0% encontró este documento útil (0 votos)
19 vistas4 páginas

Miguel Ángel y la Capilla Sixtina

Miguel Ángel fue un genio del Renacimiento conocido por sus esculturas y pinturas impresionantes. Estudió cada técnica meticulosamente y creía que su talento artístico era un regalo divino. Realizó obras maestras como La Capilla Sixtina y La Piedad que lo han inmortalizado. A pesar de carecer de recursos y enfrentar la oposición, se convirtió en el artista más destacado de su época.
Derechos de autor
© All Rights Reserved
Nos tomamos en serio los derechos de los contenidos. Si sospechas que se trata de tu contenido, reclámalo aquí.
Formatos disponibles
Descarga como PDF, TXT o lee en línea desde Scribd
0% encontró este documento útil (0 votos)
19 vistas4 páginas

Miguel Ángel y la Capilla Sixtina

Miguel Ángel fue un genio del Renacimiento conocido por sus esculturas y pinturas impresionantes. Estudió cada técnica meticulosamente y creía que su talento artístico era un regalo divino. Realizó obras maestras como La Capilla Sixtina y La Piedad que lo han inmortalizado. A pesar de carecer de recursos y enfrentar la oposición, se convirtió en el artista más destacado de su época.
Derechos de autor
© All Rights Reserved
Nos tomamos en serio los derechos de los contenidos. Si sospechas que se trata de tu contenido, reclámalo aquí.
Formatos disponibles
Descarga como PDF, TXT o lee en línea desde Scribd

Sharon Lizbeth Quiroz Cobos ID: 20704 Semestre: Ene – Jun 2021 09/02/2021

Arte y Cultura III


Profesora: Arq. Guadalupe Ensignia Rojano

Título: El reino de Bellas Artes - Documental de RT


o Año: 2015
o Género: Documental
o Duración: 26:14
o Idioma(s): inglés traducido al español
o Productora: Actualidad RT
o Link: [Link]

Título: El divino Miguel Ángel: cómo se convirtió en el orgullo de Roma - Parte 1


o Año: 2019
o Género: Documental
o Duración: 59:05
o Idioma(s): inglés subtitulado
o Productora: BBC News
o Link: [Link]

Título: El divino Miguel Ángel, la gran estrella del Renacimiento Italiano – Parte 2
o Año: 2019
o Género: Documental
o Idiomas (s): inglés subtitulado
o Productora: BBC News
o Link: [Link]


Hace poco más de 500 años, en 1552 en Roma, antes de la época renacentista.


o Miguel Ángel
o Domenico del Ghirlandaio (persona que le enseñó a pintar)
o Lorenzo el Magnífico (Familia que gobernaba Florencia)
o Cardenal Riario (le encarga su primer trabajo)
o El papa Julio II (Le encarga pintar la capilla Sixtina)
o Bramante (Asistente del papa que influía mucho en las decisiones tomadas
por este, el cual fue el que sugirió se le encargase a Miguel Ángel la pintura
de la capilla Sixtina, pensando que fracasaría en el proceso).


Era un genio impetuoso, perfeccionista que creía que su talento era un regalo divino,
lo que quería lo llevaba a cabo, fue capaz de realizar las más grandes obras que han
perdurado a lo largo de los años y convertirse en el artista que esculpió y pintó obras
muy importantes para personas poderosas de aquellos tiempos.
Era arriesgado, valiente, que decía que, si Dios le dio el talento, de él dependía ser el
mejor, también era arrogante porque sabía que era muy bueno en su trabajo y se
aventuraba a realizas cosas aun cuando no las había intentado nunca, estudiaba con
detalle cada técnica y se preparaba para lograr hacer un buen trabajo e incluso
cando su trabajo no salía bien lo destruía y empezaba desde cero.

Estudiaba cada técnica a practicar antes de hacerla, es decir, si quería


esculpir mármol iba a la fuente del mármol él mismo a escoger la pieza, medir
su tamaño y transportarla para lograr hacer su escultura, si quería pintar o
esculpir caballos estudiaba a los caballos, si quería pintar o esculpir hombres
iba al monasterio y diseccionaba cadáveres, incluso se le llegó a acusar de
cometer un asesinato con tal de crear una obra más realista, lo cual él
desmintió.

