri soares


 
 = 110

             

Piccolo


  
             

 
Flauta Transversal

              
 
Clarinete em B♭

        
Clarinete em B♭2

  
         
Saxofone Alto

 
    
                
Saxofone Tenor


 
               
 
Trompa em E♭

  
Trompa em E♭2

               
   
  
Trompa em E♭3

  

     
Trompete em B♭

   
         
Trompete em B♭2

 
   
Trombone 3

      

   
Trombone 2

     
  
      
Trombone

        
 
       
    
Bombardino

Sousafone em B♭     


Escrito em Lucrécia RN 18 de Abril de 2002

              
  
2

  
5

             
Flt.

 
  
             
Fl.

   

             
Cl. em B♭

   
      

Cl. em B♭2

    
    
A. Sax

           
  
        
Sax. Tn.

        
   
    
  
       
Trp. em E♭

        
      

  
    
Trp. em E♭2

          
           
     
 
     
Trp. em E♭3

 
Tpt. em B♭  
       

                 
Tpt. em B♭2

  
    
            
Tbn.3

      
              
Tbn.2

      
 
     
Tbn.

              

           
Bomb.

        
Ssfn. em B♭
  

Escrito em Lucrécia RN 18 de Abril de 2002

       
  
3

  
10
  
      
Flt.

   
   
 
Fl.

   
Cl. em B♭     
     
    
     
Cl. em B♭2

     
 
A. Sax

    
      
 
Sax. Tn.

             
   
   
      
       

Trp. em E♭

                      
       
           
Trp. em E♭2

                 
    
 
Trp. em E♭3

Tpt. em B♭            

         
 
33 3

              3    
Tpt. em B♭2

           
       
           
     
Tbn.3

              
           
Tbn.2

                   
 
   
Tbn.

         
 
              
Bomb.

Ssfn. em B♭
            

Escrito em Lucrécia RN 18 de Abril de 2002

 
       

4

  
 
15


     
Flt.

    
Fl.  

    
Cl. em B♭
     
   
      
 
Cl. em B♭2

       
 
 
A. Sax

           
                 
Sax. Tn.

          
       

Trp. em E♭

                     
       
        
Trp. em E♭2

               
     

   
Trp. em E♭3

Tpt. em B♭          

         
 
33 3

    
Tpt. em B♭2

                   
       
3

           
                
Tbn.3

    
           
Tbn.2

                  
 
 
Tbn.

            

                  
Bomb.

  
   
Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

 
           
20  
5

 
  

           
Flt.


  
Fl.   

   
Cl. em B♭
    
        
  
Cl. em B♭2

A. Sax       

   
         
               
Sax. Tn.

              
     
                      
Trp. em E♭


     
      
Trp. em E♭2

                     
   
       
Trp. em E♭3

Tpt. em B♭        

              
3 33


33

          
           
Tpt. em B♭2

    
     
3

                
Tbn.3

         
             
Tbn.2

           
 

Tbn.

             

            
Bomb.


Ssfn. em B♭
       

Escrito em Lucrécia RN 18 de Abril de 2002

  
           

6

  
25

 
         
Flt.

 
  
      
    
Fl.

  
 
Cl. em B♭

          
  
        
Cl. em B♭2

 


        
A. Sax

  
   
                
Sax. Tn.

                    
    

Trp. em E♭

              
           
      
       
Trp. em E♭2

                       
         
        
Trp. em E♭3

    
  
Tpt. em B♭

         

     
Tpt. em B♭2

       
  
        
Tbn.3

   

    
     
Tbn.2

    

       
     
Tbn.

  

          
Bomb.

Ssfn. em B♭        

Escrito em Lucrécia RN 18 de Abril de 2002

    
31          
7


   
         
Flt.


     
Fl.

     

 
 
Cl. em B♭

         
          
Cl. em B♭2



  
A. Sax

       
 
       
                
   
Sax. Tn.

