Humor & Satire Ebooks

A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

A uniquely humorous and deeply profound novel from a legendary stand-up comedian that follows the thoughts of a 1960s third grader during a single day at school. Steven Wright is one of the most significant and influential stand-up comedians in history. Rolling Stone ranked him fifteenth on their “50 Best Stand-ups of All Time” list, while the New York Times has written of his enduring legacy: “If you made a family tree of modern stand-up, he would top one of the few major and expanding branches. The children of Mr. Wright pack the comedy scene today.” Now comes his first novel, which is sure to be unlike anything you’ve ever read. From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball—especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold’s mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan. He envisions his own funeral procession and wonders if the driver of the hearse has even been born yet. Harold documents the meandering, surreal, often hilarious, and always thought-provoking stream-of-consciousness ruminations of the title character during a single day in class. Saturated with the witticisms and profundities for which Wright’s groundbreaking stand-up has long been venerated, this novel will change the way you perceive your daily existence. To quote one of its many memorable lines: “Everything doesn’t have to make sense. Just look at the world and your life.”

Soon to be a major motion picture starring Reese Witherspoon “Tom Perrotta is…one of the great writers that we have today. I love this book.” —Harlan Coben An “engrossing and mordantly funny” (People) novel about ambition, coming-of-age in adulthood, and never really leaving high school politics behind—featuring New York Times bestselling author Tom Perrotta’s most iconic character of all time. Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job. Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life—a ten-year-old daughter, a needy doctor boyfriend, and a burgeoning meditation practice. But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be. Her male colleagues’ determination to honor Vito Falcone—a star quarterback of dubious character who had a brief, undistinguished career in the NFL—triggers memories for Tracy and leads her to reflect on the trajectory of her own life. As she considers the past, Tracy becomes aware of storm clouds brewing in the present. Is she really a shoo-in for the principal job? Is the Superintendent plotting against her? Why is the School Board President’s wife trying so hard to be her friend? And why can’t she ever get what she deserves? A sharp, darkly comic, and pitch-perfect chronicle of the second act of one of the most memorable characters of our time, Tracy Flick Can’t Win “delivers acerbic insight about frustrated ambition” (Esquire).

This “insightful, moving story with striking depth” (Taylor Jenkins Reid, New York Times bestselling author) follows a Vietnamese Canadian family in Toronto who will do anything to protect their no-frills nail salon after a new high-end salon opens up—even if it tears the family apart. Vietnamese refugees Debbie and Phil Tran have built a comfortable life for themselves in Toronto with their family nail salon. But when an ultra-glam chain salon opens across the street, their world is rocked. Complicating matters further, their landlord has jacked up the rent and it seems only a matter of time before they lose their business. They enlist the help of their daughter, Jessica, who has just returned home after a messy breakup and a messier firing. Together with their son, Dustin, and niece, Thuy, they devise some good old-fashioned sabotage. Relationships are put to the test as the line between right and wrong gets blurred. Debbie and Phil must choose: do they keep their family intact or fight for their salon? “Sharp, witty, and warmhearted, [Mai] Nguyen’s debut tackles gentrification, small business ownership, prejudice in the workplace, and—most importantly—the depth of familial ties, and the power of a good manicure” (Shelf Awareness).

A darkly comic mystery by the author of Hark and The Ask set in the vibrant music scene of early 1990s New York City. Manhattan’s East Village, 1993. Dive bars, DIY music venues, shady weirdos, and hard drugs are plentiful. Crime is high but rent is low, luring hopeful, creative kids from sleepy suburbs around the country. One of these is Jack S., a young New Jersey rock musician. Just a few days before his band’s biggest gig, their lead singer goes missing with Jack’s prized bass, presumably to hock it to feed his junk habit. Jack’s search for his buddy uncovers a sinister entanglement of crimes tied to local real estate barons looking to remake New York City—and who might also be connected to the recent death of Jack’s punk rock mentor. Along the way, Jack encounters a cast of colorful characters, including a bewitching, quick-witted scenester who favors dressing in a nurse’s outfit, a monstrous hired killer with a devotion to both figure skating and edged weapons, a deranged if prophetic postwar novelist, and a tough-talking cop who fancies himself a retro-cool icon of the homicide squad but is harboring a surprising secret. No One Left to Come Looking for You is a page-turning suspense novel that also serves as a love letter to a bygone era of New York City where young artists could still afford to chase their dreams.

NATIONAL BESTSELLER AND CULT FAVORITE Named a Best Book of the Year by the New Yorker, Time, NPR, Vogue, Elle, Cosmopolitan, Huffington Post, NBC News, Lit Hub, theSkimm, Condé Nast Traveler, Town & Country, and more! “One of the funniest books of the last few years” (Los Angeles Times) about a sex therapist’s transcriptionist and her affair with one of the patients. Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss. One day, Greta recognizes Big Swiss’s voice in town and they quickly become enmeshed. While Big Swiss is unaware Greta has eavesdropped on her most intimate exchanges, Greta has never been more herself with anyone. Her attraction to Big Swiss overrides her guilt, and she’ll do anything to sustain the relationship… “A fantastic, weird-as-hell, super funny novel” (Bustle), Big Swiss is both a love story and a deft examination of infidelity, mental health, sexual stereotypes, and more—from an amazingly talented, singular voice in contemporary fiction.