 Cuando durante una pelea le rompieron la nariz y la desesperanza


por su propia fealdad motivó una búsqueda obsesiva por la belleza
en su arte.
 Cuando a causa de no tener dinero y muy poca comida decidió
falsificar esculturas haciéndolas pasar por antigüedades y así
venderlas a un mayor precio, pero su obra terminó en manos del
cardenal Riario el cuál supo que la obra del cupido durmiente era
falsa, sin embargo, decidió darle una nueva oportunidad de probar
su talento y le encargó realizar esculturas para su jardín.
 Cuando el papa Julio II le encargó realizar un trabajo y le pagó por
adelantado, sin embargo, Miguel Ángel se compró una granja y
cuando el papa canceló su trabajo y pidió el reembolso Miguel
Ángel tuvo que huir porque ya no tenía el dinero completo, sin
embargo, como tregua para condonarle lo ocurrido le encargaron
que realizara la pintura de la capilla Sixtina.
 Cuando logró vencer a Leonardo da Vinci creando la escultura más
impresionante e imponente que haya existido jamás, la cual es la
representación de David, llamada “El David” y logrando que esta
fuera colocada en un espacio público durante muchos años.


Era un escultor muy perfeccionista, las obras
le quedaban muy reales e impresionantes,
tanto que han logrado sobrevivir a lo largo de
los años, lo que lo inmortalizó a lo largo de
todos los tiempos como el mejor artista.

o La pintura del techo de la capilla


Sixtina
o El David, la capota de la iglesia
o El cupido durmiente (obra perdida)
o El Baco, La piedad
o El contrafuerte de la catedral
o El moisés
o El juicio final, diseño de la iglesia
de San Pedro
o La arquitectura de la ciudad de
roma (plaza renacentista)
o La piedad florentina (creada para
su propia tumba)


Ser de escasos recursos
o La muerte de su madre
o La oposición de su padre por que fuera artista
o Falsificar estatuas y venderlas como originales por falta de
empleo y dinero
o Casi nunca tenía dinero y no comía ni se aseaba bien,
o Al pintar el techo de la capilla Sixtina durante 4 años en la
misma postura mirando hacia el techo tuvo consecuencias físicas
al grado de sentir mucho dolor muscular, dolores de cabeza y
deformación ósea


De las últimas obras que realizó fue la construcción de la
capilla de los Medici, periodo durante el cual se fue de roma a
Florencia para nunca volver, fue atraído por un joven llamado
Tommaso dei Cavalieri del cual se enamoró, sin embargo, el
no menciona a haber tenido acontecimientos importantes a su
lado, ni deseo sexual o carnal.

En sus últimos años quiso asegurarse de que su familia


alcanzara el estatus aristocrático que siempre quiso.
Antes de morir comenzó a destruir sus dibujos y poemas ya
que creía que no eran lo suficientemente buenos, incluso
destruyó una de sus últimas obras la piedad florentina, la cual
estaba destinada para su propia tumba.
Murió el 18 de febrero de 1564 a la edad de casi 89 años,
 Explicar concepto de Arte, Artista y Belleza

Es un concepto que abarca todas las creaciones


realizadas por el ser para expresar ciertas emociones,
sentimientos acerca de algo y puede ser real o
imaginario, este se expresa mediante recursos
materiales o no, como pueden ser pinturas, poemas,
canciones, esculturas, obras, baile, etc.

Todo esto permite expresar sensaciones, emociones e


ideas que son transmitidas del artista al público.

Se refiere a una persona que se dedica o


ejerce profesionalmente ciertas ramas del
arte, como lo son la danza, el teatro, la
música, la pintura, la escultura, la poesía,
entre otras.

Capacidad de algún objeto, persona o animal


de provocar una sensación de bienestar en
otra, al momento de verla, escucharla u
observarla.