       
  
Trp. em E♭

        
                
   
   
          
Trp. em E♭2

      
 
            
    
Trp. em E♭3

   
  
 
Tpt. em B♭

         
 
Tpt. em B♭2

      

   


             
Tbn.3

   
         
Tbn.2

 
   
   
Tbn.

    

            
Bomb.

    
    
Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

              
    
37     
8 1. 2.

  
 
To

            
Flt.

      


   
        
       
Fl.

   
     



          
Cl. em B♭

 
       


Cl. em B♭2
  
            
       
  


 
A. Sax

       
   


                    
       
Sax. Tn.

  
    
       
                 
Trp. em E♭

  


  
    
Trp. em E♭2

     
       
            
       


          
     
Trp. em E♭3

      
Tpt. em B♭

 
   
   


       
         
      
Tpt. em B♭2

             
 


       
    
   
Tbn.3

   


        
   
Tbn.2

  
   
          
Tbn.

  
          
 
Bomb.

      
   

Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

                    
43 
9

    
                   

Flt.

    
                   
Fl.

    
                   
Cl. em B♭

    
                      
Cl. em B♭2

   
        
A. Sax

     
 
   
      
Sax. Tn.

         
  
       
      

Trp. em E♭

                        

Trp. em E♭2

            
     
       
                     
Trp. em E♭3

Tpt. em B♭     

                        
  
      
   
Tpt. em B♭2

     
 
   
         
Tbn.3

     
  
  
         
Tbn.2

     
   

     
     
Tbn.

     
  
            
Bomb.

     
Ssfn. em B♭


Escrito em Lucrécia RN 18 de Abril de 2002

                  
 
10

       
48

                 
Flt.


       
                  
Fl.

       
                  
Cl. em B♭

      
                    
Cl. em B♭2

      
              

A. Sax

     
 
                   
Sax. Tn.

              
 
       
Trp. em E♭

                  
 
  
Trp. em E♭2

                       
                  
  
Trp. em E♭3

    
 
Tpt. em B♭

                        
  
       
      
Tpt. em B♭2

      
 
     
 
         
Tbn.3

   

                

Tbn.2

   
  
                

Tbn.

   

     
           
Bomb.

     

Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

 53    
                        
1. 11

   
                        
Flt.


   
                        
Fl.

   
                         
Cl. em B♭

  
                          
Cl. em B♭2

  
       
    
A. Sax

 
                         
Sax. Tn.

                

   
Trp. em E♭

                         

Trp. em E♭2

                            
                         
Trp. em E♭3

    

Tpt. em B♭

                            
               
Tpt. em B♭2

  

   
             
Tbn.3

 
 
  
             
Tbn.2

 
  
               
Tbn.

  
 
       
Bomb.

   
  
Ssfn. em B♭ 

Escrito em Lucrécia RN 18 de Abril de 2002

      
       
 
12


2.

  
    
59 Fine

     
      

Flt.

         
3 3


        3  3 
  
Fl.

      

         
   
Cl. em B♭

     
33 3

  
          
Cl. em B♭2

    
   
3

  
 
A. Sax

        
   
3 3

 
                
      
Sax. Tn.

      
   
         
       
Trp. em E♭

       
3 3

    
         
Trp. em E♭2

    
                 
33 33

   
       
       
Trp. em E♭3

   
3

 
 
           
Tpt. em B♭

   

3


3

     
Tpt. em B♭2

        
  
    
3 3

   
      
Tbn.3

       
   
3


 
   3    
       
Tbn.2

     
3


        
Tbn.

  
     
3 3


          
Bomb.

Ssfn. em B♭       


Escrito em Lucrécia RN 18 de Abril de 2002

 65       
   
  
13

 
  3 
       
Flt.

    
3 3

Fl.

     
    
3

  
3 3
3 3
Cl. em B♭

      
3

    
3 3 3

 3
   
Cl. em B♭2

A. Sax          

    
    
3

   
3


3 3

                 
          
Sax. Tn.

