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Messe de Saint Sylvestre à Baguida

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0% ont trouvé ce document utile (0 vote)
34 vues4 pages

Messe de Saint Sylvestre à Baguida

Transféré par

crepinnoudoukou71
Copyright
© All Rights Reserved
Nous prenons très au sérieux les droits relatifs au contenu. Si vous pensez qu’il s’agit de votre contenu, signalez une atteinte au droit d’auteur ici.
Formats disponibles
Téléchargez aux formats PDF, TXT ou lisez en ligne sur Scribd

Archidiocèse de Lomé

DOYENNE LOME-EST 2
Paroisse Sainte Lucie de Baguida

Solennité de Saint Sylvestre

Messe accompagnée par

« é é »

Baguida, le 31 décembre 2024

Processions : Dz 11
1/- @evi a2e dz4 na mi, ye wo le Betlehem.
X4la 2i tso dzi5o va Etr4 zu mia novi.
2 Nuv- me ye wodzim le, Gake nel-m ge2é. Nye Yesu d4menyot4, meda
kpe na wo f[. El-, el-, etr4 zu mia n4vi.
Entrée : Dz n° 244
1. Dzi5o kpl’anyigba do k4k4 wò, o Mawu ŋus8kat7t4 ; ‘Ye wò
asinud4w4w4wo, le wò nyas7 g7 la kafum. Xexe blibo nye n4wò5e,
kpl’amegbet4 5e dzi k4k4e.

2. T4 k4k4e g7 5e Vi mav4 la, 2i tso dzi5o va ‘nyigba dzi, be yeats4 ye n45e


k4k4e la, 2e m] amegbet4wo gb4. M]a5e altaro k4k4e la, ye va zu m]a
X4la n45e.
Kyrie : Messe de la Sympathie
Kyrie, Kyrie eleison, Kyrie eleison, Kyrie eleison
Christe eleison, Christe, Christe eleison, Christe eleison
Christe eleison
Kyrie eleison, Kyrie, Kyrie eleison, Kyrie eleison, Kyrie eleison
Gloria: Messe Marcelino
Réf : //Gloria, gloria, gloria, gloria in excelsis Deo,//
//Et in terra pax hominibus bonae voluntatis.
Gloria, gloria in excelsis Deo.//

1. Laudamus te, benedicimus te, adoramus te, glorificamus te, gratias agimus
tibi propter magnam gloriam tuam,
2. Domine Deus, Rex caelestis, Deus pater omnipotens. Domine Fili unigenite,
Jesu Christe, Domine Deus, Agnus Dei, Filius patris
3. ,Qui tollis peccata mundi, miserere nobis ;
Qui tollis peccata mundi, suscipe deprecationem nostram.
Qui sedes ad dexteram Patris, miserere nobis.
4. Quoniam tu solus Sanctus, Tu solus Dominus, Tu solus Altissimus, Jesu
Christe, cum Sancto Spiritu : in gloria Dei Patris. Amen.
Psaume : 08
O A5et4 mia Mawu, wo `ko ny4 eye wo y4 anyigb7 blibo la kat7.
Acclamation : Alléluia ne2i bobobo

Chant à l’Esprit Saint : Dz 84

Xexe blibo do k4k4 wò, wò nuwo kat7ãW4la


Dzi5o kple anyigba blibo nedzi kafuha vivi
‘Ye dzi5od4la ‘υak4wo, Kerubim kple Serafim
kpakple ame k4k4ewo h7 newo5o 5u adzi ha be: ‘Nyigba blibo kple dzi5o
nebu wò, Gb4gb4 K4k4e.