Common questions

Con tecnología de IA

Domenico del Ghirlandaio was a crucial figure in Michelangelo's early career as he taught him how to paint, marking the beginning of his artistic education . Lorenzo the Magnificent, a member of the ruling Medici family in Florence, provided him with patronage, which was essential for his career growth and exposure to influential circles . Cardenal Riario, despite discovering one of Michelangelo's earlier works to be falsely presented as an antique, recognized his talent and commissioned him, allowing Michelangelo to demonstrate his skills and integrity . Furthermore, Pope Julius II played a major role by commissioning Michelangelo to paint the Sistine Chapel, a monumental task that solidified his reputation as a master artist . These relationships facilitated Michelangelo's transition from an aspiring artist to a celebrated sculptor and painter of the Renaissance, despite initial obstacles and misunderstandings.

Michelangelo's decision to destroy some of his unfinished works before his death was heavily influenced by existential and legacy-related considerations. Primarily, his self-critical nature and quest for perfection made him uncomfortable with leaving behind works that he deemed incomplete or unworthy of his established standards . This introspection highlights a profound existential struggle with his own identity as an artist and the fear of posthumous judgment. By destroying unfinished works, Michelangelo sought to control his artistic legacy, ensuring only those pieces he deemed reflective of his true capability survived . Additionally, in his later years, a sense of disillusionment with both his creations and the changing cultural landscape may have fueled a desire to erase what he no longer considered valuable, indicating a complex relationship with the art he devoted his life to understanding. This act illustrates a fundamental tension between the artist’s perception of his oeuvre and his enduring legacy, deeply rooted in Renaissance values of immortality through exceptional artistic achievement.

Michelangelo's undertaking of the Sistine Chapel ceiling was both a personal and artistic breakthrough. Artistically, it marked a fusion of his skills in sculpture and painting, demonstrating a mastery of fresco techniques despite his primary focus on sculpture . The monumental scale and complexity of the project challenged him to experiment with human anatomy, spatial composition, and storytelling on a grand scale, pushing his art into new realms of expression and creativity . Personally, the commission allowed him to transition from a sculptor seeking opportunities to an artist of European renown, solidifying his reputation and financial stability . The grueling process, fraught with physical strain and psychological pressure, also represented his tenacity and dedication. Michelangelo's successful completion and the resulting acclaim signify a pivotal moment where his artistic genius was fully recognized, and his vision expanded the boundaries of what was possible in Renaissance art.

The competitive dynamics between Michelangelo and Leonardo da Vinci significantly shaped the Renaissance art scene. Michelangelo's creation of the 'David' sculpture was partly driven by the need to surpass Leonardo in terms of artistic innovation and public admiration . This competition fostered a culture of excellence and experimentation, as both artists pushed boundaries and set new standards for realism and anatomical precision . Their rivalry was not just personal but emblematic of the broader challenges and changes the Renaissance period represented, where individual achievement and innovation were paramount. Michelangelo's successes, particularly with 'David', showcased the potential of technical skill and emotional expression, creating an enduring legacy that encouraged future artists to aspire to new heights. This competitive spirit, while tense, undoubtedly contributed to the rich vibrancy and advancement of Renaissance art, as artists sought to achieve prominence and perfection amid one of history's most transformative artistic movements.

Michelangelo's philosophical views on art were deeply intertwined with notions of divine inspiration and human perfection. He believed his talent was a divine gift, positioning himself as a vessel through which God's creativity flowed . This belief instilled in him a relentless pursuit of perfection, viewing each work as a reflection of both divine and earthly ideals. His dedication to mastering form and anatomy underscored a belief that true art was found in the faithful representation and idealization of nature, indicating a blend of Platonism and Christian motifs . This perspective influenced his decision to focus on monumental projects that celebrated human and divine interactions, such as the Sistine Chapel and 'David' . His later life decisions, including destroying perceived imperfect artworks and seeking a solitary life, reflected his continuous conflict between artistic ambition and personal dissatisfaction, demonstrating how his philosophical convictions about beauty and perfection were inextricably linked to his creative and personal life choices.