    
                     
Trp. em E♭


        
      
       
Trp. em E♭2

          
 
 
     
   
Trp. em E♭3

         
3 3
Tpt. em B♭

        
3

    
3 3 3

          
Tpt. em B♭2

  
          
Tbn.3

  


       
Tbn.2

    


 

      
Tbn.

       

 3

               3   
Bomb.

Ssfn. em B♭             

Escrito em Lucrécia RN 18 de Abril de 2002

    
71      
14

    
  

     3  

Flt.

        

3

 
      
Fl.

    
  
3 3

 
Cl. em B♭

          
3 3

  
  
3

     3  
Cl. em B♭2

     
  
 
   
A. Sax

      
  
3 3


               
Sax. Tn.

          
Trp. em E♭
        
                     
        
        
Trp. em E♭2

                  
      
       
Trp. em E♭3

      
 
Tpt. em B♭

          
3 3

  
   
3

           
Tpt. em B♭2

 
    
3

         
Tbn.3

     

         
Tbn.2

     
 
    
      
Tbn.

  

                    
Bomb.


Ssfn. em B♭       

Escrito em Lucrécia RN 18 de Abril de 2002

   
77            
15

  
   
         
Flt.

  

3 3


     
Fl.

         
3 3


3


Cl. em B♭

    
       
3

  
3 3

       
    
Cl. em B♭2

  

A. Sax

 

  
       
3


3


3

               
Sax. Tn.

      
   
3

    
                   
Trp. em E♭

 
        
        
Trp. em E♭2

                
    
   
Trp. em E♭3

            

3

Tpt. em B♭

 

         
  
3


3 3

           
Tpt. em B♭2

  
          
Tbn.3

  
        
Tbn.2

   
 
            
Tbn.

  

   3       3 
Bomb.

         
Ssfn. em B♭     

Escrito em Lucrécia RN 18 de Abril de 2002

        
   
16


83

    3   
Flt.

  
3


    
Fl.

  
  
3 3
3

  
Cl. em B♭

     
 
3
3

  3   
Cl. em B♭2

 
  

  
A. Sax

  
       
3 3

 
3


        
Sax. Tn.

                
3

        
  
             
Trp. em E♭

       
     
  
               
Trp. em E♭2

      
        
    
Trp. em E♭3

   
 
3

  
Tpt. em B♭

     
 
3
3

      
Tpt. em B♭2

     
  
3

 
         
Tbn.3

   
  
         
Tbn.2

     
 
    
     
Tbn.

 
   
         3    
Bomb.

        
     
3

Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

      
89       

17

 
  3  3 
       3
Flt.

 

    
Fl.

    
 
3 3 3

 
3

Cl. em B♭

    
      
3


3 3


  3  3 
    
Cl. em B♭2


 
  
A. Sax


      
3 3

 
3
3 3

        
Sax. Tn.

            
3

   
 
Trp. em E♭

            
 
   
    
      
Trp. em E♭2

                 
   
      
Trp. em E♭3

   
 

3

Tpt. em B♭

         
 
3


3 3


   
Tpt. em B♭2

    
  
3 3

   
    
Tbn.3

  
   
    
Tbn.2

 
 
    
Tbn.

       

      3     
Bomb.

         
 
3

  
3

Ssfn. em B♭

Escrito em Lucrécia RN 18 de Abril de 2002

     
18


1. 2.

94 
D.C. al Coda

       
     
Flt.

 
      
     
Fl.

 
     
 
Cl. em B♭

    
      
   
 
Cl. em B♭2

       
        
A. Sax

           

         
Sax. Tn.

                  
      

                
Trp. em E♭

 
      
       
Trp. em E♭2

                  
       
        
Trp. em E♭3

Tpt. em B♭   
  

           
 
        
  
Tpt. em B♭2

          
  
       
Tbn.3

           
        
Tbn.2

            
 
          
Tbn.

         

      
       
Bomb.

    
Ssfn. em B♭      

Escrito em Lucrécia RN 18 de Abril de 2002

Piccolo Maestro Marciano Ribeiro

                          
Dobrado n°11
Ranieri soares


   
 = 110

        
           

        
8

 
     
              
 
  
   
20

                To  1.    
  