Credo : Crédo de Lourdes


Credo in unum Deum, Credo in unum Deum.
Prière Universelle : Neva me, neva me, neva me Fofo se mia 5e gbe
2
Quête : Louange
Offertoire :
 Nusianu tso gb4wo
Ref :Nusianu tso gb4wo A5etɔ, mie2e kuku x4 mia5e nunana wo.
1. O A5et4, tr4 akp4n4 sia woatr4 zu viwo 5e `util7.
2. O A5et4, mie2e kuku, na be win sia na zu viwo 5e 3u.
3. A5et4, na be v4sa sia 5e vi2ewo nan4 miadzi tegbe.
 Lifi sia nen7
Sanctus : Messe Sainte Rita de Cascia
Saint, Saint, Saint le Seigneur, Dieu de l’univers (x2)
Le ciel et la terre sont remplis de ta gloire
Hosanna, Hosanna au plus des cieux.
Béni soit celui qui vient au nom du Seigneur
Hosanna, Hosanna au plus des cieux.
Anamnèse : Ordinaire
Agnus Dei : Messe Sainte Rita de Cascia
1/- Agneau de Dieu qui enlève les péchés du monde, Prends pitié, prends pitié de nous.
2/- Agneau de Dieu qui enlève les péchés du monde, Prends pitié, prends pitié de nous.
3/- Agneau de Dieu qui enlève les péchés du monde, Donne-nous, donne-nous la paix.

Communion :
 Dz 130: Yesu Kristo, nye A5et4

1. Yesu Kristo, nye A5etɔ, na be nye dzi nalɔ̃ wò. Tɔwòe menye,
xɔlɔ̃ vivi, //: mele nye dzi tsɔm na wò. ://

2. O nye Yesu, Mawu vav7, èɖe nyateƒe la fiam; na nye xɔse


nazu blibo, //: na wòali ke nam tegbe: //
3. Nye A5etɔ kple nye Mawu, ŋutiwòe medo dzi ɖo, elabena wòe
lɔ̃ vevie //: bena mayi ɖe dziƒo. ://
 Wòe nye mia5e Fia
1/- Wòe nye mia5e Fia, mia5e Fia K4k4e la, Wòe tso dzi5o va ts4
2okui wò sav4e
3
O Yesu X4la na miazu n4wò 5e, Mia5e dzi nale dzo le wò l4l- la me.
Ref : Wòe nye agbebolo, wòe nye agbe tsi vivi, Dzi5odolawo kat7 le
ha dzim na wò.

2/- Kristo Fiawo 5e Fia ele mia dome, le sakramento k4k4e g7 la me


Miex4 dziwò se ye miele kafuwòm, Miele wò ŋk4 k4k4e g7 la dom
2e dzi.
 Tu fais ta demeure en nous
Ref : Tu es là présent, livré pour nous. Toi le tout petit, le serviteur.
Toi, le Tout Puissant, humblement tu t'abaisses. Tu fais ta demeure en nous Seigneur.

1. Le pain que nous mangeons, le vin que nous buvons, C'est ton corps et ton sang,
Tu nous livre ta vie, Tu nous ouvre ton cœur, Tu fais ta demeure en nous Seigneur.

2. Par le don de ta vie, tu désires aujourd´hui, reposer en nos cœurs,


Brûlé de charité, assoiffé d´être aimé, Tu fais ta demeure en nous Seigneur
Envoi : Christ hier, Christ aujourd’hui

Christ hier, Christ aujourd’hui, Christ demain, pour tous et toujours,


Tu es Dieu, Tu es l’Amour. Tu appelles : nous voici !

1- Béni soit Dieu qui s’est fait chair ! Pour nous, pécheur, il a souffert
Jusqu’à la mort, sur une Croix : Il nous a aimés jusque-là Amen ! Alléluia !

 Mitso aseye wodzi Kristo na mi hee


Mitso aseye wodzi Kristo na mi hee, Mittso aseye halleluya.
Mawu d4la Gabriel va Maria gb4 mitso aseye le nazareth dula me
halleluya

 Mikafu Mawu
Mina miats4 hadzidzi kple we2u2uwo, kafu Mawu le gbe `keke sia
dzi. Mi 2e gbe57 e5e nu dz4 tsu w4w4wo, Kple gbe ses8 na xexeame
godo.
Ref : Aseye hawo, kafu hawo miadzi na Mawu 2aa tegbe, tegbe.
Aseye hawo, kafu hawo miadzi, na Mawu 2aa.

Common questions

Alimenté par l’IA

The repetition of elements such as "Kyrie eleison" and "Agnus Dei" signifies their importance in fostering a meditative and reflective atmosphere during the Mass. These parts of the service are essential for confession and invocation of divine mercy, emphasizing the communal and personal appeal for forgiveness and peace from God . Repeating these prayers throughout the Mass allows the congregation to participate actively in penitence and reverence, highlighting the solemnity and continuity of the liturgical tradition .