Michelangelo faced multiple personal and societal challenges that deeply influenced his approach to art. His impoverished background and the loss of his mother forced him to persist despite financial and emotional hardships . This survival necessity sometimes led him to falsify sculptures due to financial desperation, though it ultimately provided opportunities when his talent was recognized . His constant state of self-doubt about his physical appearance, exacerbated by an incident where his nose was broken, fueled an obsession with depicting idealized beauty in his art . Despite his father's opposition to his artistic pursuits, Michelangelo's immense talent and determination drove him to study techniques meticulously, often preparing directly from nature or anatomy, which led to accusations of wrongful deeds in his quest for realism . His perfectionism was so extreme that he frequently destroyed works he deemed imperfect . These elements of personal struggle, societal expectation, and rigorous self-imposed standards, crafted a relentless work ethic and unparalleled dedication to his craft.

Michelangelo's interactions with the Medici family were instrumental in his artistic development and elevation of his social status. Lorenzo the Magnificent, a prominent Medici, provided him with an early environment rich in artistic and intellectual stimulation, which was crucial for nurturing his talent . Access to the Medici court exposed Michelangelo to influential figures and patrons, offering him commissions that helped establish his reputation and financial stability. The Medici's patronage allowed him not only artistic freedom but also a platform for experimenting with various forms and techniques, such as his early sculptures and architectural projects . The family's influence extended beyond mere patronage, as it firmly positioned Michelangelo within the fabric of Renaissance Florence's cultural and political elite, enhancing his social status and ensuring that his work reached potentiate key sectors of society. This relationship also eventually led him to undertake projects like the Medici Chapel, signifying ongoing influence through the Medici lineage that continued to shape his career significantly.

The ethical implications of Michelangelo selling counterfeit artwork, specifically his work presenting the 'Cupid' as an antique, highlight the challenging conditions and moral considerations artists faced during the Renaissance. While unethical by today's standards, this decision was largely driven by necessity due to financial hardship . The discovery of the counterfeit by Cardenal Riario could have severely damaged his reputation; however, the cardinal’s response to recognize Michelangelo's skill rather than condemn him for deception actually served to propel his career forward, emphasizing the quality and promise seen in his work despite the dubious circumstances . This incident underscores a complex interaction of ethics, necessity, and talent, where the artist's abilities were ultimately recognized and valued over the initial deceit. The event highlights a pivotal moment where his ethical lapse led to greater opportunities and further commissions, illustrating how moral and practical challenges were negotiated during this period of artistic evolution.

Michelangelo's career underscored the ongoing tension between artistic freedom and the demands of patrons, a significant theme during the Renaissance. While commissioned for significant works like the Sistine Chapel by Pope Julius II, Michelangelo faced rigid expectations regarding theme and completion, which often clashed with his creative aspirations and methods . His portrayal of the human form and biblical narratives brought innovative interpretations that sometimes challenged conventional ecclesiastical views, reflecting his preference for artistic autonomy . Conversely, his dependence on patronage for livelihood meant he had to navigate the directives and constraints imposed by his wealthy sponsors, such as the Medici and the Vatican, who expected adherence to their vision and timelines . Michelangelo's ability to execute works that satisfied patrons while pushing the boundaries of artistic expression exemplified the complex negotiation between honoring patron demands and pursuing individual artistic vision, a dynamic that defined much of the artistic production during the Renaissance.

Michelangelo's unique interpretation of beauty significantly influenced the evolution of Renaissance art by emphasizing a blend of naturalism and idealism. His works transcended mere physical representation, aiming to capture the psychological depth and divine aspect of his subjects . This approach was apparent in sculptures like 'David', where the anatomy and expressions of his figures demonstrated both natural precision and an idealized form, reflecting his belief in art as a reflection of divine perfection . Michelangelo expanded the boundaries of beauty by infusing his creations with emotional intensity and dynamic anatomy, setting new standards for artistic expression that inspired subsequent generations of artists to explore deeper spiritual and humanistic themes in their work . His aesthetic innovations encouraged a broader scope of artistic inquiry, igniting a shift toward a Renaissance ideal where beauty was not only in perfect form but also in capturing the sublime qualities of the human condition and divine inspiration.

También podría gustarte