31

         
               
         
2.


         
41

                         



      
48

                            


1. 2.

     
55

 Fine 
    
           
3 3

      
   3
62

             
    
3


3 3

   
 
75

3 3 3 3 3

                 
1. 2.

 
D.C. al Coda

      
87

3 3 3

Escrito em Lucrécia RN 18 de Abril de 2002

Flauta TransversalMaestro Marciano Ribeiro

                          
Dobrado n°11
Ranieri soares


   
 = 110

        
           

        
8

 
     
              
 
  
   
20

                To  1.    
  


31

         
               
         
2.


         
41

                         



      
48

                            


1. 2.

     
55

 Fine 
    
           
3 3

      
   3
62

             
    
3


3 3

   
 
75

3 3 3 3 3

                 
1. 2.

 
D.C. al Coda

      
87

3 3 3

Escrito em Lucrécia RN 18 de Abril de 2002

Clarinete em B♭ 1 Maestro Marciano Ribeiro
Dobrado n°11

                          
Ranieri soares

  
 = 110


  
                 

   
8

         
         
     
22

                 
       
1. 2.

            
To 


36

                          


     
45

                            
1.

    
52

            Fine 
          
2.

     
59
3

3 3

            3   
3

  
          
70

 3 
3

           

3

     
 
1.


82 3 3

3 3 3 3

     
2.

    
96 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Clarinete em B♭ 2 Maestro Marciano Ribeiro
Dobrado n°11

                 
           
Ranieri soares


    
 = 110


10
               
         


         
           
24

    
        
            
    
1. 2.


               
37 To

       
    
    
                  


       
46

          
                  Fine 
          
1. 2.


55 3

3 

                
    
65

    3
3 3 3 3


  3

              
  

   
77 3
3

 
              
1. 2.

     
90 D.C. al Coda


3

3 3

Escrito em Lucrécia RN 18 de Abril de 2002

Saxofone Alto Maestro Marciano Ribeiro
Dobrado n°11

           

Ranieri soares

  = 110 
    

       
  
          


9

        
           
   
23


  
              
      
   
1. 2.

          
To


36

   
                 
             


     
45

                      
       
   
1.


53

     Fine   

             
   
 
60 2. 3

             
3 3 3

 
3

 
    
        
72

  3
             
3 3

    
3

    
       
1. 2.
85


3 3 3 3 3

   
98 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Saxofone Tenor Maestro Marciano Ribeiro
Dobrado n°11

    
Ranieri soares

          
 
         
 = 110

    
 
       
             
9 

                       
  
   
21

 
         
1. 2.

                 

 


33 To

 

                        

    
     
 
45

   2.
       1. Fine 
                    
      
56

 


                       
 
69

 
3 3 3

     
               

   

80 3 3


3

3 3

         
      
1. 2.

     
91 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Trombone 1 Maestro Marciano Ribeiro
Dobrado n°11

              
Ranieri soares

             
 = 110

   

             
          
                  
10

             

                    
                  

19

       

                              
   
1.
29  To

                  
         
2.

            

 
41


    
    
        
 
                       
1. 2.


52 3

  3

Fine 
                          
         
62

 

                   
       
      
77

 

           
      
1. 2.

      
92 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Trombone 2 Maestro Marciano Ribeiro
Dobrado n°11

       

       
Ranieri soares

 = 110

     
     
          
   
               
8

           
                
     
          
17

    
                   
 
26

    
                
         
1. 2.

         

  
To


38

   
     


                     1.
   
49

  Fine 
  
                          
2.

  
59

3 
3

                     
 
        
71


                   
1. 2.

            
D.C. al Coda

  
86

Escrito em Lucrécia RN 18 de Abril de 2002

Trombone 3 Maestro Marciano Ribeiro
Dobrado n°11

       

       
Ranieri soares

 = 110


                   
                    
8

                   
                                    
16

             
      
   
24

          To               
1. 2.