The hymn selection effectively conveys theological themes by aligning each song with specific parts of the Mass that highlight key aspects of faith, such as redemption, sacrificial love, and divine mercy. For instance, the repeated invocation of "Agnus Dei" underscores the theme of salvation and God's forgiveness, while the "Gloria" reflects joy and praise for God's glory . By carefully matching hymns with liturgical movements, the document ensures that the theological messages are both coherent and impactful, enhancing the spiritual focus of the service .

The document manages linguistic diversity by incorporating hymns and liturgical texts in multiple languages, including local dialects and Latin, to accommodate the diverse linguistic background of the congregation. This multilingual approach reflects sensitivity to the congregation's cultural and linguistic identities, ensuring inclusivity in worship . For example, the use of "Crédo de Lourdes" in Latin alongside local hymns exemplifies integrating church traditions with local expressions, allowing for broader participation and understanding . This strategic linguistic inclusion consolidates unity within diversity, offering a more personalized worship experience .

The document reflects cultural blending through its incorporation of traditional elements alongside standardized liturgical practices. It features hymns and responses in both native languages and Latin, which is the traditional liturgical language, showing a merging of local culture with universal Catholic practices . This blend is evident in the specified Kyrie from the "Messe de la Sympathie" and the "Crédo de Lourdes," both integrating local expression with global liturgical forms, thus enriching the service through diversified traditions .

The "Paroisse Sainte Lucie de Baguida" plays a crucial role in organizing and conducting the Mass, as it represents the collective spiritual and community identity in the celebration. By involving elements like the "Fédération des Chorales" and specifying the liturgy and music, the parish ensures the Mass is tailored to the local congregation, promoting active participation and cultural resonance . This suggests a commitment to preserving local religious practices while aligning with broader Catholic rituals .

The document illustrates the use of traditional hymns by listing specific songs and their roles in different parts of the service. Hymns such as "Dzi5o kpl’anyigba" and "Prière Universelle" are included to guide the congregation through various liturgical actions like the entrance, offering, and communion . The incorporation of these hymns reflects the intention to maintain a connection to the heritage and history of the faith community, emphasizing the continuity and depth of worship practices through familiar melodies and texts .

The document uses music to facilitate worship and engagement by incorporating it at key moments of the Mass, such as the entrance, Kyrie, Gloria, and Communion. Each piece is selected to enhance the mood and focus of the congregation, from solemn introspections during "Kyrie eleison" to celebratory praises in "Gloria" . This strategic placement ensures that music not only supports the liturgy but also encourages active participation, helping the congregation to connect spiritually with the service and each other . Music becomes a tool for unity and expression, bridging individual experience with community identity .

The structure of the Mass, with its detailed order of hymns, prayers, and responses, suggests that the parish prioritizes an orderly, participatory, and culturally resonant worship experience. The inclusion of a variety of musical styles and the alternating use between Latin and native languages indicate a balance between traditional Catholic liturgy and local cultural practices, emphasizing both reverence and cultural connectivity . This layout shows a deliberate effort to engage its community actively while maintaining the sacredness and spirituality embedded in Catholic worship .

The musical elements in the liturgical celebration serve to enhance the spiritual experience and engagement of the congregation. The document details various hymns and musical accompaniments, such as "La Fédération des Chorales" and the use of the "Messe Marcelino" for the Gloria, indicating a structured and communal expression of faith . The repetition of elements like the Kyrie and Gloria in different styles and languages suggests a unifying purpose, connecting the congregation with the divine through a familiar and participatory format .

The document reveals a community deeply rooted in their religious traditions, displaying a harmonious blend of local culture with universal Catholic practices. Insights can be inferred from the careful selection of hymns and multilingual elements, reflecting a commitment to inclusivity and cultural preservation within their worship . The involvement of the "Fédération des Chorales" and the use of native languages alongside Latin indicate a vibrant expression of faith that respects tradition while actively involving the congregation . The structure of the Mass showcases an emphasis on continuity, participation, and identity, highlighting the community's dedication to maintaining their spiritual heritage .

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