           


 
35

   
          
     
  
    
   
   
    
  
46

       1.
                  Fine   
         
2.


56

                      
3 3 

         

67

                    
       

81

       
    
1. 2.

        
95 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Bombardino Maestro Marciano Ribeiro
Dobrado n°11

            
Ranieri soares

           
 = 110


 
                                    
7 

    
                           
18

    
                   1.
      
29 To

              
                      
2.

 

   
41

      
        1.
    
             
    
2.


51

 Fine   

                 

62 3

            
3

    
           
 
75

     
     
3


3

     
  
1.


85


3 3


3 3 3

      
  
2.

   
96 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Trompa em E♭ 1 Maestro Marciano Ribeiro
           
Ranieri soares

    
          
         
Dobrado n°11

    
 = 110

  

           
          
       
10
                
         

       
         
      
    
  
   
   
             
19

   
                          
          
       
28

      
                                
1. 2.

   
  
To 

    
37

   
             
                   


   
     
46

      
                 
        Fine  
       
1. 2.

 
55

                                     
3 3

          
     
64

                     

                

74

                    1.  

                 
85

      
2.

      
D.C. al Coda

 
96

Escrito em Lucrécia RN 18 de Abril de 2002

Trompa em E♭ 2 Maestro Marciano Ribeiro
              
Ranieri soares

  = 110  
          
         
 
Dobrado n°11

  
           
                 
           
10
     
         

       
                
              
19

            

                                  
       
          
28

     

          To         
                
     
   
1. 2.


37 
    
             
                  
     
     
   



46

 
                    
                 Fine  
     

55 1. 2.

  
                                     
3 3

 
64

              

                     
                                       
74

         

                
     
                    
        
85

         

        
1. 2.

     
95 D.C. al Coda

    

Escrito em Lucrécia RN 18 de Abril de 2002

Trompa em E♭ 3 Maestro Marciano Ribeiro

Ranieri soares

  = 110
 

             
                    
Dobrado n°11

            
                              
   
             
9

           
     
     


        
         
  
  
17

             
                   
      
     
    
26

       To   
1. 2.

                            

     
35

 


           
     
    
  
    
  
        
        
    
44

    3  3
  
           
            
    
         
     
53
1. 2.

  Fine
 


   
 


 
 


 
 
  
                    
62

              

   
     
      
      
     
    
71

                  

    
      
        
        
81

             
1. 2.

                                
90 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Trompete em B♭ 1 Maestro Marciano Ribeiro
Dobrado n°11

      
Ranieri soares

       

   
 = 110 


      
 
   
                   
12

3 3 3 3 3 3

               
               
 
24

                   

            
1. 2.

        
  
  

37 To

        
                           
    
     
46

           3     Fine 
          
    
      
55 1. 2.

 3 

          
        
      
65


3 3

3 3 3

    3             
       

77

 3
3

3 3

             
    
1. 2.

 
91 3 D.C. al Coda

Escrito em Lucrécia RN 18 de Abril de 2002

Trompete em B♭ 2 Maestro Marciano Ribeiro
Dobrado n°11


Ranieri soares

       
           
 = 110 


     
                         
 
12 3 3 3


3 3 3

   
                        
24 3

 
1. 2.



          
          
     
   
         
37 To

 

                             
          

          
46

  Fine 
 
                           
              
1. 2.


55


3

                   
   
65

    3
3 3 3 3

  3

              
       
77


3 3

                 
1. 2.

 
90 D.C. al Coda

  
3

3 3

Escrito em Lucrécia RN 18 de Abril de 2002

Sousafone em B♭ Maestro Marciano Ribeiro

                                 
Ranieri soares
Dobrado n°11

    
 = 110

                                     

10

         

                                
         
19

                                     
      
29

                 
            
 
1. 2.

   
 

  
39 To


                   1.   

            
49


  Fine         

                         
      
60
2.

                               



         
70

                                
         
79

               1.        
                         
88

  
  
2.

 
D.C. al Coda


97

Escrito em Lucrécia RN 18 de Abril de 2002